Relevant bibliographies by topics / Winnipeg Art Gallery, Winnipeg, Man

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Academic literature on the topic 'Winnipeg Art Gallery, Winnipeg, Man'

Author: Grafiati
Published: 28 July 2024
Last updated: 30 July 2024

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Journal articles on the topic "Winnipeg Art Gallery, Winnipeg, Man"

1

Ingelevics, Vid. "Culture (Camera) Commerce: TheGift ShopExhibition at the Winnipeg Art Gallery." Visual Resources 18, no. 2 (2002): 127–43. http://dx.doi.org/10.1080/01973760290011798.

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2

Karlinsky, Amy. "Art exhibition catalogues. BOUCHARD, Marie, 2002 Marion Tuu’luq, Exhibition catalogue, Ottawa, National Gallery of Ottawa, 110 pages. WIGHT, Darlene, 2003 Rankin Inlet Ceramics, Exhibition catalogue, Winnipeg, The Winnipeg Art Gallery, 64 pages. WIGHT, Darlene, 2004 The Jerry Twomey Collection, Exhibition catalogue, Winnipeg, The Winnipeg Art Gallery, 128 pages." Études/Inuit/Studies 28, no. 1 (2004): 161. http://dx.doi.org/10.7202/012645ar.

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3

Bugslag, James. "A “Lost” Ivory Casket in the Gort Collection at the Winnipeg Art Gallery." RACAR : Revue d'art canadienne 32, no. 1-2 (2007): 5. http://dx.doi.org/10.7202/1069589ar.

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4

Vorano, Norman. "WIGHT, Darlene Coward, Zebedee NUNGAK, Lorne BALSHINE and Harry WINROB, 2008 The Harry Winrob Collection of Inuit Sculpture, Winnipeg, Winnipeg Art Gallery, 136 pages." Études/Inuit/Studies 32, no. 2 (2008): 198. http://dx.doi.org/10.7202/038227ar.

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5

Lougheed, Brett. "[ Sans Titre - No Title ]The Undead Archive: 100 Years of Photographing Ghosts. Gallery 1C03, Winnipeg, Manitoba, September 7 – November 10, 2023; University of Manitoba Archives & Special Collections, Winnipeg, Manitoba, September 21, 2023 – April 21, 2024; School of Art Gallery, Winnipeg, Manitoba, September 21 – November 10, 2023. Curated by Dr. Serena Keshavjee." Archivaria, no. 97 (2024): 210. http://dx.doi.org/10.7202/1112079ar.

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6

Murray, Ann. "Käthe Kollwitz: Memorialization as Anti-Militarist Weapon." Arts 9, no. 1 (2020): 36. http://dx.doi.org/10.3390/arts9010036.

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This essay explores Käthe Kollwitz’s antiwar graphic work in the context of the German, and later, international No More War movement from 1920 to 1925, where it played an important role in antimilitarist campaigns, exhibitions, and publications, both in Germany and internationally. Looking at Kollwitz’s production closely, we discover a deeply pragmatic artistic strategy, where the emotionality of Kollwitz’s famed prints was the result of tireless technical, formal, and compositional investigation, contrived to maximize emotional impact. By choosing the easily disseminated medium of printmaking as her main vehicle and using a deliberately spare but powerful graphic language in carefully chosen motifs, Kollwitz intended her art to reach as broad an audience as possible in engaging antiwar sentiment. In connection with the leading antiwar voices of the time, including French Nobel Prize-winning writer Romain Rolland and the founder of War Resisters’ International, Helene Stöcker, she deployed her work to reach beyond the confines of the art gallery, into internationally distributed posters, periodicals, and books.
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7

Shaw, Nancy. "The Urban Prairie, The Mendel Art Gallery, Saskatoon, October 29/93-January 2/94, Winnipeg Art Gallery, April 9-June 19/94, Dunlop Art Gallery, Regina, September 17 to October 23/94, Edmonton Art Gallery, November 19/94-January 15/95, Glenbow, Calgary, February 11-April 9/95, accompanied by catalogue of the same name, Mendel Art Gallery and Fifth House Limited, 1993." Urban History Review 24, no. 1 (1995): 53. http://dx.doi.org/10.7202/1019231ar.

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8

TURCHYNYAK, Yaryna. "CONCEPTUAL ISSUED AND SEMANTICS ELEMENTS, AIMS OF ARTS BY THE MYRON LEVYTSKY." Bulletin of the Lviv University. Series of Arts Studies 280, no. 20 (2019): 212–22. http://dx.doi.org/10.30970/vas.20.2019.10626.

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The main objective of the research conceptual issued relate to the definition and semantics of the book-covers by Myron Levytsky features are explore. The book-cover is supremely multifunctional process and depends to a large extent issues. The design and layout of a book includes many different elements. Methodology. The research is based on an abstract to the integrity specific approach that allows us to consider the comparative analysis. Relevance of the study. The research includes specific issues of modern art that are integrity in the layout of a book-cover. The graphic art by the Myron Levytsky allows us to consider by the comparative approach to determine art on industrial graphics and arts and crafts. Myron Levytsky is a famous painter, graphic artist, journalist, and writer. He worked as a book illustrator and designer in Lviv since 1935. Myron Levytsky was published and edited the magazine «My i svit» in 1938. Also, he worked at the Academy of Sciences of the Ukrainian archeology department in Lviv and at the Lviv Historical Museum. In 1949 Myron Levytsky emigrated to Canada and worked in Winnipeg as art editor of Ivan Tyktor’s publishing house. He worked as an editor of the humor magazine Komar during 1949–1950. He was settling in Toronto in 1954. After he had spent two years painting in Paris, traveling to New York, Detroit, Ottawa, Edmonton, Chicago, Lviv, Kyiv. His first one-man exhibition was held in Paris, in 1958. Levytsky’s canvases are characterized by their stylized and rich color, flowing linearity, and new abstracted forms. New research approaches and concepts by foreign and Ukrainian artists are integrating individual issues into multicultural artist environment. The typology of entertainment establishment is explored and systematized, their classification for different field of art. The main contribution into development of the Ukrainian art did by artists of the «Ukrainian diaspora». A retrospective generally, is a look at event that took place in the past and make possible to integrity that experience into modern multicultural «art space». Findings. In this paper was revealed that the range of interests by Myron Levytsky are portraiture, urban landscapes, classical and Ukrainian mythology, nudes, literature, and history to icons and religious themes. The revealed features of the typology and approaches of the design of entertaining facilities can be used in the practical activities of art critics.
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9

Friend, Reuben. "Bodies of Water: Fluidity and Indigenous Curatorial Praxis." 3 | 2 | 2023 Swimming Against the Tide, no. 2 (December 20, 2023). http://dx.doi.org/10.30687/lgsp/2785-2709/2023/02/004.

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Naadohbii: To Draw Water. Bottled Ocean. Hawai‘i Triennale The Pacific Century. E Ho’omanu no Moananuiākea. Pan-Austro-Nesian. The Great Journey. Paradise Camp. La Biennale di Venezia. Jim Vivieaere. Yuki Kihara. Kaohsiung Museum of Fine Art Taiwan. Winnipeg Art Gallery. Pātaka Art+Museum. Melbourne Museum.
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10

Desmarais, Robert. "Getting hooked on stories this summer..." Deakin Review of Children's Literature 5, no. 1 (2015). http://dx.doi.org/10.20361/g23p40.

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Dear Deakin Readers,In this issue you will find reviews of many new books to enjoy during the summer months, but I know this is also the season of family vacations, festivals, community pools, amusement parks, and beautiful weekend weather. With so much to see and do, I realize how difficult it can be to squeeze in some time for kids (and parents!) to curl up with a good book. If you are about to head off for a family vacation with toddlers, tweens, and teens—whether it’s a trip to a nearby city or a faraway country—I would encourage you to consider a visit to a museum, art exhibition, book fair, or gallery. Many of these venues are child-friendly and their displays encourage curiosity, critical thinking, and an interest in reading.On a recent trip to Winnipeg, Manitoba, I was reminded that many galleries and museums do a great job making their exhibitions accessible to children, offering activities and workshops designed to engage children to get the most out of their visit. Many galleries are free, such as the Pooh Gallery that I discovered in Winnipeg’s Assiniboine Park on the second floor of the Pavillion Gallery Museum, where visitors are introduced to an impressive collection of Winnie-the-Pooh books, print ephemera, toys, and art.One of the posters in the exhibition explains that Winnie, the famous bear in A.A. Milne’s stories, was named after a real bear in the London Zoo, where it was noticed and loved by Milne’s son, Christopher Robin. Of course, many adults know that the fictional adventures of a young boy named Christopher Robin and his animal playmates were chronicled in books that became favourites with children of all ages, but I presume far fewer people know the interesting story of how the real bear named Winnie ended up at the London Zoo (hint: there’s a Winnipeg connection). Visiting an exhibition like this one presents a special opportunity for us to introduce children to a variety of enchanting stories (with lots of visual aids!). Indeed, if there is one important thing we can all do for the children in our lives this summer, it would be to get them hooked on stories.Enjoy your summer!Robert Desmarais, Managing Editor
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Books on the topic "Winnipeg Art Gallery, Winnipeg, Man"

1

Borys, Stephen D. (Stephen Donald), ed. Winnipeg Art Gallery: Guide to the collections. The Gallery, 2010.

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2

Ferdinand, Eckhardt, Eckhardt-Gramatté S. C. 1899-1974, and Winnipeg Art Gallery, eds. The Eckhardts in Winnipeg: A cultural legacy : 11 January to 3 May 1987, Winnipeg Art Gallery. The Gallery, 1987.

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3

Gallery, Winnipeg Art. Contemporary studio ceramics: Collection of the Winnipeg Art Gallery. The Gallery, 1997.

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4

Mattes, Catherine. Gatherings: Aboriginal art from the collection of the Winnipeg Art Gallery. Winnipeg Art Gallery, 2002.

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5

1952-, Madill Shirley, and Winnipeg Art Gallery, eds. 1987, contemporary art in Manitoba: Winnipeg Art Gallery, August 20-October 11, 1987 : an exhibition celebrating the 75th anniversary of the Winnipeg Art Gallery. The Gallery, 1987.

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6

Mullican, Matt. Matt Mullican, untitled, 1986/7: First exhibition, Winnipeg Art Gallery, Winnipeg, Manitoba, Canada, January-March 1988 ... M. Klein, 1988.

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7

Hill, Gary. Gary Hill: Winnipeg Art Gallery, January 25 to April 29, 2001. Edited by Dahle Sigrid, Jodoin Andre, and Winnipeg Art Gallery. Winnipeg Art Gallery, 2001.

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Gallery, Winnipeg Art. The Canadiana connection: 19th century pottery : collection of the Winnipeg Art Gallery. Winnipeg Art Gallery, 1998.

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9

Archambeau, Robert. Robert Archambeau, vessels: Winnipeg Art Gallery, September 20-November 2, 1986. The Gallery, 1986.

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Gallery, Winnipeg Art. The Swinton collection of Inuit art: Winnipeg Art Gallery, September 13-November 8, 1987. The Gallery, 1987.

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Reports on the topic "Winnipeg Art Gallery, Winnipeg, Man"

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Alshaibi, Omar, Victoria Armstrong, Katie Brown, et al. Images of Research: An Art Gallery and Puzzle Book. Edited by Sandra Oza. University of Dundee, 2024. http://dx.doi.org/10.20933/100001304.

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Images of Research is an annual competition that challenges researchers to capture their work in a single image, alongside a short description. This competition has been run at the University of Dundee since 2020 and represents just a handful of the research projects being carried out by postgraduate researchers. The competition celebrates our research and the many original ways it can be expressed. This collection showcases the winning entries, mixed with fun sketches and puzzles to complete.
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