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Academic literature on the topic 'Winnipeg tribune'
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Journal articles on the topic "Winnipeg tribune"
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Théorêt, Bruno. "Enfance et détention correctionnelle. Le cas du tribunal des jeunes de Winnipeg entre 1930 et 1959." Criminologie 28, no. 1 (2005): 119–38. http://dx.doi.org/10.7202/017367ar.
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In 1908, the first Canadian juvenile court was established in Winnipeg. The study of the functioning of this court during the period 1930-1959 shows that the judicial process and the sentencing decisions were in relation with two different approaches to delinquency. The first approach is the criminal one. Conceptually, this approach is close to the justice model, borrowed from adult courts which operate with retribution and deterrence. The second approach is the socio-penal approach. This approach is linked to the legal (and social) status of children characterized by the obligations of acceptable adult supervision, fixed place of residence, restrained presence in public places and sexual moralization. It includes types of delinquencies for which adults cannot be incriminated and delinquencies related to contacts with the Court. The sentencing of girls and boys whose files correspond to the criminal model is characterized by the recourse to fining, reprimand, probation and restitution while those whose files match the socio-penal model are punished by correctional detention, probation, release and fine.
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Grossman, Barbara Wallace. "Introduction to the 2018 Bruce Kirle Memorial Debut Panel in Music Theatre/Dance." Studies in Musical Theatre 12, no. 3 (2018): 337–41. http://dx.doi.org/10.1386/smt.12.3.337_1.
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In 2007, the distinguished musical theatre scholar Bruce Kirle died unexpectedly in Manhattan. As a tribute to his contribution to this field of scholarship, the Music-Theatre-Dance Focus Group of the Association for Theatre in Higher Education (ATHE) renamed its competitive scholarly debut panel for him. This is now the tenth season in which three prize-winning entries to the competition have been presented both as conference papers (at the 2018 ATHE Conference in Boston) and as articles in Studies in Musical Theatre. Barbara Wallace Grossman, respondent to the papers at the ATHE conference, provides a brief introduction.
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Bolleyer, Nicole, Felix-Christopher von Nostitz, and Nils-Christian Bormann. "Judicial decision-making within political parties: A political approach." Party Politics 25, no. 5 (2019): 724–35. http://dx.doi.org/10.1177/1354068819836036.
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How do German intra-party tribunals manage internal conflicts? More specifically, why do they accept some cases for trial but reject others? Required by law to strictly adhere to implement rule of law standards, German intra-party tribunals are designed to insulate conflict regulation from politics. Meanwhile, research on judicial politics highlights the role of political and strategic considerations in accepting cases for trial. Building on the latter, we develop a theory that emphasizes tribunals’ political concerns such as winning elections. We test our hypotheses with a mixed-effects logit model on a novel data set covering 1088 tribunal decisions in six German parties from 1967 until 2015. Our findings indicate that political factors exert a strong effect on tribunal case acceptance. Tribunals are more likely to accept cases when suffering electoral loss and after losing government office. Moreover, tribunals dismiss cases more easily when their parties display relatively high levels of policy agreement.
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Mahadew, Roopanand, and Arzeena Bhowarkan. "Dissenting Opinions of Judges of the unclos Tribunal in the Chagos Case." Afrika Focus 34, no. 1 (2021): 28–49. http://dx.doi.org/10.1163/2031356x-34010004.
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Abstract Mauritius won its first victory when the “tribunal constituted under Annex vii of the United Nations Convention on the Law of the Sea” delivered its award “in the matter of the Chagos Marine Protected Area (mpa) Arbitration, between the Republic of Mauritius and the United Kingdom”. The award declared that the mpa established around Chagos by the United Kingdom was against international law. However, the decision desired by both Mauritius and the Chagossians is found in the dissenting opinion, which is, as a matter of law, non-binding. The dissenting opinion is to the effect that the tribunal had jurisdiction to consider the issue of sovereignty over Chagos and that if such issue was considered, Mauritius had a strong case for winning back sovereignty over Chagos. This article aims to make the dissenting opinions more widely known and reflect on the legal value of such opinions, alongside their high political and moral value and relevance to Mauritius and the Chagossians.
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Hao, Bailin. "Skeleton graph expansion of critical exponents in "cultural revolution" years." International Journal of Modern Physics B 28, no. 16 (2014): 1430008. http://dx.doi.org/10.1142/s0217979214300084.
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Kenneth Wilson's Nobel Prize winning breakthrough in the renormalization group theory of phase transition and critical phenomena almost overlapped with the violent "cultural revolution" years (1966–1976) in China. An unexpected chance in 1972 brought the author of these lines close to the Wilson–Fisher ϵ-expansion of critical exponents and eventually led to a joint paper with Lu Yu published entirely in Chinese without any English title and abstract. Even the original acknowledgment was deleted because of mentioning foreign names like Kenneth Wilson and Kerson Huang. In this article I will tell the 40-year old story as a much belated tribute to Kenneth Wilson and to reproduce the essence of our work in English. At the end, I give an elementary derivation of the Callan–Symanzik equation without referring to field theory.
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Alves, Francisco Sérgio Maia. "Repercussão dos acordos de leniência e de colaboração premiada celebrados pelo Ministério Público Federal sobre as competências do Tribunal de Contas da União." Revista de Direito Administrativo 277, no. 3 (2018): 71. http://dx.doi.org/10.12660/rda.v277.2018.77678.
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<p>Repercussion of the agreements of leniency and award-winning collaboration concluded by the Federal Public Ministry on the competences of the Federal Court of Accounts (TCU — Brazil)</p><p> </p><p>O presente trabalho visa analisar a repercussão dos acordos de leniência e de colaboração premiada celebrados pelo Ministério Público Federal no âmbito da esfera de persecução criminal sobre o exercício das competências constitucionais e legais do Tribunal de Contas da União. O artigo busca ainda verificar se o TCU pode dispor sobre a configuração de um débito e identificar quais os requisitos que devem ser atendidos para que o colaborador na instância criminal também aufira benefícios perante a jurisdição de contas. Para tanto, serão examinados o marco jurídico pertinente ao instituto da colaboração premiada e à atividade de controle externo, os termos de colaboração premiada e os acordos de leniência celebrados pelo Ministério Público Federal tornados públicos no âmbito da Operação Lava Jato, a doutrina especializada e as decisões judiciais e de controle externo acerca desses instrumentos processuais.</p><p> </p><p>This paper aims to analyze the repercussion of leniency agreements and award-winning collaboration concluded by the Federal Public Ministry in the scope of criminal prosecution on the exercise of the constitutional and legal powers of the Federal Court of Accounts (TCU - Brazil). The paper also seeks to verify if the TCU can dispose on the configuration of a debt and to identify the requirements that must be fulfilled in order the employee in the criminal instance also gains benefits by the jurisdiction of accounts. To this end, will be examined the legal framework pertinent to the Institute for Privileged Collaboration and the external control activity, the terms of award-winning collaboration and the leniency agreements signed by the Federal Public Prosecutor made public under the Lava Jato Operation, the specialized doctrine and the Judicial decisions and external control over these procedural instruments.</p>
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Wibiyanto, Agung, and Wahyu Tri Hastiningsih. "PENGELOLAAN ISU PEMILIHAN UMUM PRESIDEN REPUBLIK INDONESIA TAHUN 2019 PADA MEDIA DI JAWA TENGAH." al-Balagh : Jurnal Dakwah dan Komunikasi 4, no. 2 (2019): 263. http://dx.doi.org/10.22515/balagh.v4i2.1832.
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This study is to review the political issues that arise in Central Java and analyze several issues based on framing analysis and the media agenda. The type of this research is descriptive qualitative. The data are analyzed from five journalists, that are Solo Pos, Tribun Jawa Tengah, and Kedaulatan Rakyat in interviews session. The results of this study mention the issues that arise, include the issue of identity politics, the issue of the president profile 2019, the policy issue of three magic cards and single card, the tagline of #2019GantiPresiden, the issue of total war, the issue of moving the Prabowo-Sandi winning headquarters to Java Middle, people power and coup issue. These issues are detailed by framing and also the media setting agenda to be taken into consideration the news material. The contribution in this research is to review the detailed management of issues that have arisen around the 2019 presidential election.
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Leite, Amanda Mauricio Pereira. "FOTOS INCRÍVEIS: anedotas que ganharam o mundo." Revista Observatório 4, no. 1 (2018): 200. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p200.
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Fotografias premiadas se consagraram na história da humanidade por capturar fatos incríveis de uma determinada época. Nomes como: Herald Tribune, Ruth Orkin, Robert Doisneau, Kevin Carter e outros exibiram fotografias que durante anos se sustentaram como uma espécie de narrativa documental produzindo no mundo um efeito de verdade. Fotografias que ao serem revistadas anunciam outras narrativas, novas miradas, leituras, escrita, cultivo de pensamentos. E se a fotografia for deslocada da representação do real para cogitar sobre si novos percursos e sentidos? Dois movimentos animam esta reflexão: a) tomar fotografias que marcaram fatos históricos não para buscar a verdade, mas para assumir o valor de superfície contido na imagem e refletir sobre realidade e ficção; b) entender que a fotografia é texto ficcional e pode ajudar a expandir a noção de pós-verdade indo ao encontro das diferenças, transbordando significados, significantes e sentidos.
 
 PALAVRAS-CHAVE: Fotografia; ficção; pós-verdade.
 
 
 ABSTRACT 
 Award-winning photographs have been made sacred in the history of humanity by capturing incredible events of a particular era. Names such as: Herald Tribune, Ruth Orkin, Robert Doisneau, Kevin Carter and others exhibited photographs that for years have held up as a kind of documentary narrative producing in the world a true effect. Photographs that, when searched, announce other narratives, new looks, readings, writing, thoughts. What if the photograph is moved from the representation of the real to think about new paths and senses? Two movements animate this reflection: a) taking photographs that marked historical facts not to seek the truth, but to assume the surface value contained in the image and in order to reflect about reality and fiction; understanding that photography is a fictional text and it can help to expand the notion of post-truth by meeting differences, overflowing meanings
 
 KEYWORDS: Photography; fiction; Post-truth.
 
 
 RESUMEN
 Fotografías ganadoras son consagrados en la historia humana mediante la captura de increíbles hechos de determinadas épocas. Nombres como: Herald Tribune, Ruth Orkin, Robert Doisneau, Kevin Carter y otros exhibieron fotografías que desde hace años llevan a cabo un tipo de narrativa documental que produce en el mundo un efecto real. Fotografías estas que al seren revisitadas anuncian otras narrativas, nuevas miradas, lectura, escritura, cultivo de pensamentos. Y si la fotografia for desplazada de la representación real para pensar sobre si misma nuevos caminos y direcciones? Dos movimientos animan esta reflexión: a) tomar fotografías que marcaron hechos históricos no para buscar la verdad, sino para tomar el valor de superficie de la imagen y reflexionar sobre realidad y ficción; b) comprender que la fotografía es un texto de ficcional y puede ayudar a ampliar el concepto de pos verdad yendo al encuentro de las diferencias, desbordando significados, significantes y sentidos.
 
 PALABRAS CLAVES: Fotografía; la ficción; pos verdad.
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Baird, Rachel. "Australia's Response to Illegal Foreign Fishing: A Case of winning the Battle but losing the Law?" International Journal of Marine and Coastal Law 23, no. 1 (2008): 95–124. http://dx.doi.org/10.1163/092735208x272292.
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AbstractThe right of prompt release has been interpreted by the International Tribunal for the Law of the Sea as a safeguard, balancing the right of the coastal State to detain and deal with arrested fishing vessels and crew on the one hand, with the interests of the flag State to secure the release of detained vessels on the other. As the incidence of illegal fishing within national fishing zones has increased in the past decade, many coastal States, such as Australia, have implemented increasingly harsh penalties aimed at deterring the fishers. One such measure involves the operation of an automatic forfeiture regime whereby the detained vessel, gear and catch are forfeited to the Commonwealth. This regime operates in the absence of any judgement on the merits. This paper examines the details of the Australian legislation in addition to recent case law and concludes that the operation of the automatic forfeiture regime has the potential to upset the balance established in Article 73 of the 1982 United Nations Convention on the Law of the Sea.
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Rayees Ahmad. "Element of Irishness in Seamus Heaney’s poem ‘Digging’." Creative Launcher 6, no. 3 (2021): 75–78. http://dx.doi.org/10.53032/tcl.2021.6.3.15.
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Seamus Heaney is considered one of the greatest poets of the postmodern era, his name and fame travelled across the Irish borders by winning the 1995 Nobel Prize in literature. Seamus Heaney was born in Ireland; he was the only child in his family to attend the school, His family members were traditional potato farmers. Seamus Heaney broke his family tradition of farming by choosing to become a writer. While growing up to become a first graduate among his family Seamus Heaney’s mind was captured by this sense of gloom that he was unable to follow his family tradition of farming. Seamus Heaney promises himself that he will pay rich tribute and let the world know about the hardships of Irish farming life. Seamus Heaney’s main concern for writing poetry was to keep alive Irish culture and its heritage alive. Since Ireland was under the colonial rule of England and Seamus Heaney was of the view that colonization is not only a political problem, but it destroys the country's culture and identity. This was the main reason that Heaney’s poetry revolves around Irishness, its people and culture. There is an enormous reflection of Irish identity and culture in his poetry. This paper will focus on elements of Irishness in Seamus Heaney’s poem ‘Digging’.
Books on the topic "Winnipeg tribune"
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Picturing Manitoba: Legacies of the Winnipeg tribune. Great Plains Publications, 2008.
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Roberts, G. G. How to win employment tribunal hearings: An employer's toolkit for avoiding, managing and winning tribunal cases. Financial Times/Prentice-Hall, 2000.
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Hargraves, Ian. Liverpool: Club of the century: A special tribute to Liverpool FC's 17 Championship-winning seasons. Liverpool Daily Post and Echo Ltd., 1988.
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Roberts, Gareth. Avoiding, Managing and Winning Employment Tribunal Hearings (FT Management Briefings). Financial Times Prentice Hall, 1999.
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Holiday Cookies: Prize-Winning Family Recipes from the Chicago Tribune for Cookies, Bars, Brownies and More. Agate Surrey, 2014.
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Dean, Lee Svitak. The great Minnesota cookie book: Award-winning recipes from the Star Tribune's holiday cookie contest. 2018.
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Williams, Sonja D. Remembering. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039874.003.0001.
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This chapter recounts Richard Durham's memorial service at Rayner's funeral home in his hometown Chicago. Durham died unexpectedly of a heart attack on April 27, 1984, during a business trip in New York City. Among those who paid tribute to the complicated family man, friend, and mentor—as well as the writer and dedicated freedom fighter—were Durham's thirty-four-year-old son, Mark; one of Mark's uncles, his mother's oldest brother, Robert Davis; Pulitzer Prize–winning author Louis Terkel; and Margaret Burroughs, the visual artist, writer, and co-founder of the South Side's Du Sable Museum of African American History. Others who spoke fondly of Durham were journalist Vernon Jarrett and activists Ishmael Flory and Edward “Buzz” Palmer; the singer, actor, and activist Oscar Brown Jr.; and Harold Washington, Chicago's first black mayor. The final speaker was Durham's brother Earl Durham.
Book chapters on the topic "Winnipeg tribune"
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Hendershot, Cyndy. "The Shape of Water and the Cold War Revisited." In Cold War II. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496831095.003.0007.
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The chapter analyzes Guillermo Del Toro’s Oscar-winning film and its relation to Cold War nostalgia. It claims that The Shape of Water reimagines Cold War America while paying homage to classic tropes of the 1950s. To specify, the film reimagines the classic horror/SF film for a twenty-first-century audience. While the same pathos for the creature exists as in the original that inspired it–The Creature from the Black Lagoon (1954)–Del Toro adds pointed social commentary that would not have been permitted in Hays Code America. The chapter explores how The Shape of Water pays tribute to The Creature from The Black Lagoon while serving as a statement and an update for twenty-first-century filmgoers.
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Franck, Susan D. "Costs—Risks and Reality." In Arbitration Costs. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190054434.003.0006.
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This chapter addresses ITA costs by initially exploring normative reasons for taking costs seriously and reviewing the doctrine underpinning cost assessments, including the pay-your-own-way, loser-pays, and factor-based approaches. It then tests conventional wisdom about costs by offering basic descriptive information, including when tribunals addressed costs, core fiscal exposure from parties’ legal costs (PLC) and tribunal costs, and whether fiscal costs changed over time, and offering alternative baselines to understand ITA costs. It then tests the conventional wisdom about tribunals’ “traditional” approach on cost-shifting noting, while the “pay-your-own-way” remained dominant, winning investors were reliably more likely to benefit from the “loser-pays” approach compared to winning states. The chapter then explores percentages and dollar amounts shifted by tribunals and changes in proportions shifted over time. While many cost elements were relatively stable, only when comparing the oldest cases with the most recent cases was it revealed that the amount of PLC shifted had meaningfully increased.
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O’Farrell, Tim. "Spectral Elaine May—The Later Mike Nichols Collaborations and the Myth of the Recluse." In ReFocus: The Films of Elaine May. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440189.003.0011.
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Elaine May's documentary Mike Nichols: An American Master (2016) surveys Nichols' life and, in particular, work as a noted Hollywood director. The American Masters series, described on the PBS website as "an award-winning biography series", is designed to produce biographies of leading figures in American culture. May's contribution to the series is at first sight a conventional short form television documentary profile of an artist. However, it repays examination both as an example of May's artistry (the opening includes a signature sly moment, importing archival footage of a blustery Adolf Hitler to reference Nichols German Jewish background, reminding us of May and Nichols' shared heritage) and as a launching pad for dissecting the way May and Nichols' careers have become intertwined in fact and in Hollywood legend. I will frame the documentary's content by considering other May tributes to Nichols (such as speeches at the AFI Life Achievement Awards and at the Kennedy Center Honors) and her early comedy work with Nichols, as well as biographical background to material which is suggested or touched on in the documentary
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Keats, Jonathon. "Copernicium." In Virtual Words. Oxford University Press, 2010. http://dx.doi.org/10.1093/oso/9780195398540.003.0005.
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The only accolade that American chemist Glen T. Seaborg cared for more than winning the Nobel Prize was having an element named in his honor. In 1994 his colleagues gave him that distinction, elevating the Nobel laureate to the status of helium and hydrogen. Over the next fifteen years, six more elements followed seaborgium onto the periodic table, bringing the total to 112. The last, enshrined in 2009, pays homage to Nicolas Copernicus. Unlike Seaborg, Copernicus never sought such a tribute. Having already scored ample name recognition with the Copernican Revolution, he didn’t really need it. If anything, by the time copernicium was recognized as an element, the periodic table needed him. Copernicium is one of twenty elements containing more protons than the ninety-two naturally found in uranium. All twenty are made artificially in laboratories by colliding preexisting elements such as zinc and lead in a particle accelerator or cyclotron. In some ten billion billion bombardments, two protons will fuse to make one atom of a new super-heavy element. Typically the atom is unstable, lasting perhaps a millisecond before decaying into lighter elements again. All of which makes element fabrication a tricky enterprise, nearly as miraculous as alchemy and considerably more contentious. Who synthesized the first atom of an element, and therefore gets to name it? Seaborg’s UC Berkeley laboratory was the only one in the business through the 1940s and 1950s, netting him ten elements, including plutonium, for which he won the 1951 Nobel Prize in Chemistry. By the 1960s, however, there was competition from the Soviets, resulting in the so-called Transfermium Wars. For several decades the periodic table became a political battlefield rather than an intellectual commons. Nothing could have been further from the table’s Enlightenment origins. The product of empirical research and intended to disseminate universal knowledge, a table of presumed elements was first published by the French chemist Antoine Lavoisier in 1789, arranging thirty-three substances, including silver and sulfur and phosphorus, based on observed attributes (such as “Oxydable and Acidifiable simple Metallic Bodies”) rather than according to philosophical precepts.
Reports on the topic "Winnipeg tribune"
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McGehee, Ellen. A Father’s Day Tribute Father-son Nobel Prize-winning physicists worked together at the Lab. Office of Scientific and Technical Information (OSTI), 2021. http://dx.doi.org/10.2172/1785468.
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