Relevant bibliographies by topics / Winterson

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Academic literature on the topic 'Winterson'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Dissertations / Theses on the topic "Winterson"

1

Kirca, Mustafa. "Postmodernist Historical Novels: Jeanette Winterson." Phd thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12610813/index.pdf.

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The aim of this dissertation is to study postmodern historical novels, which are labeled &ldquo<br>historiographic metafictions&rdquo<br>(Hutcheon 1989: 92), in terms of their allowing for different voices and alternative, plural histories by subverting the historical documents and events that they refer to. The study analyzes texts from feminist and postcolonial literature, Jeanette Winterson&rsquo<br>s The Passion and Sexing the Cherry, and Salman Rushdie&rsquo<br>s Midnight&rsquo<br>s Children and Shame as examples in which the transgression of boundaries between fact and fiction is achieve
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2

Mihajlovska, Lupka. "L'hybridation dans l'oeuvre de Jeannette Winterson." Phd thesis, Université d'Orléans, 2012. http://tel.archives-ouvertes.fr/tel-00835085.

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Nous définissons l'hybridation littéraire comme la combinaison d'éléments a priori disparates aboutissant à la création d'un ensemble à la fois un et multiple, qui garde les traces de ses parties constitutives tout en étant autre, différent, nouveau. L'hybride englobe les sphères de représentation de ses éléments-parents tout en les dépassant. Par conséquent, l'hybridation tend vers l'extension de toutes les frontières, littéraires et culturelles, dans le but de nous offrir une vision du monde et du sujet toujours plus complète. Dans Oranges are not the Only Fruit, Sexing the Cherry, Written o
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3

Estor, Annemarie. "Jeanette Winterson's enchanted science /." The Hague : Talkingtree, 2004. http://catalogue.bnf.fr/ark:/12148/cb402388984.

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4

Yakut, Ozge. "Sexuality And Gender In Jeanette Winterson&#039." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12612922/index.pdf.

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This thesis aims to explore the categories of sexuality and gender through an analysis of Jeanette Winterson&rsquo<br>s well-known novels, Oranges Are Not the Only Fruit and Written on the body, against the background of Butler&rsquo<br>s concept of performativity and Cixous&rsquo<br>s &eacute<br>criture feminine. By underlining the constructedness of these categories and questioning the boundaries of patriarchal concepts and transgressing them, Winterson deconstructs the binary oppositions created by phallocentric discourse and problematizes the verdict that sexuality is inborn. Instead of th
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5

Fau, Hélène. "Mouvements baroques et néo-baroques dans l'oeuvre romanesque de Jeanette Winterson : entrée dans l'au-delà du postmodernisme /." Metz : Université de Metz, UFR Lettres et langues, 2005. http://catalogue.bnf.fr/ark:/12148/cb40115474q.

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6

Onal, Elif. "Analysis Of The Use Of Parody In Jeanette Winterson." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12609080/index.pdf.

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This study aims to analyze the use of parody in Jeanette Winterson&rsquo<br>s Oranges Are Not the Only Fruit and Boating for Beginners. Winterson uses parody as a means to re-contextualise and re-interpret the Biblical material in a playful manner in these two novels. Moreover, parody becomes a means for her to revise certain other texts and discourses. Due to these parodic references to other texts and discourses, the novels have an intertextual structure and they are open to a variety of interpretations instead of releasing a single meaning.
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7

Smith, Jenna. "Spectacular lesbians : visual histories in Winterson, Waters, and Humphreys." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99392.

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As many theorists have pointed out, queer history is often erased within traditional, heteronormative historiography. Consequently, historians cannot recount the gay and lesbian past by conventional techniques of evidence and documentation. Instead they recuperate and reinvent queer history using strategies normally associated with the writing of fiction. This thesis examines three works of late twentieth century lesbian historical fiction that rewrite the past in order to render visible queer intimacy, sexuality, and desire. Jeanette Winterson's The Passion (1987), Sarah Waters' Tipping the V
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8

Williams, Tammi Lynn. "Cyborg visions : Mitchell, Ishiguro, Winterson and the negotiation of modernity." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192959.

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The objective of this paper was to examine a selection of contemporary utopian texts by David Mitchell, Jeanette Winterson and Kazuo Ishiguro in an effort to understand how their alternative realities might address man’s amalgamation of postmodern identities. In the texts, the human protagonists attempted to cast the pastoral landscapes of their youth as sites of safety and sanctity in order to sustain their modern reality, yet their attempts to return to or embrace the pastoral were a failure in part because of the intrusion of modernity into the spaces and in part because they themselves ha
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9

López, Moreno Cristina. "Gender, sexuality and the fantastic in Jeanette Winterson and EstherTusquets fiction." Thesis, University of Liverpool, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403142.

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10

Cecília, Acioli Lima Ana. "As (Re)Configurações Do Corpo Sexuado Na Ficção De Jeanette Winterson." Universidade Federal de Pernambuco, 2008. https://repositorio.ufpe.br/handle/123456789/7146.

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Made available in DSpace on 2014-06-12T18:29:18Z (GMT). No. of bitstreams: 2 arquivo3522_1.pdf: 1404651 bytes, checksum: c82a5c4b5c8f5134f26daf9231d9e738 (MD5) license.txt: 1748 bytes, checksum: 8a4605be74aa9ea9d79846c1fba20a33 (MD5) Previous issue date: 2008<br>Sabendo que as mulheres se situam tanto dentro como fora da ordem hegemônica do discurso dentro, como objetos do desejo masculino, mas fora dos lugares de enunciação, decidi estudar os romances da escritora inglesa contemporânea, Jeanette Winterson, porque observo como a autora cria espaços onde os sujeitos e suas identidades sã
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