Relevant bibliographies by topics / Wolfgang Amadeus Mozart

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  2. Dissertations / Theses
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Academic literature on the topic 'Wolfgang Amadeus Mozart'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Wolfgang Amadeus Mozart"

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Von Hildebrand, Dietrich, and John Henry Crosby. "Wolfgang Amadeus Mozart." Logos: A Journal of Catholic Thought and Culture 7, no. 2 (2004): 189–212. http://dx.doi.org/10.1353/log.2004.0015.

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Hatzinger, M., A. Häcker, S. Langbein, S. Bross, P. Honeck, and P. Alken. "Wolfgang Amadeus Mozart." Der Urologe 45, no. 4 (2006): 489–92. http://dx.doi.org/10.1007/s00120-005-0978-2.

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Law, J. K. "Idomeneo. Wolfgang Amadeus Mozart." Opera Quarterly 14, no. 1 (1997): 169–72. http://dx.doi.org/10.1093/oq/14.1.169.

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Glasow, E. T. "Zaide. Wolfgang Amadeus Mozart." Opera Quarterly 15, no. 2 (1999): 336–38. http://dx.doi.org/10.1093/oq/15.2.336.

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Law, Joe K. "Idomeneo. Wolfgang Amadeus Mozart." Opera Quarterly 5, no. 1 (1987): 153–55. http://dx.doi.org/10.1093/oq/5.1.153.

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Leupp, Roderick T. "Review: Wolfgang Amadeus Mozart." Christianity & Literature 36, no. 1 (1986): 39–40. http://dx.doi.org/10.1177/014833318603600117.

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Susidko, Irina P., and Pavel V. Lutsker. "Wolfgang Amadeus Mozart: the Composer’s First Steps." Russian Musicology, no. 4 (2024): 5–19. https://doi.org/10.56620/rm.2024.4.005-019.

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The article is based on the materials of the authors’ monograph’s Motsart i ego vremya [Mozart and His Time] (Moscow: Klassika-XXI, 2015). At the focus of the authors’ attention are the questions of the creative evolution of the genius at the earliest period of his compositional activities. The attempt is made to recreate the earliest stage of Mozart’s mastery of composition, and the conditions of the formation of his compositional skills are disclosed. Characterization is made in the article of the notebook of harpsichord pieces presented by Leopold Mozart in 1759 to Nannerl on her name day,
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Maurer Zenck, Claudia. "Einige ungewohnte Bemerkungen über die "Zauberflöte" oder: Pamina walzt, Tamino sitzt im Wirtshaus." Die Musikforschung 57, no. 1 (2021): 36–55. http://dx.doi.org/10.52412/mf.2004.h1.653.

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Die Dramaturgie in Wolfgang Amadeus Mozarts "Zauberflöte", insbesondere das Verhalten Taminos Pamina gegenüber, ist von einer psychologischen Unlogik geprägt. Zum einen geht dies sicher auf das Libretto Emanuel Schikaneders zurück, zum anderen ging es Mozart darum, das Publikum mit Komik zu konfrontieren.
 bms online (Oliver Schöner)
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Lippmann, Friedrich. "Mozart, Jommelli, Cimarosa: zu einigen Arien." Die Musikforschung 59, no. 1 (2021): 31–48. http://dx.doi.org/10.52412/mf.2006.h1.561.

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Vier Arien Wolfgang Amadeus Mozarts (KV 528, 578, 294, 538) werden mit textgleichen Arien Niccolò Jommellis und Domenico Cimarosas verglichen. Es wird offenbar, dass Mozart Jommellis entsprechende Arie gut kannte, als er KV 528 vertonte. Und es zeigt sich deutlich, dass etwa 1785-1790 von allen italienischen Komponisten Cimarosa dem Salzburger Meister am nächsten stand.
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Glasow, E. T. "Der Schauspieldirektor. Wolfgang Amadeus Mozart." Opera Quarterly 13, no. 1 (1996): 123–24. http://dx.doi.org/10.1093/oq/13.1.123.

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Dissertations / Theses on the topic "Wolfgang Amadeus Mozart"

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Armbruster, Richard. "Das Opernzitat bei Mozart." Kassel ; Basel ; London : Bärenreiter, 2001. http://catalogue.bnf.fr/ark:/12148/cb38851314n.

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Jutzi-Fischer, Caroline. "Mozarts Zauberflöte aus der Perspektive betriebswirtschaftlicher Führungstheorien /." [S.l.] : [s.n.], 2005. http://aleph.unisg.ch/hsgscan/hm00142332.pdf.

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Guhr, Glenn Dale. "The mask of the seducer : deceit, disguise, and seduction in the da Ponte operas of Mozart /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11404.

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Smith, Linda S. "Mozart's dialectic with gender : Le nozze di Figaro and Piano concerto no. 25, K. 503 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11391.

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Kim, Hak Min. "A critical analysis of Peter Sellars's three stage productions of the Mozart/da Ponte operas /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004200.

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Fogelberg, Viktor. "Wolfgang Amadeus Mozart - Fagottkonsert : analys och Instudering." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2365.

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I detta självständiga arbete redovisar och analyserar jag min instudering av de två första satserna i Wolfgang Amadeus Mozarts fagottkonsert. Därtill redovisar jag den historiska kontexten kring Mozart och fagottkonserten med hjälp av relevant litteratur. Analysen av stycket består av en harmonisk analys, redovisning av motiven i en motivkatalog och en grafisk översikt. I metoddelen berättar jag även hur jag lagt upp min övning i samband med instuderingen av verket.
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Volek, Tomislav. "Mozart-Rezeption in Böhmen." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218543.

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Gegenwärtig sind wir damit beschäftigt, auf der Basis der internationalen Zusammenarbeit die Resonanz des Phänomens "Mozart" in den Ländern Mittel-und Osteuropas zu bilanzieren und verschiedene Perspektiven und Interpretationen dieses Phänomens zu konfrontieren. Meine Aufgabe ist es, die Mozart-Rezeption in Böhmen zu erörtern.
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Kuret, Primož. "Mozart-Rezeption in Slowenien." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218764.

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Zu Mozarts Zeit ermöglichte die neue wirtschaftliche, politische und kulturellen Entwicklung der habsburgischen Monarchie die neuen Anfänge der nationalen Erweckung und Aufklärung. Die Reformen der Kaiserin Theresia und ihres Sohnes, Kaisers Josef H. , beeinflußten auch das Leben in den slowenischen Ländern. Es entstanden unter anderem neue kulturelle Zirkel, die von aufklärerischen Ideen geprägt waren.
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Demuth, Dieter. "Das idealistische Mozart-Bild 1785-1860 /." Tutzing : H. Schneider, 1997. http://catalogue.bnf.fr/ark:/12148/cb36966638s.

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Pečman, Rudolf. "Zur Mozart-Rezeption in Mähren." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218550.

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Books on the topic "Wolfgang Amadeus Mozart"

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Loria, Laura. Wolfgang Amadeus Mozart. Britannica Educational Publishing : in association with Rosen Educational Services, 2015.

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Malam, John. Wolfgang Amadeus Mozart. Carolrhoda Books, 1998.

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Korff, Malte. Wolfgang Amadeus Mozart. Suhrkamp, 2005.

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Koerner, Julie. Wolfgang Amadeus Mozart. Friedman/Fairfax, 1997.

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Molteni, Angela. Wolfgang Amadeus Mozart. Kaos Edizioni, 1989.

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Jean-François, Labie, ed. Wolfgang Amadeus Mozart. Chêne, 1985.

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Katarain, Velez José Vicente, ed. Wolfgang Amadeus Mozart. Editorial la Oveja Negra, 2003.

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Riggs, Kate. Wolfgang Amadeus Mozart. Creative Education, 2008.

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Tomb, Eric. Wolfgang Amadeus Mozart. Bellerophon Books, 1987.

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Thompson, Wendy. Wolfgang Amadeus Mozart. Faber & Faber in association with Faber Music, 1990.

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Book chapters on the topic "Wolfgang Amadeus Mozart"

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Ruf, Wolfgang. "Mozart, Wolfgang Amadeus [Amadé];." In Metzler Komponisten Lexikon. J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_200.

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Ruf, Wolfgang. "Mozart, Wolfgang Amadeus (Amadé)." In Komponisten Lexikon. J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_195.

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Ruf, Wolfgang. "Mozart, Wolfgang Amadeus (Amadé)." In Komponisten. J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_32.

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Eisen, Cliff. "Wolfgang Amadeus Mozart c1760–92." In New Mozart Documents. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21646-8_1.

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László, Ferenc. "Wolfgang Amadeus Mozart als „Zwölftöner“?" In Mozart und Schönberg. Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792208.227.

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Hartung, Günter. "Mozart, Wolfgang Amadeus (1756–1791)." In Goethe Handbuch. J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03656-8_30.

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Krones, Hartmut. "„Redende Musik“ bei Wolfgang Amadeus Mozart und Arnold Schönberg." In Mozart und Schönberg. Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792208.119.

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Meißner, Thomas. "Wolfgang Amadeus Mozart: Bis heute nicht verwundener Verlust." In Der prominente Patient. Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-57731-8_34.

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Baumert, Thomas. "Joseph Haydn and Wolfgang Amadeus Mozart: A Collusive Friendship." In On Music, Money and Markets. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-43226-2_3.

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Yamada, Akiko. "Mademoiselle Mozart – Ein spekulatives Bild von Wolfgang Amadeus Mozart im japanischen Manga." In Achtzehntes Jahrhundert populär. Böhlau Verlag, 2022. http://dx.doi.org/10.7767/9783205215493.53.

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