Academic literature on the topic 'Wolfgang Amadeus Mozart'

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Journal articles on the topic "Wolfgang Amadeus Mozart"

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Von Hildebrand, Dietrich, and John Henry Crosby. "Wolfgang Amadeus Mozart." Logos: A Journal of Catholic Thought and Culture 7, no. 2 (2004): 189–212. http://dx.doi.org/10.1353/log.2004.0015.

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Hatzinger, M., A. Häcker, S. Langbein, S. Bross, P. Honeck, and P. Alken. "Wolfgang Amadeus Mozart." Der Urologe 45, no. 4 (April 2006): 489–92. http://dx.doi.org/10.1007/s00120-005-0978-2.

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Law, J. K. "Idomeneo. Wolfgang Amadeus Mozart." Opera Quarterly 14, no. 1 (January 1, 1997): 169–72. http://dx.doi.org/10.1093/oq/14.1.169.

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Glasow, E. T. "Zaide. Wolfgang Amadeus Mozart." Opera Quarterly 15, no. 2 (January 1, 1999): 336–38. http://dx.doi.org/10.1093/oq/15.2.336.

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Law, Joe K. "Idomeneo. Wolfgang Amadeus Mozart." Opera Quarterly 5, no. 1 (1987): 153–55. http://dx.doi.org/10.1093/oq/5.1.153.

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Leupp, Roderick T. "Review: Wolfgang Amadeus Mozart." Christianity & Literature 36, no. 1 (December 1986): 39–40. http://dx.doi.org/10.1177/014833318603600117.

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Glasow, E. T. "Der Schauspieldirektor. Wolfgang Amadeus Mozart." Opera Quarterly 13, no. 1 (January 1, 1996): 123–24. http://dx.doi.org/10.1093/oq/13.1.123.

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Graeme, R. "Don Giovanni. Wolfgang Amadeus Mozart." Opera Quarterly 18, no. 1 (January 1, 2002): 114–17. http://dx.doi.org/10.1093/oq/18.1.114.

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Huck, William. "Don Giovanni. Wolfgang Amadeus Mozart." Opera Quarterly 3, no. 1 (1985): 152–53. http://dx.doi.org/10.1093/oq/3.1.152.

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Pines, Roger G. "Don Giovanni. Wolfgang Amadeus Mozart." Opera Quarterly 4, no. 4 (1986): 105–6. http://dx.doi.org/10.1093/oq/4.4.105.

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Dissertations / Theses on the topic "Wolfgang Amadeus Mozart"

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Armbruster, Richard. "Das Opernzitat bei Mozart." Kassel ; Basel ; London : Bärenreiter, 2001. http://catalogue.bnf.fr/ark:/12148/cb38851314n.

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Jutzi-Fischer, Caroline. "Mozarts Zauberflöte aus der Perspektive betriebswirtschaftlicher Führungstheorien /." [S.l.] : [s.n.], 2005. http://aleph.unisg.ch/hsgscan/hm00142332.pdf.

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Guhr, Glenn Dale. "The mask of the seducer : deceit, disguise, and seduction in the da Ponte operas of Mozart /." Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/11404.

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Smith, Linda S. "Mozart's dialectic with gender : Le nozze di Figaro and Piano concerto no. 25, K. 503 /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11391.

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Kim, Hak Min. "A critical analysis of Peter Sellars's three stage productions of the Mozart/da Ponte operas /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004200.

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Fogelberg, Viktor. "Wolfgang Amadeus Mozart - Fagottkonsert : analys och Instudering." Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2365.

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I detta självständiga arbete redovisar och analyserar jag min instudering av de två första satserna i Wolfgang Amadeus Mozarts fagottkonsert. Därtill redovisar jag den historiska kontexten kring Mozart och fagottkonserten med hjälp av relevant litteratur. Analysen av stycket består av en harmonisk analys, redovisning av motiven i en motivkatalog och en grafisk översikt. I metoddelen berättar jag även hur jag lagt upp min övning i samband med instuderingen av verket.
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Volek, Tomislav. "Mozart-Rezeption in Böhmen." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218543.

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Gegenwärtig sind wir damit beschäftigt, auf der Basis der internationalen Zusammenarbeit die Resonanz des Phänomens "Mozart" in den Ländern Mittel-und Osteuropas zu bilanzieren und verschiedene Perspektiven und Interpretationen dieses Phänomens zu konfrontieren. Meine Aufgabe ist es, die Mozart-Rezeption in Böhmen zu erörtern.
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Kuret, Primož. "Mozart-Rezeption in Slowenien." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218764.

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Zu Mozarts Zeit ermöglichte die neue wirtschaftliche, politische und kulturellen Entwicklung der habsburgischen Monarchie die neuen Anfänge der nationalen Erweckung und Aufklärung. Die Reformen der Kaiserin Theresia und ihres Sohnes, Kaisers Josef H. , beeinflußten auch das Leben in den slowenischen Ländern. Es entstanden unter anderem neue kulturelle Zirkel, die von aufklärerischen Ideen geprägt waren.
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Demuth, Dieter. "Das idealistische Mozart-Bild 1785-1860 /." Tutzing : H. Schneider, 1997. http://catalogue.bnf.fr/ark:/12148/cb36966638s.

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Pečman, Rudolf. "Zur Mozart-Rezeption in Mähren." Universitätsbibliothek Leipzig, 2017. http://nbn-resolving.de/urn:nbn:de:bsz:15-qucosa-218550.

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Books on the topic "Wolfgang Amadeus Mozart"

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Loria, Laura. Wolfgang Amadeus Mozart. New York: Britannica Educational Publishing : in association with Rosen Educational Services, 2015.

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Thompson, Wendy. Wolfgang Amadeus Mozart. London: Faber & Faber in association with Faber Music, 1990.

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Malam, John. Wolfgang Amadeus Mozart. Minneapolis: Carolrhoda Books, 1998.

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Varga, Ovidiu. Wolfgang Amadeus Mozart. București: Editura Muzicală, 1988.

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Wolfgang Amadeus Mozart. San Diego: Lucent Books, 1993.

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Venezia, Mike. Wolfgang Amadeus Mozart. Chicago: Childrens Press, 1995.

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Wolfgang Amadeus Mozart. Stuttgart: P. Reclam, 1989.

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Korff, Malte. Wolfgang Amadeus Mozart. Frankfurt am Main: Suhrkamp, 2005.

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Koerner, Julie. Wolfgang Amadeus Mozart. New York: Friedman/Fairfax, 1997.

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Molteni, Angela. Wolfgang Amadeus Mozart. Milano: Kaos Edizioni, 1989.

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Book chapters on the topic "Wolfgang Amadeus Mozart"

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Ruf, Wolfgang. "Mozart, Wolfgang Amadeus [Amadé];." In Metzler Komponisten Lexikon, 513–23. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_200.

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Ruf, Wolfgang. "Mozart, Wolfgang Amadeus (Amadé)." In Komponisten Lexikon, 395–404. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_195.

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Ruf, Wolfgang. "Mozart, Wolfgang Amadeus (Amadé)." In Komponisten, 170–80. Stuttgart: J.B. Metzler, 2004. http://dx.doi.org/10.1007/978-3-476-02947-8_32.

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Eisen, Cliff. "Wolfgang Amadeus Mozart c1760–92." In New Mozart Documents, 1–82. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21646-8_1.

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László, Ferenc. "Wolfgang Amadeus Mozart als „Zwölftöner“?" In Mozart und Schönberg, 227–42. Wien: Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792208.227.

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Hartung, Günter. "Mozart, Wolfgang Amadeus (1756–1791)." In Goethe Handbuch, 718–19. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03656-8_30.

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Krones, Hartmut. "„Redende Musik“ bei Wolfgang Amadeus Mozart und Arnold Schönberg." In Mozart und Schönberg, 119–48. Wien: Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205792208.119.

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Meißner, Thomas. "Wolfgang Amadeus Mozart: Bis heute nicht verwundener Verlust." In Der prominente Patient, 139–42. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-57731-8_34.

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Yamada, Akiko. "Mademoiselle Mozart – Ein spekulatives Bild von Wolfgang Amadeus Mozart im japanischen Manga." In Achtzehntes Jahrhundert populär, 53–74. Wien: Böhlau Verlag, 2022. http://dx.doi.org/10.7767/9783205215493.53.

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Brandstätter, Ursula. "Hans Mersmanns Analyse der »Klaviersonate KV 311« von Wolfgang Amadeus Mozart." In Musik im Spiegel der Sprache, 74–92. Stuttgart: J.B. Metzler, 1990. http://dx.doi.org/10.1007/978-3-476-04460-0_5.

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