Relevant bibliographies by topics / Wolfgang Borchert

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Academic literature on the topic 'Wolfgang Borchert'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Wolfgang Borchert"

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Lee,Kwan-Woo. "Überlegungen zu 『Das Brot』 von Wolfgang Borchert." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 51 (2011): 191–207. http://dx.doi.org/10.30947/zfdsl.2011..51.191.

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Zimmermann, Ulf, та Claus B. Schröder. "Drauβen vor der Tür: Eine Wolfgang-Borchert-Biographie". World Literature Today 63, № 4 (1989): 677. http://dx.doi.org/10.2307/40145616.

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Stewart, Mary E. "Book Review: The Life and Works of Wolfgang Borchert." Journal of European Studies 34, no. 4 (2004): 369–71. http://dx.doi.org/10.1177/004724410403400416.

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Warkentin, Erwin J. "War by Other Means: British Information Control and Wolfgang Borchert's Draußen vor der Tür." Comparative Critical Studies 13, no. 2 (2016): 255–71. http://dx.doi.org/10.3366/ccs.2016.0202.

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This article focuses on the stage and radio play Draußen vor der Tür (The Man Outside) by Wolfgang Borchert, broadcast in the British zone of occupation for the first time on 13 February 1947. A careful comparison of the stage and radio versions allows us to ascertain the degree to which the changes made by the British radio control officers Hugh Carleton Greene and David Porter were political in nature. The article opens by outlining both the history of the creation of the radio version and Borchert's attitude towards the Public Relations/ Information Services Division of the Control Commission for Germany (PR/ISC) (through the analysis of Borchert's correspondence).The original NWDR (Nordwestdeutscher Rundfunk/ Northwest German Broadcasting) typescript of the radio broadcast, complete with handwritten emendations, is then compared with the published version, confirming how the radio play was edited to conform to British broadcast standards for a German audience, as well as the Anglo-American reeducation programme for Germany. Greene and Porter systematically edited out mention of postwar German suicides, overt German suffering, attacks on the German institutions the British considered important in the reconstruction of Germany, and any suggestion that the Allies had engaged in morally dubious acts during or after the war.
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Mahan, William. "Triangulating Trauma: Constellations of Memory, Representation, and Distortion in Elie Wiesel, Wolfgang Borchert, and W.G. Sebald." Humanities 6, no. 4 (2017): 94. http://dx.doi.org/10.3390/h6040094.

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Pascal, Richard. "Walt Whitman and Woody Guthrie: American Prophet-Singers and their People." Journal of American Studies 24, no. 1 (1990): 41–59. http://dx.doi.org/10.1017/s002187580002870x.

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Dylan Thomas, Charlotte Perkins Gilman, Rimbaud, Apollinaire, Van Gogh, Paul Tillich, Wolfgang Borchert, Joyce, Kate Chopin: these are only some of the writers and artists in whose work the example or influence of Walt Whitman has been detected over the past few years, and as anyone who has kept abreast of Whitman criticism will be instantly aware, the list could be lengthened considerably. Comparison and influence studies are such a common feature of Whitman scholarship, and he is so firmly established as one of the most provocative mid-nineteenth-century forerunners of modern literature and art, that it would seem virtually impossible to provide a hitherto unexplored instance which is worth more than a glance. Yet the name of the great twentieth century singer-songwriter Woody Guthrie has never been advanced in this context, even though similarities between the two figures have been noted in passing by commentators on Guthrie at least since the publication in 1943 of the latter's autobiography, Bound for Glory. Such neglect must be ascribed at least in part to a lingering academic bias against the study of popular culture in general and of song lyrics in particular.
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Monod, David. "Internationalism, Regionalism, and National Culture: Music Control in Bavaria, 1945–1948." Central European History 33, no. 3 (2000): 339–68. http://dx.doi.org/10.1163/156916100746365.

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For many Germans in the immediate postwar period, all that remained of their country was its art. Subjugation, destruction, the pain of unfathomable guilt: these had ripped away at the national psyche, severing nation from nationalism, person from people, the present from the past. “We are,” wrote Wolfgang Borchert in 1946, “a generation without a homecoming, because we have nothing to which we can return.” Nation: what would that word now mean? An occupied state no longer possessing statehood, a conquered people starved even of the moral strength that might come from resisting. Even if the institutions of national governance could be recreated, they could have no historical legitimacy; if Bonn were not to be Weimar, it would equally not be the kaisers' or the Führer's Berlin. For many, refuge from the shaming of the nation lay, as Theodor Heuss reflected, in a “decentralizing of the emotions,” in a “flight” to those fields “where the violence of the great political world shake-up is not felt so directly.” This drove literate Germans back to Goethe and music lovers to the endlessly-performed postwar symphonic cycles of Brahms and Beethoven. And yet, escaping into what Jost Hermand aptly termed “the protective wall of self-absorption” did not completely preclude connection to the national community of Germans. In fact, a powerful communion with the whole might still come through the personal enjoyment of a shared art or culture. In art might reside the essence of the national community, a stateless collectivity, without territories perhaps, but with borders and guardians nonetheless
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Verhaeghe, Stijn. "Diogenes in Duitsland. Een vergelijking tussen het mensbeeld in "Scherz, Satire, Ironie und tiefere Bedeutung" van Christian Dietrich Grabbe en "Draussen vor der Tür" van Wolfgang Borchert." Documenta 16, no. 3 (2019): 215–25. http://dx.doi.org/10.21825/doc.v16i3.11214.

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Fickert, Kurt, and James L. Stark. "Wolfgang Borchert's Germany: Reflections of the Third Reich." German Quarterly 72, no. 3 (1999): 304. http://dx.doi.org/10.2307/408565.

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Kaszyński, Stefan H. "Zur Neufassung des Heimkehrermotivs in Wolfgang Borcherts „Draußen vor der Tür“." Studia Germanica Posnaniensia 10 (October 29, 2018): 133–48. http://dx.doi.org/10.14746/sgp.1982.10.09.

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Dissertations / Theses on the topic "Wolfgang Borchert"

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Leire, Heim Maria. "Borchert und Beckmann : Biographische Berührungspunkte Wolfgang Borcherts in seinem Drama Draußen vor der Tür." Thesis, Högskolan Dalarna, Tyska, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:du-12655.

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Nachkriegsliteratur, oder Kahlschlags- bzw. Trümmerliteratur wurde zwischen 1945 und 1950 geschrieben. Es war die junge Schriftstellergeneration in der Westzone, die von ihren Erfahrungen mit dem Nationalsozialismus, dem Krieg, dem Leben in Trümmern schrieb. Die Themen dieser Literatur sind demnach Krieg, Tod, Untergang, Gefangenschaft, Trümmer, Heimkehr und Überlebungskampf. Wolfgang Borcherts Drama Draußen vor der Tür ist das wichtigste Beispiel für die Trümmerliteratur und eins der wenigen Dramen, das in der Nachkriegszeit großes Publikum fand. In seinem Drama Draußen vor der Tür, das Borchert einige Monate vor seinem Tod im Jahre 1947 schrieb, geht es um einen Soldaten, Beckmann, der nach 3 Jahren Gefangenschaft in Sibirien in seine zertrümmerte Heimat zurückkehrt. Das Drama wird als ein Protestschrei gegen den Krieg gesehen. Mit Wolfgang Borcherts Lebensgeschichte als Hintergrund entstand die Frage, welche biographischen Berührungspunkte sich in Borcherts Drama Draußen vor der Tür finden lassen, also welche persönlichen Erlebnisse, Erfahrungen, Eigenschaften und Werte werden in seinem Drama widergespiegelt oder zum Ausdruck gebracht.
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Sterio, Alexandre Marius de. "Littérature et société en Allemagne le cas de Wolfgang Borchert." Lille : A.N.R.T, 1985. http://catalogue.bnf.fr/ark:/12148/cb361057862.

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Wigger, Jessica. "Atemschaukel - Eine thematische und sprachliche Analyse des Romans von Herta Müller in Anlehnung an Beispielen aus der Trümmerliteratur Wolfgang Borcherts." Thesis, Högskolan Dalarna, Tyska, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:du-5221.

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Borchert, Christoph [Verfasser], Olaf [Akademischer Betreuer] Spinczyk, and Wolfgang [Gutachter] Schröder-Preikschat. "Aspect-oriented technology for dependable operating systems / Christoph Borchert ; Gutachter: Wolfgang Schröder-Preikschat ; Betreuer: Olaf Spinczyk." Dortmund : Universitätsbibliothek Dortmund, 2017. http://d-nb.info/1133361919/34.

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Lippi, Elena. "La letteratura delle macerie nel dopoguerra tedesco. Proposta di traduzione di due Kurzgeschichte di Wolfgang Borchert." Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2019. http://amslaurea.unibo.it/18826/.

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Nel presente elaborato vengono proposte e analizzate le traduzioni di due storie brevi dello scrittore e drammaturgo tedesco Wolfgang Borchert, uno dei maggiori rappresentanti della letteratura delle macerie, corrente letteraria sviluppatasi nell’immediato dopoguerra tedesco. Le traduzioni sono introdotte da due capitoli che presentano la Trümmerliteratur, il contesto storico, l’autore e le opere, e da un capitolo che si occupa di definire la traduzione letteraria. Successivamente, si dedica un capitolo all’analisi di strategie, difficoltà e problemi traduttivi sorti durante il processo.
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Nolan, Carol. "Lampen und Laternen als Zeichen der Hoffnung in ausgewählten Werken Wolfgang Borcherts." PDXScholar, 1985. https://pdxscholar.library.pdx.edu/open_access_etds/3548.

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Brandes, Katrein [Verfasser]. "Hans Werner Richter - Wolfgang Borchert : zwei Schriftsteller im 2. Weltkrieg ; ihre Kriegseinsätze und die Umsetzung in Literatur / Katrein Brandes." Paderborn : Universitätsbibliothek, 2018. http://d-nb.info/1155236319/34.

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Ghanim, Emad [Verfasser], and Günter [Akademischer Betreuer] Giesenfeld. "Einfluss und Rezeption deutscher Nachkriegsliteratur im arabischen Raum mit einem Schwerpunkt auf Wolfgang Borchert und Heinrich Böll / Emad Ghanim. Betreuer: Günter Giesenfeld." Marburg : Philipps-Universität Marburg, 2015. http://d-nb.info/1068315652/34.

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Morrison, Lara Elizabeth. "Soldier-authors and their soldier-characters, a study of the soldier as central figure in the Truemmerliteratur of Heinrich Boell and Wolfgang Borchert." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0006/MQ28239.pdf.

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Strecker, Jonas. "Der Zweite Weltkrieg und der Vietnamkrieg aus der Sicht der "Verlierer" ein Vergleich bundesdeutscher und amerikanischer Nachkriegsliteratur /." Morgantown, W. Va. : [West Virginia University Libraries], 1999. http://etd.wvu.edu/templates/showETD.cfm?recnum=1103.

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Books on the topic "Wolfgang Borchert"

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Wolfgang Borchert: Biografie. E. Kabel, 1985.

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Wilhelm, Grosse. Wolfgang Borchert, Kurzgeschichten: Interpretation. Oldenbourg, 1995.

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Walburga, Freund-Spork, ed. Wolfgang Borchert, Draussen vor der Tür. P. Reclam, 1996.

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Balzer, Bernd. Wolfgang Borchert, "Draussen vor der Tür". 4th ed. Diesterweg, 1997.

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Balzer, Bernd. Wolfgang Borchert: "Draussen vor der Tu r". 2nd ed. Diesterweg, 1988.

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Draussen vor der Tür: Eine Wolfgang-Borchert-Biographie. Henschelverlag, 1988.

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Schröder, Claus B. Wolfgang Borchert: Die wichtigste Stimme der deutschen Nachkriegsliteratur. Heyne, 1988.

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Gullvåg, Kåre Eirek. Der Mann aus den Trümmern: Wolfgang Borchert und seine Dichtung. K. Fischer, 1997.

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Wolfgang Borchert: Ich glaube an mein Glück : eine Biographie. Aufbau Taschenbuch, 2007.

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Poppe, Reiner. Erläuterungen zu Wolfgang Borchert, Draussen vor der Tür und ausgewählte Kurzgeschichten. C. Bange, 1995.

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Book chapters on the topic "Wolfgang Borchert"

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Diller, Axel. "Borchert, Wolfgang." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6010-1.

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Wehdeking, Volker. "Borchert, Wolfgang." In Metzler Autoren Lexikon. J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03720-6_40.

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Schmalzriedt, Egidius. "Borchert, Wolfgang: Draußen vor der Tür." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_6011-1.

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Appel, Kathrin Michaela, Birgit Maria Berger, and Janine Mittelmayer. "Wolfgang Borchert: Draußen vor der Tür." In Politische Bildung im Theater. Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-09978-7_7.

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Brandes, Katrein. "Hans Werner Richter und Wolfgang Borchert." In Krieg in Comic, Graphic Novel und Literatur. V&R unipress, 2018. http://dx.doi.org/10.14220/9783737009508.119.

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Brandenburger, Dietmar, and Gert Kähler. "Wolfgang-Borchert-Siedlung Planung: Architectenbureau Anton C. Alberts verschiedene Architekten 1979–1986." In Architektour. Vieweg+Teubner Verlag, 1988. http://dx.doi.org/10.1007/978-3-322-85411-7_48.

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Wenzel, Eugen. "„Und der – der von Stalingrad, der Andere, bist du der auch?” Die ‚Heimkehr in die Fremdeˋ in Wolfgang Borcherts Draußen vor der Tür." In Fremdes zwischen Teilhabe und Distanz. V&R unipress, 2021. http://dx.doi.org/10.14220/9783737012607.115.

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"Wolfgang Borchert in Switzerland." In Crossing Frontiers. Brill | Rodopi, 2010. http://dx.doi.org/10.1163/9789042029989_010.

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Conference papers on the topic "Wolfgang Borchert"

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Heinrichova, Nadezda. "Short Stories By Wolfgang Borchert In FLT." In ICEEPSY 2019 - 10th International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.11.29.

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Reports on the topic "Wolfgang Borchert"

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Nolan, Carol. Lampen und Laternen als Zeichen der Hoffnung in ausgewählten Werken Wolfgang Borcherts. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.5432.

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