Relevant bibliographies by topics / Wolves, fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Wolves, fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Wolves, fiction"

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Naplocha, Anna. "Demitologizacja negatywnego wizerunku wilka w powieści Wilk zwany Romeo Nicka Jansa." Zoophilologica, no. 6 (December 29, 2020): 203–15. http://dx.doi.org/10.31261/zoophilologica.2020.06.14.

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The article deals with the issue of refuting the negative perception of the wolf among the inhabitants of Alaska in the novel A Wolf Called Romeo by Nick Jans. The pejorative perception of the wolf’s existence has its source in the persecution of this predator that began in the 17th century. Nick Jans’ non-fiction novel relates to the seven-year coexistence of Juneau residents in Alaska with a lone, untamed wolf. This novel demythologizes stereotypical, negative beliefs about wolves. This song is an important voice on the policy of protecting wolves in Alaska and is a literary illustration of
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Taha Al-Kassasbeh, Rabab. "Feminism and Postmodern Aesthetics in Angela Carter's "Wolf-Alice", "The Company of Wolves", and "The Werewolf"." International Journal of Arabic-English Studies 14, no. 1 (2013): 25–42. http://dx.doi.org/10.33806/ijaes2000.14.1.2.

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This paper analyzes the connections between feminist politics and postmodern aesthetics as demonstrated in recent women's fiction. It intends to investigate the much debated problematic of postmodernist and feminist ideologies by examining certain key texts written by Angela Carter, who is a British novelist. Angela Carter's "Wolf-Alice," "The Company of Wolves," and "The Werewolf" are examples which transform revolutionary aesthetics strategies usually associated with post-modern fiction to strengthen its feminist political edge. The first section highlights the theoretical frameworks of post
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Norman, Joseph. "‘[…] tentacular invisible mother divine!’: (The) Weird (in) Metal as convergence of sonic extremities and literary margins." Metal Music Studies 5, no. 2 (2019): 225–42. http://dx.doi.org/10.1386/mms.5.2.225_1.

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Weird Fiction is often understood as an unclassifiable fusion of horror, science fiction (SF) and fantasy, and therefore a kind of generically hybridized writing. Here I discuss various parallels between Weird Fiction and music marketed and recognized as ‘extreme metal’, an umbrella term for bands playing in the core styles of black, death and doom metal, and their various offshoots like grindcore and sludge. Analysis of all Weird Metal is beyond the scope of this article, so I focus on artists who achieve Weirdness through the presence and interrelationship of hybridity, numinosity (an overwh
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Szewczyk, Matylda. "Nerwowy uśmiech Meduzy. Tożsamości rodzicielskie w pierwszym sezonie serialu „Wychowane przez wilki”." Kwartalnik Filmowy, no. 116 (January 13, 2022): 121–44. http://dx.doi.org/10.36744/kf.955.

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Artykuł jest analizą pierwszego sezonu serialu HBO Max Wychowane przez wilki (Raised by Wolves, prod. Aaron Guzikowski, 2020) w kontekście sposobu przedstawienia tożsamości rodzicielskich. Autorka koncentruje się na sposobie ukazania rodziny i postaci matki (centralnej w opowiadanej historii) oraz problemie reprodukcji i jej wpisania w konstrukcję fikcyjnego, serialowego uniwersum. Badając wytwarzane w serialu (i przez niego) wyobrażenia, zwraca uwagę na ich zakorzenienie we wcześniejszych, XX-wiecznych wizjach rodziny, kobiecości, macierzyństwa, nauki i technologii. Analiza serialu pozwala za
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Wallace, Matthew. "A Wold on the Bus." After Dinner Conversation 2, no. 5 (2021): 45–59. http://dx.doi.org/10.5840/adc20212542.

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What is the best way for those discriminated against to “change hearts and minds?” Should those discriminated against fight back or focus on helping others see the errors taking place? In this work of philosophical short story fiction, the narrator is simply going about her life riding the bus home from work. A few stops later, a wolf gets on the bus, pays the bus ticket, and has a seat. The woman has heard about wolves and is apprehensive. At the next stop a few teenagers get on the bus. They see the wolf and immediately begin teasing it. The wolf refuses to fight back until, eventually, the
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Wallace, Matthew. "A Wolf on the Bus." After Dinner Conversation 5, no. 4 (2024): 107–23. http://dx.doi.org/10.5840/adc20245439.

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What is the best way for those discriminated against to “change hearts and minds?” Should those discriminated against fight back or focus on helping others see the errors taking place? In this work of philosophical short story fiction, the narrator is simply going about her life riding the bus home from work. A few stops later, a wolf gets on the bus, pays the bus ticket, and has a seat. The woman has heard about wolves and is apprehensive. At the next stop a few teenagers get on the bus. They see the wolf and immediately begin teasing it. The wolf refuses to fight back until, eventually, the
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Nouri, Azadeh, and Fatemeh Aziz Mohammadi. "A Gynocritical Study of The Company of Wolves by Angela Carter." International Letters of Social and Humanistic Sciences 48 (February 2015): 100–106. http://dx.doi.org/10.18052/www.scipress.com/ilshs.48.100.

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In 1979, Carter published one of her mast renowned collections of short fiction, The Bloody Chamber. The majority of Angela Carter’s work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. which she promotes feminist due to her style, referred to as "Galm-Rock" feminism In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. All of the female protagonists in carter’s short stories; such as The Werewolf, The Wolf_Alice,and mainly in The Company
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Nouri, Azadeh, and Fatemeh Aziz Mohammadi. "A Study of Carter’s Wolf_Alice Based on Showalter’s Gynocriticism." International Letters of Social and Humanistic Sciences 48 (February 2015): 1–8. http://dx.doi.org/10.18052/www.scipress.com/ilshs.48.1.

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One of the most radical and stylish fiction authors of the 20th century, Angela Carter, expresses her views of feminism through her various novels and fairy tales. Carter began experimenting with writing fairy tales in 1970, which coincided with the period of second wave feminism in the Unites States. The majority of Angela Carter’s work revolve around a specific type of feminism, radical libertarian feminism and her critique of the patriarchal role that have been placed on women. In this article, the main concentrate is on heroine’s internalized consciousness which echoes in their behavior. A
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Zhigalova, Lyudmila G. "THE VITALITY OF ANDROIDS. LIVING AND NON-LIVING IN THE OF MODERN SCIENCE FICTION TV SHOWS." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 7 (2023): 119–34. http://dx.doi.org/10.28995/2686-7249-2023-7-119-134.

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Humanity has been inventing a robot throughout its history. The steam-powered Pigeon of Archytas and the automatic servant made by Philo of Byzantium belong to the antiquity. Automatons of St. Albertus Magnus, Bacon and Regiomontanus, the Jewish golems, the anthropomorphic idols of Daedalus, the “Iron man” of the Russian monarch Ivan IV, Leonardo’s mechanical knight, the Writer, the Draftsman and the Pianist of Pierre Jaquet-Droz. Each following epoch filled up the list of inventions seeking to come as close as possible to the likeness of the living. At the same time, the desire to reproduce a
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Dash, Sakti Sekhar. "Explorations in Ecocriticism: Reading the Select Novels of Cormac McCarthy in the Light of Anthropocentrism and Cartesian Thinking." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 32. http://dx.doi.org/10.24113/ijellh.v8i2.10380.

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This study highlights the subtle and complex environmental ethic in Cormac McCarthy’s select novels. By delineating the relationships McCarthy’s characters have with non-human nature, an ecocritical analysis views their alienation as the result of their separation from nature. At the root of this alienation is an anthropocentric and mechanistic mode of thinking that is dominant in Western philosophy and that this study defines as Cartesian. While McCarthy’s environmentalist heroes are persecuted by Cartesian institutions and displaced from the land on which they have defined themselves and mad
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Dissertations / Theses on the topic "Wolves, fiction"

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Shinholser, John H. "The Wolves of Gehenna." ScholarWorks@UNO, 2014. http://scholarworks.uno.edu/td/1832.

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A novel by JS Harlow. Mattock Corwin, a young man living in the vampire ruled kingdom of Gehenna, discovers that he is a mage and must escape the land of his birth before the rulers of his land destroy him as a potential threat to their power.
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Denning, Laurie Langlois. "L. T. Meade's Avaricious Anomaly: Â Madame Sara, British Imperialism, and Greedy Wolves in The Sorceress of the Strand." BYU ScholarsArchive, 2018. https://scholarsarchive.byu.edu/etd/6848.

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L. T. Meade's Avaricious Anomaly: Madame Sara, British Imperialism, and Greedy Wolves in The Sorceress of the Strand. Laurie Langlois Denning, Department of English, BYU Master of Arts. Critics interested in the prolific late Victorian author L.T. Meade have primarily focused on her work as an author of girls' stories and novels for young people, which enjoyed fantastic commercial success in her lifetime but fell into obscurity after her death. Recent scholarship on her detective fiction shows Meade's significant contributions to the genre as well as her engagement with social and political di
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Gevers, Nicholas David. "A study of the major science fiction works of Gene Wolfe." Master's thesis, University of Cape Town, 1991. http://hdl.handle.net/11427/21971.

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This thesis examines three major works by the American Science Fiction and Fantasy writer Gene Wolfe (Eugene Rodman Wolfe, 1931-). The central argument of this thesis is that in The Fifth Head of Cerberus (1972), the 'New Sun' cycle of novels (1980- 1987), and Soldier of the Mist (1986), Wolfe presents the human desire for knowledge of the Self and of God and the near-impossibility of attaining this knowledge. Wolfe expresses obstacles to knowledge and fulfilment in his created fictional worlds, in the characters of his protagonists, and in the complicated narrative structures that distinguish
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Wright, Peter. "A conundrum wrapped in an enigma : rereading Gene Wolfe's 'The Fictions of the New Sun'." Thesis, University of Liverpool, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.320570.

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Ross, Simon John. "Theories of African fiction : writing between cultures." Thesis, University of Sussex, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.239020.

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Vallowe, Megan. "Exploring Identity: Rural to Urban Migration in Modernist American Fiction." OpenSIUC, 2013. https://opensiuc.lib.siu.edu/theses/1171.

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This thesis discusses the effects, primarily on a person’s identity, caused by rural to urban migration during the 1920s and 1930s through investigating the migrations of four literary characters—Quentin Compson, George Webber, Jefferson Abbott, and Prudence Bly—developed by three American Modernist—William Faulkner, Thomas Wolfe, and Dawn Powell. I first explore the population trends and movements of Americans out of rural areas to urban ones. In doing so, various sociological theories and historical events are referenced in order to better provide evidence for the reasons for this type of m
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Cannon, Ammie Sorensen. "Controversial politics, conservative genre : Rex Stout's Archie-Wolfe duo and detective fiction's conventional form /." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1340.pdf.

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Cannon, Ammie. "Controversial Politics, Conservative Genre: Rex Stout's Archie-Wolfe Duo and Detective Fiction's Conventional Form." BYU ScholarsArchive, 2006. https://scholarsarchive.byu.edu/etd/469.

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Rex Stout maintained his popular readership despite the often controversial and radical political content expressed in his detective fiction. His political ideals often made him many enemies. Stances such as his ardent opposition to censorship, racism, Nazism, Germany, Fascism, Communism, McCarthyism, and the unfettered FBI were potentially offensive to colleagues and readers from various political backgrounds. Yet Stout attempted to present radical messages via the content of his detective fiction with subtlety. As a literary traditionalist, he resisted using his fiction as a platform for an
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Van, Hart Rachel F. "The Editorial Double Vision of Maxwell Perkins: How the Editor of Fitzgerald, Hemingway, and Wolfe Plied His Craft." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3729.

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Scholars and literary enthusiasts have struggled for decades to account for editor Maxwell Perkins’s unparalleled success in facilitating the careers of many of the early twentieth century’s most enduring and profitable writers, among them F. Scott Fitzgerald, Ernest Hemingway, and Thomas Wolfe. This study seeks to penetrate that mystery by dissecting Perkins’s editorial practice and examining how he navigated the competing tensions between commercial success and aesthetic integrity in various circumstances. At play in the construction of his literary legacy are prevailing perceptions of autho
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Ham, Suok. "Zum Bild der Künstlerin in literarischen Biographien : Christa Wolfs Kein Ort. Nirgends, Ginka Steinwachs' George Sand und Elfriede Jelineks Clara S." Würzburg Königshausen & Neumann, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3028788&prov=M&dokv̲ar=1&doke̲xt=htm.

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Books on the topic "Wolves, fiction"

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Maltman, Thomas James. Little wolves. Soho Press, 2012.

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Sunman, Corba. Prairie wolves. Linford, 2011.

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Steve, Lieber, and Rosenberg Rachelle, eds. Alabaster: Wolves. Dark Horse, 2013.

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Rock, Peter. Carnival wolves. Anchor Books, 1998.

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Joan, Aiken. The Wolves of Willoughby Chase: Wolves #1. Dell Yearling, 2001.

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City Wolves: Historical Fiction. Dundurn Press, 2008.

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Heffron, Dorris. City Wolves: Historical Fiction. Dundurn Press, 2010.

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Heffron, Dorris. City Wolves: Historical Fiction. Dundurn Press, 2010.

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City Wolves: Historical Fiction. Dundurn, 2010.

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Wolves: Raised by Wolves. Alien Perspective, 2010.

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Book chapters on the topic "Wolves, fiction"

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Arnds, Peter. "Gypsies and Jews as Wolves in Realist Fiction." In Lycanthropy in German Literature. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137541635_5.

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Brinch, Iben, and Siri Nergaard. "Sheep, Watch Dogs and Wolves: How the Master in Non-Fiction Writing Formed Actors for the Field of sakprosa in Norway." In Nordic Perspectives on the Discourse of Things. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-33122-0_5.

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AbstractThe chapter concerns a master’s programme in non-fiction writing as part of the development of the field of sakprosa (non-fiction) in Norway. The chapter is based on experience from teaching at a master’s programme in non-fiction writing (Master i faglitterær skriving) at the University of South-Eastern Norway 2007–2020. The programme developed along with the growing field of sakprosa in Norway, a field of institutions and actors from the traditional literary field as well as dedicated policy makers and academic scholars. Our claim is that the programme was embedded in the evolving episteme of sakprosa in Norway while teaching and practicing understandings of non-fiction. The chapter forms a case study of the programme in terms of its position in the literary, cultural and academic field of non-fiction. We explore the ideas and pedagogy adopting an ethnographic approach using our own experiences as teachers and administrators and by the analysis of student texts from the programme. The purpose is to clarify how the programme contributed to the development of the episteme of sakprosa and what kind of agents (or authors)—sheep, watch dogs and wolves—the programme has made for the greater field of non-fiction in Norway.
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March-Russell, Paul. "In the Company of Wolves." In Gender and Short Fiction. Routledge, 2018. http://dx.doi.org/10.4324/9781315106489-4.

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"Of Knights and Wolves and Witnesses: The Crossing." In Religion in Cormac McCarthy's Fiction. Routledge, 2013. http://dx.doi.org/10.4324/9781315851310-12.

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Kimber, Gerri. "‘Among Wolves’ or ‘When in Rome’?: Translating Katherine Mansfield." In Katherine Mansfield and Translation. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9781474400381.003.0009.

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Following a brief discussion of what constitutes a ‘good’ translation, this chapter seeks to demonstrate how the translation of Katherine Mansfield’s fiction into French is a complex process, which has rarely been executed well. There are fundamental problems in translating fiction such as Mansfield’s, where literary nuances such as the use of free indirect discourse, her very precise punctuation, together with her particular brand of humour, which includes specific idiolects, seldom survive translation from English to French. An examination will also be made of more than one translation of the same text, where such translations exist, to determine whether these newer translations offer a more accurate rendering of Mansfield’s original texts.
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Hornbeck, J. Patrick. "Historical Fiction, Academic History, and Civic Pageantry (c. 1850–c. 1960)." In Remembering Wolsey. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823282173.003.0005.

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Chapter 4, which covers the period from c. 1850 to c. 1960, begins with a genre of representation that came into its own in the nineteenth century: historical fiction. The chapter addresses some of the interpretive challenges that historical fictions present and offers new readings of two early stories about Wolsey, both set in his native Suffolk. The emergence of historical fiction occurred contemporaneously with far-reaching developments in academic historiography. With the publication of copious original documents from the Henrician period came new resources for the study of Wolsey. The chapter explores the work of such historians as James Anthony Froude and J. S. Brewer, alongside the Wolsey biographies of Mandell Creighton (1891), Ethelred Taunton (1902), A. F. Pollard (1929), and Hilaire Belloc (1930). It observes how Victorian historians were often zealous about policing the boundaries of their discipline. Finally, since it is from this period that we have the earliest evidence for the public commemoration of Wolsey, the chapter explores the ways in which the cardinal was remembered in early-twentieth-century civic pageants in Oxford and Ipswich, as well as on the anniversaries of his Oxford foundation, currently known as Christ Church.
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Hamel, Kathleen. "Kristeva’s Ovidian World." In Ovid in French. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192895387.003.0012.

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Abstract Julia Kristeva considers that writing fiction can be a form of psychoanalysis. This is evident in Le Vieil Homme et les loups (1991), an autofictional retelling of the events surrounding the death of her father in communist Bulgaria. In this detective novel, Kristeva’s traumatic experiences are interwoven with a tale of an old man whose world is threatened by hordes of wolves. Infused with a sense of displacement, uncertainty, and instability, Le Vieil Homme draws on Ovid’s Metamorphoses to highlight the dangers to society posed by increasing indifference and banalization. By offering a close reading of the novel, this chapter responds to Kristeva’s request that the reader delve deeply rather than giving it a superficial reading. Her wide use of intertextual references and practices is in part self-referential, a reminder of her role in developing intertextuality. This intertextuality allows Kristeva to be inspired by old forms to tell of something new, thereby amplifying and enriching the novel’s meaning and import. An allegorical social commentary, the implications of which still resonate today, Le Vieil Homme reflects Kristeva’s fears for Western civilization, coloured by her formative experiences in Eastern Europe, and exemplified by the dangers threatening the continued existence of the Latin language and its poets. However, by employing Ovid’s enduring words and myths, Kristeva provides a chink of optimism. Adopting the great poet’s mantle, she offers a potent demonstration of his lasting staying-power, giving witness to the final word of the Metamorphoses, ‘Vivam’.
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De Boever, Arne. "Revisiting The Bonfire of the Vanities." In Finance Fictions. Fordham University Press, 2018. http://dx.doi.org/10.5422/fordham/9780823279166.003.0002.

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Following other critics of the so-called “finance fiction” or “fi-fi” genre, the chapter begins by observing that finance doesn’t play a major role in Tom Wolfe’s The Bonfire of the Vanities: It is limited to the pages about a gold-backed bond and the neoliberalization of black power, an issue that Wolfe had already addressed in his earlier “Radical Chic.” Instead, the chapter identifies “psychosis” as a major theme in this contemporary finance fiction. While many critics have focused on racism in the novel, and in some cases on what they perceive to be the racism of the novel (which, in its avowedly all-inclusive representation of New York City privileges the upper-class white perspective), its revisionist reading lays bare what I consider to be the novel’s central drama: how both its white, upper-class protagonist Sherman McCoy and its black, lower-class protagonist Henry Lamb are caught up in psychotic situations created by money, politics, and the media—situations over which they have no control. The chapter ultimately turns to Cristina Alger’s The Darlings as an example of how this is borne out in post-2008 financial fiction.
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Roscoe, Philip. "Where Real Men Make Real Money." In How to Build a Stock Exchange. Policy Press, 2023. http://dx.doi.org/10.1332/policypress/9781529224313.003.0008.

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Chapter 7 begins by examining another novel mode of financial operation: the leveraged buyout. Fact and fiction overlap in the discussion of this financial practice, and the chapter moves to consider fictional representations of finance and to explore the narrative construction of finance. It deals with the written underpinnings of finance, from Daniel Defoe onwards, and then examines contemporary financial print culture, epitomized by Tom Wolfe’s Bonfire of the Vanities, in more detail. It moves to a focus on gender, both in fiction and practice, and considers the changing performances and representations of gender in finance, exploring how elitism and exclusion can be reproduced in finance.
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Austin, Michael. "Vardis Fisher and the Beginnings of Mormon Regionalism." In Vardis Fisher. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252044090.003.0002.

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This chapter sets Fisher’s early work in the context of the regional literature movement in American literature—a movement that also included such writers as William Faulkner, John Steinbeck, and Thomas Wolfe, Fisher’s regional fiction—including his autobiographical tetralogy—is set in the Antelope region of Southern Idaho. The Antelope books include Fisher’s autobiographical tetralogy and other works modeled on members of his family, but they also incorporate an entire fictional storyworld much like Faulkner’s Yoknapatawpha. The chapter argues that Fisher’s Antelope fiction constitutes the first significant example of regionalism in the area that Donald W. Meinig identified as the “Mormon Culture Region.”
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