Relevant bibliographies by topics / Woman's fiction

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Woman's fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Woman's fiction"

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Farkas, Carol-Ann. "Chick-Lit: The New Woman's Fiction." Journal of Popular Culture 39, no. 5 (2006): 902–3. http://dx.doi.org/10.1111/j.1540-5931.2006.00314.x.

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Mulhern, Chieko Irie. "Japanese Harlequin Romances as Transcultural Woman's Fiction." Journal of Asian Studies 48, no. 1 (1989): 50–70. http://dx.doi.org/10.2307/2057664.

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My country “is now wholly given over to a d—d mob of scribbling women,” goes one of the most frequently quoted gender-related adages. Japanologists might be tempted to attribute this uncourtly utterance to a learned nobleman of Heian Japan (794–1185) embittered by the outpouring of vernacular narratives from women's writing brushes that were eclipsing male endeavors to emulate Chinese classics, or to an exasperated modern Japanese novelist in reference to the neo-Heian phenomenon, namely, the renaissance of women's literature in postwar Japan. Actually it was Nathaniel Hawthorne (1855:141) who
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Milesi, Laurent. "Cixanalyses — Towards a Reading of Anankè." Paragraph 36, no. 2 (2013): 286–302. http://dx.doi.org/10.3366/para.2013.0093.

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The first in-depth engagement with and close reading of Anankè, this essay focuses on how Cixous's novel plays with and rewrites psychoanalytic concepts and practices. The critical elaboration of her own ‘cixanalysis’ in this fiction-as-becoming and journey, which reinvents psychoanalysis as it gives free creative rein to woman's desire instead of pathologizing it, unfolds in six related studies: on ‘conduct’ (about autonomy, automobile and behaviour), ‘habit’ (as well as habitation and clothing), staging (about the relation between analysis and the theatrical), transference and/as translation
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Vučković, Mirjana. "Education as the way to "A Woman's Liberation": One of Ursula Le Guin's four ways to forgiveness." Reci Beograd 14, no. 15 (2022): 67–81. http://dx.doi.org/10.5937/reci2215067v.

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In this paper we discussed Ursula Le Guin's story "A Woman's Liberation. In this science fiction story the author chronicles a slave society on a far-away planet in distant future. She describes the relationships between slaves and owners but also the position of women in such an unjust society in which female slaves are inferior to everyone, including male slaves. Since the aim of science fiction is to make us think about our present, the author draws parallels between this fictional slave society from the future and slavery on our planet from not so distant past. Le Guin deals with the ways
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Killick, Rachel, and Mary Donaldson-Evans. "A Woman's Revenge: The Chronology of Dispossession in Maupassant's Fiction." Modern Language Review 83, no. 3 (1988): 737. http://dx.doi.org/10.2307/3731357.

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Pasco, Allan H. "A Woman's Revenge: The Chronology of Dispossession of Maupassant's Fiction." Symposium: A Quarterly Journal in Modern Literatures 41, no. 4 (1987): 317–18. http://dx.doi.org/10.1080/00397709.1988.10733634.

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روشنفكر, كبري, هادي نظري منظّم, and سميرا حيدري راد. "The woman's character in the novel "Tantouria" by Radwa Mustafa Ashour in the light of Spivak's opinions." Kufa Journal of Arts 1, no. 32 (2017): 311–44. http://dx.doi.org/10.36317/kaj/2017/v1.i32.6043.

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Character is one of the most important narrative components in fiction. It plays a key role in embodying the idea and ideology of the novelist. The fictional character has multiple classifications, but these classifications did not take care of the idea of ​​gender, and critics do not often consider the gender of the character in the study of the narrative. The female writer feels, thinks and creates, and her struggle to resist marginalization is no different from the struggle of any group in society. It always strives to raise its status from the margin space to the center space. This study a
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Friedman, Sharon. "Revisioning the Woman's Part: Paula Vogel's ‘Desdemona’." New Theatre Quarterly 15, no. 2 (1999): 131–41. http://dx.doi.org/10.1017/s0266464x00012823.

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In Desdemona, Paula Vogel's revision of Shakespeare's Othello, we have a Desdemona who is Othello's worst nightmare, the transformation of lago's fiction into reality. Why has Paula Vogel created a Desdemona who, though ostensibly inside out, still appears to be Othello's projection? Sharon Friedman argues that although Paula Vogel's raucous Desdemona draws on many of the conventions of feminist revisioning, it marks an important shift in the feminist critical perspective in drama – as characterized by Lynda Hart, ‘from discovering and creating positive images of women … to analyzing and disru
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Mrs. Premlata Meena and Dr. Samay Singh Meena. "Thikre ki Mangni and the Eruption of Mahrukh by Nasira Sharma." Knowledgeable Research: A Multidisciplinary Journal 2, no. 1 (2023): 33–38. http://dx.doi.org/10.57067/kr.v2i1.135.

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Theekre ki Mangani' is a lively portrayal of a woman 'Mahrukh' struggling to create her own existence and independent identity due to circumstances. In this novel ‘Theekre Ki Mangani’ written by the renowned writer of contemporary Hindi fiction, ‘Nasira Sharma’, a reliable and meaningful form of women’s discussion is found. Mahrukh's life represents the life of those women who, instead of searching for their liberation in isolation, broaden the question of liberation by connecting it with the liberation of the neglected, lower class, struggling and exploited characters of the society. Mahrukh'
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Sharma, Dr Rajni, and Mrs Poonam Gaur. "Women Predicament in 'A Journey on Bare Feet' by Dalip Kaur Tiwana." SMART MOVES JOURNAL IJELLH 8, no. 2 (2020): 14. http://dx.doi.org/10.24113/ijellh.v8i2.10391.

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The autobiographical impulse and act is central to woman's writing in India. The range of Indian women's writing generates an unending discourse on personalities, woman's emotions and ways of life. In a way, it presents the socio-cultural state in India from a woman's stance. It affords a peep into Indian feminism too. Besides giving a historical perspective, it throws ample light on woman's psychic landscape. It takes us to the deepest emotions of a woman's inner being. The varied aspects of woman's personality find expression in the female autobiographical literature. We find that a deeper s
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Dissertations / Theses on the topic "Woman's fiction"

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Sexton, Melanie. "The woman's voice: The post-realist fiction of Margaret Atwood, Mavis Gallant and Alice Munro." Thesis, University of Ottawa (Canada), 1993. http://hdl.handle.net/10393/6822.

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Since Margaret Atwood, Mavis Gallant, and Alice Munro do not frequently employ experimental or overtly metafictional forms, they are often read as realist writers in contradistinction to postmodernists. In fact, the assumptions upon which their work rests have little in common with the assumptions underlying realism, and they are as resoundingly post-realist as their postmodern counterparts. One of the key characteristics of realism is an assumption that language can be a neutral, transparent medium in which life can be rendered without distortion. Yet in the work of Atwood, Munro, and Gallant
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Harwell, Raena Jamila. "This Woman's Work: The Sociopolitical Activism of Bebe Moore Campbell." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/138885.

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African American Studies<br>Ph.D.<br>In November 2006, award-winning novelist, Bebe Moore Campbell died at the age of 56 after a short battle with brain cancer. Although the author was widely-known and acclaimed for her first novel, Your Blues Ain't Like Mine (1992) there had been no serious study of her life, nor her literary and activist work. This dissertation examines Campbell's activism in two periods: as a student at the University of Pittsburgh during the 1960s Black Student Movement, and later as a mental health advocate near the end of her life in 2006. It also analyzes Campbell's fir
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Götting, Elena Rebekka. "Challenging maleness : the new woman's attempts to reconstruct the binary code." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.

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This thesis explores the construction of masculinity in novels written by New Women authors between the years 1881-1899. The fin de siècle was a period during which gender roles were renegotiated with fervour by both male and female authors, but it was the so-called New Woman in particular who was trying to transform the Victorian notion of femininity to incorporate the demands of the burgeoning women's movement. This thesis argues that in their fiction, New Women authors often tried to achieve this transformation by creating male characters who were designed to justify and to mitigate the New
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Block, Shelley R. "Nineteenth-century literary women and the temperance tradition temperance rhetoric in the fiction of Lydia Sigourney, Frances Ellen Watkins Harper, Rebecca Harding Davis and Elizabeth Stuart Phelps /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4675.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on January 29, 2007) Vita. Includes bibliographical references.
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Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.
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Hami, Iman. "Alice Walker's womanist fiction : tensions and reconciliations." Thesis, University of Essex, 2016. http://repository.essex.ac.uk/16683/.

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A theory formulated by Alice Walker, womanism focuses on the unification of men and women with Nature and Earth. This thesis explores womanism with regards to its specific concerns with African American women’s rights, identities, and self-actualisation, and points towards its more overarching concerns with human relations and sexual freedom, as expressed in each of Walker’s seven novels. The seven novels discussed in the thesis are The Third Life of Grange Copeland (1970), Meridian (1976), The Color Purple (1982), The Temple of My Familiar (1989), Possessing the Secret of Joy (1992), By the L
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Kasun, Genna Welsh. "Womanism and the Fiction of Jhumpa Lahiri." ScholarWorks @ UVM, 2009. http://library.uvm.edu/dspace/bitstream/123456789/203/1/Kasun.

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Chivers, Marian. "The warrior woman in contemporary romance fiction." Thesis, Federation University Australia, 2014. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/96448.

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Master of Arts by Research<br>The warrior woman is a recurring figure in myth and history. She could be seen as an ambiguous character as she challenges patriarchal assumptions about gender roles with her capability for masculine aggression while being recognisably female and “feminine”. In the new millennium, she has reappeared as the action heroine in films, televisions, comics and video games and she has also infiltrated romance fiction, a genre often considered one of the most conservative genres in terms of gender roles and equality. The Silhouette Bombshell line was created by the multin
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Hajibashi, Zjaleh Elizabeth. "The fiction of the post-revolutionary Iranian woman /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/fullcit?p9905742.

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Daniels, Laura Allison. "Victorian Psychology in Sensation and New Woman Fiction." Thesis, University of Exeter, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.486765.

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My thesis takes as its basic premise that questions ofidentity are crucial to the genres of Sensation and New Woman fiction and explores how authors such as Wilkie Collins, MaryElizabeth Braddon, Sarah Grand, Mona Caird and George Egerton integrated contemporary theories about the self into their fiction. My first chapter considers how Sensation fiction mirrored the growing scientific belief that physiognomy, like phrenology before it, was ofno assistance in helping to either identify the self or diagnose mental disorder before tracing the way in which New . . Woman fiction also took such a po
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Books on the topic "Woman's fiction"

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Newman, Lesléa. Every woman's dream: Short fiction. New Victoria Publishers, 1994.

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1962-, Ferriss Suzanne, and Young Mallory 1952-, eds. Chick lit: The new woman's fiction. Routledge, 2006.

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Carr, Robyn. Woman's own. St. Martin's Press, 1990.

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Mulholland, Sylvia. Woman's work. Hodder and Stoughton, 1997.

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Erica, Jong. Any woman's blues. Harper & Row, 1990.

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Erica, Jong. Any woman's blues. Arrow, 1991.

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Ross, JoAnn. A woman's heart. Thorndike Press, 2003.

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Callen, Gayle. A Woman's Innocence. HarperCollins, 2009.

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Lily's Daughter ("Woman's Weekly" Fiction). Mandarin, 1995.

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Webster, Jan. Tallie's War ("Woman's Weekly" Fiction). Arrow (A Division of Random House Group), 1995.

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Book chapters on the topic "Woman's fiction"

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Russell, Dora. "A Woman's Proposal." In Varieties of Women's Sensation Fiction, 1855-1890 Vol 6. Routledge, 2024. http://dx.doi.org/10.4324/9781003550198-48.

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Nash, Walter. "Woman's place: a dip into the magazines." In Language in Popular Fiction. Routledge, 2021. http://dx.doi.org/10.4324/9781003157984-2.

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Wallace, Diana. "Selling Women’s History: Popular Historical Fiction in the 1970s." In The Woman's Historical Novel. Palgrave Macmillan UK, 2005. http://dx.doi.org/10.1057/9780230505940_7.

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Russell, Dora. "The Dead Woman's Ring." In Varieties of Women's Sensation Fiction, 1855-1890 Vol 6. Routledge, 2024. http://dx.doi.org/10.4324/9781003550198-44.

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Sutherland, John. "Writing The Woman in White." In Victorian Fiction. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23937-5_2.

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Sutherland, John. "Writing The Woman in White." In Victorian Fiction. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230596344_2.

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Heilmann, Ann. "Regen(d)eration." In New Woman Fiction. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230288355_1.

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Heilmann, Ann. "Contesting/Consuming Femininities." In New Woman Fiction. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230288355_2.

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Heilmann, Ann. "Keynotes and Discords." In New Woman Fiction. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230288355_3.

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Heilmann, Ann. "Marriage and Its Discontents." In New Woman Fiction. Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230288355_4.

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Conference papers on the topic "Woman's fiction"

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Ojars, Lams. "REFUGEES-IMMIGRANTS-INTEGRANTS: NARRATIVES ABOUT FORCED DISPLACEMENT IN BALTIC REGION AT THE END OF WW2." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.26.

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The process of displacement and the large numbers of Baltic refugees due to the return of Soviet occupation at the end of World War II is important theme in literature. In the literatures of Latvia, Lithuania and Estonia after war a new and long-lasting phenomenon appeared � literature of exile. This paper will turn to three texts that are from different decades and are written in different styles about displacement. The research focus will be on the novel �After Doomesday� (1968, English translation 2017) [3] by Latvian author Gunars Janovskis (1916�2000) who started his career as a writer in
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Sadomskaya, Natalia. "“New Woman” In Late Victorian Fiction." In Philological Readings. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.04.02.50.

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Khovanchuk, Olga, and Tatiana Breslavets. "THE MAN IMAGE IN OKAMOTO KANOKO’S FICTION." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.45.

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The paper is devoted to the peculiarities of the man image in Japanese woman writer Okamoto Kanoko’s fiction. As a rule, the hero-lover (victim) has not the indispensable vitality and innate power. He is sickly or weak-minded. His fragility and passivity are contrasted with heroine’s (vampire) strength and assertiveness. The demonic motif is ubiquitous in Okamoto Kanoko’s stories. In other side, the man image is not a “lover”, but a “son”, which cult was set in her works. In certain cases heroine’s attitude to a hero leads to the erotic conflict.
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DENISOVA, I. V., and I. V. TELESHEVA. "GENDER-ORIENTED TRANSLATION OF FICTION (ON THE BASIS OF VIRGINIA WOOLF’S ESSAY “A ROOM OF ONE’S OWN”)." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_399.

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This article discusses the ways of translating a gender aspect on the basis of Virginia Woolf’s essay «A room of one’s own». When it comes to Woolf’s woman characters, first of all, images of feminist women come to our mind. Women in her books were encouraged to examine their own psyches in depth, to re-examine the female position as women for the male world. Virginia Woolf proposed the removal of everything that mattered to men: competition and dominance. Analysis of this work shows that a woman for the writer is a symbol, not just a living creature. The image of a man in her books is describ
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Rudanovskaya, Svetlana. "Possibilities of the Subject in Feminist Utopian Fiction "Woman on the Edge of Time"." In 2nd International Conference on Arts, Design and Contemporary Education. Atlantis Press, 2016. http://dx.doi.org/10.2991/icadce-16.2016.31.

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McNair-Lee, Dowan. "I Am ... Hippolyta: How Speculative Fiction Calls This Black Woman Teacher Into a Currere Conversation." In 2023 AERA Annual Meeting. AERA, 2023. http://dx.doi.org/10.3102/2016652.

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Ghosh, Mrittika. "Beware of Women: Analyzing the Market Literatures of Nigeria." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2024. http://dx.doi.org/10.62119/icla.1.8188.

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In the 1940s pamphlet literature burgeoned into a profitable industry in the market town of Onitsha, in Nigeria. As the pam-phlets, also referred as ‘chapbooks’, were printed, and circulated in the market town of Onitsha this genre of literature came to be po-pularly known as Onitsha Market Literature. According to scholars like Obiechina (1973) Onitsha Market Literature is the ‘literature of the mass’ and it soared to popularity due to its cheap retail price and the lucidity of language. Obiechina further argues that Onitsha Market Literature represented the ‘sentiments of an emergent urban c
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Nemsadze, Ada. "Magical-Realistic Motifs and Mystic Rituals in Modern Georgian and Latin American Novels (A Man Was Going Down the Road of Otar Chiladze and Lituma en los Andes of Mario Vargas Llosa)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9006.

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Typological analogies are often revealed in fiction texts that are created in different cultural-geographic areas. This fact can be accounted for not only by similar fundamental changes in political and economic-cultural spheres, but by many other reasons as well. Such analogies are particularly frequently revealed through the usage of the method of magical realism. The present research analyzes such analogies. For this purpose, it compares a novel by Peruvian Nobel Prize Winner, Mario Vargas Llosa, Lituma en los Andes (Death in the Andes) (1993), with the novel by a renowned Georgian writer O
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Chepelevskaya, Tatyana. "Travel Essays by E.i. Witte at the Beginning of the 20th Century as an Example of Documentary Fiction and an Example of a "Feminine" View of the "Slavic" Theme." In Woman in the heart of Europe: non-obvious aspects of gender in the history and culture of Central Europe and adjacent regions. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/0475-6.32.

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Tavares, Tatiana. "Paradoxical saints: Polyvocality in an interactive AR digital narrative." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.

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This artistic, practice-led PhD thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is constructed as a printed picture book that can be experienced through an Augmented Reality [AR] platform. The fictional story entails a woman who mourns the disappearance of her lover in the 1964 Brazilian coup d’état and lives for 40 years in a room of accumulated memories. IIn each illustration, the user can select three buttons on the tablet device that activates a different version of the story. Three narrators (saints) pres
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Reports on the topic "Woman's fiction"

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Kamminga, Jorrit, Cristina Durán, and Miguel Ángel Giner Bou. Zahra: A policewoman in Afghanistan. Oxfam, 2020. http://dx.doi.org/10.21201/2020.6959.

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As part of Oxfam’s Strategic Partnership project ‘Towards a Worldwide Influencing Network’, the graphic story Zahra: A policewoman in Afghanistan was developed by Jorrit Kamminga, Cristina Durán and Miguel Ángel Giner Bou. The project is funded by the Ministry of Foreign Affairs of the Netherlands. The graphic story is part of a long-standing Oxfam campaign that supports the inclusion and meaningful participation of women in the Afghan police. The story portrays the struggles of a young woman from a rural village who wants to become a police officer. While a fictional character, Zahra’s story
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