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Journal articles on the topic 'Womanism in literature'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 February 2023

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1

Ruhina, Jesmin. "Continuity of Womanist Ethos: Intertextuality in Select Novels of Alice Walker." University of Bucharest Review. Literary and Cultural Studies Series 10, no. 1 (October 5, 2021): 42–54. http://dx.doi.org/10.31178/ubr.10.1.4.

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This study uses the relational content analysis method and theories of intertextuality, intersectionality, and womanism to explore the continuity of womanist ethos in select novels of the African-American novelist Alice Walker. It attempts to explore Walker’s use of womanism as an intertextual trope in The Third Life of Grange Copeland (1970), Meridian (1976), The Color Purple (1982), The Temple of My Familiar (1989) and Possessing the Secret of Joy (1992); Walker’s portrayal of Celie-Shug as a perfect womanist couple in Color Purple and their reappearance in Temple as mother trees; foremothers as role models in Third Life and Temple; Walker’s telling and retelling of Tashi’s life-long suffering from female genital mutilation (FGM) in Color Purple, Temple, and Possessing – the subject of this paper.

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2

Makombe, Rodwell. "Images of woman and the search for happiness in Cynthia Jele's Happiness is a four letter word." Tydskrif vir Letterkunde 55, no. 1 (January 26, 2018): 110–21. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i1.1552.

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Over the years, African ‘feminist’ scholars have expressed reservations about embracing feminism as an analytical framework for theorizing issues that affect African women. This is particularly because in many African societies, feminism has been perceived as a negative influence that seeks to tear the cultural fabric and value systems of African communities. Some scholars such as Clenora Hudson-Weems, Chikenje Ogunyemi, Tiamoyo Karenga and Chimbuko Tembo contend that feminism as developed by Western scholars is incapable of addressing context-specific concerns of African women. As a result, they developed womanism as an alternative framework for analysing the realities of women in African cultures. Womanism is premised on the view that African women need an Afrocentric theory that can adequately deal with their specific struggles. Drawing from ideas that have been developed by womanist scholars, this article critically interrogates the portrayal of women in Cynthia Jele’s Happiness is a four-letter word (2010), with particular focus on the choices that they make in love relationships, marriage and motherhood. My argument is that Jele’s text affirms the womanist view that African women exist within a specific cultural context that shapes their needs, aspirations and choices in a different way.

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Malotra-Gaudet, Lauren. "A critical look at the terms feminism, Feminism, and womanism and the applicability, or not, of each in conversation with Toni Morrison’s First and Last Novels The Bluest Eye and Home." Journal of Student Research 4, no. 2 (June 3, 2015): 7–12. http://dx.doi.org/10.47611/jsr.v4i2.235.

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For the purpose of this paper lower-case-f feminism is used as the umbrella term for the organized activity in support of women's rights and interests founded in the belief that men and women should have equal rights and opportunities. Hegemonic Feminism, aka Radical Feminism, has historically left out women who face issues alongside oppression based on gender, namely women of colour. Capital-F Feminism represents this hegemonic Feminism. Alice Walker’s womanism creates a type of feminism specifically for black women and women of colour. In this paper I explore and contrast three different types of feminism, hegemonic “Feminism” and “womanism”, to show how Toni Morrison’s first and last novels The Bluest Eye and Home are definitely womanist texts but are not necessarily considered feminist under the constraints of hegemonic Feminism. I look at the differences between the three terms to show how these novels can and do slip through the cracks and are not labeled as “feminist” texts because they do not comply with “Feminism.” Through plot and character examples I show how these novels are womanist, and because of that they are not able to be considered examples of Feminist texts and are therefore not regarded as canonical Feminist literature, though they do exemplify feminist principles, themes and ideals.

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4

Tonleu, Madeleine, Annamarie De Beer, and Elisabeth Snyman. "Womanism in Crépuscule du tourment: Mélancolie by Léonora Miano." Tydskrif vir Letterkunde 59, no. 2 (October 25, 2022): 59–70. http://dx.doi.org/10.17159/tl.v59i2.13047.

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In this article we examine the notion of womanism as portrayed in the 2016 novel Crépuscule du tourment: Mélancolie ( Twilight of Torment: Melancholy ) by the Franco-Cameroonian author Léonora Miano . We explore how four female characters are subjected to discrimination on various levels: racial, sexist, and even linked to social divisions. We furthermore trace the religious, historical, cultural and sexual aspects of the identity crisis that each character undergoes. The tales by these four voices depicting their suffering and different defence strategies finally point to the womanism of the author herself which this article aims to discuss drawing on a range of definitions provided by scholars such as bell hooks, Molara Ogundipe-Leslie and Alice Walker. Our reading of the novel focusses on the mechanisms of resistance (exploration of homosexual relations, recourse to afrocentricity) deployed by these female characters in an environment where neither Western feminism nor activism seem to respond to the complexity of their alienation. Miano’s heroines attempt to reconstruct their identities in terms of culture, territory, the other and the “self”. Their revolt and courage to speak out constitute acts of self-determination. This emancipatory quest leads to a form of hybridity that embraces both modernity and traditional values, with its myths and customs, and which results in a reconstructed and plural identity. It also constitutes an approach by an African author that embraces both a return to the self and an openness to the outside world.

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5

Bollinger, Laurel, Katie Geneva Cannon, and Barbara Omolade. "Katie's Canon: Womanism and the Soul of the Black Community." Tulsa Studies in Women's Literature 16, no. 2 (1997): 373. http://dx.doi.org/10.2307/464367.

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6

Ariesta, Fanny, and Liliana Muliastuti1. "DISKRIMINASI RAS DALAM FILM THE HELP KARYA TATE TAYLOR (Kajian Feminisme)." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 16, no. 2 (July 2, 2017): 47–55. http://dx.doi.org/10.21009/bahtera.162.04.

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AbstrakPenelitian ini bertujuan untuk meneliti dan menjelaskan unsur-unsur intrinsik dandiskriminasi ras yang terdapat dalam film The Help karya Tate Taylor berdasarkan kajianfeminisme. Diskriminasi ras dikaji berdasarkan teori womanisme dari Layli Philips.Penelitian ini merupakan penelitian kualitatif dengan menggunakan metode analisis isi.Temuan dalam penelilitian ini mencakup (1) unsur fiksi yakni unsur intrinsik dalam filmThe Help karya Tate Taylor meliputi penokohan, tema, alur dan latar (2) usaha-usaha yangdilakukan perempuan dalam menghadapi diskriminasi ras digambarkan dalam film TheHelp karya Tate Taylor berdasarkan unsur-unsur fiksi (3) bentuk-bentuk perilakudiskriminasi ras yang digambarkan dalam film The Help karya Tate Taylor berdasarkanunsur-unsur fiksi. Teori womanisme yang digunakan untuk mengkaji film The Help,melawan tiga bentuk penindasan yakni penindasan ras, kelas sosial dan gender. Konsep antioppressionist digunakan untuk menganalisis usaha-usaha yang dilakukan perempuan kulithitam untuk berjuang melawan penindasan. Hasil dari penelitian ini diharapkan dapatberguna dalam proses pembelajaran bahasa dan sastra, khususnya kajian feminismesehingga dapat meningkatkan kemampuan peserta didik maupun pembaca dalammemahami sastra.Kata kunci : anti oppresionist,diskriminasi ras,feminisme,film,womanisme.AbstractThis research is aimed to analyze and explain intrinsic elements and racial discriminationin The Help movie by Tate Taylor based on the study of feminism. Racial discrimination isexamined based on theory of womanism by Layli Philips. This research was qaulitativeresearch which used content analysis method. The findings of this research are included (1)to describe fiction elements (intrinsic elements) in The Help movie directed by Tate Tayloras follows, character, theme, plot and setting (2) to analyze black womenâ€™s struggles whenfaced racial discrimination in The Help movie based on fiction elements (3) to reveal formsof racial discrimination in The Help movie based on fiction elements. The theory ofwomanism is used to analyze three kind of oppression as follows : racial discrimination,social class and gender in The Help movie. The concept of anti oppressionist is used toanalyze black womenâ€™s struggle in facing oppression. The result of this research is expectedto be useful in the process of learning language and literature. It especially focused on thetheory of feminism in order to improve the ability of learners and readers in understandingliterature.keywords : anti oppressionist, feminism, film, racial discrimination, womanism.

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Dillard, Nicole, and Christina M. Walker. "Black Mothers at Work: A Contemplative and Anti-Oppressive Approach to Dismantling Workplace Oppression." Journal of Management, Spirituality & Religion 19, no. 2 (March 1, 2022): 97–123. http://dx.doi.org/10.51327/oyww2974.

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Diversity management continues to be a subject of importance in organizations of all types. Therefore, the purpose of our research was to explore the experiences of oppression for Black mothers at work with the goal of providing managers and Black mothers a means of addressing workplace oppression. We conducted qualitative interviews with Black mothers about their experiences of workplace oppression, and then we conducted an interdisciplinary literature review of Womanism in the Black Church around the subject of oppression, as well as the concepts of workplace oppression and anti-oppressive practice. By tracing both contemplative and anti-oppressive practices, we are highlighting the legacy of Black women as architects for inspiring change. We built our Contemplative AntiOppressive Practice (CAOP) framework in light of our findings. While contemplative practice and anti-oppressive practice have been explored separately in management literature, they have yet to be explored in combination as a possible framework to dismantle oppression. We offer this framework as an approach for managers and employees to enable them to address both the inner and outer work that needs to be done in order to dismantle workplace oppression.

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8

HERRERA (ULPLA - Chile), Lilian Joscelyne Salinas, and Daiana Nascimento dos SANTOS (ULPLA - Chile). "AFRICAN WOMANISM: DESAFÍOS FRENTE A LA CONDICIÓN POSTCOLONIAL EN PURPLE HIBISCUS DE CHIMAMANDA NGOZI ADICHIE." Margens 16, no. 27 (December 23, 2022): 219. http://dx.doi.org/10.18542/rmi.v16i27.12820.

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9

Lewis, Nghana. "Womanism, Literature, and the Transformation of the Black Community, 1965–1980, and: Parodies of Ownership: Hip-Hop Aesthetics and Intellectual Property Law." African American Review 44, no. 1-2 (2011): 291–95. http://dx.doi.org/10.1353/afa.2011.0036.

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10

Ameh, Catherine Achetu. "La condition féminine dans Une vie hypothéquée d’Anne-Marie Adiaffi." International Journal of Francophone Studies 24, no. 3 (December 1, 2021): 269–81. http://dx.doi.org/10.1386/ijfs_00041_4.

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This article aims to study the condition of African women in Une vie hypothéquée by Anne-Marie Adiaffi. In a predominantly patriarchal Ivorian society, this Francophone African novelist highlights certain alienating practices that subjugate African women, especially forced marriage and widowhood in Ivorian and African society. Given the above, the researcher wonders why the condition of African women is in a state of exploitation, oppression and overwhelming violence. What are the solutions to stop these problems? To effectively carry out the study, the researcher adopts the African womanism theory. The study recommends that the sensitization and formal education of African women is the key to their development and emancipation in society.

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11

Ho, Thao. "NOISY SOUNDS! It’s a Listening Affair: Jazz Aesthetic, Improvisation, and Womanism in M. NourbeSe Philip’s She Tries Her Tongue, Her Silence Softly Breaks." Journal of Foreign Languages and Cultures 5, no. 1 (June 28, 2021): 053–69. http://dx.doi.org/10.53397/hunnu.jflc.202101005.

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Black writers adapted jazz music to “say the unsayable” or employed the “jazz aesthetic,” which includes improvisation, citation, and variation as a stylistic device to distance their literature from European forms of narration. These elements can also be found in M. NourbeSe Philip’s poetry collection She Tries Her Tongue, Her Silence Softly Breaks (1988) which rigorously challenges the way language and words are perceived. Philip denounces the Western ideology of non-ambiguity, dichotomies, and narration altogether by engaging the reader as jazz musicians engage their audience. What role did music play in the Black resistance? What is the “jazz aesthetic” and how is it incorporated into Black diasporic literature? How does jazz music create community and how did Black female musicians speak up in a rather hypermasculine jazz universe? How does Philip incorporate the jazz aesthetic, improvisation, and womanist thoughts in her poems? And what is the intention of noise, dissonance, and (musical) violence?

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12

Nehere, Kalpana. "The Feminist Views: A Review." Feminist Research 1, no. 1 (June 2016): 3–20. http://dx.doi.org/10.21523/gcj2.16010101.

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The first wave of feminism emphasised on women’s emancipation and equality, whereas the second wave focused on female oppressions and struggled for their liberation. The third wave stressed the individual empowerment. 1) The Marxist feminism confined to united struggle for women’s rights. 2) The socialist feminism exposed the gender aspects of welfare state. 3) The liberal feminists struggled for the empowerment and public participation of women, 4)The individual feminism aimed at personal abilities of woman, 5) The career feminism inspired women to free in the ‘World of Men’, 6) The global feminism insisted the boundary breaking activities for women’s empowerment and reorder the rules, 7) The radical feminists bounded to entire change in social structure for equality, 8) The lesbian feminists denied the need of men for existence of women, 9) The black feminists struggled for equality within the races and Dalit within castes, 10) The womanism supported the self-identity and -respect, 11) The cultural feminists and literature explained the cultural roots of discriminations and exploitations of women, 12) The eco-feminists focused on environmental aspects and resources related to women. However, 13) The existentialists are conscious about interdependence. The feministic analyses are active, challenging and important for social welfare.

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13

Moradi, Bonnie. "Advancing Womanist Identity Development." Counseling Psychologist 33, no. 2 (March 2005): 225–53. http://dx.doi.org/10.1177/0011000004265676.

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Scholars have called for increased attention to within-group variability in models and measures of identity development. As a step toward responding to these calls, the current review focuses on the womanist identity development model as a model of gender-related identity development that has been argued to be applicable to women across racial/ethnic, class, and other groups. The review provides an introduction to the womanist identity development model and its operationalization, critically analyzes literature on the model and its measurement, and explores directions for further development of womanist identity development theory and research.

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14

Aniagolu, Chichi. "The First African Womanist Workshop." Agenda, no. 37 (1998): 96. http://dx.doi.org/10.2307/4066183.

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15

Basinskii, Pavel. "Postfeminism: Russian Literature Had a Woman's Soul." Russian Studies in Literature 37, no. 2 (April 2001): 49–56. http://dx.doi.org/10.2753/rsl1061-1975370249.

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Kyung-Mi, Lee. "Woman’s Scent In Ancient East Asian Literature." Chinese Studies 76 (September 30, 2021): 441–62. http://dx.doi.org/10.14378/kacs.2021.76.76.20.

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Kyung-Mi, Lee. "Woman’s Clothes In Ancient East Asian Literature." Chinese Studies 78 (March 31, 2022): 313–35. http://dx.doi.org/10.14378/kacs.2022.78.78.15.

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Lee, Kyung-Mi. "‘Woman's suicide’ in Ancient East Asian Literature." Chinese Studies 47 (April 30, 2014): 149–80. http://dx.doi.org/10.14378/kacs.2014.47.47.149.

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Kyung-Mi, Lee. "‘Woman's hair’ in Ancient East Asian Literature." Chinese Studies 64 (September 30, 2018): 23–45. http://dx.doi.org/10.14378/kacs.2018.64.64.2.

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Kyung-Mi, Lee. "‘Woman’s Litigation’ in East Asian Ancient Literature." Chinese Studies 68 (September 30, 2019): 235–55. http://dx.doi.org/10.14378/kacs.2019.68.68.15.

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Emery,, Kent. "Medieval Woman's Visionary Literature. Elizabeth Alvilda Petroff." Journal of Religion 68, no. 1 (January 1988): 103–4. http://dx.doi.org/10.1086/487728.

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Iannone, Carol. "Is there a woman’s perspective in literature?" Academic Questions 7, no. 1 (March 1994): 63–76. http://dx.doi.org/10.1007/bf02682919.

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23

Dietz, Morgan Richardson. "The Politics of Breastfeeding in Northeast Indian Literature." Cambridge Journal of Postcolonial Literary Inquiry 9, no. 3 (September 2022): 317–36. http://dx.doi.org/10.1017/pli.2022.16.

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AbstractBreastfeeding, both in its literal consequences on a woman’s body and its symbolic associations with attachment, highlights the simultaneously powerful yet servile position of the maternal figure. I trace this ambivalence in Mahasweta Devi’s story “Breast-Giver,” exploring women’s literal and metaphorical hungers, as well as the hunger their children experience, arguing that breastfeeding often serves as a means of showcasing a woman’s physical limitation based on her familial status as “feeder.” However, I also argue for a profoundly embodied version of the breastfeeding trope, one that negates prior conceptions of breastfeeding as a “taking” and establishes it as a “giving” that not only nourishes one’s family, but also one’s self, as mothers circumvent hierarchical systems of cooking and food preparation. Ultimately, I both lay bare the interconnection between a woman’s body and food-based labor systems and reveal literary methods for their extrication, through narrative instances of breastfeeding.

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Calle García, Irene. "La reinterpretación del papel de la mujer en la literatura juvenil. Un análisis de Donde los ároles cantan, de Laura Gallego." Revista Internacional de Culturas y Literaturas, no. 25 (2022): 327–38. http://dx.doi.org/10.12795/ricl2022.i25.21.

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¿Pueden las historias que conocemos desde la infancia adaptarse a los nuevos tiempos? ¿Es posible la reinterpretación de arquetipos? Tradicionalmente, la literatura juvenil se ha apartado del radar de los estudios críticos, en parte por prejuicios que conducen a subestimar sus obras. Sin embargo, no podemos negar que constituye una influencia importante en nuestra construcción como seres humanos, con una nómina extensa de autoras y autores de talento. En este trabajo nos centraremos en Laura Gallego, quien ha demostrado ser una de las grandes autoras de la literatura juvenil fantástica en España. En Donde los árboles cantan propone una reinterpretación de las novelas de caballerías. Resulta especialmente interesante la evolución de su protagonista, Viana. A través de una lectura crítica, podemos apreciar su transformación de doncella en apuros sometida en una sociedad patriarcal a la heroína de su propia historia. Una evolución que refleja que es posible actualizar los arquetipos de los cuentos tradicionales tomados del trabajo de Propp (1985) a la luz de la reivindicación de la lucha feminista por la igualdad.

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Laktionov, K. P., L. O. Nikolaenko, and A. I. Berishvili. "BREAST CANCER AND WOMAN’S REPRODUCTIVE FUNCTION (LITERATURE REVIEW)." Tumors of female reproductive system 11, no. 1 (January 1, 2015): 8–11. http://dx.doi.org/10.17650/1994-4098-2015-1-8-11.

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Miyake, Lynne K. "Woman's voice in Japanese literature: Expanding the feminine." Women's Studies 17, no. 1-2 (November 1989): 87–100. http://dx.doi.org/10.1080/00497878.1989.9978795.

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Joseph, Norma Baumel. "Searching for A Woman's Voice in Responsa Literature." Shofar: An Interdisciplinary Journal of Jewish Studies 16, no. 4 (1998): 40–50. http://dx.doi.org/10.1353/sho.1998.0016.

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Chigwedere, Yuleth. "The African Womanist Vision in Vera's Works." Journal of Literary Studies 26, no. 1 (March 2010): 20–44. http://dx.doi.org/10.1080/02564710903495453.

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Vinhas, Luciana Iost. "LITERATURA, MEMÓRIA E HISTÓRIA: UM OLHAR TESTEMUNHAL PARA VISTA CHINESA." EntreLetras 13, no. 2 (November 17, 2022): 150–60. http://dx.doi.org/10.20873/uft2179-3948.2022v13n2p150-160.

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The article reflects on the book Vista Chinesa, by Tatiana Salem Levy, based on the theorization about testimony, memory, and history. The narrative takes as an anchor point the rape suffered by the main character, who tells her children, through a letter, the whole scene involving the traumatic situation and the undefined plots between past-present-future that put life on hold and (dis)organize temporality, the imaginary of the self, and the language, which tries to talk about the impossible. The extreme situation of rape gains a verbal body that is always lacking, which revolves around the woman's body.

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Nazareth, Peter, Mary Karooro Okurut, Susan N. Kiguli, and Ayeta Anne Wangusa. "A Woman's Voice." World Literature Today 73, no. 3 (1999): 584. http://dx.doi.org/10.2307/40155022.

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Ireland, Susan, Annie Ernaux, and Tanya Leslie. "A Woman's Story." World Literature Today 78, no. 3/4 (2004): 115. http://dx.doi.org/10.2307/40158572.

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Colacurcio, Michael J. "Woman's Heart, Woman's Choice: The “History” of The Scarlet Letter." Poe Studies/Dark Romanticism 39-40, no. 1-2 (January 12, 2006): 104–14. http://dx.doi.org/10.1111/j.1754-6095.2006.tb00191.x.

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Łobodziec, Agnieszka. "Intersections of African-American Womanist Literary Approaches and Paradigms of Ethical Literary Criticism." Interlitteraria 22, no. 2 (January 16, 2018): 297. http://dx.doi.org/10.12697/il.2017.22.2.8.

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Although black American womanist literary perspectives and ethical literary criticism theory emerged from different socio-cultural contexts, a number of intersections between the two can be discerned. One of the objectives of this paper is to analyze the reasons for which some Chinese scholars and African-American women literary theoreticians are skeptical of mainstream Western literary criticism schools, which they view as insufficient for exploring works of literature derived from fusions of non-Western and Western cultural contexts. Secondly, the paper elucidates the particular value systems exhibited by fictional characters portrayed by the African-American women writers under survey. At this juncture, the means by which the writers challenge value systems based upon Western essentialist racial conceptualizations will be given primary attention. Also, the historical context of the development of womanist ethics and literary practice, particularly the manifestation of original social ethics in response to historical oppression, will be focused upon. Lastly, the didactic function of womanist literature will be considered because, more often than not, black American woman writers have endeavored to produce fiction that serves as guideposts towards conflict resolutions, involving, to a great extent, revaluation of mainstream values.

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Fechter, Sharon Ahern. "Isabel Allende: The Woman's Voice in Latin American Literature." Hispania 78, no. 2 (May 1995): 330. http://dx.doi.org/10.2307/345429.

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Kerstin Rudolph. "Victoria Earle Matthews: Making Literature during the Woman's Era." Legacy 33, no. 1 (2016): 103. http://dx.doi.org/10.5250/legacy.33.1.0103.

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Rospia, Evi Diliana, and Sri Ratnaningsih. "Woman's Experience in Continuing Midwifery Care : Systematic Literature Review." Jurnal Kebidanan Midwiferia 6, no. 2 (December 16, 2020): 50–58. http://dx.doi.org/10.21070/midwiferia.v6i2.610.

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Kesinambungan asuhan kebidanan adalah asuhan yang dimulai pada awal kehamilan persalinan sampai enam minggu setelah melahirkan. Asuhan yang berkesinambungan sangat penting bagi perempuan untuk mendapatkan pelayanan kesehatan dari bidan yang sama atau satu tim bidan. Penelitian ini bertujuan untuk mengetahui pengalaman perempuan dalam kesinambungan asuhan kebidanan. Penelitian ini merupakan systematic literature review menggunakan database dari PubMed, Proquest, dan ScienceDirect selama 2012-2018, original research dan kriteria inklusi dan eksklusi yang ditentukan oleh penulis. Sebanyak 549 artikel yang diidentifikasi, 8 artikel yang sesuai dengan kriteria inklusi dan eksklusi dipilih untuk peninjauan akhir. Dua sub-tema yang membahas pengalaman perempuan dalam kesinambungan perawatan kebidanan adalah hubungan interpersonal bidan-perempuan dan kebersamaan. Delapan sub-tema membahas pengalaman perempuan ketika dirujuk dari layanan primer ke layanan sekunder adalah persalinan ideal, kekecewaan, kecemasan, perjalanan rujukan, otonomi, serah terima, kehadiran bidan, asuhan yang tidak berkesinambungan. Asuhan kebidanan yang berkesinambungan dari awal kehamilan hingga pascapersalinan berkontribusi pada pengalaman kelahiran yang positif bagi perempuan.

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Lee, Kyung Mi. "Woman's Crime and Punishment in Ancient East Asian Literature." EASTERN CLASSIC STUDIES 42 (February 28, 2020): 79–106. http://dx.doi.org/10.25086/hsdy.2020.42.079.

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Williams, Sherley Anne. "Some Implications of Womanist Theory." Callaloo, no. 27 (1986): 303. http://dx.doi.org/10.2307/2930649.

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ANNINSKII, LEV. "War: A Woman's Face." Russian Studies in Literature 42, no. 2 (April 2006): 24–60. http://dx.doi.org/10.2753/rsl1061-1975420202.

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Monaghan, E. Jennifer, and Kevin J. Hayes. "A Colonial Woman's Bookshelf." American Literature 69, no. 3 (September 1997): 621. http://dx.doi.org/10.2307/2928217.

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Jacobs, Rita D. "Julie DelporteThis Woman's Work." World Literature Today 93, no. 3 (2019): 104. http://dx.doi.org/10.1353/wlt.2019.0062.

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Logan, Lisa. "A COLONIAL WOMAN'S BOOKSHELF." Resources for American Literary Study 24, no. 1 (January 1, 1998): 120–22. http://dx.doi.org/10.5325/resoamerlitestud.24.1.0120.

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Adams, Mary E., and Delphine Red Shirt. "Turtle Lung Woman's Granddaughter." World Literature Today 77, no. 2 (2003): 152. http://dx.doi.org/10.2307/40158154.

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Menti, Theodora, and Christina Sideri. "Gender in Literature. Woman's Position from traditional to modern society." Journal of Literary Education, no. 3 (December 11, 2020): 93. http://dx.doi.org/10.7203/jle.3.17340.

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The remarkable influence of gender studies in recent years on the Greek educational system has inevitably led to the integration of a multi-focal thematic section entitled “Gender in Literature” in the new Lyceum curriculum. This section truly captures the interest of adolescents, as it stimulates the approach of literary texts and promotes constructive discussions that often lead to further enjoyment of reading. On this base a collaboration between University of Athens and Anavryta Model Lyceum was carried out in Literature class in both institutions. This article aims to present the main stages of this cooperation on the subject of “Literary Representations of Women’s roles from traditional to modern society”, as the institutional framework for teaching literature clearly supports the historicity of texts. Besides explaining the rationale behind this educational action, we are proposing a selection of literary texts that were used in class and presenting the objectives and didactic methods practiced, the type of tasks assigned to the pupils as well as the skills developed by them. The paper insists on certain texts that are particularly valuable for this approach and offers examples of taking advantage of contextual elements. Finally, we are showing how this collaboration became a real example of extroversion for both institutions and we are attempting a comprehensive evaluation of this project and its impact within the students’ and teachers’ community.

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Akhmedova, Vazirakhon Askarovna. "An Artistic Depiction of a Woman’s Tragedy in Uzbek Literature." International Journal of Social Science Research and Review 5, no. 8 (August 17, 2022): 316–22. http://dx.doi.org/10.47814/ijssrr.v5i8.554.

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This article analyzes the works of E.Azam “Zabarjad” and “Parizod”, one of the brightest representatives of the Uzbek literature of the independence period, and discusses the essence of the tragedy of women, the factors influencing its occurrence.

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Akhmedova, Vazirakhon Askarovna. "An Artistic Depiction of a Woman’s Tragedy in Uzbek Literature." International Journal of Social Science Research and Review 5, no. 9 (September 11, 2022): 124–30. http://dx.doi.org/10.47814/ijssrr.v5i9.612.

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This article analyzes the works of E.Azam “Zabarjad” and “Parizod”, one of the brightest representatives of the Uzbek literature of the independence period, and discusses the essence of the tragedy of women, the factors influencing its occurrence.

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Hearne, Betsy Gould. "Ruth Sawyer: A Woman's Journey from Folklore to Children's Literature." Lion and the Unicorn 24, no. 2 (2000): 279–307. http://dx.doi.org/10.1353/uni.2000.0017.

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Miller, J. Hillis (Joseph Hillis). "Literature and a Woman's Right to Choose \-\- Not to Marry." diacritics 35, no. 4 (2007): 42–58. http://dx.doi.org/10.1353/dia.2007.0032.

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DANYSH, IRENE M. "Ama Ata Aidoo’s Changes: The Woman’s Voice in African Literature." Matatu 21-22, no. 1 (April 26, 2000): 165–72. http://dx.doi.org/10.1163/18757421-90000315.

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SoonHee ko. "Manchurian Exile and Woman's Power -Centering on Gasa Literature and -." Korean Classical Woman Literature Studies ll, no. 22 (June 2011): 103–32. http://dx.doi.org/10.17090/kcwls.2011..22.103.

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