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Books on the topic 'Women’s wear'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Woodward, Sophie. Why women wear what they wear. Berg, 2007.

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2

Woodward, Sophie. Why women wear what they wear. Berg, 2007.

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3

Metric pattern cutting for women's wear. 5th ed. Blackwell Pub., 2008.

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4

Phelps, Elizabeth Stuart. What to wear? Adam, Stevenson, 1986.

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5

John, Kelley St. Real women don't wear size 2. Warner Books, 2006.

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6

John, Kelley St. Real Women Don't Wear Size 2. Grand Central Publishing, 2008.

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7

Shah, Priyabala. Sārī, traditional wear of Indian women. Parimal Publications, 2002.

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8

Weiss, Hopper Elizabeth, ed. Women's wear of the 1920's: With complete patterns. Players Press, 1998.

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9

Nakato, J. I. V. The external fashion influence of women's wear in Uganda. UMIST, 1997.

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10

Susannah, Constantine, and Matthews Robin, eds. What not to wear. Riverhead, 2003.

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11

Crabtree, Ginny. Transformations: Recycle men's sport jackets into women's art to wear. Ginny C's, 1994.

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12

Martin, Nancy. Dead girls don't wear diamonds. Signet, 2003.

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13

Dead girls don't wear diamonds. Beeler Large Print, 2003.

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14

Nancy, Martin. Dead Girls Don't Wear Diamonds. Penguin USA, Inc., 2009.

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15

Susannah, Constantine, ed. What you wear can change your life. Weidenfeld & Nicolson, 2004.

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16

Susannah, Constantine, and Matthews Robin, eds. What you wear can change your life. Riverhead Books, 2005.

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17

Newman, Sharan. To wear the white cloak. Forge, 2000.

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18

Guide, Salesman's. Women's & Children's Wear Buyers 1999 (Women's and Children's Wear Buyers). Salesman's Guide, 1998.

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19

Guide, Salesman's. Women's & Children's Wear Buyers 1998 (Women's and Children's Wear Buyers). Salesman's Guide, 1997.

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20

Women's & Children's Wear Buyers: 1997 (Women's and Children's Wear Buyers). Salesmans Guide, 1996.

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21

Cavedo, Keith. Women's and Children's Wear Buyers, 2001 (Women's and Children's Wear Buyers). Salesmans Guide, 2000.

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22

Cavedo, Keith. Women's and Children's Wear Buyers, 2002 (Women's and Children's Wear Buyers). Salesmans Guide, 2001.

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23

Woodward, Sophie. Why Women Wear What They Wear. Bloomsbury Publishing (UK), 2007. http://dx.doi.org/10.2752/9781847883483.

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24

Smyth, J. E. Designing Women. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.003.0007.

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During the early 1940s, journalists observed that after years of men controlling women’s fashion, Hollywood had become “a fashion center in which women designers are getting to be a big power.” In a town where “the working girl is queen,” it was women who really knew how to dress working women. Edith Head’s name dominates Hollywood costume design. Though a relatively poor sketch artist who refused to sew in public, Head understood what the average woman wanted to wear and knew better than anyone how to craft her image as the-one-and-only Edith Head. However, she was one of many women who desig

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25

(Editor), Patrick Snyder, and Keith Cavedo (Editor), eds. Women's and Children's Wear Buyers, 2005-2006 (Women's and Chilkdren's Wear Buyers). Salesmans Guide, 2004.

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26

McGhee, Kendall. Women's and Children's Wear Buyers, 2007-2008 (Women's and Children's Wear Buyers). Salesmans Guide, 2006.

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27

(Editor), Patrick Snyder, and Keith Cavedo (Editor), eds. Women's and Children's Wear Buyers, 2004 2005 (Women's and Children's Wear Buyers). Douglas Publications, Inc., 2003.

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28

(Editor), Patrick Snyder, and Keith Cavedo (Editor), eds. Women's and Children's Wear Buyers, 2006-2007 (Women's and Children's Wear Buyers). Salesmans Guide, 2005.

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29

Altering Women's Ready to Wear. Mary Roehr Books and Video, 1987.

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30

Infomat. Women's Wear Market Buyer's Guide. 3rd ed. Infomat Publishing Inc, 1998.

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31

Women's & Children's Wear and Fashion Accessory Buyers 2000 (Women's and Children's Wear Buyers). Salesmans Guide, 1999.

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32

Professional Patternmaking for Designers: Women's Wear and Men's Casual Wear. Fairchild Books & Visuals, 2003.

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33

Woodward, Sophie. Why Women Wear What they Wear (Materializing Culture). Berg Publishers, 2008.

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34

Why Women Wear What they Wear (Materializing Culture). Berg Publishers, 2008.

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35

Heti, Sheila. Women in Clothes: Why We Wear What We Wear. Penguin Books, Limited, 2014.

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36

Soto, Tiara M. Women Wear Multiple Hats. Xlibris Corporation LLC, 2020.

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37

Holmes, Kathy. Real Women Wear Red. Lulu.com, 2007.

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38

Soto, Tiara M. Women Wear Multiple Hats. Xlibris Corporation LLC, 2020.

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39

Schultz, Jaime. What Shall We Wear for Tennis? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038167.003.0002.

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This chapter analyzes several high-profile moments in the early history of women's tennis fashions, accepting costume historian Anne Hollander's assertion that “changes in dress are social changes.” When upper-class women first took to the courts in the late nineteenth century, they did so clad in the constraining livery of their everyday lives. As the distaff game became more competitive, the need to shed the fetters of restrictive garb became ever more demanding. As a result, there emerged several conspicuous, controversial incidents when women appeared in increasingly abbreviated costumes,

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40

Aldrich, Winifred. Metric Pattern Cutting for Women's Wear. Wiley & Sons, Incorporated, John, 2013.

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41

Guide, Salesman's. Women's & Children's Wear Buyers, 2012-2013. Salesmans Guide, 2012.

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42

Metric Pattern Cutting for Women's Wear. Wiley, 2015.

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43

Metric Pattern Cutting for Women's Wear. John Wiley & Sons, Ltd., 2009.

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44

Aldrich, Winifred. Metric Pattern Cutting for Women's Wear. Wiley & Sons, Incorporated, John, 2015.

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45

Infomat. The Women's Wear Market Buyer's Guide. Infomart, 1998.

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46

Jones, Keith. Women's and Children's Wear Buyers 2017. Omnigraphics, Inc., 2016.

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47

Smyth, J. E. Nobody's Girl Friday. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.001.0001.

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Looking back on her career in 1977, Bette Davis remembered with pride, “Women owned Hollywood for twenty years.” She had a point. During the 1930s and 1940s, the press claimed Hollywood was a generation or two ahead of the rest of the United States in terms of gender equality and employment, with women constituting 40% of film industry employees. Mary C. McCall Jr. was elected president of the Screen Writers Guild three times, and a quarter of all screenwriters were women. Barbara McLean was known as “Hollywood’s Editor-in-Chief.” She and her colleague Margaret Booth supervised their studios’

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48

Women Who Wear the Breeches. Time Warner Books UK, 1996.

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49

HUSAIN, SHAHRUKH. WOMEN WHO WEAR THE BREECHES. VIRAGO PRESS, 1995.

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50

Genovese, Patricia M. Real Women Wear Tap Shoes! Maverick Publications, 1997.

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