Relevant bibliographies by topics / Women's art and craft

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Women's art and craft'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Women's art and craft"

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Portisch, Anna Odland. "The craft of skilful learning: Kazakh women's everyday craft practices in western Mongolia." Journal of the Royal Anthropological Institute 16 (May 2010): S62—S79. http://dx.doi.org/10.1111/j.1467-9655.2010.01610.x.

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Liddle, Jeannine L. M., Lynne Parkinson, and David W. Sibbritt. "Purpose and pleasure in late life: Conceptualising older women's participation in art and craft activities." Journal of Aging Studies 27, no. 4 (December 2013): 330–38. http://dx.doi.org/10.1016/j.jaging.2013.08.002.

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Hedges, Elaine. "Quilts and Women's Culture." Radical Teacher 100 (October 9, 2014): 10–14. http://dx.doi.org/10.5195/rt.2014.148.

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My interest in women's needlework, and especially quilts, began with a course I team-taught several years ago on women's art and literature. Because those of us teaching the course were concerned to break down class and race barriers, and distinctions between "high" and "low" art, or crafts, as well as distinctions between art and work, we were especially interested in women's needlework, as a form of activity that is universal ‒ not confined to any one class or race ‒ and that has combined the practical with the esthetic or artistic. It has always been necessary for women to sew, and, whereve
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Sari Wulandari, Guntur, and Martinus Dwi Marianto. "RajutKejut Art: Participatory Knitting Installation Artwork in Public Spaces." IICACS : International and Interdisciplinary Conference on Arts Creation and Studies 2 (April 6, 2020): 69–75. http://dx.doi.org/10.33153/iicacs.v2i1.17.

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RajutKejut Community is a knitted women's community since 2014 carrying out yarn bombings, wrapping large objects in Jakarta's public spaces with knits. Citizens can see, feel and interact sensually so that the work and community become close to the public. People who often raise social problems become a discourse of work following the cultural context of the people of Jakarta. The research question is how the shape of RajutK shock's artworks. The purpose of this study is to find alternative art forms using creative media. This study uses qualitative methods through observation, interviews, li
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Milspaw, Yvonne J., and Geraldine Niva Johnson. "Weaving Rag Rugs: A Women's Craft in Western Maryland." Journal of American Folklore 99, no. 393 (July 1986): 355. http://dx.doi.org/10.2307/540833.

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Wadende, Akinyi. "Chwuech: Sustained Art Education among Luo Women of Western Kenya." Journal of Adult and Continuing Education 17, no. 2 (November 2011): 5–19. http://dx.doi.org/10.7227/jace.17.2.3.

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This article presents the findings of a qualitative study on the Bang jomariek, a women's group in West Reru in Western Kenya who engage in the production of indigenous arts and crafts (pots, baskets, and architecture) to generate income and explore politics, medicine, and other matters that affect them and their community. The women shared their motivations for engaging in the production of these art forms and the characteristics of these educational processes and their environment. I highlight the transformative experience on their lives as a result of the arts and crafts-based adult educati
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Пташкина, Г. М., О. В. Кузнецова, and В. А. Степанов. "Novice Craft and Technology Teachers’ Competence Formation through Research Activities." Психолого-педагогический поиск, no. 2(58) (July 9, 2021): 78–91. http://dx.doi.org/10.37724/rsu.2021.58.2.007.

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В статье раскрыта роль предмета «Технология» для школьников и студентов не только в формировании соответствующих навыков и умений в области материаловедения, трехмерного проектирования и технологий изготовления женской одежды, но и развития творческих способностей и активности. Описаны процессы воссоздания древнерусского исторического костюма; поиска и освоения новых материалов (домотканый лен), технологии шитья и порядок сборки (соединения) деталей; конструирования платья из коллекции красивой женской одежды «Рязанская акварель» для различных возрастных групп; последовательность процессов и т
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Hardiman, Louise. "Invisible Women." Experiment 25, no. 1 (September 30, 2019): 295–309. http://dx.doi.org/10.1163/2211730x-12341344.

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Abstract Maria Vasilievna Iakunchikova designed three works of applied art and craft in a Neo-Russian style for the Russian section of the Paris “Exposition Universelle” of 1900—a wooden dresser, a toy village in carved wood, and a large embroidered panel. Yet, so far as the official record is concerned, Iakunchikova’s participation in the exhibition is occluded. Her name does not appear in the catalogue, for it was the producers, rather than the designers, who were credited for her works. Indeed, her presence might have been entirely unknown, were it not for several reports of the Russian dis
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Thompson, Lynne. "The Promotion of Agricultural Education for Adults: The Lancashire Federation of Women's Institutes, 1919–45." Rural History 10, no. 2 (October 1999): 217–34. http://dx.doi.org/10.1017/s0956793300001795.

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A recent article in Rural History illustrated how the Women's Institutes between the wars Were influenced by contemporary feminism. The argument of the article was that in seeking to change the material condition and status of countrywomen, and in effect, emulating craft trades union strategies, the WI movement sought to alter perceptions of women's labour in the home by enhancing their skills, encouraging co-operative endeavour and promoting an ‘active domesticity’. Furthermore, the domestic arena was extended to cover all aspects of rural life related to the home, garden, farm or allotment.H
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Shercliff, Liz. "Towards a New Homiletic." Feminist Theology 29, no. 1 (September 2020): 48–60. http://dx.doi.org/10.1177/0966735020944894.

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Feminism’s contribution to homiletics so far has arguably been restricted to exploring gender difference in preaching. In 2014, however, Jennifer Copeland identified a need not merely to ‘include women “in the company of preachers” but to craft a new register for the preaching event’. This article considers what that new register might be and how it might be taught in the academy. It defines preaching as ‘the art of engaging the people of God in their shared narrative by creatively and hospitably inviting them into an exploration of biblical text, by means of which, corporately and individuall
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Dissertations / Theses on the topic "Women's art and craft"

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Morton, Jennifer Heather. "Desert voices, pitjantjatjara women's art and craft production in Ernabella, South Australia." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq22544.pdf.

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Wood, Susan, and s2000093@student rmit edu au. "Creative embroidery in New South Wales, 1960 - 1975." RMIT University. Architecture and Design, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20070206.160246.

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In the years between 1960 and 1975 in NSW there emerged a loosely connected network of women interested in modern or creative embroidery. The Embroiderers' Guild of NSW served as a focus for many of these women, providing opportunities for them to exhibit their work, and to engage in embroidery education as teachers or as learners. Others worked independently, exhibited in commercial galleries and endeavoured to establish reputations as professional artists. Some of these women were trained artists and wanted embroidery to be seen as 'art'; others were enthusiastic amateurs, engaged in embroid
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Mahlaba, Siphelele Nadia, and K. D. Ige. "Economic development and women empowerment in Zamimpilo art and craft co-operative." Thesis, University of Zululand, 2018. http://hdl.handle.net/10530/1849.

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Theses Submitted to the Department of Sociology in fulfilment of the requirements for the Master’s Degree in Sociology in the Faculty of Arts at the University of Zululand, 2018.<br>Development agencies, non-government Organizations (NGOs) and government organizations around the world aim for the betterment of women in all spheres of their lives. Empowerment has been considered the main focal point towards the achievement of the wellbeing of women. The study was about cooperatives and women empowerment. It investigated the extent to which participation, empowerment, capacitation and benefits o
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Lee, Ruth Lorna, and mikewood@deakin edu au. "Our fingers were never idle: Women and domestic craft in the Geelong region, 1900-1960." Deakin University, 1993. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050915.122114.

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This thesis is an exploration of women's domestic crafts in the Geelong region, between 1900 and I960, Through analysing oral testimony and the women's handicraft artefacts, the nature of the domestic production of handicrafts and the meanings the makers have constructed around their creations and their lives is illuminated. The thesis is organised around the themes of work, space, the construction of femininity, memory, time and meaning. The thesis argues that until recently, the discipline of history has privileged the experiences of men over those of women. It challenges the trivialising of
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Hoban, Sally. "The Birmingham Municipal School of Art and opportunities for women's paid work in the Art and Crafts Movement." Thesis, University of Birmingham, 2014. http://etheses.bham.ac.uk//id/eprint/5124/.

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This thesis is the first to examine the lives and careers of professional women who were working within the thriving Arts and Crafts Movement in Birmingham in the late nineteenth and early twentieth centuries. It utilises previously unresearched primary and secondary sources in art galleries, the Birmingham School of Art and local studies collections to present a series of case studies of professional women working in the fields of jewellery and metalware, stained glass, painting, book illustration, textiles and illumination. This thesis demonstrates that women made an important, although curr
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Offensend, Elizabeth Gillette. "Crafting a Space: A Feminist Analysis of the Relationship Between Women, Craft, Business and Technology on Etsy.com." PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/892.

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In recent years, craft fairs, shows and markets where crafters sell their handmade goods such as pottery, jewelry, handmade clothes and needlework have grown in popularity across the United States. A common intent among individuals in this community echo political statements made by the turn of the century Arts and Crafts movement, while there are political aspects of the community that can also be seen as an extension of the third wave feminist do-it-yourself (DIY) ethic of the late 1990s. This newly enlarged community of crafters that congregates in person also has a strong online presence.
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Shinko, Kathryn A. "Vignettes." Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1429884060.

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Wilson, Elizabeth Danielle. "I Want a Man Who: Desires, Wishes, Ideals, and Expectations in Women’s Online Personal Ads." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1284691475.

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Hein, Dawn Michelle. "The art and craft of the interior." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1209805.

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This thesis gives a voice to the call for a holistic approach to the preservation of commercial and particularly domestic architecture. Interior architecture is an important piece of the whole in need of consideration. Arts and Crafts interiors in the state of Indiana are considered in reference to this fact and the case studies chosen exemplify the connection between cultural history and the interior architecture and design.The Arts and Crafts Movement's philosophy worked to integrate the entire design with the surrounding site. The interior was the focus of the synthesized design and it is t
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Barmby, James Thomas. "The art and craft of university coordination." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/45690.

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The purpose of this study is to understand the apparent acquiescence of senior officials at Alberta’s universities to legislation that might pose a threat to their institutions’ autonomy. In 1975 the Alberta government under the leadership of Premier Peter Lougheed attempted to introduce a mechanism for coordinating university programs in the Adult Education Act by placing Alberta’s four universities against their will within a system of provincial public post-secondary institutions. The 1975 Act failed to receive third reading due to successful lobbying efforts, yet in 2003 Lougheed's visio
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Books on the topic "Women's art and craft"

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Daedone, Nicole. Slow sex: The art and craft of the female orgasm. New York: Grand Central Life & Style, 2011.

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Daedone, Nicole. Slow sex: The art and craft of the female orgasm. New York: Grand Central Life & Style, 2011.

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Fancy's craft: Art and identity in the early works of Djuna Barnes. Selinsgrove [Pa.]: Susquehanna University Press, 1986.

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Art & craft. Leamington Spa: Scholastic, 1997.

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Cooper, Patricia J. The quilters: Women and domestic art : an oral history. 2nd ed. New York: Doubleday, 1989.

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Cooper, Patricia J. The quilters: Women and domestic art : an oral history. Lubbock, Tex: Texas Tech University Press, 1999.

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Sally, Main, and Bob Walter, eds. Newcomb pottery & crafts: An educational enterprise for women, 1895-1940. Atglen, PA: Schiffer Pub., 2003.

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Identidad y estilo entre las alfareras mixtecas y amuzgas de la costa de Oaxaca y Guerrero, México. Oaxaca, Oaxaca, México: Centro INAH Oaxaca, CONACULTA-INAH, 2010.

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Africa: Women's art, women's lives. Trenton, NJ: Africa World Press, 1997.

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Adams, Edward Ben. Korean folk art & craft. Seoul, Korea: Seoul International Pub. House, 1987.

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Book chapters on the topic "Women's art and craft"

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Taylor, Steven S. "Craft and Art." In Leadership Craft, Leadership Art, 109–22. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137012784_7.

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Sapiro, Ian. "Craft, Art, or Process." In The Routledge Companion to Screen Music and Sound, 305–17. New York ; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315681047-25.

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Atkinson, David M. "Transcending Art’s Craft." In Thinking the Art of Management, 85–106. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230589988_5.

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Wildavsky, Aaron. "Analysis as Craft." In The Art and Craft of Policy Analysis, 419–43. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58619-9_16.

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Leone, Lauren. "Introduction." In Craft in Art Therapy, 1–20. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-1.

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Jhaveri, Krupa. "Healing Roots of Indigenous Crafts." In Craft in Art Therapy, 118–30. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-10.

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Iyer, Mahesh. "Integrating Traditional Crafts Within Clinical Practice." In Craft in Art Therapy, 131–43. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-11.

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Katoshevski, Michal, and Ephrat Huss. "Using Crafts in Art Therapy Through an Intersectional Feminist Empowerment Lens." In Craft in Art Therapy, 144–54. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-12.

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Leone, Lauren. "Finding Our Way Together." In Craft in Art Therapy, 157–76. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-14.

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Mageary, Joe. "Zines, the DIY Ethic, and Empowering Marginalized Identities." In Craft in Art Therapy, 177–89. New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003050513-15.

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Conference papers on the topic "Women's art and craft"

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Zoran, Amit. "Hybrid craft." In ACM SIGGRAPH Art Gallery. New York, New York, USA: ACM Press, 2015. http://dx.doi.org/10.1145/2810185.2810187.

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Gross, Mark D., and Ellen Yi-Luen Do. "Design, art, craft, science." In the 2007 Symposium. New York, New York, USA: ACM Press, 2007. http://dx.doi.org/10.1145/1496630.1496636.

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Richardson, Andrew. "New Media, New Craft?" In ACM SIGGRAPH 2006 Art gallery. New York, New York, USA: ACM Press, 2006. http://dx.doi.org/10.1145/1178977.1179121.

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Buechley, Leah. "Celebrating Art, Craft and Computation." In FabLearn Europe'18: Conference on Creativity and Making in Education. New York, NY, USA: ACM, 2018. http://dx.doi.org/10.1145/3213818.3213879.

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Rizali, Nanang. "Arts, Designs, and Textile Craft Art." In Proceedings of the 3rd International Conference on Creative Media, Design and Technology (REKA 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/reka-18.2018.1.

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Ueda and Miyazaki. "Sustainable society based on traditional art and craft." In 2003. 3rd International Symposium on Environmentally Conscious Design and Inverse Manufacturing - EcoDesign'03. IEEE, 2003. http://dx.doi.org/10.1109/ecodim.2003.1322705.

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Ueda, A., and K. Miyazaki. "Sustainable society based on traditional art and craft." In 2003 IEEE 58th Vehicular Technology Conference. VTC 2003-Fall (IEEE Cat. No.03CH37484). IEEE, 2003. http://dx.doi.org/10.1109/vetecf.2003.239925.

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Nazarov, A. "Practical Small Craft Design: Combining Art with Science." In The International Conference on Marine Design. RINA, 2011. http://dx.doi.org/10.3940/rina.md.2011.12.

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Filimonova, N. Iu. "Women's theme in early journalism and art Nikolay Leskov." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-11-2018-108.

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Zheng, Xin. "Classic Craft: Fuzhou Bodiless Lacquer Ware." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.081.

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Reports on the topic "Women's art and craft"

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Pickar, Charles K. Blitzkrieg: Operational Art or Tactical Craft. Fort Belvoir, VA: Defense Technical Information Center, May 1992. http://dx.doi.org/10.21236/ada253540.

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Shannon, Caitlin S., and Beverly Winikoff. Misoprostol: An emerging technology for women's health—Report of a seminar. Population Council, 2004. http://dx.doi.org/10.31899/rh17.1002.

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On May 7–8, 2001, the Population Council and the Center for Reproductive Health Research &amp; Policy of the University of California, San Francisco, convened a technical seminar in New York City on the use of misoprostol for women’s health indications. The seminar was designed to provide a forum for researchers, providers, women’s health advocates, and educators to exchange information with the goal of advancing the potential of misoprostol to improve women’s health. Participants discussed the state of the art in research, examined current clinical use of misoprostol, and created strategies f
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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There i
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