Relevant bibliographies by topics / Women's dance

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Women's dance'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Women's dance"

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Hawthorn, Ainsley. "Middle Eastern Dance and What We Call It." Dance Research 37, no. 1 (2019): 1–17. http://dx.doi.org/10.3366/drs.2019.0250.

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This article traces the historical background of the term ‘belly dance’, the English-language name for a complex of solo, improvised dance styles of Middle Eastern and North African origin whose movements are based on articulations of the torso. The expression danse du ventre – literally, ‘dance of the belly’ – was initially popularised in France as an alternate title for Orientalist artist Jean-Léon Gérôme's 1863 painting of an Egyptian dancer and ultimately became the standard designation for solo, and especially women's, dances from the Middle East and North Africa. The translation ‘belly d
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Krisnasari, Bening. "Keberagaman Busana Tari Gambyong: Konstruksi Sosial pada Busana Tari Gambyong di Yogyakarta." INVENSI 8, no. 1 (2023): 31–41. http://dx.doi.org/10.24821/invensi.v8i1.7100.

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Tari Gambyong awalnya merupakan tari tunggal putri yang termasuk dalam tari tradisi gaya Surakarta. Pada perkembangannya, tari tunggal ini dapat ditarikan secara berkelompok, sehingga bisa menyesuaikan keinginan konsumen atau pun penyelenggara acara mengenai jumlah penari yang akan menarikannya. Tari Gambyong sering dijadikan sebagai pentas paket para seniman karena tari Gambyong sering ditarikan untuk pembukaan sebuah acara seperti gala dinner, penyambutan tamu, dan sebagainya. Maka tari Gambyong dapat digolongkan sebagai pertunjukan komersial karena dapat dipentaskan di acara besar maupun ke
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Tucker, JoAnne. "Dance in Women's Correctional Facilities." Dance Education in Practice 2, no. 1 (2016): 12–16. http://dx.doi.org/10.1080/23734833.2015.1097831.

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Ulhasanah, Nida, Ismunandar Ismunandar, and Regaria Tindarika. "Bentuk Penyajian Tari Jepin Gerangkang Kelurahan Batu Layang Kecamatan Pontianak Utara." Jurnal Ilmu Sosial, Humaniora dan Seni 2, no. 4 (2024): 372–77. https://doi.org/10.62379/jishs.v2i4.1695.

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Jepin Gerangkang Dance, Batu Layang Village, North Pontianak District, Pontianak City. The method used is a qualitative descriptive choreographic approach. Data in the form of observation techniques, interviews, and documentation. The Jepin Gensgkang dance has 3 variations, namely the beginning, core and ending. This dance can be danced by men or women. Musical instruments used are selodang, beruas, tambourine, drum, accordion, and violin. Women's clothing is baju kuning, cloth with gill patterns, and Malay lotus. Teluk belanga men's clothing, cloth with gill pattern, and cloth with gill patte
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Ansar, Sarmianti, Septiana Wahyuningsih, Merianti Ansar, and Rumi Wiharsi. "Masculinity in the Body of Pakkanna Dancers in the Ability to Immunity." International Journal of Multicultural and Multireligious Understanding 10, no. 6 (2023): 195. http://dx.doi.org/10.18415/ijmmu.v10i6.4855.

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Pakkanna dance is a new creation dance in Bone Regency that describes the devotion of female heroes during the Bone Kingdom led by Latenrisukki Petta Mulangge Pajung, the 5th King of Bone. This dance is covered with dangerous movements where dancers perform self-stabbing actions using Badik (sharp objects). This is what the author can convey to readers so that they can find out that there is a collection of dance creations in Bone Regency that have immunity like men even though the dancers are women. The findings in discussing the subject matter are that Pakkanna dance is one of the unique thi
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Meglin, Joellen A. "Victory Garden: Ruth Page's Danced Poems in the Time of World War II." Dance Research 30, no. 1 (2012): 22–56. http://dx.doi.org/10.3366/drs.2012.0033.

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During the years 1943–1946, the Chicago choreographer and ballet director Ruth Page created a compact, innovative vehicle for touring, a concert she called Dances with Words and Music. The programme consisted of solo dances accompanied by the poems of Dorothy Parker, Ogden Nash, e. e. cummings, Federico García Lorca, Langston Hughes, Hilaire Belloc, Edna St. Vincent Millay, and others. Page performed her danced poems, speaking the words herself and dialoguing with them in dance, in New York and Chicago, and at Jacob's Pillow. She also toured extensively to smaller cities scattered throughout t
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Rasmussen, Susan. "Zarraf, a Tuareg Women's Wedding Dance." Ethnology 34, no. 1 (1995): 1. http://dx.doi.org/10.2307/3773860.

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Dox, Donnalee. "Dancing Around Orientalism." TDR/The Drama Review 50, no. 4 (2006): 52–71. http://dx.doi.org/10.1162/dram.2006.50.4.52.

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The performance of belly dancing in the West embodies a central paradox: while invoking Orientalist tropes in its appropriation of Middle Eastern dances, it is cast as a celebratory form of women's empowerment that destabilizes Western patriarchy. Exploring these contradictory claims, the author situates the predicaments of gender and interculturalism that surface in discourses about Western belly dance.
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STEFANOVSKA, Ljupka. "ETHNOCHOREOLOGICAL ASPECTS OF PETRINO VILLAGE ACCORDING TO CVETA GELEVSKA." Cercetări și Studii. Etno - muzicologie, Bizantinologie, Etnologie 1, no. 7 (2024): 133–44. https://doi.org/10.63702/csembe.2024.1.7.133.

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In this paper, through the statements of our interlocutor Cveta Gelevska, born in 1932, we will learn more about the ethno-coreological characteristics of the repertoire in the village of Petrino, which belongs to the Gorna Prespa ethnic area. We will present a clear picture of occasions, places and space for play, as well as in general about the dance tradition in the village, where dancing songs have a special place. According to our interlocutor, in the past, dancing songs were divided into men's and women's, namely, dancing songs that were sung and played only by men holding each other's s
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Jiayue, He, and Kerdsiri Noknoi. "Mosuo Jiacuo Dance from the Perspective of Female Gender Construction." International Journal of Education and Literacy Studies 13, no. 2 (2025): 452–59. https://doi.org/10.7575/aiac.ijels.v.13n.2p.452.

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The purpose of this paper is to discuss the research and development of Mosuo Jiacuo dance in Chinese dance from the perspective of female gender construction. As an ethnic group with a unique culture, the Mosuo people's dance art embodies profound gender connotations and cultural qualities. Through an in-depth study of the historical origin, evolution, religious beliefs, cultural practices and dance forms of the Mosuo people, the important role played by China's unique matrilineal society in constructing women's social gender roles and related arts is analyzed. Through a comprehensive analysi
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Dissertations / Theses on the topic "Women's dance"

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Son, Munmi. "Dance as Healing Therapy| The Use of Korean Traditional Mission Dance in Overcoming Oppression." Thesis, California State University, Los Angeles, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10814071.

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<p> Korean traditional mission dance originates in worship ceremonies in Christian churches and missionary settings, but inherits movement, floor patterns, and motifs from Korean folk dances that are performed as ceremonial rituals. This thesis suggests that as women connect to the healing power present in Korean traditional dance and its hybrid forms, they may be aided in healing from negative experiences with sexist oppression. The author discusses intersectional oppression she experienced in Korea through an autoethnographic research process, her experiences with Korean traditional mission
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Amin, Takiyah Nur. "Dancing Black Power?: Joan Miller, Carole Johnson and The Black Aesthetic, 1960-1975." Diss., Temple University Libraries, 2011. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/143846.

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Dance<br>Ph.D.<br>This dissertation examines the work of two African-American female choreographers, namely Joan Miller and Carole Johnson, and their engagement with the Black Aesthetic during the height of the Black Arts movement in America. The work seeks to examine how these subjects articulated, shaped, responded to, extended, critiqued or otherwise engaged with the notion of the Black aesthetic primarily through the mediums of concert dance and choreography. In consideration of the above, I conducted two, single subject case studies with Joan Miller and Carole Johnson in order to better u
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Stubblefield, Shannon. "The nude female performer." Thesis, Mills College, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1562505.

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<p>A live nude female performer can occupy a powerful identity equal to a man because she willingly places herself in front of an audience. She commits to this state of profound vulnerability as a means of gaining ownership of her body that men by virtue of their power in society take for granted. The female body occupies physical space, unlike how a body image seen on a television or in a magazine does. The actuality of the live female nude creates a transformation from the purely sexualized body to an authentic female nude body. This authentic female nude body, via her control of her physica
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Jerome, Alexandra Me'av Anne Ellinwood. "Shahrazad in the White City: Muslim Women's Agency through Performance at the Columbian Exposition." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626645.

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Hinchliff, Sharron. "Phenomenology and the dance culture : women's perceptions of ecstasy use, clubbing and the body." Thesis, Sheffield Hallam University, 2001. http://shura.shu.ac.uk/20721/.

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In-depth interviews were conducted with women who use ecstasy for recreation, mainly in the context of the dance event. The aim was to discover the meaning of ecstasy use, and its surrounding culture, for women in the late 1990s. A further endeavour involved disclosing how the body was experienced at the dance event and what this meant to the women. Existential phenomenological analysis led to the following key conclusions. The dance event is experienced as a social space that allows women to be themselves and find a strong sense of belonging. There may be apparent dependence upon the experien
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Henderson, Clara E. "Dance discourse in the music and lives of Presbyterian Mvano women in southern Malawi." [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3380085.

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Thesis (Ph.D.)--Indiana University, Depts. of Folklore and Ethnomusicology, 2009.<br>Title from PDF t.p. (viewed on Jul 13, 2010). Source: Dissertation Abstracts International, Volume: 70-12, Section: A, page: 4494. Adviser: Ruth M. Stone.
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Odhiambo, Seonagh. "A Conversation With Dance History: Movement and Meaning in the Cultural Body." Diss., Temple University Libraries, 2008. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/25258.

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Dance<br>Ph.D.<br>This study regards the problem of a binary in dance discursive practices, seen in how "world dance" is separated from European concert dance. A close look at 1930s Kenya Luo women's dance in the context of "dance history" raises questions about which dances matter, who counts as a dancer, and how dance is defined. When discursive practices are considered in light of multicultural demographic trends and globalisation the problem points toward a crisis of reason in western discourse about how historical origins and "the body" have been theorised. Within a western philosophical
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Bergman, Christine. "Becoming Undisciplined: Interdisciplinary Issues and Methods in Dance Studies Dissertations from 2007-2009." Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/178527.

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Dance<br>Ph.D.<br>The purpose of this study is to begin to articulate the theoretical identity of the field of dance studies as an academic discipline and to produce a feminist intervention into the phenomena of disembodied scholarship, while asking questions about disciplinarity and interdisciplinarity within dance studies historically and today. My primary research questions are: What are dance studies research methods? And, which research methods, if any, are inherent to dance as an academic discipline? In order to answer these seemingly direct and simple questions, I also question the assu
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Wells, Charmian Chryssa. "Diaspora Citation: Choreographing Belonging in the Black Arts Movement." Diss., Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/534875.

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Dance<br>Ph.D.<br>This dissertation examines the work of concert dance artists within the Black Arts Movement (1965-75) in order to situate the impact of their work in the present. I use a method of diaspora citation to comprehend their choreographic strategies in articulating forms and critiques of belonging that continue to resonate today. My method builds on Brent Hayes Edwards’ theorization of diaspora as an articulated, or joined, structure of belonging (Edwards, 2003). This necessitates attending to décalage, or the incommensurable gaps in experience and differentiations of power across
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Magowan, Fiona C. "Melodies of mourning : a study of form and meaning in Yolngu women's music and dance in traditional ritual and Christian contexts." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.259998.

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Books on the topic "Women's dance"

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Silver, Rachel. Where their feet dance: English women's sexual fantasies. Century, 1994.

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Matluck, Brooks Lynn, ed. Women's work: Making dance in Europe before 1800. University of Wisconsin Press, 2007.

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Leseho, Johanna, and Sandra McMaster. Dancing on the Earth: Women's stories of healing through dance. Findhorn Press, 2010.

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Lerner, Harriet Goldhor. The dance of deception: Pretending andtruth telling in women's lives. Pandora, 1993.

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Harris, Maria. Dance of the spirit: The seven steps of women's spirituality. Bantam Books, 1989.

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Harris, Maria. Dance of the spirit: The seven steps of women's spirituality. Bantam Books, 1991.

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B, Lengel Laura, ed. Intercultural communication and creative practice: Music, dance, and women's cultural identity. Praeger Publishers, 2005.

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Stabiner, Karen. To dance with the devil: The new war on breast cancer. Delta Press, 1997.

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Stabiner, Karen. To dance with the devil: The new war on breast cancer. Delta Trade Paperbacks, 1998.

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Lerner, Harriet Goldhor. The dance of deception: A guide to authenticity & truth-telling in women's relationships. HarperPerennial Publishers, 1994.

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Book chapters on the topic "Women's dance"

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López-Burgos del Barrio, María Antonia. "Journey to Oleron and Tardets—Mauleon—Rural fete-Dance de Roland." In Women's Travel Writings in Iberia Vol 4. Routledge, 2024. http://dx.doi.org/10.4324/9781003549888-15.

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Kringelbach, Hélène Neveu. "'Cool Play' Emotionality in Dance as a Resource in Senegalese Urban Women's Associations." In The Emotions. Routledge, 2024. http://dx.doi.org/10.4324/9781003579557-23.

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Adair, Christy. "The subversives — women’s dance practice." In Women And Dance. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_11.

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Hanna, Judith Lynne. "Classical Indian Dance and Women’s Status." In Dance, Gender and Culture. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-22747-1_8.

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Hanna, Judith Lynne. "Classical Indian Dance and Women’s Status." In Dance, Gender and Culture. Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1007/978-1-349-23842-2_8.

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Adair, Christy. "Revolutionary women — modern dance." In Women And Dance. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_7.

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Adair, Christy. "Introduction." In Women And Dance. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_1.

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Adair, Christy. "Beginning again — new dance." In Women And Dance. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_10.

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Adair, Christy. "Dancing hierarchies — dance in society." In Women And Dance. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_2.

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Adair, Christy. "Cultured bodies — the social construction of the body." In Women And Dance. Macmillan Education UK, 1992. http://dx.doi.org/10.1007/978-1-349-22374-9_3.

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Conference papers on the topic "Women's dance"

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Filipović, Milica, Biljana Vitošević, and Jovana Vitošević. "Dance as a means of emancipation and empowerment of older women." In Antropološki i teoantropološki pogled na fizičke aktivnosti (11). Univerzitet u Prištini-Kosovska Mitrovica - Fakultet za sport i fizičko vaspitanje u Leposaviću, Leposavić, 2025. https://doi.org/10.5937/atavpa25285f.

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Dance represents a comprehensive activity that significantly contributes to the physical, mental, and social health of older women, making it an important tool for improving their quality of life. This paper examines various aspects of dance, including its role in enhancing physical fitness, balance, and mobility, as well as preventing chronic diseases such as osteoporosis and cardiovascular conditions. Moreover, the ability of dance to foster cognitive resilience through improved memory, attention, and executive functions, as well as its effectiveness in reducing symptoms of depression and an
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LIU, ZINING. "RESEARCH THE AESTHETIC VALUE AND IMAGERY OF THE PLAY "SINGING PRAISE FOR THE LOTUS"." In 2023 9TH INTERNATIONAL SYMPOSIUM ON SOCIAL SCIENCE. Destech Publications, Inc., 2023. http://dx.doi.org/10.12783/dtssehs/isss2023/36084.

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Shanghai Theater Academy's Chinese dance repertoire "Singing and Praising the Lotus" won the third prize in the Ninth Taoli Cup for Chinese National Folk Dance Alevel Youth Group (Women). This dance repertoire has the unique aesthetic value of Chinese folk dance, and as an excellent example of contemporary Chinese dance choreography, it is deeply loved by the audience. Taking the dance "Singing and Praising the Lotus" as an example, this article deeply analyzes the foundation for aesthetic value of dance, carrier, and dance choreography techniques, and also dissects the attributes of dance typ
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Gardiner, Fiona. "Yes, You Can Be an Architect and a Woman!’ Women in Architecture: Queensland 1982-1989." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a4001phps8.

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From the 1970s social and political changes in Australia and the burgeoning feminist movement were challenging established power relationships and hierarchies. This paper explores how in the 1980s groups of women architects actively took positions that were outside the established professional mainstream. A 1982 seminar at the University of Queensland galvanised women in Brisbane to form the Association of Women Architects, Town Planners and Landscape Architects. Formally founded the association was multi-disciplinary and not affiliated with the established bodies. Its aims included promoting
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Deviani, Fitri, and Tati Narawati. "Relationship between Boboko and Women in Logoko Boboko Dance." In Proceedings of the International Conference on Arts and Design Education (ICADE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icade-18.2019.25.

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Bakker, Twila. "Pond Study: An Exploration of the Details Below the Surface of Ann Southam’s Spatial View of Pond." In Ninth International Conference on Music and Minimalism. Institute of Musicology SASA, 2024. https://doi.org/10.46793/mininters.031b.

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The late Canadian composer, Ann Southam (1937–2010) is often paraphrased for linking her minimalist-process music with the life-sustaining processes common in women’s work. Those were actions that occurred daily for survival, including activities such as knitting and weaving. In much of her so-called “minimalist” output, Southam herself wove together two different compositional sensibilities – twelve-tone music and minimalism – with the commonality of their underlying processes. Utilising compositional documents from the Ann Southam Fonds housed at the Banff Centre for Arts and Creativity in B
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Pramana, Andi Dwi Resqi, and Trianti Nugrahaeni. "Pakarena Anida Dance as Guidance Values of Buginese Women in Indonesia." In Proceedings of the International Conference on Arts and Design Education (ICADE 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icade-18.2019.60.

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Song, Mi Ryeong, and Li Ra Song. "Factors Influencing Quality of Life among Women Participating in Health Dance." In Healthcare and Nursing 2013. Science & Engineering Research Support soCiety, 2013. http://dx.doi.org/10.14257/astl.2013.40.27.

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Wilkinson, Amy. "Razor Burn: Women Dance Majors' Acquisition of Political Fluency Through Creative Processes." In 2019 AERA Annual Meeting. AERA, 2019. http://dx.doi.org/10.3102/1438124.

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Fepriyanto, Andi, Dian Helaprahara, and Ainur Rasyid. "The Effect of Low-impact Aerobic Dance on Weight Loss in Women." In The 3rd Yogyakarta International Seminar on Health, Physical Education, and Sport Science (YISHPESS 2019) in conjunction with The 2nd Conference on Interdisciplinary Approach in Sports (CoIS 2019). SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009304101800182.

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Mahmud, Erlina, Taufik Ampera, and Inu Sidiq. "Adjustment Techniques In Translating Statements Of Revolt By Commoner Women In Earth Dance." In Proceedings of the 10th UNNES Virtual International Conference on English Language Teaching, Literature, and Translation, ELTLT 2021, 14-15 August 2021, Semarang, Indonesia. EAI, 2022. http://dx.doi.org/10.4108/eai.14-8-2021.2317647.

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Reports on the topic "Women's dance"

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Anderson, Robin. Dance and self concept change in women. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2983.

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Lofquist, Thelma. An experimental model using dance training as therapy for women over thirty five. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.2787.

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Dayton, Emily. The Creative Use of Dance/Movement Therapy Processes to Transform Intrapersonal Conflicts Associated with Sexual Trauma in Women. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.386.

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Bolton, Laura. The Economic Impact of COVID-19 in Colombia. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/k4d.2021.073.

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Available data provide a picture for the macro-economy of Colombia, agriculture, and infrastructure. Recent data on trends on public procurement were difficult to find within the scope of this rapid review. In 2020, macro-level employment figures show a large drop between February and April when COVID-19 lockdown measures were first introduced, followed by a gradual upward trend. In December 2020, the employment rate was 4.09 percentage points lower than the employment rate in December 2019. Macro-level figures from the National Administrative Department of Statistics (DANE) show that a higher
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