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Relevant bibliographies by topics / Women's Film / Books

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Books on the topic 'Women's Film'

Author: Grafiati

Published: 4 June 2021

Last updated: 15 February 2022

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1

Cheu, Hoi F. Cinematic howling: Women's films, women's film theories. UBC Press, 2007.

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2

Root, Jane. Women's film list. BFI Education, 1985.

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3

Cook, Samantha. Women's film list including videos. BFI Education, 1989.

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4

Cook, Samantha. Women's film list: Including videos. Education Dept., British Film Institute, 1989.

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5

Feminist auteurs: Reading women's film. Wallflower, 2006.

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6

King, Sarah L. Women's film: A new aesthetic. Derbyshire College of Higher Education, 1988.

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7

Rosenberg, Jan. Women's reflections: The feminist film movement. UMI, 1995.

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8

Feminism, film, fascism: Women's auto/biographical film in postwar Germany. University of Texas Press, 1998.

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9

Walsh, Andrea S. Women's film and female experience, 1940-1950. Praeger, 1986.

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10

Fischer, Lucy. Shot/countershot: Film tradition and women's cinema. Macmillan Education, 1989.

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11

Fischer, Lucy. Shot/countershot: Film tradition and women's cinema. Princeton University Press, 1989.

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12

Spirituality as ideology in Black women's film and literature. University of Virginia Press, 2005.

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13

Ramanathan, Geetha. Feminist auteurs: Reading women's films. Wallflower, 2006.

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14

Annette, Kuhn. Women's pictures: Feminism and cinema. Verso, 1993.

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15

Women's pictures: Feminism and cinema. 2nd ed. Verso, 1994.

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16

Recasting autobiography: Women's counterfictions in contemporary German literature and film. Cornell University Press, 1994.

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17

Bailey, Julie James. Reel women: Working in film and television. Australian Film, Television and Radio School, 1999.

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18

Laurence, Karen. Take two: A women's guide to technical jobs in the film and television industry. Toronto Women in Film and Television, 1993.

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19

Wolf-Sampath, Gita. Mala, a women's folktale: Adapted from a folktale based on the film "Girija" by Madhyam. Tara Pub., 1994.

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20

Phillips, Eileen. Women on the map: Equal opportunities in the regional audiovisual industry : a report for the Women's Film TV and Video Network. Women's Film TV and Video Network, 1987.

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21

National Film Board/Educators' Forum on Women's Studies in Secondary School (1986 Montreal, Québec). Report on the National Film Board/Educators' Forum on Women's Studies in Secondary School: Montreal, April 20-22, 1986. National Film Board of Canada, 1986.

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22

The woman at the keyhole: Feminism and women's cinema. Indiana University Press, 1990.

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23

Genderstudies in den Geisteswissenschaften: Beiträge aus den Literatur-, Film- und Sprachwissenschaften. Universitätsverlag Rhein-Ruhr, 2010.

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24

1967-, Krimmer Elisabeth, ed. Hollywood divas, indie queens, and TV heroines: Contemporary screen images of women. Rowman & Littlefield, 2005.

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25

Kord, Susanne. Hollywood divas, indie queens, and TV heroines: Contemporary screen images of women. Rowman & Littlefield, 2005.

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26

The breadwinner. Oxford University Press, 2001.

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27

1960-, Paul Louis, ed. Film fatales: Women in espionage films and television, 1962-1973. McFarland & Co., 2002.

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28

King, Stephen. Danse macabre: Die Welt des Horrors in Literatur und Film. 2nd ed. Heyne, 1989.

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29

Cook, Samantha. Women & film bibliography. 2nd ed. BFI Education, 1989.

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30

Cinematic Howling: Women's Films, Women's Film Theories. University of British Columbia Press, 2008.

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31

Cinematic Howling: Women's Films, Women's Film Theories. University of British Columbia Press, 2007.

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32

Jenny, Holland, Harris Jane, and Circles, eds. Women's film & video distribution catalogue. Circles, 1987.

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33

Annette, Kuhn, and Radstone Susannah, eds. The Women's companion to international film. Virago, 1990.

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34

Annette, Kuhn, and Radstone Susannah, eds. The women's companion to international film. University of California Press, 1994.

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35

Fischer, Lucy. Shot/Countershot: Film Tradition and Women's Cinema. Princeton University Press, 2014.

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36

Shot/Countershot: Film Tradition and Women's Cinema. Princeton University Press, 2017.

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37

Fischer, Lucy. Shot/Countershot: Film Tradition and Women's Cinema. Princeton University Press, 2014.

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38

Fischer, Lucy. Shot/Countershot: Film Tradition and Women's Cinema. Princeton University Press, 2014.

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39

Women's Narrative and Film in 20th Century Spain. Taylor & Francis Group, 2011.

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40

Women's Narrative and Film in 20th Century Spain. Routledge, 2017. http://dx.doi.org/10.4324/9780203952832.

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41

Mothers, Comrades, and Outcasts in East German Women's Film. Indiana University Press, 2016.

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42

Doing women's film history: Reframing cinemas, past and future. University of Illinois Press, 2015.

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43

Mothers, Comrades, and Outcasts in East German Women's Film. Indiana University Press, 2016.

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44

Gledhill, Christine, Jane M. Gaines, Julia Knight, and Monica Dall'asta. Doing Women's Film History: Reframing Cinemas, Past and Future. University of Illinois Press, 2015.

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45

Lupack, Barbara Tepa. Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film. Bowling Green University Popular Press, 1999.

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46

Lupack, Barbara Tepa. Nineteenth-Century Women at the Movies: Adapting Classic Women's Fiction to Film. Bowling Green State Univ Popular Pr, 1999.

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47

Nineteenth-century women at the movies: Adapting classic women's fiction to film. Bowling Green State University, 1999.

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48

Ramanathan, Geetha. Feminist Auteurs: Reading Women's Films. Wallflower Press, 2006.

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49

Ramanathan, Geetha. Feminist Auteurs: Reading Women's Films. Wallflower Press, 2006.

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50

Atakav, Eylem. Feminism and Women’s Film History in 1980s Turkey. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0010.

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Abstract:

This chapter explores the relationship between feminism and women's film history in the context of 1980s Turkey. In discussing women's film history, the chapter includes not only the history of women filmmakers and the films they have made but also the link between the history of Turkish film industry and feminism. It begins with a historical overview of the feminist movement in Turkey and then examines its visible traces in film texts produced during the 1980s in order to argue that those films can be most productively understood as explorations of gendered power relations. The chapter then c

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