Relevant bibliographies by topics / Women's hight fashion

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  1. Dissertations / Theses
  2. Books
  3. Book chapters
  4. Conference papers

Academic literature on the topic 'Women's hight fashion'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Dissertations / Theses on the topic "Women's hight fashion"

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Schopf, Stephanie. "White, White, White, Black: How U.S. Vogue Balances Diversity and Homogeneity: An Investigation of Racial and Body Type Representation in the High-end Fashion Industry." Thesis, Boston College, 2016. http://hdl.handle.net/2345/bc-ir:106844.

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Thesis advisor: Michael Malec<br>My motivation for this research study comes from my own experience with and observations of body image issues among female students on the Boston College campus, as well as my observations of and research into the homogenization of beauty in the high-end fashion industry. Through various social institutions, namely high-end fashion media, our society supports an extremely narrow definition of beauty for women (read: White and thin/ultra-thin). There is an overwhelming lack of representation of women of color and women who do not fall in line with the thin body
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Bland, Kasey Dawn. "The Life and Career of Fashion Designer, George Stavropoulos." University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1217262462.

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Herbaugh, Karen J. "A comparative analysis of Far Eastern influence on Western women's clothing styles : high fashion and mass fashion, 1910-1925." Thesis, 1994. http://hdl.handle.net/1957/35751.

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The purpose of this study was to compare Far Eastern influences on Western women's dress as represented in both a high fashion and mass fashion magazine between 1910 and 1925. Vogue was selected as the high fashion magazine and Ladies Home Journal as the mass fashion magazine. The questions that were addressed were: was there a difference in the influence of the Far East on high fashion styles and mass fashion styles, was there a time lapse between the appearance of fashion styles influenced by the Far East within Vogue and Ladies Home Journal, and was the trickle-down theory applicable when e
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Stasko, Carly. "A Pedagogy of Holistic Media Literacy: Reflections on Culture Jamming as Transformative Learning and Healing." Thesis, 2009. http://hdl.handle.net/1807/18109.

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This qualitative study uses narrative inquiry (Connelly & Clandinin, 1988, 1990, 2001) and self-study to investigate ways to further understand and facilitate the integration of holistic philosophies of education with media literacy pedagogies. As founder and director of the Youth Media Literacy Project and a self-titled Imagitator (one who agitates imagination), I have spent over 10 years teaching media literacy in various high schools, universities, and community centres across North America. This study will focus on my own personal practical knowledge (Connelly & Clandinin, 1982) as a cult
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Books on the topic "Women's hight fashion"

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1942-, Blahnik Manolo, ed. High heels: Fashion, femininity, seduction. Goliga, 2011.

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Halliday, Gemma. Spying in High Heels. Dorchester Publishing Co., Inc., 2009.

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McFadden, Mary. Mary McFadden: High priestess of high fashion : a life in haute couture, décor, and design. Bunker Hill in association with Allentown Art Museum, 2004.

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Halliday, Gemma. Mayhem In High Heels. Dorchester Publishing Co., Inc., 2009.

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Font, Lourdes M. The Gilded Age: High fashion and society in the Hudson Highlands, 1865-1914. Putnam County Historical Society & Foundry School Museum, 2006.

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Halliday, Gemma. Killer in High Heels. Dorchester Publishing Co., Inc., 2009.

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Halliday, Gemma. Undercover in High Heels. Dorchester Publishing Co., Inc., 2009.

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Halliday, Gemma. Mayhem in high heels. Making It, 2009.

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Powell, Carol. How have the changing tastes and needs of women fashion shoppers influenced the retailers on the high street. LCP, 2001.

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Devos, Kelly. Fat girl on a plane: A novel. Harlequin Enterprises, Limited, 2018.

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Book chapters on the topic "Women's hight fashion"

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Rizzolli, Helmut, and Federico Pigozzo. "Economic and Social Aspects of the Trade of Luxury Goods between Africa and Europe: Ostrich Feather." In Atti delle «Settimane di Studi» e altri Convegni. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-857-0.26.

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In Europe, in the Middle Ages, ostrich feathers were used for the decoration of military headgear, as a representation of the high lineage of the possessor and his military virtues. They were imported from the coasts of West Africa, from Egypt and Syria into Italian and Spanish ports and from there exported to England and continental Europe. Venice, at the end of the fourteenth century, began to color feathers and soon the new fashion was spread throughout Europe. During the fifteenth century, even women began to use ostrich feathers on their hats or in their fans. When European ships reached
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Brooker, Paul, and Margaret Hayward. "Giorgio Armani." In Rational Leadership, 2nd ed. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198894643.003.0009.

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Abstract The Armani example illustrates the importance of the adaptive rational methods, which here helped to establish an iconic high-fashion corporation. Italian fashion designer, Giorgio Armani, adapted stylistically to fashion’s ‘new times’ in the 1970s‒80s by creating a new style that catered for career women. This stylistic adaptation is compared with that of another Italian fashion designer, Gianni Versace, who instead modernized haute couture fashion. Although the two designers exploited the same opportunity in different ways, they enjoyed similar success—both of them established iconi
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Bird, Taryn, Aida Hadzic, Kate Roll, and Judith Stroehle. "Kate Spade New York." In Putting Purpose Into Practice. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198870708.003.0031.

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The case of Kate Spade is a good illustration of a company that has sought to create human capital in the form of women’s economic empowerment in an employee-owned social enterprise in Rwanda. The purpose of the company is to produce high-quality, high-end products for the global fashion industry by investment in training and skills that empowers women to promote positive change in their communities. The lowest artisan salary in the business is higher than the median salary in the private sector in Rwanda and the company generated a positive net income in 2017.
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Meinhart, Michelle. "A “Cosy Corner Chat” about Opera." In Opera and British Print Culture in the Long Nineteenth Century. Liverpool University Press, 2023. http://dx.doi.org/10.3828/liverpool/9781638040422.003.0009.

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Magazines for the “ladies” of the upper classes flourished during the last quarter of the nineteenth century through the start of WWI. Weeklies such as The Lady, The Gentlewoman, The Lady’s Pictorial, and The Queen presented editorials on fashion, balls, marriages, art, and entertainment, constructing an idealized, fashionable femininity within London’s high society around topics that presumably reflected elite readers’ interests and tastes. Such editorials were London-centric, but they attempted to connect with other urban centers in Britain, Ireland, and the Continent, creating networks of u
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Emmott, Bill. "Starting Something New." In Japan's Far More Female Future. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198865551.003.0005.

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Japanese organizations typically remain not just male-dominated but also organized in male ways. An attractive alternative for women is therefore to start up their own organizations, whether for-profit or non-profit. The Japan Women’s Leadership Initiative takes a group of wannabe social entrepreneurs to Boston, Massachusetts every year to give training and mentorship in how to start and grow a social enterprise. Hayashi Chiaki took her career through marketing and journalism before co-founding her own digital design business, Loftwork, with its affiliate Fabcafes. Mitarai Tamako worked for Mc
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Sharma, Shipra, and Paramita Sarkar. "Development of a Sustainable Alternative to Fast Fashion." In Advances in Business Strategy and Competitive Advantage. IGI Global, 2025. https://doi.org/10.4018/979-8-3693-7853-3.ch004.

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Ever-increasing consumerism and disposable fashion culture lead to immense waste generation, high resource consumption, and ethical concerns in production resulting in massive impact on environmental degradation. Fast fashion features low-cost clothing, mass production, rapid turnaround, and disposability at a faster pace leading to overconsumption. Sustainable alternative to fast fashion requires responsible consumption, ethical production, environmental friendliness, and to be designed for longevity. Handicrafts being one of the alternatives to fast fashion promotes local artisanal skills wi
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Beegan, Gerry. "The Picturegoer: Cinema, Rotogravure, and the Reshaping of the Female Face." In Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412537.003.0015.

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The Picturegoer, published by Odhams Press, was the most popular British interwar film magazine. It was a pioneer in the use of rotogravure, a technique that brought high-quality color images to popular periodicals. The gravure process, in which both letterforms and photographs were fundamentally pictorial, challenged the text/image hierarchy, a radical shift reflected in the magazine’s layouts. Rotogravure had no definable matrix and images were smooth, continuous, and delicate; photographic portraits of stars were visually akin to cinematic close-ups. The magazine’s heavily retouched images,
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Tanford, Charles. "The French Connection." In Ben Franklin Stilled the Waves. Oxford University PressNew York, NY, 2004. http://dx.doi.org/10.1093/oso/9780192804945.003.0004.

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Abstract France is different today, was different then. Its special charms have somehow survived unchanged through the reigns of profligate kings, through violent revolution and devastating wars. Franklin, on his first visit in 1767, noted the high fashion of Parisian women, the rows of trees lining country roads, the high quality of the wine, the same as a tourist today might. In 1779, when he lived as America ‘s plenipotentiary on the grounds of a great estate in Passy, on the western side of Paris, he had 1040 bottles of wine in his cellar. In September 1782 the inventory was 1203 bottles.
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Wissinger, Elizabeth. "Supremacy or Symbiosis? The Effect of Gendered Ideologies of the Transhuman versus Posthuman on Wearable Technology and Biodesign." In Interpretive Sociology and the Semiotic Imagination. Policy Press, 2023. http://dx.doi.org/10.1332/policypress/9781529211740.003.0009.

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In March 2021, Dolce and Gabbana (D&amp;G) showed its women’s fall/winter 21 collection in a windowless, audienceless, mirrored fantasia of flashing lights glancing off reflective surfaces. The video showed models sweeping down the runway in shiny metallic garb, glossy white robots rolling along beside them. One “MC” robot seemed to be running the show, strobing lights, and pulsing the music with dramatic sweeps of its humanoid hands. The COVID-19 pandemic may have nixed the customary live show, but not the futuristic exuberance of the presentation. Ostensibly informed by “robotics research an
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Caroli, Betty Boyd. "The Paradoxical 1920s." In First Ladies. Oxford University PressNew York, NY, 1995. http://dx.doi.org/10.1093/oso/9780195099447.003.0006.

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Abstract The most popular book on the 1920s emphasizes enormous contradictions in the American scene. At the same time that individuals experienced great strides in their personal lives, the nation took one giant step backward into”normalcy. A country tired of sacrificing for war and weary of high-minded slogans about”making the world safe for democracy" reverted to old ways that emphasized personal comfort and national isolation. Nowhere is the contradiction more apparent than in accounts of women’s lives. The view of the 1920s as”roaring" gives only half the picture. It is true that contrace
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Conference papers on the topic "Women's hight fashion"

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Jankoska, Maja, and Ruzica Stevkovska-Stojanovska. "Connection of women's fashion designs and architectural constructions." In 7th International Scientific Conference Contemporary Trends and Innovations in Textile Industry – CT&ITI 2024. Union of Engineers and Technicians of Serbia, Belgrade, 2024. http://dx.doi.org/10.5937/ct_iti24032j.

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Ideas of societal, cultural, and personal identity have long been expressed through the fields of architecture and fashion design. But in the last year, practitioners in both fields have expressed more nuanced and thought-provoking challenges related to ideas of identity, going beyond the idea of just denoting value, status, and belonging. The aim of this paper is to present the relation between architecture creations and fashion design, creating women's dresses inspired by Gothic architecture. Initially, technical sketches of the model are performed. The basic constructions of women's dress a
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Banu, Shaik Balkhis, Saman Waseem Akhtar, Sana Arshad, Shaik Rehana Banu, Shaik Chandini, and Gs Pradeep Ghantasala. "High Heels Are No More an Accessory of Fashion for Women- A Study Unrevealing the Health Effects of Wearing High Heels." In 2024 10th International Conference on Communication and Signal Processing (ICCSP). IEEE, 2024. http://dx.doi.org/10.1109/iccsp60870.2024.10543799.

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Budeanu, Ramona. "SOFTWARE APPLICATION FOR THE SUBJECTIVE EVALUATION OF SENSORIAL COMFORT OF FABRICS FOR WOMEN'S NIGHTCLOTHES." In eLSE 2018. Carol I National Defence University Publishing House, 2018. http://dx.doi.org/10.12753/2066-026x-18-160.

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The research in the field of comfort is extremely important worldwide. Not only for the researchers in universities, but also for the industry itself, for fashion designers, even for consumers. The comfort of a clothing product is directly influenced by the characteristics of the used textile materials, such as finesse, hygroscopicity, elasticity, hydrophilicity etc. Consumer preferences for clothing products are determined by comfort, especially by sensory characteristics. Therefore, the production of high quality clothing products, which offer high comfort according to the consumers requirem
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Niculescu, Olga, Elena Badea, Ilaria Quaratesi, Rodica Roxana Constantinescu, and Dana Gurau. "Materials for Surface Design and Finishing for Contemporary Footwear – Part 2." In The 9th International Conference on Advanced Materials and Systems. INCDTP - Leather and Footwear Research Institute (ICPI), Bucharest, Romania, 2022. http://dx.doi.org/10.24264/icams-2022.v.6.

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Leather has a natural beauty that, unlike many materials, improves with age, and has long been a component of luxury goods such as footwear, leather goods and clothing. It is a natural and durable material, unmatched by any synthetic product, in terms of hygienic and protective properties. Thanks to the skills of leather producers, who take the same basic raw material, natural leathers are processed through different technological processes and transformed into finished leathers for various clothing items with high-performance properties. Finishing is achieved through a series of technologies,
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Carneiro De Carvalho, Vânia. "Decoration and Nostalgia - Historical Study on Visual Matrices and Forms of Diffusion of Fêtes Galantes in the 20th Century." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001365.

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In São Paulo/Brazil, between the years 1950 and 1980, porcelain sculptures representing courtesy scenes were fashionable in wealthy and middle-class homes. Several Brazilian factories started to produce such images and many others were imported, the most of them from Germany. These representations were inspired by the fêtes gallants, a rococo style genre from the 18th century. Factories like Meissen, Limoges and Capodimonte produced thousands of copies which circulated in Western Europe and the Russian Empire. During the 19th century, from French institutional policies, the fêtes galantes were
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