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Dissertations / Theses on the topic 'Women and Media'
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Rothenberg, Nina. "Women and the mass media in Italy." Thesis, Royal Holloway, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429215.
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Johnsson, Malin. "Why only women? : An interview study of individual members’ experiences and perceptions of the women-only online community Heja Livet!" Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-44200.
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Why are women attracted to join women-only online communities and what are the affordances of these communities? This study is focusing on the signifier of the fourth-wave feminism – feminist activity online and the cultivation of online safe spaces. Sweden is often considered to be a gender-equal country but this study sheds light on the fact that women in Sweden still experience gender inequalities. Through interviews with members of the online community Heja Livet, this study aims to investigate why women choose to join women-only online communities, how they reflect on separatism and safe spaces, and the group’s possible contributions to women and society at large. The study is based on a feminist perspective and has a constructionist approach in the sense that it understands the individual members’ perceptions as constructions. The study found that the administrative work, a constant renegotiation of the binaries safe/unsafe and inclusion/exclusion together with the separation from men, creates a climate where women feel comfortable to interact with other women online. Issues of whether Heja Livet is inclusive of all women remain under discussion, and even though the members consider separatist groups to be important for both individual women and the feminist movement, it is also important to raise men’s consciousness of patriarchal structures. Heja Livet provides a space where women can come together with other women to discuss, share, support, find inspiration, empower each other and raise consciousness. It is difficult to determine whether the group can be defined as a safe space or not, both due to the incomplete and dynamic nature of safe spaces and also because of the interviewees’ low level of active participation exposing themselves and their personal life in the group. The perceptions of the interviewees were, however, that the group provides women with a safe space online.
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Chimba, Mwenya Diana. "Women, media and democracy : news coverage of women in the Zambian press." Thesis, Cardiff University, 2005. http://orca.cf.ac.uk/55397/.
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To establish how women are portrayed in the press, the dissertation offers findings from a content analysis of 1,050 news accounts of women drawn from three Zambian newspapers in 1991, 1995 and 1999. These findings are supported by a textual reading of a smaller number of news accounts examining how media construct women in politics as they are representatives of other women in general. The dissertation concludes that news accounts of women in the Zambian press to some extent contribute to their continued marginalisation in society
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Nuraddin, Nabila. "Women and the Media : The Representation of Muslim Women in Liberal-nonpartisan Italian Newspapers." Thesis, Högskolan för lärande och kommunikation, Högskolan i Jönköping, HLK, Medie- och kommunikationsvetenskap, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hj:diva-36391.
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Muslim women are misrepresented through frames and stereotypes that the media uses to further an established narrative. Through a Critical Discourse Analysis, the study analyzes three liberal-nonpartisan Italian newspapers and their approach towards two themes, which are the burkini debate that occurred in late August 2016 and the analysis of three different Muslim women within the Italian society. The study concludes that Muslim women are negatively framed through the usage of a discourse that stereotypes them and constructively misrepresents their reality.
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Zayati, Nabila. "Empowering Arab Women through Media Development : A case study." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-41375.
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The media have power: they create frames of conceptions, influence attitudes and behaviour, and monitor the conduct of government officials. For women, the media can suggest ways and means to defend civil rights and gain access to society’s resources and opportunities. Indeed, Media Development offers three levels of interventions to promote gender equality. (1) Increasing female number and roles in the media labour markets. (2) Promoting the production and circulation of content that challenge stereotypical portrayals of women and men. (3) Addressing the entire society to raise awareness and commitment for equal contributions in sustainable development. However, even though media development efforts have been popular during the last two decades in the global South (UNESCO), the Arab region is ranked the lowest in the world for achieving gender equality (CRS, 2020). This project aims to investigate the role of media development to achieve gender equality and women’s empowerment through a case study of two gender strategies driven by two main models of media development (Scott, 2014; Manyozo, 2012), in the Arab region. One is led by external interventions, the other is supported by domestic authorities and local governments. The time period of the research is limited to the last decade, which has seen radical changes in terms of women’s participation in the public sphere. The findings are based on 10 in-depth interviews with media professionals directly involved in these strategies across different Arab countries, from Algeria, Iraq, and Palestine, to the United Arab Emirates and Yemen. Despite the differences between the strategies in terms of political affiliations and territories of interest, the interviews show that gender (in)equality in the media is not a phenomenon isolated from people’s daily lives. Correspondingly, women’s empowerment is the result of different power struggles in society in which media development could potentially make a real difference if based on gendered pluralistic participatory approaches, which include the internal and external environments of media organisations, as well as all actors of society’s systems and structures.
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Marcellus, Jane Berry. "Women, work, and femininity : representation of employed women in U.S. magazines, 1918-1941 /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3136434.
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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 353-372). Also available for download via the World Wide Web; free to University of Oregon users.
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Kevci, Perisan. "Women journalists on the path of truth -an intersectional and critical discourse analysis." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-45970.
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Scheuneman, Scott Isabel. ""Deadly Women": Examining (Audio)Visual (Re)Presentations of Violent Women and Girls in Infotainment Media." Thesis, Université d'Ottawa / University of Ottawa, 2015. http://hdl.handle.net/10393/33453.
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Women have historically been the subject of stereotypes – especially criminalized women as they are constructed in the mass media. These stereotypes become particularly problematic when they are invoked in infotainment media – a genre that combines information and entertainment and presents itself as primarily factual. As such, ideological messages delivered through infotainment are also (re)presented as truthful and may be more likely to be taken up by an unquestioning audience. This research aimed to answer the following research question: How does infotainment portray women who commit serious violent crime? In order to answer this question, a qualitative content analysis was employed and “Deadly Women”, a televised infotainment series that narrates and re-enacts true crime stories of women who kill, was selected as a case study. The sample consisted of previously identified typologies: mothers who kill their children, women who kill their partners, adolescent girls who kill, and vigilantes who kill their abusers. Stemming from a critical feminist framework, the analysis revealed that Deadly Women relies on two primary trajectories to explain the violence committed by women and girls. While both trajectories emphasized gendered stereotypes that involved emotionality and mental health issues, they were nonetheless distinct. The first trajectory evoked narratives of the ‘emotionless’ and ‘psychopathic’ perpetrator; while the second trajectory characterized the offender as overly ‘emotional’ and ‘depressed’. These trajectories, along with their related variables, problematically (re)presented violent women and girls in simplistic and dualistic manners that served to obscure rather than to clarify the circumstances surrounding their crimes.
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Willhoit, Krystal. "Women's response to media : a naturalistic inquiry /." free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924942.
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Ciclitira, Karen Elizabeth. "What does pornography mean to women?" Thesis, Manchester Metropolitan University, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.266531.
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In this research I employ a feminist and qualitative approach, challenging the predominant psychological discourse of pornography. I discuss the ways law, history and economics influence how women relate to pornography. A range of theoretical approaches, including psychoanalysis, film theory and cultural studies, are used to explore pornographic texts and women's accounts of their engagement with pornography. Drawing on these different disciplinary frameworks I argue that the meanings of `pornography' are changing and elusive: its insusceptibility to easy definition is a theme of this research, which takes into consideration diverse media, including erotic fiction and women's magazines. Feminist theory and discourse analysis informs the analysis of 34 interview transcripts, and leads to reflection on research-related problems such as questions of ethics, researching the `other', and tensions between feminisms and psychology. Women negotiate the heterosexist and masculine discourse of pornography in unexpected ways, and anti-porn feminism is shown to have shaped participants' views and impacted on their identities. The ways in which individual psychic histories and sociocultural constructions such as `race', `class', and sexual orientation enter into women's viewing of porn are explored. Psychoanalytic and gaze theories are drawn upon to offer insight into the different psychic mechanisms and positions involved in viewing and reading pornography. Pornography is a factor in the social construction of sexuality, but women's accounts (unlike much of the theory) show how their views, experiences and feelings about pornography are variegated, individual and complex. I argue for a Foucauldian perspective on the question of sexual repression and the effect-'of categorisations (such as `paedophile' and `sadomasochist'). The effects of new media and technologies are wide ranging, and include increasing opportunities for sex without physical contact, access to sex educational material, and the creation of multiple meanings of pornography for women. This thesis concludes by su gesting that the proliferation of new sexual discourses, including gay, lesbian and bisexual pornographies, has transgressive, contradictory and complex implications for women's sexualities.
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Dawoud, Aliaa Abdel Aziz. "Utilizing mass media in the political empowerment of Egyptian women." Thesis, University of Westminster, 2010. https://westminsterresearch.westminster.ac.uk/item/9056y/utilizing-mass-media-in-the-political-empowerment-of-egyptian-women.
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Egyptian women’s activists are widely regarded as pioneers in calling for women’s rights in the Arab world. However, the struggle for women’s rights in Egypt is a complex one that has led to many achievements, but has also involved numerous setbacks. The media has been central throughout this struggle and all of this has always taken place in a highly politicized environment, which involved changes in the state’s approach to women’s rights. Thus, this study investigates the interplay between women, media and politics in Egypt. It uses theories of authoritarianism that have been used to describe the nature of the incumbent Egyptian regime, as well as notions pertaining to the corporatist tactics it resorts to in order to analyze the manner in which the state deals with women’s activists and their access to the media. This involves a particular emphasis on the privately owned media which has flourished in Egypt in recent years. Also, because the Egyptian government is directly and actively involved in ‘women’s issues’, the study uses the notion of state feminism to analyze its efforts in this regard and how they relate to media treatment of women and their rights. In addition, the study draws on theories of post and neo colonialism to analyze how efforts in the area of women’s rights by both the government and activists relate to the international framework, which promotes a specific version of women’s rights. This is done by interviewing female members of political parties, NGOs and a governmental women’s organization, as well as using archival research to analyze the information available in the publications of these organizations. Other methods employed in this study are critical discourse analysis to analyze media treatment of women’s political empowerment, in addition to focus groups to investigate Egyptian female audiences’ reception of political drama. As a result, the study breaks new ground in theorizing the relationship between the state and women’s activists and thus explains the activists’ media access. It also develops the notion of state feminism and relates it to the media. Finally, the study reveals and theorizes how the privately owned media in Egypt is subtly controlled by the state.
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Weston, Alexandra C. "Valkyries Handbook: Representations of Women in Comics." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/616.
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This thesis delves into the surprisingly uniform treatment of the female character in comic storytelling, across all media, and will examine how this has evolved over time. It further explores what these changes represent for the stories, the characters, the creators, and the readers. The focus of the production aspects of this project is on the curation and development of a feminist perspective on comic books, their narrative and the industry that forms them. Looking at specific examples from historical and modern comics, as well as creative
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Sparhawk, Julie M. "Body image and the media the media's influence on body image /." Online version, 2003. http://www.uwstout.edu/lib/thesis/2003/2003sparhawkj.pdf.
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Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.
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Keightley, Emily. "How women remember : media and the experience of the past." Thesis, Loughborough University, 2007. https://dspace.lboro.ac.uk/2134/11163.
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This thesis is an investigation of the relationship of women of different ages to the past from a theoretical and empirical perspective. It aims to deal with existing conceptions of time and temporality in late modernity in order to address the temporal relationships that human subjects are able to articulate between past and present. Women's experience forms the central focus of the study as a.response to the general neglect of women as subjects in cultural studies, and more specifically in the emerging field of memory studies. The concern with memory emerges from the identification of a contemporary temporal paradox. In everyday culture, memory and its textual forms has enjoyed a resurgence with critics hailing the emergence of a memory boom. At the same time, academic historians and cultural critics are suggesting that we have never been more divorced from our own past as we are in contemporary society. In light of this, the thesis addresses the nature and scope of everyday, remembering in two complementary ways and is structured accordingly. Firstly, in chapters one to five, these seemingly divergent trends are theoretically investigated and, in some ways at least, resolved, by assessing and reconceiving contemporary conceptualisations of memory, such as nostalgia and the separation of memory and imagination. This also involves an evaluation of the historical limitations imposed and possibilities provided by photography and phonography as ubiquitous forms of mediated representation commonly involved in mnemonic activity. Secondly, in chapters six to ten, the ways in which women remember and experience the past in their everyday lives is addressed from an empirical perspective. Depth interviews were conducted with nineteen women of different generations and ethnic backgrounds on the subject of memory and everyday encounters with the past. The analysed transcripts are used to gain insights into how women relate to the past in their everyday lives, the role that this has in constructing contemporary identities, and the minutiae of the ways in which cultural, social and personal memory intersect in the enactment of mnemonic activity in everyday life.
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Ghasemi, Asemeh. "Iranian women working in broadcast media : motivations, challenges and achievements." Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/27827/.
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This research is premised on the investigation of Muslim women working in the Iranian Radio and Television Organisation (IRIB). The study is structured on a number of principal questions: why these women joined IRIB and how they managed the reactions of sceptical family members; how they construct the meaning of womanhood in relation to work, family and motherhood; what challenges these women encounter in the workplace; and how they negotiate and persevere to overcome those challenges, achieve success and make changes in a male-dominated organisation. The main focus is on the post-1979 Islamic revolution, when many practicing Muslim women, who were largely excluded from the film and media industries before the Revolution, began working in radio and television. Modern media that were considered instruments of ‘westernisation’ and ‘decadence’ before the Revolution were re-legitimised by religious authorities and even elevated to the status of ‘public universities’. Many Muslim women, therefore, entered this male dominated ‘forbidden space’ that had a largely secular and liberal work culture before the Revolution. Through 30 semi-structured interviews with these women, this research examines gender relations within the workspace, family domain and in the public arena. The research manifests complex dynamics of gender relations in the context of Iran and in the IRIB organisation. It argues that gender is a relational concept; and an area of constant negotiation and contest. In particular, the study demonstrates that gender relations are defined in negotiation with religious beliefs, traditional norms and political ideologies. They are also reinforced in the family and embedded in the culture of organisation. Overall, it is concluded that after the Islamic revolution, Muslim women found new opportunities to enter spaces in the public domain that were previously considered as being ‘inappropriate’ for women. Despite confronting many challenges in this respect, they have exercised their agency and achieved considerable success in changing traditional and prejudiced attitudes within structures that are underpinned by Islamic gender ideology. In doing so, they have also constructed a new identity of Muslim women that goes beyond simplistic stereotypical dichotomies such as liberated/oppressed, western/eastern, and secular/Muslim.
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Gangopadhyay, Monalisa. "Hindutva Meets Globalization: The Impact on Hindu Urban Media Women." FIU Digital Commons, 2010. http://digitalcommons.fiu.edu/etd/305.
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This study examines the impact of globalization and religious nationalism on the personal and professional lives of urban Hindu middle class media women. The research demonstrates how newly strengthened forces of globalization and Hindutva shape Indian womanhood. The research rests on various data that reveal how Indian women interpret and negotiate constructed identities. The study seeks to give voice to the objectified by scrutinizing and challenging the stereotypical modern faces of Indian womanhood seen in the narratives of globalization and Hindutva. Feminist open-ended interviewing was conducted in English and Hindi in New Delhi, the capital of India, with 23 Hindu women, employed by electronic and print media corporations. Accumulated data were analyzed and interpreted using feminist critical discourse analysis. Findings from the study indicate that while the Indian middle class women have embraced professional opportunities presented by globalization, they remain circumscribed by mutating gender politics. The research also finds that as academic and professional progress empower the women within their homes, their public lives have become fraught with increasing gender violence and decreasing recourse to justice. Therefore, women accept the power stratification of their lives as being dependent on spatial and temporal distinctions, and have learnt to engage and strategize with the public environment for physical safety and personal-professional progress. While the media women see systemic masculine domination as being symbiotic with tenets of religious nationalism, they exhibit an unquestioned embracing of capitalism/globalization as the means of empowerment. My research also strongly indicates the importance of the media’s role in shaping gender dynamics in a global context. In conclusion, my research shows the mediawomen’s immense agency in pursuing academic and professional careers while being aware of deeply ingrained gender roles through their strong commitment towards their families. The findings of this study contribute to the literature on Third World nationalism, urban globalization and understandings of reworked-renewed masculine domination. Finally, the study also engages with recent scholarship on the Indian middle class (See Nanda 2010; Shenoy 2009; Lukose 2005; and Radhakrishnan 2006) while simultaneously addressing the notions of privilege and disengagement levied at the middle class woman, a symbiosis of idealization and imprisonment.
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Tyreman, Katie. "Between Women: Visualizing Victorian Women Artists’ Identities through Art Movements, Media and Scale, c. 1848-1898." Thesis, University of York, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594222.
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Magor, Deborah A. "Working women in the news : a study of news media representations of women in the workforce." Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/102.
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This study examines how working women are represented in the news media, and its main aim is to determine to what extent ‘social class’ figures in the representations of women in news content. Using language, visual and narrative analysis, the thesis comprises four case studies each focusing on portrayals of different women from different socio-economic backgrounds determined by their occupation. The first two case studies examine portrayals of low paid working women through coverage of the National Minimum Wage introduction into Britain in April 1999 and the Council Workers’ Strike in England and Wales in 2002. The latter two case studies focus on women in particular professions: elite businesswomen, military women and women war reporters. The study concludes by noting that multiple voices occur in news texts around the key contrasting themes of progress/stagnation and visibility/invisibility and which can give contradictory discourses on the intersection of gender and class. From the massification and silencing of working class women, to the celebrity and sexualisation of the business elite, and the professional competency news frames of middle class women, class was shown to be a determining factor in how women figure in news content. However, these class determinants combined with other news frames pertaining to gender, whereby powerful and established myths of femininity can come to the fore. These myths can be particularly powerful when women enter non-feminine work ‘spaces’ such as business and the military, and class, particularly in the latter case, can tend to slip out of view, as sexist coverage is commonplace and debates are formed about the right and wrong behaviour for women.
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Fukue, Natsuko. ""Young, cute and sexy constructing images of Japanese women in Hong Kong print media" /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/HKUTO/record/B39558885.
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Ehmer, Emily A. "An attitudinal study of music videos portraying violence, sex-role stereotypes, and objectification of women among young women." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1390657.
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This study investigated the relationships between young women's attitudes and exposure to violence, objectification of women, and sex-role stereotypes. The research analyzed whether or not viewing sexual content or violence in music videos affected young women's current moods or changed attitudes about sexual beliefs. Music videos were selected from cable television networks and music Web sites. Sixty-six undergraduate women at a Midwest university were exposed to six music videos with violent, sexual, or neutral content. Pretests and post-tests were used to assess any change of mood or attitude after viewing music videos. Results showed no significant change in sexual beliefs for any of the three groups. The group viewing neutral videos demonstrated a significant change in mood prior to viewing the music videos between the groups. The data suggested the method of selection of participants, use of pretests and post-tests, effects of music, and desensitization to violence and sexual content may have played a role in the outcomes of the study.<br>Department of Journalism
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Bennett, Victoria. "Invisible women/hidden voices : women writing on sport in the twentieth century." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13292.
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Englund, Victoria. "Foundation for Media Alternatives -A qualitative study of women empowerment through ICT -." Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-72122.
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In recent years ICT has gotten sustained interest in which it’s seen as a tool for development andsocial transformation. There have been a rise of ICT4D (ICT for development) initiatives in theinternational arena. The Philippine organization Foundation for Media Alternatives (FMA) isworking with the intersection of ICT and women’s empowerment to advocate women’s rights andissues in the online space as well as increasing women’s strategic use of ICT. This paper is aMinor Field Study conducted in Quezon City, the Philippines, which explores FMA’s Gender andICT program. The aim of the study is to examine the strategies and practices for womenempowerment through ICT as well as mapping the major challenges in their work. The study wasconducted through observations and interviews with the members of FMA as well as women froman assisted urban poor community. The result outlines the main practices taken in the program toreach an understanding of the work done for women’s empowerment. Furthermore, the studyportrays that the full potential of the practices can’t be fulfilled due to the current environmentFMA are operating in. The experienced challenges in their work have been characterized into fivecommon areas; funding, the political environment, the cooperation, the unsafe online space andlastly the socioeconomical divide in the society.
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Garber, Carla F. "The Effects of Brief Exposure to Non Traditional Media Messages on Female Body Image." Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc277687/.
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Body image may be defined as the perception or attitude one has regarding the appearance of his or her body. Body image concerns are not only central to the diagnostic criteria of eating disorders, but also create distress for nonclinical populations. Females (n = 167) from three universities participated in a study by completing the Eating Disorder Inventory - 2 (Garner, 1991) and the Figure Rating Scale (Stunkard, Sorenson, & Schulsinger, 1983); watching a video; and then completing the instruments again. Subjects in the treatment group (n = 89) viewed a video designed to increase awareness of unrealistic body sizes and shapes seen in the media (Kilbourne, 1995). Subjects in the comparison group (n = 77) viewed a video unrelated to female body image.
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Kurdi, Eiman. "Women in the Saudi press." Thesis, Cardiff University, 2014. http://orca.cf.ac.uk/73313/.
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This PhD explores the experience of female journalists working in the Saudi Arabian press. It looks at the difficulties they face as women journalists, their motives for working in this area and their writings. The research discusses how the culture gender segregation in Saudi Arabia impacts upon Saudi media representations of gender stereotypes and the role of print media (the press) in exposing women’s issues to the public and forming public opinion. I utilised a media studies’ approach adopting an Islamic feminist perspective. I generated data from indepth interviews with seven Saudi female journalists working in Saudi press, who discuss female-related topics as well as content analysis of related press articles. The analysis indicated that the Saudi culture of extreme gender segregation has impacted on the experience of female journalists, particularly on their ability to compete with male journalists. As my analysis argues, my participants report experiencing female segregation and discrimination mainly affecting their pay, job opportunities, promotion, availability and access to information. My findings further suggest that the media in Saudi Arabia is the most direct venue for women to express their views and discuss their issues. In accordance with previous studies in the field, my study reveals that Saudi Arabian women interpret feminism within the boundaries of their specific culture and Islamic standpoint. Lastly, I discuss how current political, social and economic reforms in the region, which influence women’s status in the public arena, are reflected in the Saudi press.
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Lima, Giovanna C. "When Women Kill." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2385.
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The media is one of the strongest influences on how society views the criminal justice system and all actors therein. This is especially true for offenders of violent crime. Notably, women who kill are rare. However, when women do murder someone, the media tends to over expose them and portray them in different ways. The current study is intended to examine how the media portrays women murderers. In particular, this research is focused on how fictional and true crime programs portray female killers. Do they portray them in a positive or negative light? Do they portray them realistically? Are true crime shows more realistic than fictional crime shows? Each of these questions was explored and it was found that true crime programs, even though not wholly realistic, do portray women much more realistically than fictional shows. It is important to study these portrayals in order to understand how women killers are portrayed, how society views and interprets these particular criminals, and what are the steps necessary in order to prevent and change the way media process this crime.
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Goodman, Jennifer Robyn Potter. "Mirroring mediated images of women how media images of thin women influence eating disorder-related behaviors and how women negotiate these images /." Digital version:, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p9992802.
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Albani, Francesca. "Thinness Matters: The Impact of Magazine Advertising on the Contemporary Beauty Ideal." Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1122572653.
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Thesis (M.A.)--Miami University, Dept. of Mass Communication, 2005.<br>Title from first page of PDF document. Document formatted into pages; contains [1], iii, 80 p. Includes bibliographical references (p. 68-80).
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Li, Sheng Mei. "The "leftover women" phenomenon in China :a thematic analysis of media and interpersonal understandings of a gendered concept." Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690615.
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Libby, Caitlin A. "Consuming modernity : media's role in normalizing women's labor in India and Thailand /." Norton, Mass. : Wheaton College, 2010. http://hdl.handle.net/10090/15513.
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Ivey, Lia Ayanna Knox Liddle Becky J. "The use of media by African American women to acquire mental health knowledge." Auburn, Ala., 2006. http://repo.lib.auburn.edu/2006%20Spring/doctoral/IVEY_LIA_10.pdf.
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Jones, Sarah B. "Digitized : women, careers, and the new media age : a heuristic analysis." Virtual Press, 2008. http://liblink.bsu.edu/uhtbin/catkey/1397377.
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This project presents an overview of the entertainment industry's acceptance of women historically within its job market and a changing climate due, in part, to emerging digital technology. Findings suggest the female-disadvantage in procuring a behind-the camera job in the entertainment industry is on the decline. Also, the disparity between the number of women versus men working in this industry appears to be narrowing. New technology seems to be speeding up these processes, due largely in part to its relatively low cost and accessibility. An apparent shift in societal views of gender roles couples with this new technology to help level the career field between men and women in this new media age. This project also serves as a reference guide for individuals seeking to enter a career in the entertainment industry.<br>Department of Telecommunications
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McKenna, Susan E. "An examination and interpretive anaylsis [sic] of the depiction of women in sports media." Muncie, Ind. : Ball State University, 2008. http://cardinalscholar.bsu.edu/367.
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Hepworth, Rosemary Rita. "The uses of the avatar : the mediated self in women's narratives across media." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610679.
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Miles, Sandra Y. "A three case study : how the media portrays women senate candidates." Honors in the Major Thesis, University of Central Florida, 2003. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/329.
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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Political Science
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Bair, Carrie. "Relations Among Media, Eating Pathology and Body Dissatisfaction in College Women." VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2359.
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Research has identified a relation between exposure to thin-ideal magazine and television media images and eating disorder pathology. However, few studies have examined the potential influence of Internet media on eating disorder behaviors and attitudes. This study investigated the associations among appearance-orientated media exposure, body dissatisfaction, eating pathology and thin-ideal internalization in a sample of 421 female undergraduate students. Results indicate that undergraduate women spend significantly more time viewing appearance-oriented sources online, rather than reading appearance-orientated magazines. Appearance-oriented Internet consumption was also more strongly associated with eating disorder pathology than was use of other media (television and magazines). Relations between appearance-orientated media use (all types) and body dissatisfaction was mediated by thin-ideal internalization. These findings are consistent with those of previous research, and highlight the vulnerability individuals high in thin-ideal internalization might have following media exposure. They also suggest that Internet media might be an important topic to include in eating disorders prevention and treatment.
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Barlow, Charlotte. "Coerced into crime? : legal and media representations of co-accused women." Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2010281/.
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This thesis employs a case study approach to explore the ways in which women who are co-accused with a male partner (or accomplices) of committing a range of crimes are framed by British newspapers and compares such reportage with the record made in the legal proceedings of the same cases. Pseudonyms have been provided for the case studies analysed, due to the terms and conditions of the Privileged Access Agreement granted by Her Majesty’s Court and Tribunal Services, which enabled viewing access to the case file material. The case studies analysed are Jane Turner, Sarah Johnson, Alice Jones and Janet Young. The unique aspect of the case studies is that each of the women, either directly or indirectly, argued that they had been coerced into crime by their male partner/accomplice. Using a feminist methodological approach, this thesis explores the news media framing of the co-accused women and the case file material is utilised as a comparative tool. The British newspapers selected for analysis are Daily Mail, Daily Telegraph, The Guardian, The Independent, Daily Star, The Express, The Mirror, The People, The Sun, The Times (including Sunday published versions). This thesis argues that the co-accused women are framed within a range of stock, gendered motifs and narratives which consequently silences, mutes and distorts their perspectives. Furthermore, the concept of ‘coercion into crime’ is also developed to better understand coercion as a pathway into criminality.
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Samad, Khorshied. "Afghan women, media and democracy: Emerging democracy in post-Taliban Afghanistan." Thesis, University of Ottawa (Canada), 2006. http://hdl.handle.net/10393/27418.
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The current transformation of post-conflict Afghanistan from a war-torn nation to an emerging democracy, and the evolving role of Afghan women in media, politics, and society in post-Taliban Afghanistan are the backdrop against which the theoretical framework of this thesis are tested. Theories of deliberative democracy are investigated, exploring the synergistic intricacies between media and democracy, assessing the extent to which they influence one another. The central research question guiding this study is what role media play in the midst of or in relation to social change. Through historical data, literary sources and interviews, the thesis demonstrates that post-conflict conditions either facilitate or hinder the development of media and the emergence of democracy. It will be argued that without the equal participation of men and women in society, Afghanistan's emerging democracy will remain weak and vulnerable to both internal and external forces of destruction, blocking the country's path to progress.
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Bathla, Sonia. "Women, democracy, and media : an exploration of the Indian cultural context." Thesis, University of Leicester, 1996. http://hdl.handle.net/2381/34619.
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Feminist political theory argues that democratic political foundations have been gender-biased and suffer from various discrepancies that prevent women's participation in the political public sphere and limit their role as political citizens. Parallel to this, feminists have questioned the role of media in representing women's concerns; since media are a dominant part of the public sphere and are crucial sites of debate where meanings are constructed and public consciousness is shaped, their role in political awareness is important. Using such frameworks, this study explores the relationship between political theory and media practice in India, which offers a democratic political system and an autonomous press modelled after the Western political system. However, within the context of a Third World traditional society, the relationship between theory and practice in relation to women's rights is not the simple equation that the Western feminist political theory suggests. A historical and cultural analysis of Indian society reveals that higher-caste patriarchal culture - a Brahmanical hegemony - still defines women's roles and position. Although an explicit model of democracy guarantees legal and political rights to women, the state remains undemocratic and patriarchal towards women, and strengthens the traditional social order in its practice, thus also demonstrating a connection between cultural practices and political practices. Using content analysis, the study reveals that the Indian national press has contributed towards the existing patriarchal order and supported the social consensus by making certain women's issues 'invisible' in a democratic polity. Its insensitivity towards women's issues is examined through the analysis of the media content, in the journalistic practices in covering women's news/issues, and in opinions of journalists towards women's issues and the women's movement. It has been argued that the press and/or journalists are part of the same culture and cannot proceed without values prevalent in India's patriarchal society. Interviews with women activists and journalists suggest that apart from the cultural prejudices, a myriad of issues like poverty, basic needs, etc. facing majority of the population in a developing country impinge upon gender, leading to its perceived insignificance, and causing ideological differences between journalists and women activists.
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De, Vaal Amelia. "Vrouetydskrifte as sosiokulturele joernale : prominente diskoerse oor vroue en die beroepswêreld in agt vrouetydskrifte uit 2006." Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-11202007-135658.
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Hungwe, Caroline. "An analysis of how Zimbabwean women negotiate the meaning of HIV/AIDS prevention television advertisements." Thesis, Rhodes University, 2006. http://eprints.ru.ac.za/912/.
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Fukue, Natsuko. ""Young, cute and sexy: constructing images ofJapanese women in Hong Kong print media"." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B39558885.
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Cevik, Senem Bahar. "Impact of media spokeswomen on teen girls' body image." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2801.
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This project investigated body image issues of girls aged 13-19 years old. It surveyed a random sample of 100 girls via a self-administered questionnaire. The study found that most teen girls have a celebrity actor idol and that the majority of teen girls are self conscious regarding body shape and weight.
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Puchan, Heike. "Adventure sport, media and social/cultural change." Thesis, University of Stirling, 2013. http://hdl.handle.net/1893/19359.
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The turn of the millennium has heralded an explosion in the popularity of adventure sports often also referred to as alternative lifestyle sports or extreme sports. These are offering both new avenues and potential challenges to the traditional ways of conceptualising and practicing sport. This thesis analyses the development of adventure sports, in particular climbing and kayaking, as a subculture. It delivers a socio-economic history of climbing, analyses the role of the media in its development, its participation and its lived experience. Further it investigates the impact of globalisation, commercialisation and consumerism on adventure sports, and considers to what extent they are being brought into the mainstream as a result. The economic impact of participation in adventure sports is reviewed along with a study of how the make up of its participants has changed as the activities have become more accessible. Particular focus is placed on the analysis of the gender order, specifically looking at the experiences of women in adventure sports. For this purpose the sports culture found in climbing and kayaking is examined and the implications for the reconstruction of gender relations are considered. This study employs an ethnographic approach including both semi-structured and structured interviews with both adventure sports experts and participants, document and media analysis, participant observation and the more recent nethnography approach. One of the significant contributions of this thesis has been to provide a comprehensive review and analysis of the social, cultural and media environment of arguably one of the most popular lifestyle sports in the UK. It has also shown the strong interrelationship that exists between the media and adventure sports, and has demonstrated how the increased commercialisation and commodification of the activity has resulted in economic development particularly in some remoter parts of the UK through the packaging and provision of the climbing experience. At the same time some participants see this is ‘selling out’. This research has demonstrated how women’s participation in adventure sports has been subject to marginalisation, sexualisation and trivialisation similar to other mainstream sports. However, this work has also highlighted that there is room for optimism as new discourses of femininity contrary to the traditional male hegemony are emerging. Further research opportunities have been identified concerning issues of ethnicity and participation; the social, cultural and economic relationships between adventure sportspeople and rural communities. Emerging feminist discourses also warrant further investigation.
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Ndzamela, Viwe. "Representations of women in women's magazines." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1002930.
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Women’s magazines as a popular form of entertainment are among the media products that have been criticised for misrepresenting women. These popular magazines are often condemned for their failure to represent women in a positive light although they claim to target women as their market. The objective of this research is to assess and analyse representations of women in selected women’s magazines. Because women’s magazines are part of popular culture, which is not only concerned with the production process but also takes into consideration the needs of the readers, the research seeks to find out whether these magazines meet the expectations of its readers. The study is a combination of qualitative analysis, which looks at the frequency and the manner in which women are represented, with a qualitative interpretation of women’s roles within those representations. The issue of representations of women in women’s magazines is a very complex one as magazines, like other cultural texts are open to multiple interpretations. Consequently, multiple conclusions have been reached and the outcome of the study is therefore a series of three conclusions based on feature articles, advertisements and at a theoretical level.
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McKenna, Libby. "Audience interpretations of the representation of women in music videos by women artists." [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.
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Martinez, Diana. "Funny Business: Women Comedians and the Political Economy of Hollywood Sexism." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22789.
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In the last five years there has been great public interest in Hollywood’s “gender problem,” namely its unequal representation of women in key creative roles such as director, producer, and studio head. Yet, in the long history of women in film and television, comedians have had the greatest success and degree of agency over their work. From silent film comediennes like Mabel Normand to Lucille Ball, Carol Burnett, and more recently Tina Fey and Amy Schumer, women comedians have resoundingly had success behind-the-screen as well as in front of it. In order to comprehend the disjuncture between the data and the women comedians’ success, we must account for the women at the center of contemporary popular culture who seem to have successfully navigated highly gendered structures of media.
This dissertation offers an extension of the existing scholarship on the industrial practices of women mediamakers. This dissertation offers a historical production study of gender. This dissertation opens up ways of exploring the range and complexity of gendered practices in Hollywood. It shows how these actions operate within discursive frames and institutional frameworks that generally serve to perpetuate the exclusion of women. I suggest that cultural industries like film and television, when examined simultaneously as creative spaces and business enterprises using a political economy approach blended with cultural studies, offer revelatory sites for the study of gendered labor practices in Hollywood.
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Cheung, Eric Sui Ting. "Media consumption patterns of Taiwanese women living in New Zealand and their implications for adjustment to New Zealand society this thesis is submitted to Auckland University of Technology in partial fulfilment of the degree of Master of Communication Studies, 2003 /." Full thesis. Abstract, 2003. http://puka2.aut.ac.nz/ait/theses/CheungE.pdf.
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Mayo, Tilicia L. "Black Women and Contemporary Media: The Struggle to Self-Define Black Womanhood." Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2102.
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Thesis (M.A.)--Indiana University, 2010.<br>Title from screen (viewed on February 26, 2010). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Catherine A. Dobris, Ronald M. Sandwina, Kim D. White-Mills, Kristina H. Sheeler. Includes vitae. Includes bibliographical references (leaves 68-70).
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Krepstekies, Colleen. "News Media Representations of Women in the U.S. Military Post September 11, 2001." Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3645.
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This paper examines newspaper portrayals produced by the Washington Post, the New York Times, and the Los Angeles Times of women in the military from Sept. 11, 2001, to Sept. 11, 2009. The purpose was to identify how the three nationally recognized U.S. newspapers depict women’s expanding combat roles on contemporary battlefields that lack definitive front lines. Because the news media are the primary vehicle to update the general public on military matters, how the news media portray military women can play a role in shaping audience perceptions of military women. In turn, this relationship can influence the public debate on issues pertaining to women in the military. For my research method, I employed a longitudinal, qualitative content analysis of news articles that revealed three distinctively themed portrayals of U.S. servicewomen. The thematic findings include: "Tip of the Spear," a largely laudatory category portraying the "new" or "first" generation of servicewomen filling historically uncommon (particularly direct ground combat) roles for women; the "Combat Debate," with coverage listing arguments for and against military women’s expansion into "direct ground combat;" and the "Sexual Assault" category that exposed women as continued victims of sexual assault across the U.S. Armed Forces. The portrayals of women in the "Tip of the Spear," and to a lesser extent in the "Combat Debate," reveal how these three particular newspapers are applying a new formula to represent military women. Rather than portraying military women in stereotypical support roles—or castigating them for transgressing gender norms—the stories from these papers cast the servicewomen performing traditional
masculine military activities in a positive light. However, following objective reporting protocol, the reports in the "Combat Debate" category also covered conventional patriarchal concerns to include protecting women from harm, particularly military mothers. Overall, these two categories comprised the greater part of the coverage of military women among the reports in this study, with only a handful of reports covering women as victims. I propose that the many positive portrayals that describe women fulfilling nontraditional masculine roles and activities demonstrate a revised blueprint in how the news media report on military women. Furthermore, while these research results cannot be applied universally outside this study’s sample, I contend that these types of images representing today’s servicewomen on contemporary battlefields increase public acceptance of women in the military and their expanding military assignments.