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Journal articles on the topic 'Women and musical networks project'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Van Elk, Martine. "Women Writers Project (WWP) Team, eds. Women Writers: Intertextual Networks. Database." Renaissance and Reformation 46, no. 1 (2023): 222–25. http://dx.doi.org/10.33137/rr.v46i1.41742.

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METZELAAR, HELEN. "Women and ‘Kraakgeluiden’: the participation of women improvisers in the Dutch electronic music scene." Organised Sound 9, no. 2 (2004): 199–206. http://dx.doi.org/10.1017/s1355771804000287.

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The field of electroacoustic improvisation in the Netherlands is largely male dominated. Flutist, improviser and composer Anne La Berge signalled this and other problems related to gender in ‘Kraakgeluiden’, a Dutch venue for improvisation in electroacoustic music. Four possible factors contributing to gender discrimination are proposed: the stereotypical gendered concept of an improviser, differences in communicative styles, the dominance of male networks, and music technology itself. This is followed by a consideration of gendered differences in music improvisation. It is posited that male i

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Hinesley, Jennifer, Sarah Cunningham, Rashel Charles, Kirsten Olsen, Saba Masho, and Susan Kornstein. "The Lullaby Project: A Musical Intervention for Pregnant Women." Women's Health Reports 1, no. 1 (2020): 543–49. http://dx.doi.org/10.1089/whr.2020.0084.

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Duchesneau, Michel. "French Music Criticism and Musicology at the Turn of the Twentieth Century: New Journals, New Networks." Nineteenth-Century Music Review 14, no. 1 (2017): 9–32. http://dx.doi.org/10.1017/s1479409816000264.

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This article examines the efforts of French musicologists to create a specialized journal at the turn of the twentieth century that would clearly associate music criticism and musicology. Using as case study a set of music journals, from La Revue d’histoire et de critique musicales to the Mercure musical and the Revue S.I.M. that followed, I establish the connections that brought together the nascent musicological milieu, the musical press and the artistic affinities among the principal actors in their attempt to create a new network of music critics guided by musicological exigencies. Jules C

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BARBOSA, ALVARO. "Public Sound Objects: a shared environment for networked music practice on the Web." Organised Sound 10, no. 3 (2005): 233–42. http://dx.doi.org/10.1017/s135577180500097x.

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The Public Sound Objects (PSOs) project consists of the development of a networked musical system, which is an experimental framework to implement and test new concepts for online music communication. The PSOs project approaches the idea of collaborative musical performances over the Internet by aiming to go beyond the concept of using computer networks as a channel to connect performing spaces. This is achieved by exploring the internet's shared nature in order to provide a public musical space where anonymous users can meet and be found performing in collective sonic art pieces.The system it

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Fox, Samantha, Carolyn J. Hogg, Catherine E. Grueber, and Katherine Belov. "Devil women." Pacific Conservation Biology 24, no. 3 (2018): 271. http://dx.doi.org/10.1071/pc18021.

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The Tasmanian devil, an iconic carnivorous marsupial, is at risk of extinction due to a contagious cancer called devil facial tumour disease. Saving any species from extinction requires strong partnerships between government agencies, zoo bodies and academia. The Devil Tools & Tech project brought these groups together under a single banner to achieve a common goal. The project has strong leadership from women. Here we tell our personal stories as to how we came to be involved in saving the devil and emphasise the importance of strong networks for women to reach their full potential.

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Lush, James. "Networks, mixing and quotas." Biochemist 34, no. 4 (2012): 56–57. http://dx.doi.org/10.1042/bio03404056.

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Mane, Prof Manisha. "MelodyAI: AI-Powered Melodies Generation." INTERANTIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 07, no. 11 (2023): 1–11. http://dx.doi.org/10.55041/ijsrem27182.

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MelodyAI AI-Powered Melodies Generation embodies a cutting-edge exploration at the intersection of artificial intelligence and artistic expression. Drawing inspiration from a seminal research paper on music generation with neural networks, we set out to develop an innovative platform for crafting original musical compositions. Harnessing the potential of advanced deep learning models—such as Recurrent Neural Networks (RNNs), Long Short-Term Memory networks (LSTMs), and attention mechanisms—we aspire to revolutionize the way music is created and experienced. Our approach involves the intricate

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Kalibayeva, Aizhan, Valeriya Nedlina, and Anton Somov. "The Energy of “Female” Music: Gender Statistics and Cultural Prerequisites for Gender Equality Among Kazakh Composers." Musicologist 9, no. 1 (2025): 121–57. https://doi.org/10.33906/musicologist.1368755.

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Since ancient times, musical and poetic creativity in Turko-Mongolian nomadic cultures – including that of the Kazakhs – has functioned as a relatively gender-inclusive sphere. Kazakh women, alongside men, historically participated in the musical culture as bearers of sacred (baksy), vocal (akyn), epic (zhyrau), and instrumental (kuishi) traditions. This legacy continues to shape contemporary musical culture in Kazakhstan. However, ongoing gender disparities in other areas of socio-political life may still limit the time and opportunities available to women for creative self-realisation. This

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Floribert Patrick C. Endong and Eumole Princess Emike. "The Sexual Objectification of Women in the Nigerian Entertainment Industry." SIASAT 8, no. 3 (2023): 154–65. http://dx.doi.org/10.33258/siasat.v8i3.158.

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The growing prevalence of pornography coupled with the influence of patriarchy on the Nigerian entertainment industry has made the objectification of womanhood a perceptible feature of films and musical videos produced by Nigerians. Using secondary sources and critical observations, this paper, attempts to illustrate the phenomenon of women’s sexual objectification in the Nollywood and Nigerian music industry. The paper defines the concept of women sexual objectification in the context of media production arguing that objectification is revealed by the types of camera angles and positions used

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Stapleton, Paul, and Tom Davis. "Ambiguous Devices: Improvisation, agency, touch and feedthrough in distributed music performance." Organised Sound 26, no. 1 (2021): 52–64. http://dx.doi.org/10.1017/s1355771821000054.

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This article documents the processes behind our distributed musical instrument, Ambiguous Devices. The project is motivated by our mutual desire to explore disruptive forms of networked musical interactions in an attempt to challenge and extend our practices as improvisers and instrument makers. We begin by describing the early design stage of our performance ecosystem, followed by a technical description of how the system functions with examples from our public performances and installations. We then situate our work within a genealogy of human–machine improvisation, while highlighting specif

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Jung, Jiyoon. "The right to see and not be seen: South Korean musicals and young feminist activism." Studies in Musical Theatre 14, no. 1 (2020): 37–50. http://dx.doi.org/10.1386/smt_00017_1.

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In South Korea, musicals are considered as ‘female culture’. Based on recent fieldwork, this essay gives attention to the ways in which female fans project themselves in three common spaces: in dark theatre auditoriums, online fan forums and feminist protests. In each of the three spaces, female musical fans nurture and enact their own version of feminism. I employ the discourse of ‘voyeurism’ and ‘half-visibility’ to understand how young South Korean women navigate patriarchal capitalist society. I ultimately argue that today’s South Korean musicals empower young South Korean women by providi

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Bowan, Kate. "Living between Worlds Ancient and Modern: The Musical Collaboration of Kathleen Schlesinger and Elsie Hamilton." Journal of the Royal Musical Association 137, no. 2 (2012): 197–242. http://dx.doi.org/10.1080/02690403.2012.717467.

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AbstractMusicology has recently re-evaluated the nature, form and purpose of musical biography, reflecting a broader ‘biographical turn’ in the humanities. This article takes up recent challenges to move beyond the traditional model of the ‘life and works’ of ‘great’ composers and joins the search for new paradigms of musical biography. The lives of the Australian microtonal composer Elsie Hamilton (1880–1965) and the British music archaeologist Kathleen Schlesinger (1862–1953), and their collaboration, which spanned three decades, are offered as a case study that demonstrates the importance o

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Mallet, Julien. "Insularity and Musical Horizons in Madagascar. Local Networks, Global Connection and Vice Versa." Youth and Globalization 4, no. 2 (2023): 178–94. http://dx.doi.org/10.1163/25895745-04020010.

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Abstract In Madagascar, musical genres that were previously exclusively regional have been broadcast nationwide for a few years. One of the notable changes concerning representations lies in the transition from identity referents linked to regional and/or ethnic affiliations to referents (assigned by the capital’s media) belonging to a globalizing register: mafana music (“hot music”). Artists, taken in this category, have migrated to the capital and are building new musical forms combining regional or ethnic repertoires and international modern forms, in particular by affirming and claiming a

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Almqvist, Cecilia Ferm, and Linn Hentschel. "Becoming musical performance artists – Challenging organisational norms and traditional Municipal Arts School structures." Journal for Research in Arts and Sports Education 6, no. 3 (2022): 11–26. http://dx.doi.org/10.23865/jased.v6.3586.

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Music educational researchers in the Nordic countries have pointed out how municipal arts schools are organised based on, and tend to reproduce, anthropocentric values and approaches, and that such unequal norms and structures are to be challenged. Taking a border-crossing musical comedy project as a starting point, the specific aim of the current study is to illuminate how, and on what levels, organisational norms and traditional structures can be challenged, and what possibilities and new challenges that occur in a project taking place beyond the Anthropocene. To be able to grasp the aspects

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Barrios-Ruano, María Francisca, and Ana M. Muñoz-Muñoz. "Las mujeres en el sonido: androcentrismo en la industria musical." ArtsEduca 29, no. 30 (2021): 157–70. https://doi.org/10.6035/artseduca.5797.

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En este trabajo se plantea teóricamente la existencia de androcentrismo en los puestos de producción e ingeniería del sonido en la industria musical en los que se perpetúan los modelos estereotipados de distribución laboral, donde las mujeres desempeñan o son relegadas a roles feminizados y, principalmente, están alejadas de las posiciones que conllevan autoridad. Para ello, se ha analizado el estado de los estudios musicológicos en relación con los estudios de género y la crítica feminista, estudiando la interrelaci&

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Soundarya, Kemburu, K. Rajkumari Pandik, Shaik Samsher, V. Sai Kishore, and AVS Sai Lavanya. "Music Generation Using Recurrent Neural Network." Journal of Nonlinear Analysis and Optimization 15, no. 02 (2024): 913–19. https://doi.org/10.36893/jnao.2024.v15i2.142.

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This project employs a form of LSTM networks as the special variant of Recurrent Neural Networks for producing musical compositions by learning from patterns in pitch, rhythm, and duration. A trained model on MIDI data produces a complete sequence given a seed, with this type of model always capable of producing stylistically coherent, creative outputs. Focus includes the fine-tuning parameters in such a way that there would be a minimal repetition and logical progression in compositions. The effectiveness of the approach may be assessed through quantitative criteria such as accuracy and loss,

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Kroenke, Candyce H., Yvonne Michael, Xiao-Ou Shu, et al. "Postdiagnosis social networks and lifestyle and treatment mechanisms in the Ater Breast Cancer Pooling Project (ABCPP)." Journal of Clinical Oncology 32, no. 26_suppl (2014): 115. http://dx.doi.org/10.1200/jco.2014.32.26_suppl.115.

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115 Background: Larger social networks have been associated with better breast cancer survival. To investigate potential mediators, we evaluated associations of social network size and diversity with lifestyle and treatment factors associated with prognosis. Methods: We included 9,331 women from the After Breast Cancer Pooling Project who provided data on social networks within two years following diagnosis. A social network index was derived from information about the presence of a spouse or intimate partner, religious ties, community participation, friendship ties, and numbers of relatives.

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Onyinye Gift Ejike and Angela Omozele Abhulimen. "Addressing gender-specific challenges in project and event management: Strategies for women entrepreneurs." International Journal of Scholarly Research in Multidisciplinary Studies 5, no. 1 (2024): 034–43. http://dx.doi.org/10.56781/ijsrms.2024.5.1.0037.

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This review paper explores the gender-specific challenges faced by women in project and event management, highlighting key issues such as workplace culture and bias, limited access to resources and networks, and work-life balance difficulties. It identifies strategies for overcoming these barriers, including personal and professional development, building supportive networks, and implementing inclusive organizational and policy changes. The paper underscores the need for a comprehensive approach involving individuals, organizations, and policymakers to foster gender equality in the industry. I

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Danthine, B., G. Hiebel, C. Posch, and H. Stadler. "THE INTEGRATION OF SEMANTIC NETWORKS IN VIRTUAL EXHIBITIONS." International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLVI-M-1-2021 (August 28, 2021): 165–72. http://dx.doi.org/10.5194/isprs-archives-xlvi-m-1-2021-165-2021.

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Abstract. In this article a use case is presented how a semantic network can be used to enrich the existing virtual exhibition “They Shared their Destiny. Women and the Cossacks’ Tragedy in Lienz 1945” about the fate of women during the Cossack tragedy in Lienz. By connecting via CIDOC CRM information about people, events, finds and places the goal was not only to make this information interoperable, but also to integrate the resulting knowledge graph into the exhibition, thus providing a further navigation level and enhancing the visitors’ experience.First, a short introduction to the existin

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Molchanova, Tetiana. "The Musical Work of Dora Pejačević as a Phenomenon of the Late-Romantic Style." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 116–23. https://doi.org/10.31866/2410-1176.45.2021.247377.

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The purpose of the article is to analyse the musical work of Croatian composer Dora Pejačević in the 19th and the 20th centuries; define the performing and composition skill principles, classify the composer’s musical compositions. Research methodology. The article uses the methodology of system analysis, which combines the following methods: analytical (to reconstruct the overall picture of the life and career of Dora Pejačević based on information from explanatory notes to music collections, excerpts from the book by Croatian musicologist Koraljka Kos, dissertation by Richard D. Auvil,

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Contreras Segovia, Carola. "Las mujeres-músicas de la peña "Chile ríe y canta", una propuesta educativa para visibilizar su participación musical." Tercio Creciente, no. 27 (January 1, 2025): 183–220. https://doi.org/10.17561/rtc.27.8797.

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The study that we present below aims to “Develop an educational proposal from women-musicians and collaborators to make visible their participation during the last decade of the Peña Chile Ríe y Canta”, the data obtained through interviews that were subsequently analyzed through matrices until reaching conclusions. With the dialogic production it was possible to reach the first outline of the proposal, where the Women of the Peña CHRC stand out, the Peña As a social device and socio-political construction, all of these through the development of related projects. At the end of this study, a pr

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Murphey, Tim. "Singing well-becoming: Student musical therapy case studies." Studies in Second Language Learning and Teaching 4, no. 2 (2014): 205–35. http://dx.doi.org/10.14746/ssllt.2014.4.2.4.

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Much research supports the everyday therapeutic and deeper socialneurophysiological influence of singing songs alone and in groups (Austin, 2008; Cozolino, 2013; Sacks, 2007). This study looks at what happens when Japanese students teach short English affirmation songlet-routines to others out of the classroom (clandestine folk music therapy). I investigate 155 student-conducted musical case studies from 7 semester-long classes (18 to 29 students per class) over a 4-year period. The assignments, their in-class training, and their results are introduced, with examples directly from their case s

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Makkar, Diksha, Konica Jai Singh, Hema Panesar, Robin Gupta, Thakur Singh Mejie, and T. P. Singh. "Digital Empowerment:Transforming Rural Women through Digital Marketing Skills in the District of Fatehgarh Sahib." International Journal of Research in Social Science and Humanities 05, no. 03 (2024): 80–87. http://dx.doi.org/10.47505/ijrss.2024.3.8.

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Women empowerment means giving equal power and opportunities to women as men without any kind of discrimination. The role of NGOs has shifted from merely ‘gap-filling’ to ‘capacity building and empowerment’. Mehar Baba Charitable Trust, Bassi Pathana, Punjab, India has beenselected by CFLI1for the project. This project has helped women in many ways to lead from the front and be part of decision-making at the local level. This project aimed at empowering rural women in Fatehgarh Sahib through the acquisition of digital marketing skills.The study is based on primary and secondary sources of data

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Kouvarou, Maria. "Live music network in Larnaca, Cyprus: from musicians to audience and back (to the venue) again." Popular Music 37, no. 2 (2018): 193–211. http://dx.doi.org/10.1017/s0261143018000077.

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AbstractThis article discusses the development of a live music network in Larnaca, Cyprus. It is the result of a 9 month field research project centred on a specific music venue and it is based on interviews with members of four local prominent rock bands and the venue manager. These interviews were further informed by several discussions with numerous audience members, the result of the author's participatory involvement in this network. The emphasis of the discussion lies in the experiences of the performers and their views concerning the growth of this live music network, which in itself is

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Grbich, Carol, Charlotte de Crespigny, and Jennifer Watson. "Women Who are Older and Access to Medication Information." Australian Journal of Primary Health 3, no. 1 (1997): 16. http://dx.doi.org/10.1071/py97003.

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Concern regarding a lack of research into the experiences with medication of women who are older, led to the development of a three stage project to investigate this topic. Stage 1 (reported here) interviewed mobile, independently living women of 60 years and over in two community settings in Adelaide, in order to gain their stories regarding access to medication information, relationships with health professionals, self perceptions of well-being and social networks. Half of the 40 women interviewed had sought information regarding their medication from doctors or pharmacists and it was eviden

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Salkov, Danil D., and Vitaly A. Peleshenko. "VIRTUAL GUITAR EFFECTS PEDAL EMULATION USING ARTIFICIAL INTELLIGENCE." SOFT MEASUREMENTS AND COMPUTING 7, no. 68 (2023): 76–92. http://dx.doi.org/10.36871/2618-9976.2023.07.008.

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The work is devoted to the creation of an open library and special solutions in the field of artificial intelligence technologies, tools for working and analyzing speech, sounds and music. The project is based on the artificial intelligence training. Work will be done on the extraction of analog sound, the creation of trained neural networks. The end product will be the creation of musical devices in the form of a music playback and creation tool and preprocessors and sequencers for electric guitars and synthesizers, which is able to combine several music processing processors, as well as uniq

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Speer, Annika C., and Chari Arespacochaga. "Missing: A Musical Dramedy: Engaging with the missing through the perpetually present." Studies in Musical Theatre 15, no. 1 (2021): 5–23. http://dx.doi.org/10.1386/smt_00052_1.

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Missing uses a historical reimagining of the murder of JonBenét Ramsey as a launchpad to examine what it is like for a woman of colour to be inundated in a sexist and racist media and cultural spin-cycle. The script tells the story of a young Black girl, Nancy, coming of age and absorbing these cultural messages. In Act 1, Nancy, a child beauty pageant contestant, learns about the death of her friend, JonBenét. Nancy is simultaneously drawn in, obsessed and repulsed by the media storm that follows. In Act 2, indelibly shaped by this childhood event and inspired by her role model Diane Sawyer (

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Geleta, Esayas Bekele, Paitence Elabor-Idemudia, Carol Henry, and Nigatu Reggassa. "The Challenges of Empowering Women: The Experience of Pulse Innovation Project in Southern Ethiopia." SAGE Open 7, no. 4 (2017): 215824401773680. http://dx.doi.org/10.1177/2158244017736802.

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Within the last two decades, women’s empowerment has been the central theme of international development policy and practice. This article seeks to elucidate the challenges of integrating gender in a development project to empower women. Drawing on the wider literature on women’s empowerment, it constructs a framework to analyze the meaning of empowerment. The article then draws on the framework and empirical data gathered to illuminate the challenges of integrating gender in a pulse innovation project, implemented in Southern Ethiopia. The article elucidates gender hierarchies that limit the

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Knighton, Tess. "Music and misogyny in the Crown of Aragon c. 1412." Artigrama, no. 26 (December 9, 2022): 515–31. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2011267867.

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Little is known about women and music in the Iberian Peninsula in the early fifteenth century, although archival documentation, such as pay records, and in some instances, correspondence, shows that women of high birth were actively involved in the patronage ofmusicians in the Crown of Aragon around the time of the Compromise of Caspe. One such woman was the French duchess Yolande of Bar, second wife of Joan I, who was largely responsible for establishing the primacy of French culture at the Aragonese court in the last decades of the fourteenth century, and, in particular, for the disseminatio

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van Tol, Deanne. "The Women of Kenya Speak: Imperial Activism and Settler Society, c.1930." Journal of British Studies 54, no. 2 (2015): 433–56. http://dx.doi.org/10.1017/jbr.2015.5.

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AbstractThis article examines the politics of colonial voluntary work as an aspect of settler society and in relation to broader networks of imperial activism and reform. The East Africa Women's League, a predominant white women's organization in colonial Kenya, participated in settler politics during debates in 1930 concerning a Closer Union of British territories in East Africa. This involvement established connections between the voluntary welfare activities of settler women in Kenya and contemporary transimperial activist networks. Drawing on the private archives of the League, this articl

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Frunză, Stelian, and Simona-Nicoleta Vulpe. "“From father to son”: The occupational inheritance of Lăutari musicians. A sociological study." Journal of Comparative Research in Anthropology and Sociology 15, no. 1/2024 (2024): 157–92. https://doi.org/10.62229/cmp1_24/8.

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This article examines the processes of professional heritage and socialization among Lăutari, traditional Roma musicians in Romania. Drawing on autoethnographic data and thematic content analysis of interviews published in Formula AS magazine, the study explores how musical skills, cultural knowledge, and professional identities are transmitted across generations. The research confirms the predominantly patrilineal nature of occupational inheritance in this community, but reveals a more complex picture of professional socialization. It highlights the crucial role of immersion in a musical envi

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Djordjevic, Marija, Bojana Bogdanovic, and Milos Rasic. "Community mapping methodology - researching the heritage of the Romani women emancipation." Glasnik Etnografskog instituta 72, no. 2 (2024): 249–70. http://dx.doi.org/10.2298/gei2402249d.

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This paper presents the relatively new - in local framework of humanities rarely applied - method of community mapping is introduced and explored. Community mapping is a participatory research approach that focuses on the needs of social groups, that are evaluated and holistically understood in the process; and used as a ground for designing policies for the further development of community research. The main case study of the analysis is the project - ?HEROINES: Heritage of Emancipation - Empowering Roma Women through Networks of Solidarity?, implemented by Institute of Ethnography SASA, Roma

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Carolayne Bobot, Vitória, Luana Rodrigues Aguiar, Giovanna Calado Bonilha, Fabiann Matthaus Dantas Barbosa, and David Washington Freitas Lima. "Sim, Nós Criamos: Empoderamento Feminino na Computação Através da Cultura Maker e do Pensamento Computacional." Anais do Computer on the Beach 16 (May 27, 2025): 366–72. https://doi.org/10.14210/cotb.v16.p366-372.

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ABSTRACTThis article presents an experience report on the activities conducted by a project aimed at deconstructing stereotypes and empowering girls and women in the field of computing. The initiatives were carried out within a study group composed of women from computing courses, leveraging maker culture and mentorships as primary tools. Using Design Thinking (DT), the project developed solutions tailored to the specific needs of the students. The study highlights the importance of empowering women in the technology field by providing a safe space for experience sharing and the strengthening

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Jiménez Cortés, Rocío. "Contributions of the Research Line on Literacy and Digital Inclusion of Women: Overcoming Digital Divides and Obtaining Real Benefits in their Daily Lives." EDEN Conference Proceedings, no. 1 (October 21, 2020): 350–58. http://dx.doi.org/10.38069/edenconf-2020-rw-0038.

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This research follows a trajectory of work in the field of women’s studies and learning with digital technologies. The research is undertaken by the DIME HUM 833 research group from University of Seville (Spain). Extensive research projects have basically focused on: (a) characterize the processes of digital inclusion and know how women (with different profiles professionals, entrepreneurs, unemployed, students ...) learn with technologies and overcome digital divides (MAIA Project), (b) to value the processes of participation and learning in social networks and their influence on the subjecti

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Miettinen, Laura, Claudia Gluschankof, Sidsel Karlsen, and Heidi Westerlund. "Initiating mobilizing networks: Mapping intercultural competences in two music teacher programmes in Israel and Finland." Research Studies in Music Education 40, no. 1 (2018): 67–88. http://dx.doi.org/10.1177/1321103x18757713.

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Societies worldwide are becoming more aware of the educational challenges that come with increased cultural diversity derived from ethnic, linguistic, religious, socioeconomic and educational differences and their intersections. In many countries, teacher education programmes are expected to prepare teachers for this reality and develop their intercultural competences. This instrumental case study is based on a project that aims to initiate mobilizing networks between two music teacher programmes to explore intercultural music teacher education. In this study, we map the intercultural competen

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Türeli, Ipek. "Building Missionary-Philanthropic Educational Networks: A Medical School for Women in Constantinople." Journal of the Society of Architectural Historians 83, no. 2 (2024): 169–90. http://dx.doi.org/10.1525/jsah.2024.83.2.169.

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Abstract The American College for Girls in Constantinople has been credited with playing a significant role in Turkish women’s emancipation and the feminist movement. From its humble origins in a small overseas mission, the institution evolved by 1914 into a U.S.-style college with a campus sponsored by leading American philanthropists. The designs were intended to impress visitors and to control the women students’ bodies, and, as such, were contested by the women at the helm of the institution. By examining the correspondence among various actors involved in the project, as well as the archi

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Aguilera, Michael B., and Diego Contreras-Medrano. "Colombian International Migration: The Impact of Information Networks on Migration." Migraciones internacionales 13 (December 30, 2022): 0. http://dx.doi.org/10.33679/rmi.v1i1.2462.

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Data from the Latin American Migration Project (LAMP) collected in Colombia between 2008 and 2015 were used to establish the scarcely studied relationship between social networks and the destinations where Colombians migrate. A logistic regression was employed to predict these migratory destinations. The contribution of this research is that it tests whether social networks tied to a destination are associated with the likelihood to migrate there. The findings support the Social Network Theory and offer an improved measure of social networks. It is shown that in migration gender matters since

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Rodrigues Aguiar, Luana, Bianca Peres dos Santos, Vitória Carolayne Bob, Giovanna Calado Bonilha, Matheus Souza Lima, and Fabiann Matthaus Barbosa. "Conectando Ideias: Relato de um Encontro de Projetos Parceiros do Programa Meninas Digitais no Amazonas." Anais do Computer on the Beach 16 (May 27, 2025): 512–14. https://doi.org/10.14210/cotb.v16.p512-514.

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ABSTRACTThis paper reports a collaborative meeting between university projects focused on the inclusion of women in computing, held in a region with limited initiatives in this field. The event aimed to foster support networks and share effective strategies for promoting gender equity in technology. The program featured discussions on academic and professional advancement, highlighting practices to enhance the participation of women in computing. Additionally, the presentation of a well-established project with nearly 10 years of experience served as inspiration for a recently launched local i

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Telagam, Nagarjuna, Nehru Kandasamy, and Somanaidu U. "Smart Device for Women's Safety Designed Using IoT and Virtual Instrumentation Browser." International Journal of Interactive Mobile Technologies (iJIM) 17, no. 02 (2023): 166–77. http://dx.doi.org/10.3991/ijim.v17i02.35227.

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In the present technological developments, the internet of things (IoT) technology connects all interconnected networks. The attacks on women are increasing daily in Indian countries. If the woman is not carrying a mobile phone or device, she cannot contact the police station or other family members. This proposed method will help the women identify the exact location and inform the police station in such a scenario. The Emergencies, the women, can press the button once the location information is tracked. The purpose of this project is to help women in emergencies. Location tracking and short

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H. A. K. N. S., Surangi. "Women Entrepreneurial Networks and Small Business Development: A Study Based on Tourism Industry in Sri Lanka: Ongoing Research Project." Journal of International Business Research and Marketing 6, no. 5 (2021): 26–31. http://dx.doi.org/10.18775/jibrm.1849-8558.2015.65.3004.

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This study aims to explore the role and impact of women entrepreneurs’ networks on small business performance and examine the importance of factors that are perceived by women entrepreneurs to influence the process of networking. The focus of the study is in the field of networking of entrepreneurs and it is concerned with the main theoretical and practical perspectives of entrepreneurial networking. While women's entrepreneurship is a central aspect of economic development and public policy concern in most countries, scholarly research about their entrepreneurial activities is comparatively s

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Mussawar, Abbas Dr. Hameedur Rahman. "Detection of Breast Cancer Using Neural Networks." LC International Journal of STEM (ISSN: 2708-7123) 1, no. 3 (2020): 75–88. https://doi.org/10.5281/zenodo.5148304.

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Breast tumor is the main cause for death amongst women. The aim of this project is plan and contrivance a MATLAB created image processing structure to extract features of breast cancer images in order to classify breast cancer through neural network from mammogram x-rays image (MXI). Breast Cancer (BC) happens several of the most common reasons of mortality including women international. Therefore, this development arranges the organization in preparing the finding of the disease computerized so that further and more citizens may obtain it diagnosed in the early hours so as become treated.&nbs

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McCall, Kimberly, Keith McGregor, Shellie Layne, and Raymond Jones. "264 Building Empowerment through FITness (BeFIT)." Journal of Clinical and Translational Science 8, s1 (2024): 79–80. http://dx.doi.org/10.1017/cts.2024.240.

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OBJECTIVES/GOALS: Improving physical activity of African American women experiencing disproportionate health risks from sedentarism, educational and socio-environmental barriers. BeFit: Building Empowerment through Fitness is based on “What I Learned At Home” project, run by Women Under Construction Network, for residents of the Birmingham Housing Authority. METHODS/STUDY POPULATION: A qualitative study design to understand unique cultural context and challenges faced by African American women residing in the Birmingham Housing Authority, regarding physical activity engagement, including seden

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K S, Sampada. "Algorithmic Orchestration: Deep Learning Techniques in Music Generation." Power System Technology 49, no. 1 (2025): 802–13. https://doi.org/10.52783/pst.1623.

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Music generation using Deep Learning presents a comprehensive system for generating music in ABC notation using character based recurrent neural networks (RNNs), accompanied by a conversion pipeline that transforms the output music from ABC notation to a playable audio format. The integration of character-based RNNs allows for the creation of coherent and melodic musical compositions, while the ABC- to-MIDI-to WAV conversion enhances the usability and accessibility of the generated music. The work starts by preprocessing the ABC notation dataset and representing it at the character level. A ch

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McCarron, Eamonn, Erica Curran, and Roy McConkey. "Promoting the Wellbeing of Youth with Disabilities through Music Mentoring." Youth 2, no. 3 (2022): 258–70. http://dx.doi.org/10.3390/youth2030018.

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Youth with disabilities have a higher risk of experiencing mental health problems than their non-disabled peers. In part, this results from their social exclusion and dearth of social networks. An intervention informed by positive psychology principles and peer mentoring approaches was developed and evaluated with 12 youths with disabilities who had musical interests and talents as musicians. It included the real-world experience of applying the training in a school-based music project with over 200 typically developing pupils aged nine years in four schools. Evaluation data were obtained from

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Olena, Z. Ugolkova, and V. Prokopenko Iryna. "Social networks as a marketing tool in implementation of crowdfunding campaigns." Economic journal Odessa polytechnic university 4, no. 14 (2020): 102–8. https://doi.org/10.5281/zenodo.4620217.

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The article reveals the essence and features of the concept of "social networks". The dynamics of social network users around the world is analyzed, the list of the most popular by the number of active social network users is determined, the peculiarities of gender distribution of social network users by regions and by gender are researched. It was determined that such social networks as YouTube, LinkedIn, Twitter and TikTok are more involved among men, while Facebook and Instagram are significantly dominated by women, a special network is Pinterest, which is dominated by women, with

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Shteynberg, Valery E. "The Contemporary Visual Didactic Directive in the Project “The Life of Remarkable Melodies”." ICONI, no. 3 (2019): 65–76. http://dx.doi.org/10.33779/2658-4824.2019.3.065-076.

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The article presents a searching-experimental Project “The Life of Remarkable Melodies” (“LRM”), the conception of which is based on the application of the didactic principle of multidimensionality to the phenomenon of the “musical image” in the form of specially selected and ranged creative arrangements and performances of remarkable melodies in assembly works — mono-anthologies, as well as on the technology of comparative music listening. According to the latter, the listener — the User of the “LRM” Project — intuitively emphasizes the distinctive features of the arrangement and specifies hi

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Kolarov, Kostadin, Igor Kononenko, Marina Grinchenko, and Karina Bukrieieva. "DIGITALIZATION IN SMALL BUSINESS FOR WOMEN ENTREPRENEURS IN UKRAINE." Bulletin of NTU "KhPI". Series: Strategic management, portfolio, program and project management, no. 2(4) (April 19, 2021): 3–10. http://dx.doi.org/10.20998/2413-3000.2021.4.1.

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From September 2020 to April 2022, the “DIGI-WOMEN, digital entrepreneurship tools and support for women entrepreneurs” project is being implemented within the “Erasmus +” program. Project coordinator is the University of National and World Economy, Sofia, Bulgaria. Project partners are National Technical University “Kharkiv Polytechnic Institute”, Ukraine; Bit-management Beratung Gesmbh, Austria; Baltijas Juras Regiona Klasteru Eksperti, Latvia; Consulenza Direzionale di Paolo Zaramella, Italy; CEPOR Centar za politiku razvoja malih i srednjih poduzeća i poduzetništva, Croatia; Greek Associat

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Hamessley, Lydia. "Within Sight: Three-Dimensional Perspectives on Women and Banjos in the Late Nineteenth Century." 19th-Century Music 31, no. 2 (2007): 131–63. http://dx.doi.org/10.1525/ncm.2007.31.2.131.

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During the last decades of the nineteenth century, women figured prominently in a marketing campaign by banjo manufacturers who sought to make the banjo a respectable instrument for ladies. Their overarching aim was to "elevate" the banjo's status from its African-American and minstrel-show associations, thereby making the instrument acceptable in white bourgeois society. At the same time, stereoview cards, three-dimensional photographs produced by the millions, were a popular parlor entertainment featuring a variety of contemporary images, including women playing the banjo. Yet, instead of de

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Howley, Rachel. "Pursuing diversity from the podium: Insights from Australia for wind band conductors and educators on achieving gender parity for women composers." International Journal of Music Education, June 12, 2020, 025576142092862. http://dx.doi.org/10.1177/0255761420928627.

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Gender in music has been explored over recent decades with growing recognition of the challenges that are faced by women in the field. There has been substantial work exploring the Western music canon but little that addresses the music of Australian women, and more specifically, repertoire written for the wind band genre. With thousands of Australian children every year starting their musical journey in their school band, this is an area that has potential for significant impact in addressing the continued gender disparity for composers. In addition, the substantial influence of the conductor

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