Relevant bibliographies by topics / Women as hostesses and goddesses

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Women as hostesses and goddesses'

Author: Grafiati
Published: 4 June 2025
Last updated: 1 August 2025

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Journal articles on the topic "Women as hostesses and goddesses"

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Angeline, Lotsuro. "The Place and Role of Women in Tribal Society of Northeast India." Jnanadeepa: Pune Journal of Religious Studies Jan 2004, no. 7/1 (2004): 93–108. https://doi.org/10.5281/zenodo.4266351.

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Nothing much has been written or spoken about the sta­- tus and role of tribal women of the Northeast. Women there, are realizing more about their rights and privileges and are standing up to claim these, as in the International Fortnight Protesting against Violence in 2003, women and girls launched their rally in Shillong with the headline: More Muscle to Women’s Movements. The tribal women of the Northeast have much to be proud of, but they have to go many more miles before they realize their dreams and aspirations.  
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Lundgreen, Birte. "IMPERIAL WOMEN AS GODDESSES." Classical Review 48, no. 2 (1998): 438–40. http://dx.doi.org/10.1017/s0009840x98650022.

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Shu, Jiajie. "From “Goddesses” to “Women”." Frontiers in Humanities and Social Sciences 5, no. 3 (2025): 469–73. https://doi.org/10.54691/54tfbk51.

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The Three Graces, representing beauty, joy, and happiness in Greek mythology, have been portrayed in various forms throughout art history. This paper explores the transformation of these goddesses from divine symbols to humanized representations, using four works by Botticelli, Raphael, Rubens, and Boucher as case studies. By examining these artworks within their historical and social contexts, the paper highlights how each artist reinterprets The Three Graces in line with the evolving cultural values of their time. Botticelli’s depiction in Spring portrays the goddesses as youthful and sensua
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LEUNG, CATHERINE LAI-YEE, ANTHONY WOON-KEI PANG, MAX WAI-CHEE MAK, and ALEX LEI-KEI FUNG. "POWER GAMES IN THE PUB: THE POWER NEGOTIATIONS OF PUB-HOSTESSES AND THEIR IMPLICATIONS." Hong Kong Journal of Social Work 41, no. 01n02 (2007): 81–94. http://dx.doi.org/10.1142/s0219246207000071.

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Pub-hostesses are women who work in pubs whose job is to play drinking games such as ''guessing the dice number'' and ''guessing the number of fingers'' with customers to increase the amount of alcohol sold. Research was conducted by the Hong Kong Baptist University and the Tung Wah Group of Hospitals during summer 2005 to explore the power negotiations between pub-hostesses and society, their employers, and customers. Thirty pub-hostesses were interviewed and 25 pubs observed. Foucault's theory of power relations is used to explain the dynamics observed among the parties. The findings indicat
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Cortés Vieco, Francisco José. "(Im)perfect celebrations by intergenerational hostesses." International Journal of English Studies 20, no. 1 (2020): 93–111. http://dx.doi.org/10.6018/ijes.364191.

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Katherine Mansfield and Virginia Woolf nourished a peculiar stream of parallel foreignness and kinship with each other as coetaneous writers. This article explores the likenesses and dialogues between Mansfield’s story “The Garden Party” and Woolf’s Mrs. Dalloway to detect and depict how bourgeois women, like Laura Sheridan and Clarissa Dalloway, albeit from two different generations, are indoctrinated by social etiquette, class consciousness and the prevailing archetype of domestic femininity inherited from Victorian times. Integrated into their compulsory roles as angelic daughters and wives
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Smears, Ali. "Mobilizing Shakti: Hindu Goddesses and Campaigns Against Gender-Based Violence." Religions 10, no. 6 (2019): 381. http://dx.doi.org/10.3390/rel10060381.

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Hindu goddesses have been mobilized as powerful symbols by various groups of activists in both visual and verbal campaigns in India. Although these mobilizations have different motivations and goals, they have frequently emphasized the theological association between goddesses and women, connected through their common possession of Shakti (power). These campaigns commonly highlight the idea that both goddesses and Hindu women share in this power in order to inspire women to action in particular ways. While this association has largely been used as a campaign strategy by Hindu right-wing women’
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Green, Miranda. "Women and Goddesses in the Celtic World." Religion Today 6, no. 3 (1991): 4–8. http://dx.doi.org/10.1080/13537909108580651.

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Duhard, Jean-Pierre. "The shape of Pleistocene women." Antiquity 65, no. 248 (1991): 552–61. http://dx.doi.org/10.1017/s0003598x00080169.

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The name of ‘Venus’ for the carved female figures of the Upper Palaeolithic in Europe is an inappropriate nick-name, for we cannot be certain that they are goddesses of love nor patterns of ideal women. When analysing these figures, their shape seems to be very similar to the morphology of modern women.
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Meltzer, Edmund S., William A. Ward, and Lana Troy. "Queens, Goddesses and Other Women of Ancient Egypt." Journal of the American Oriental Society 110, no. 3 (1990): 503. http://dx.doi.org/10.2307/603191.

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Humphreys, A. J. B. "'Mother Goddesses' and 'Mythic Women': An Alternative View." South African Archaeological Bulletin 51, no. 163 (1996): 32. http://dx.doi.org/10.2307/3888930.

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Dissertations / Theses on the topic "Women as hostesses and goddesses"

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Kwok, Crystal Lee, and 郭錦恩. "Ghosts and goddesses: women, cinema, & the image." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31950978.

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Kwok, Crystal Lee. "Ghosts and goddesses : women, cinema, & the image /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B14040220.

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Broadwin, Julie. "Intertwining threads : silkworm goddesses, sericulture workers and reformers in Jiangnan, 1880s-1930s /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9936842.

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Adadevoh, Anthonia. "Personified Goddesses: An archetypal pattern of female protagonists in the works of two black women writers." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 2013. http://digitalcommons.auctr.edu/dissertations/763.

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This dissertation investigates the works of two Black female writers: Flora Nwapa(African and Nigerian) and Zora Neale Hurston (African American). Although theycome from different geographical regions, both writers use the same rchetypal patterns to create strong female protagonists. By characterizing protagonists in their novels from an African religious cultural perspective, both authors dismantle the stereotypical images of how black women are typically portrayed in fiction. Using Jung's theory of the collective unconscious and archetypal criticism the study finds that both authors create b
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Litchfield, Allen W. "Behind the Veil: The Heavenly Mother Concept Among Members of Women's Support Groups in The Church of Jesus Christ of Latter-Day Saints." Diss., CLICK HERE for online access, 1987. http://patriot.lib.byu.edu/u?/MTGM,23533.

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Abraham, Susan. "The razor's edge of sanctity images of the divine feminine in India /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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Auanger, Lisa. "A catalog of images of women in the official arts of ancient Rome /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841130.

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Stucky-Abbott, Leona. "The relationship between a female's God representation and her self identity a clinical case study /." Theological Research Exchange Network (TREN), 1988. http://www.tren.com/search.cfm?p100-0090.

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Dobia, Brenda. "Śakti Yātrā locating power, questioning desire : a women's pilgrimage to the temple of Kāmākhyā /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/32785.

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Thesis (Ph.D.)--University of Western Sydney, 2008.<br>A thesis presented to the University of Western Sydney, College of Arts, Centre for Cultural Research, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographies.
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Hansen, Inge Lyse. "Roman women portrayed in divine guises : reality and construct in female imaging." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/17577.

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The thesis concerns representations of Roman women of the imperial period depicted in the guise of a divinity. Portraits of women of all social levels have been included as have representations in any media excluding numismatic evidence. The latter, with its specific contextual characteristics, is only included and discussed as comparanda for the main body of material. The juxtaposition of a recognisable reality and a heightened reality in these representations raises a variety of interpretative questions: whether it is possible to establish a correlation between the mythological interpretatio
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Books on the topic "Women as hostesses and goddesses"

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Bolen, Jean Shinoda. Goddesses in Older Women. HarperCollins, 2008.

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Crusie, Jennifer. Dogs and goddesses. St. Martin's Paperbacks, 2009.

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Kroksnes, Andrea, and Randi Godø. Goddesses: A reader. The National Museum of Art, Architecture and Design, 2011.

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Crusie, Jennifer. Dogs and goddesses. St. Martin's Paperbacks, 2009.

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Monaghan, Patricia. Encyclopedia of goddesses and heroines. Greenwood / ABC-CLIO, 2010.

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Monaghan, Patricia. Encyclopedia of goddesses and heroines. Greenwood, 2010.

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Blair, Nancy. Goddesses for every season. Element, 1995.

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Bolen, Jean Shinoda. Goddesses in older women: Archetypes in women over fifty. HarperCollinsPublishers, 2001.

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Akkerman, Martijn. Goddesses of art nouveau. Edited by Hupperetz, W. M. H. (Wilhelmus Michaël Hubertus), 1966- editor and Allard Pierson Museum (Universiteit van Amsterdam). WBOOKS, 2020.

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Samuel, Barbara. The goddesses of Kitchen Avenue. Ballantine Books, 2004.

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Book chapters on the topic "Women as hostesses and goddesses"

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Isbell, John Claiborne. "11. Writers from the Italian Peninsula." In Women Writers in the Romantic Age. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0458.11.

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This chapter reviews 11 women writers, 1776-1848, from the Italian Peninsula, ranging from poetesses to novelists, from salon hostesses to revolutionaries who died on the gallows. Italy, said the Austrian Metternich, was a geographical concept, and these women engage in a variety of ways with the idea of Italian identity – all writing, as it happens, in Italian, and thus espousing the people’s voice.
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Fields, Rona M. "India: Goddesses, Prime Ministers, Femicide Victims." In Against Violence against Women. Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137447692_5.

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Phillips, Susan E., and Claire M. Waters. "13. Classroom Crossovers; or, The Goddesses of Courtesy." In Medieval Women: Texts and Contexts. Brepols Publishers, 2023. http://dx.doi.org/10.1484/m.mwtc-eb.5.133817.

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Kaufmann, Alicia E. "A Man’s Viewpoint: You Want to be like Goddesses." In Women in Management and Life Cycle. Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230594098_7.

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Jackson, Laura. "Bar Hostesses." In Women in Changing Japan. Routledge, 2019. http://dx.doi.org/10.4324/9780429267840-7.

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"Women and Goddesses." In A Fourth-Century Daoist Family. University of California Press, 2020. http://dx.doi.org/10.1525/9780520976030-004.

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Boehmer, Elleke. "Of goddesses and stories." In Stories of women. Manchester University Press, 2017. http://dx.doi.org/10.7765/9781526125965.00008.

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"Of Goddesses and Men." In Men, Women, and Gods. University of California Press, 2024. http://dx.doi.org/10.2307/jj.15976662.13.

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"GODS AND GODDESSES." In Women and Religion in the First Christian Centuries. Routledge, 2002. http://dx.doi.org/10.4324/9780203426883-8.

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"7 Of Goddesses and Men." In Men, Women, and Gods. University of California Press, 1995. http://dx.doi.org/10.1525/9780520378087-011.

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