Dissertations / Theses on the topic 'Women authors, Canadian Women authors, Canadian Canadian literature Canadian literature Women and literature'

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1

Kaufman, Anne Lee. "Shaping infinity American and Canadian women write a North American west /." College Park, Md. : University of Maryland, 2003. http://hdl.handle.net/1903/173.

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Thesis (Ph. D.) -- University of Maryland, College Park, 2003.<br>Thesis research directed by: English Language and Literature. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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2

Boyd, Shelley Elizabeth. "How does her garden grow? : the garden topos and trope in Canadian women's writing." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102791.

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This study offers additional nuance to the garden topos and trope within nineteenth- and twentieth-century Canadian women's writing and extends the critical discussion of landscape and the garden as archetype in Canadian literature. This dissertation cross-fertilizes literary analysis with garden theory, using the work of such garden historians as John Dixon Hunt, Mark Francis, and Randolph Hester. The argument emphasizes that gardens in literature, like their actual counterparts, are an art of milieu, reflective of their socio-physical contexts. Both real and textual gardens are rhetorical: t
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3

Spergel, Julie. "Canada's "second history": the fiction of Jewish Canadian women writers." Hamburg Kovač, 2009. http://d-nb.info/997540079/04.

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4

Yan, Qigang. "A comparative study of contemporary Canadian and Chinese women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21657.pdf.

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5

Kardynal, Kevin John. "The construction of identity in the life writing of Native Canadian women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ54716.pdf.

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6

Mellor-Hay, Winifred Mary Catherine. "Writing the gap : the performance of identity in texts by four Canadian women /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ54839.pdf.

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7

Gossage, Ann. "Between the lines : the representation of Canadian women in English-language novels written by women in the 1930s." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=24085.

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This thesis examines the role of Canadian women as presented in English language novels of the 1930s written by women authors. Within the context of the Great Depression it focuses on issues that are central to women's daily lives such as work, love, marriage and motherhood. It also isolates recurring themes in the novels and attempts to understand the authors' messages within their social context. Social reform, politics and gender relationships are among the subjects explored.
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8

Hill, Sydney M. "She must write her self, feminist poetics of deconstruction and inscription : six Canadian women writing." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0025/MQ26957.pdf.

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9

Martin, Margaret Kathleen. "Discovering Lily Lewis, a Canadian journalist and new woman." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq63899.pdf.

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10

Aujla, Angela. "Contesting identities in diasporic spaces, multigenerational South Asian Canadian women's literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ51290.pdf.

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11

Sojka, Eugenia. "Search procedures, carnivalization in language- and theory-focused texts of four Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25775.pdf.

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12

Langston, Jessica. "Writing herself in : mother fiction and the female Künstlerroman." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79957.

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This project examines the 'mother-writer problem' within contemporary Canadian fiction by women. Using three novels that tell the story of a mother who is also a writer, Margaret Laurence's The Diviners, Audrey Thomas' Intertidal Life and Carol Shields' Unless, I will outline the manner in which the roles of mother and writer are negotiated by the authors and their central characters. Further, I will investigate how creating a narrative about a female artist who is also a mother challenges and changes the structure and content of the standard female kunstlerroman. Finally, this thesis w
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13

Wallace, Linda M. "Negotiating place, explorations of identity and nature in select novels by contemporary Canadian women writers." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/MQ49460.pdf.

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14

Macfarlane, Karen E. "The politics of self-narration : contemporary Canadian women writers, feminist theory and metafictional strategies." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0016/NQ44504.pdf.

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15

Henderson, Jennifer. "Conducting selves, race and government in Canadian settler women's narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56234.pdf.

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16

Muus, Elaine Janice. "Articulate bodies, or, Encore, en corps, sense-ing the body as (re)presentation of women's subjectivities." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ26934.pdf.

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17

Veillette, Marie-Paule. "La représentation de la folie dans l'écriture féminine contemporaine des Amériques." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57482.pdf.

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18

Rukavina, Alison Jane. "Cultural Darwinism and the literary canon, a comparative study of Susanna Moodie's Roughing it in the Bush and Caroline Leakey's The broad arrow." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ61491.pdf.

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19

Boisclair, Isabelle. "Ouvrir la voie/x, le processus constitutif d'un sous-champ littéraire féministe au Québec, 1960-1990." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0020/NQ46684.pdf.

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20

Drodge, Susan. "The feminist romantic, the revisionary rhetoric of Double negative, Naked poems, and Gyno-text." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25770.pdf.

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21

Holton, Danica Lynn. "Class and stratification in the works of Alice Munro and Margaret Laurence." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ49367.pdf.

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22

Kerskens, Christel. "Escaping the labyrinth of deception: a postcolonial approach to Margaret Atwood's novels." Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210726.

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La thèse propose une lecture postcoloniale des romans de Margaret Atwood s'articulant sur le thème du mensonge. A travers l'étude de six aspets communs aux romans (l'intertextualité, le mensonge, le réalisme magique, le "trickster", l'hybridité et la quête), la thèse démontre l'importance du motif du mensonge dans une lecture postcoloniale de l'auteur.<p><p>The thesis produces a postcolonial reading of Margaret Atwood's novels, based on the concept of deception. Articulated on six major elements of analysis (intertextual parody, deception, magic realism, trickster figures, hybridity, and quest
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23

Calvo, Martin Beatriz. "La recuperación de la memoria en la obra de Dulce Chacón y de Marie-Célie Agnant: guerra, migración, esclavitud, represión." Doctoral thesis, Universite Libre de Bruxelles, 2011. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209793.

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Tras un trauma histórico, la memoria colectiva puede sufrir patologías similares a las de la memoria individual. Para tratar esta memoria herida, las sociedades – o los segmentos de estas aquejados de una memoria herida – deben iniciar un proceso de anamnesis para realizar un trabajo de duelo. Una de las manifestaciones de ese proceso anamnésico es la cultura de la memoria, de la que forma parte la “escritura de la memoria” en la que se inscriben Dulce Chacón y Marie-Célie Agnant.<p><p>Dulce Chacón desea recuperar la memoria de las vencidas en la Guerra Civil española, víctimas de la represión
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24

Gordon, Neta. "Charted territory, women writing genealogy in recent Canadian fiction." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2002. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ65674.pdf.

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25

MacIntyre, Christine Anne. "Turn-of-the-century Canadian women writers and the "New Woman"." Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10372.

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This study examines the literature written by the generation of women who come between pioneering women writers such as Catharine Parr Traill and Susanna Moodie and contemporary women writers such as Alice Munro and Margaret Laurence, literature which helps us to understand the tradition of New Woman writing present in Canada at the turn of the century. This thesis examines selected texts published between 1895 and 1910, a period of rapid urban and industrial expansion in Canada when women began seeing themselves and their roles in society in "new" ways. The first chapter of this thesis examin
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26

Dyer, Rachel Louise. "Reading and writing in collaboration : dialogues with Scottish and Canadian women writers." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.340518.

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27

Guth, Gwendolyn. ""A world for women": Fictions of the female artist in English-Canadian periodicals, 1840-1880." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0018/NQ45175.pdf.

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28

Hutchison, Lorna. "Strategies of the grotesque in Canadian fiction." Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=100627.

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In this study of narration, feminist theory, and grotesque Canadian fiction, my aim is to provide a narrative model with which to read characters portrayed as both female and monstrous in a way that criticism on the grotesque does not. I provide two systems for the methodology of this study: via negativa, a well-established philosophical system of definition by negation, which shows the strength of the grotesque to represent a subject that is inherently paradoxical; and a narrative model called the "middle voice," which I developed to examine narratives that confuse or render ambiguous the ide
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29

Longust, Bridgett Renee 1964. "Reconstructing urban space: Twentieth-century women writers of French expression." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/282108.

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This dissertation examines the importance of urban space in the works of feminist writers from France, Quebec, the Maghreb and Francophone West Africa. Each author writes women as subjects of their own experience in the city, identifies the representations of power and gender in urban landscapes, restores a feminist voice to the polis and supports women's claim to enfranchisement in urban space. My analysis is based upon the fundamental premise that urban space reflects power dynamics and is, like gender, a social and political construction borne of a dominant patriarchal ideology. The urban t
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30

Chivers, Sally. "The literary potential of old age in Simone de Beauvoir, The stone angel, and new Canadian narratives /." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36564.

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In an interdisciplinary study, I argue that narrative fiction centred around old women, through its appeal to readers' imaginations, can challenge the ageism which currently governs how old women are scripted and depicted.<br>Chapter one situates media broadcasts amidst other discourses, such as academic theory, medical language, gerontology, and popular feminism, which confront---or avoid confronting---old women. To counter common, negative cultural depictions, chapter two examines Margaret Lock and Simone de Beauvoir's engagements with narratives of aging. I combine de Beauvoir's constructiv
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31

Heaps, Denise Adele. "Gendered discourse and subjectivity in travel writing by Canadian women." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49882.pdf.

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32

Stead, Katrina M. "From cowlike commitment, good Lord deliver us : narrative strategies in 20th-century English-Canadian fiction written by women." Thesis, University of Reading, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.284313.

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33

Taylor, Natalie. "Mapping mystic spaces in the self and its stories: Reading (through) the gaps in Ernest Buckler's "The Mountain and the Valley", Alice Munro's "Lives of Girls and Women", Peter Ackroyd's "The House of Doctor Dee", Adele Wiseman's "Crackpot", and A S Byatt's "Possession"." Thesis, University of Ottawa (Canada), 2006. http://hdl.handle.net/10393/29374.

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In their novels, Ernest Buckler, Alice Munro, Peter Ackroyd, Adele Wiseman and A. S. Byatt have each explored moments when their characters experience expanded states of consciousness. Narratives such as these, as well as those of various mystical literatures, posit the idea that the barriers of the known self can be broken through, often repeatedly. Each of the novels to be studied here portrays a gap- or flaw-ridden self in the act of perpetuating and/or penetrating various forms of narrative and identity constructs. Each also features an encounter with what is other when these narrative and
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34

Brown, Anne. "L'image de la femme dans le roman féminin québécois de 1960 à 1970." Thesis, McGill University, 1987. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=75761.

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During the sixties decade, the literature of Quebec is marked by the emergence of the works of women writers who give precedence to the female protagonist. Thus, contrary to her counterpart prior to 1960, the fictitious woman of the sixties is no longer relegated to the background of the novel. This image of the female as a principal character around whom all the elements of the narrative unfold is new to our literature. Our writers seem to desire, consciously or not, to create heroines who are more than mere props for their husbands or their children. Furthermore, these heroines are portrayed
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35

Joubert, Lucie 1957. "L' ironie dans la prose fictionnelle des femmes du Québec: 1960-1980." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=41624.

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This thesis explores the various manifestations of irony in prose-fiction by women in Quebec from 1960 to 1980. Traditionally used by men, irony is gradually becoming more widespread in women's writing, which in itself is an interesting reversal: more often "objects" of irony, women now reverse the rules of the game and become ironizing "subjects". The first part of the thesis investigates explicit irony; that is, irony which is duly identified and already decoded for the reader; for example, the author might emphasize an ironic fate or destiny for her characters, or might invest a character w
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36

Coffelt, J. Roberta. "She "Too much of water hast": Drownings and Near-Drownings in Twentieth-Century American Literature by Women." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3059/.

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Drowning is a frequent mode of death for female literary characters because of the strong symbolic relationship between female sexuality and water. Drowning has long been a punishment for sexually transgressive women in literature. In the introduction, Chapter 1, I describe the drowning paradigm and analyze drowning scenes in several pre-twentieth century works to establish the tradition which twentieth-century women writers begin to transcend. In Chapter 2, I discuss three of Kate Chopin's works which include drownings, demonstrating her transition from traditional drowning themes in At Faul
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37

Kelly, Caralyn J. "Thrilling and marvellous experiences, place and subjectivity in Canadian climbing narratives, 1885-1925." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape4/PQDD_0010/NQ53500.pdf.

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38

Spann, Britta 1979. "Reviving kalliope: Four North American women and the epic tradition." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10356.

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ix, 267 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.<br>In English literary studies, classical epic poetry is typically regarded as a masculinist genre that imparts and reinforces the values of dominant culture. The Iliad , Odyssey , and Aeneid , after all, were written by men, feature male heroes, and recount the violent events that gave rise to the misogynistic societies of ancient Greece and Rome. Yet, in the twentieth century, women poets have found inspiration for their feminist projects in these o
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39

Birkwood, M. Susan. "(D)ifferent sides of the picture, four women's views of Canada, 1816-1838." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21279.pdf.

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40

Marty, Anne. "Le personnage féminin dans les romans haïtiens et québécois de 1938 à 1980 (traitement et signification) /." Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 2000. http://books.google.com/books?id=wFxcAAAAMAAJ.

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LaFramboise, Lisa N. "Travellers in skirts, women and english-language travel writing in Canada." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq23012.pdf.

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Jakobsen, Pernille. "Touring strange lands, women travel writers in western Canada, 1876 to 1914." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp04/mq20791.pdf.

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43

Lepitre, Michelle Amy. "The burden of choice : the mariage plot in Rosanna Leprohon's Antoinette De Mirecourt or, secret marrying and secret sorrowing (1864) and Louis Hémon's Maria Chapdelaine (1916)." Mémoire, Université de Sherbrooke, 2008. http://savoirs.usherbrooke.ca/handle/11143/2566.

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This study examines how novels that employ a marriage plot can be understood as didactic tales by readers, both personally on the surface level of the romance and on a deeper level as well, one that tackles questions of identity, gender roles and cultural values in ways that are neither simple nor superficial. The two Canadian novels which form the basis of this study are: Rosanna Leprohon's Antoinette De Mirecourt Or, Secret Marrying and Secret Sorrowing: A Canadian Tale (1864) and Louis Hémon's Maria Chapdelaine: Récit du Canada français (1916). In order to accomplish this study of one Engli
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44

Champagne, Blanche. "La femme de gouttière, recueil de nouvelles ; suivi de L'évolution de l'espace féminin dans des nouvelles québécoises des années 1954-1992." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ43053.pdf.

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45

Poletto, Ana Júlia. "A leitura dos espaços inóspitos em Alice Munro : corpos (des)habitados e lugares (des)construídos." reponame:Repositório Institucional da UCS, 2017. https://repositorio.ucs.br/handle/11338/3106.

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Alice Munro, ganhadora do prêmio Nobel em 2013, é escritora exclusivamente de contos, e suas narrativas percorrem um imaginário de espaços desnaturalizados que questionam a ordem estabelecida sob um aparente equilíbrio. Esta tese analisa alguns contos das obras: Ódio, amizade, namoro, amor, casamento; Fugitiva; Felicidade demais; O amor de uma boa mulher e Vida querida, para estabelecer um diálogo entre as questões de leitura e o efeito estético produzido, seguindo a corrente de Wolfgang Iser. A busca de uma leitura da écriture féminine se faz necessária na construção de uma alteridade radical
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46

Leite, Maria do Rosário Silva. "A Ficção asiático-canadense de Joy Kogawa e gurjinder Basran: O bildungsroman no espaço transcultural." Universidade Federal da Paraíba, 2015. http://tede.biblioteca.ufpb.br:8080/handle/tede/8249.

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Submitted by Maike Costa (maiksebas@gmail.com) on 2016-06-14T13:12:26Z No. of bitstreams: 1 arquivo total.pdf: 2452775 bytes, checksum: 90b59391db598d0ed4ca581e373d1e40 (MD5)<br>Made available in DSpace on 2016-06-14T13:12:26Z (GMT). No. of bitstreams: 1 arquivo total.pdf: 2452775 bytes, checksum: 90b59391db598d0ed4ca581e373d1e40 (MD5) Previous issue date: 2015-05-29<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>O presente estudo analisa, pelo viés comparativo, os romances Obasan (1981), de Joy Kogawa, e Everything Was Good-Bye (2010), de Gurjinder Basran, esc
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Derksen, Céleste Daphne Anne. "Female subjects in selected dramatic comedies by Canadian women." Thesis, 1998. https://dspace.library.uvic.ca//handle/1828/8728.

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This dissertation examines five dramatic comedies by Canadian women and the female subject positions they provide. Through these analyses, it examines how constructions of female subjectivity are both constrained and enabled by comedic discourse. The Introduction argues that traditional patterns and formalist conceptions of comedy have not made a place for female subjects and that, while feminist critics have begun to examine women's comedies and the female subjects they construct, those studies need to be complicated in order to make space for the variety and complexity of female subject p
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48

Kim, Christine. "The politics of print : feminist publishing and Canadian literary production /." 2004. http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99196.

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Thesis (Ph.D.)--York University, 2004. Graduate Programme in English.<br>Typescript. Includes bibliographical references (leaves 329-359). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://wwwlib.umi.com/cr/yorku/fullcit?pNQ99196
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Seaton, Dorothy. "Balancing discourse and silence : an approach to First Nations women’s writing." Thesis, 1993. http://hdl.handle.net/2429/1806.

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This thesis considers the critical implications of a cross-cultural reading of First Nations women’s writing in this time of sensitivity to the issues of appropriation and power inequities between dominant and minority cultures. A genre-based study, it is written from a deliberately split perspective: reading as both a white academic implicated in the dominant culture's production of meaning and value, and as a lesbian alienated from these same processes, I both propose and perform several modes of response to First Nations texts. Interspersed with a conventional commentary is a secondary, per
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Thompson, Dawn. "A politics of memory : cognitive strategies of five women writing in Canada." Thesis, 1994. http://hdl.handle.net/2429/7031.

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This dissertation attempts to develop a counter—memory, a cognitive strategy that provides an alternative to the most prevalent mode of political action by members of minority or subaltern groups: identity politics. It begins with Teresa de Lauretis’ semiotics of subjectivity, which posits the human subject as a shifting series of positions or habits formed through semiotic and cognitive “mapping” of, and being “mapped” by, its environment. De Lauretis maintains that the subject can transform social reality through an “inventive” mode of mapping. The first chapter of this study is a
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