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Relevant bibliographies by topics / Women authors, Spanish 20th century

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Academic literature on the topic 'Women authors, Spanish 20th century'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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Journal articles on the topic "Women authors, Spanish 20th century"

1

García, María Isabel Maldonado. "The Spanish Women Poet’s Contribution To The Literature Of The 20th Century." Pakistan Journal of Gender Studies 10, no. 1 (2015): 129–43. http://dx.doi.org/10.46568/pjgs.v10i1.230.

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The 20th century offers us a wealth of literary authors. The Spanish poets of the 20th century that usually come to mind are mainly male due to the fact that the female poets never received proper recognition and were ignored for many years. The historical events of the 20th century could have ceasedthe literary works of the Spanish authors. However, instead, the Spanish utilized the poetry of protest as a means of rebelling towards their social reality. Not only male poets but also women were extremely prolific in their craft. First during the Civil War and after during the thirty six years o

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2

Díaz, Daniel Carrasco, Esteban Hernández-Esteve, Maria Jesús Morales Caparrós, and Daniel Sánchez Toledano. "20TH CENTURY PUBLICATIONS ON COST ACCOUNTING BY SPANISH AUTHORS PREVIOUS TO THE STANDARDIZATION ACT (1900–1978)." Accounting Historians Journal 36, no. 2 (2009): 139–79. http://dx.doi.org/10.2308/0148-4184.36.2.139.

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This paper aims to describe and explain the beginning and evolution of cost accounting in Spain through the examination of accounting texts. In this evolution, three periods are distinguished: the late 19th century, the first half of the 20th century, and 1951–1978. In 1978, the official standardization of Spanish cost accounting occurred. Cost accounting first appeared in Spanish texts at the start of the 20th century. However, in 19th century accounting treatises can be found references to some aspects of cost accounting to which the paper refers. The traditional orientation of authors in th

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Hervás, Josenia, and Silvia Blanco-Agüeira. "Women Architects outside the Spanish Borders: Patriarchal Models at International Congresses (1939–1975)." Arts 9, no. 1 (2020): 26. http://dx.doi.org/10.3390/arts9010026.

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In the complex political scene surrounding the death of Francisco Franco, Spanish female architects were crossing borders to try and understand what was happening abroad. This article provides unpublished data on the various experiences of female graduates in Spain when they shared their enthusiasm, concerns and energy with colleagues from other countries at international conferences that took place before the arrival of democracy. For almost four decades, between 1939 and 1975, Spanish female architects were limited by the patriarchal system’s own barriers and by the political barriers impose

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4

Cuevas, Manuel Bruña. "Comment présenter un phonème moribond." Historiographia Linguistica 30, no. 1-2 (2003): 45–98. http://dx.doi.org/10.1075/hl.30.1.03cue.

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Summary During the 19th century the old palatal l of French (in, e.g., travailler, travail, fille) definitively gave way to /j/. During about the same period Spanish underwent a similar evolution, but the process of substitution of /j/ for /ʎ/ found itself in a less advanced stage than in French; indeed, certain varieties of present-day Spanish still maintain these two phonemes. Taking all the works together which during the 19th and the first half of the 20th century were addressed to the teaching of French to speakers of Spanish, the author concentrates his attention on the difficulties that

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Casielles Suárez, Eugenia. "El tratamiento del orden de palabras en algunas gramáticas Españoles de los siglos XIX y XX." Historiographia Linguistica 27, no. 2-3 (2000): 415–36. http://dx.doi.org/10.1075/hl.27.2.14cas.

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Summary This paper examines the treatment of word order in some of the most influential grammars of Spanish from the 19th century and beginning of the 20th century, with special attention given to the interpretation they offer of displaced elements, particularly subjects and objects. Although there was not much in the grammatical tradition about this topic that these authors could build upon, a careful reading of their works reveals an awareness of the difficulties involved in explaining word order variation. Furthermore, we find very valuable suggestions regarding the topical nature of some d

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Datsyshen, Vladimir G., and Larisa A. Kutilova. "Russian-Chinese families in the 20th century: Emergence and characteristics1." RUDN Journal of Russian History 18, no. 4 (2019): 742–57. http://dx.doi.org/10.22363/2312-8674-2019-18-4-742-757.

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This may well be the ﬁrst article about the history of mixed Russian-Chinese families in Russia and the USSR. The study is based on sources in federal, regional and local archives, mainly of Siberia and the Far East, statistics, and the press. It notes that the great gender imbalance in almost exclusively male Chinese migrant community meant that Chinese men chose Russian women as life partners. The decline of Russia’s male population during the First World War and the Civil War only exacerbated this trend. First recorded in the late nineteenth century, this phenomenon became widespread during

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7

Janowska, Karolina. "Amor udrí – la poesía cortesana árabe en la Península Ibérica." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 323–42. http://dx.doi.org/10.36575/2353-2912/1(7)2019.323.

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The poetry of Arab-Andalusian poets is a bridge between Eastern and Western culture. Its roots date back to the sixth century, when the first Bedouin songs resounded in the limitless areas of the Arabian desert. His echoes resounded in the poetry of Provençal troubadours. Traces of this poetry can be found in the works of Renaissance poets, including Petrarc. Elements of Andalusian poetry were also visible in the poetry of the Spanish court since the 16th century. The characteristic poetic forms still appeared in 20th century poetry – at least one of the most outstanding Spanish poets, Federic

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8

Rahona-López, Marta, and Carmen Pérez-Esparrells. "Educational Attainment and Educational Mismatch in the First Employment in Spain." ISRN Education 2013 (April 18, 2013): 1–7. http://dx.doi.org/10.1155/2013/850827.

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This paper analyses the labour market entry of Spanish school leavers and the match between education and work at the early stages of working life, using a specific data set drawn from the Spanish Module Education to Labour Market Transitions (2000). Special attention is paid to university graduates, because Spain experienced a strong growth in the demand for higher education during the last decades of the 20th century. The empirical evidence shows that although over-education is a common phenomenon in the Spanish youth labour market, being a graduate seems to be associated with a lower likeli

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Motato Camelo, Hernando. "The tradition of the procuress in Memories of my sad whores." REVISTA ENCUENTROS 17, no. 02 (2019): 187–201. http://dx.doi.org/10.15665/encuent.v17i02.2113.

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The purpose of this essay is to trace the way in which the character of Spanish brothel life is treated during the Middle Ages and Renaissance. This character defines his love affairs, seduces and attracts the young women to have love encounters with their suitors through deceits and love potions. García Márquez adopts these literary traditions in the early 20th century in Barranquilla and enriches them with characters such as the procuress and maid Delgadina.

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Mitsyuk, Natalia A., and Anna V. Belova. "Midwifery as the first official profession of women in Russia, 18th to early 20th centuries." RUDN Journal of Russian History 20, no. 2 (2021): 270–85. http://dx.doi.org/10.22363/2312-8674-2021-20-2-270-285.

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The authors study the institutionalization of midwife specialization among women in Russia in the period from the 18th through the early 20th centuries. The main sources are legislative acts, clerical documents, as well as reports on the activities of medical institutions and maternity departments. The authors use the approaches of gender history, and the concept of professionalization as developed by E. Freidson. Midwifery was the first area of womens work that was officially recognized by the state. There were three main stages on the way to professionalizing the midwifery profession among w

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Dissertations / Theses on the topic "Women authors, Spanish 20th century"

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Shea, Maureen Elizabeth. "Latin American women writers and the growing potential of political consciousness." Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184310.

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This dissertation provides a feminist reading of the works of Latin American women writers since the decade of the sixties to the present who focus on the particular historical moment of their times from a political perspective. A systematic study of the narrative figure in novels by Dora Alonso, Elena Poniatowska, Claribel Alegria and Darwin Flakoll, and Isabel Allende, reveals an awareness of the undercurrents of oppression existent in their societies based on racial and class stereotypes with a growing understanding of oppression based on sex. From the perspective of the female narrator in

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Ten, Hacken Hilde. "Self-definition through poetry in the work of Gloria Fuertes and Pilar Paz Pasamar in the period 1950-1970." Thesis, St Andrews, 2007. http://hdl.handle.net/10023/421.

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Regoczy, Lucia Graciela, and n/a. "Espiritu de subversion : la construccion del discurso de la mujer en la narrativa posmoderna hispanoamericana." University of Otago. Department of Languages and Cultures, 2007. http://adt.otago.ac.nz./public/adt-NZDU20070927.141659.

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This thesis offers a typology of Postmodern women�s discourse from a sociological perspective. By focusing on the reading of Gioconda Belli�s Sofia de los presagios, Isabel Allende�s Paula, and Anacristina Rossi�s La loca de Gandoca, it examines how each writer achieves, thanks to the process of dialogism and the carnivalesque, a critique of social and aesthetic values, associated with Eurocentric discourse. Thanks to these two processes, the values associated with the marginalized position of women in Latin America, are brought to the surface, offering a better understanding of the relation

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Ng, Po-chu, and 伍寶珠. "Writing about women and women's writing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.

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Grace, Elizabeth Ellen. "Women, nation, narration : a comparative study of Japanese and Korean proletarian women's writing from the interwar years (1918-1941)." Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709209.

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Liu, Xi, and 刘希. "Gender discourses and female subjectivities in 1949-1966 Chinesewomen's writings." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50899648.

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This study provides a critical inquiry into the textual (self-)representations of Chinese females’ perception and experience of “women’s liberation” in 1949-1966 Chinese women’s autobiographical and fictional writings. Through historical and textual analyses, it looks into Chinese women’s multiple textual/discursive practices and their subjectivities constituted in the process. These narrative practices are treated as salient sites of women’s struggle for self-understanding, self-liberating as well as self-inventing in their own specific social and cultural conditions. The study aims to discl

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Cheng, Oi Man. "Model missives : epistolary guidebooks for women in early twentieth century China." HKBU Institutional Repository, 2012. https://repository.hkbu.edu.hk/etd_ra/1466.

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Li, Jing. "Self in community: twentieth-century American drama by women." HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/322.

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This thesis argues that twentieth-century American women playwrights spearhead the drama of transformation, and their plays become resistance discourses that protest, subvert, or change the representation of the female self in community. Many create antisocial, deviant, and self-reflexive characters who become misfits, criminals, or activists in order to lay bare women's moral-psychological crises in community. This thesis highlights how selected women playwrights engage with, and question various dominant, regional, racial, or ethnic female communities in order to redefine themselves. Sophie

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Yu, Yuen-yee Frankie, and 余婉兒. "Living on the margin." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2005. http://hub.hku.hk/bib/B45015168.

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Heywood, David. "British combatant writers of the Spanish civil war." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61706.

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Books on the topic "Women authors, Spanish 20th century"

1

Sopas de ajo: Memoria de una niña. Editorial Comares, 2001.

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2

Mujeres con voz propia: Carmen Baroja y Nessi, Zenobia Camprubí Aymar y María Teresa León Goyri : análisis sociológico de las autobiografías de tres mujeres de la burguesía liberal española. Ediciones Morata, 2011.

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3

García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Peter Lang, 2009.

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García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Peter Lang, 2009.

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García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Peter Lang, 2009.

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Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Peter Lang, 2009.

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García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Págano, Ana Castillo y María Amparo Escandón. Peter Lang, 2009.

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García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Peter Lang, 2009.

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9

20th-century Italian women writers: The feminine experience. Southern Illinois University Press, 1996.

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10

Barral, Carlos. Los diarios, 1957-1989. Anaya & M. Muchnik, 1993.

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Book chapters on the topic "Women authors, Spanish 20th century"

1

Vidal, Adolf Piquer. "Catalan Identity in the 20th Century Novel." In Advances in Religious and Cultural Studies. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-6614-5.ch011.

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The 20th century is definitely the consolidation of Catalan literary movements in which Catalan identity plays a fundamental role. Modernism and avant-garde movements prompted a renewal of literary genres. The Spanish Civil War (1936-1939) was a point of conflict that led to the exile of most writers in Catalan. However, they continued publishing their works in Catalan. That´s the case of La Plaça del Diamant by Mercé Rodoreda and Cròniques de la veritat oculta by Pere Calders. That process of exile came to an end between 1962 to 1975 (death of Franco). Terenci Moix, Montserrat Roig, and others belonged to a generation called “generació literària dels setanta.” Most of them were born in Spanish postwar, educated in Francoism, concerned to recover the Catalan national identity, democratic politics, and social liberation of women and gay people.

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Barberio, Michele Gabriele, and Donata Ippolito. "La letteratura spagnola nelle riviste italiane del secondo Novecento Verso un primo censimento." In Biblioteca di Rassegna iberistica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/008.

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This article examines the results of a research conducted within Italian literary journals of the second half of the 20th century, with the aim of verifying the presence of Spanish-speaking literature in the Italian literary field of journals. The presence of Spanish and Spanish-American literature in this cultural field could be, in fact, indicative of a greater or lesser reception of such authors by the Italian public and cultural agents. After a brief presentation of the applied methodology, the results of the research will be discussed.

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Fabiani, Anita. "Spagne di fine millennio." In Biblioteca di Rassegna iberistica. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-459-2/007.

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This article offers a survey on how Spain is discussed in the Italian press in the second half of the 20th century (the time of Franco’s death, the Transición period, the newly born democracy). In particular, newspapers such as La Repubblica and L’Unità will be analysed, as their interest for Spanish culture and literature was continuous over the years. The analysis concentrates on the press, rather than on institutional discourse and academic criticism, in order to better trace the patterns of Italian cultural reception of Spanish topics, especially when intellectuals (such as Marcoaldi) and journalists decide to ‘report on’ and ‘narrate’ Spain’s literary identity. The essay analyses a selection of articles by a number of different authors, to make perceptible the polyphonic effect of the various ‘Spains’.

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Haroutyunian, Sona. "Cultural Translation and the Rediscovery of Identity." In Diaspore. Edizioni Ca' Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-396-0/025.

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This paper aims to underline how hidden selves rediscover their identity when they are translating or are being translated into the language of their ethnic origin. It compares two specific instances in which translations have been the primary means through which two famous Italian women writers, both of whom received thoroughly Italian formal educations and considered themselves thoroughly Italian, or “thoroughly translated women into Italian” to recall Rushdie, rediscovered their Armenian identity. The authors are the late 19th and early 29th century Italian-Armenian poetess Vittoria Aganoor and the late 20th and early 21st century novelist Antonia Arslan.

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Skinner, Lee. "Constructions of Domesticity." In Gender and the Rhetoric of Modernity in Spanish America, 1850-1910. University Press of Florida, 2016. http://dx.doi.org/10.5744/florida/9780813062846.003.0003.

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The chapter argues that discourses of domesticity were connected to modernizing ideals, resistance to social change, and conflicts over gender and family roles, and these meanings often existed simultaneously and even within the same text or cultural product. Nineteenth-century men and women created images of domestic life to present arguments about the many issues to which they related domesticity and to promote ideas about the potential or actual roles for women in society at large. By claiming continuity between the home and the nation, authors of domestic narratives made the case for the importance of women’s role in constructing and maintaining the nation. The division between private and public space gave rise to domestic discourse and the theme of the angel in the house but because that division was rhetorical, many writers envisioned a connectedness between the two realms that allowed for the possibility of women’s seamless movement from the domestic to the public realm. Magazines from Mexico and El Salvador are analysed along with Ignacio Altamirano’s El Zarco, Soledad Acosta de Samper’s novels Laura and Una holandesa en América, and short stories and Cocina ecléctica by Juana Manuela Gorriti.

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Salvano-Pardieu, Veronique, Leïla Oubrahim, and Steve Kilpatrick. "Cognitive Structure of Moral Reasoning, Development, and Evolution With Age and Pathology." In Advances in Religious and Cultural Studies. IGI Global, 2020. http://dx.doi.org/10.4018/978-1-7998-1811-3.ch002.

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This chapter presents research on moral judgment from the beginning of the 20th century to the present day. First, the authors will present the contribution of Piaget and Kohlberg's work on moral development from childhood to adulthood as well as the work of Gilligan on moral orientation and the difference observed between men and women. Then, the authors will analyze underlying structures of moral judgment in the light of the Dual Process Theory with two systems: system 1: quick, deontological, emotional, intuitive, automatic, and system 2: slow, utilitarian, rational, controlled, involved in human reasoning. Finally, the model of Dual Process Theory will be confronted with data from moral judgment experiments, run on elderly adults with Alzheimer's disease, teenagers with Autism Spectrum Disorder, and children and teenagers with intellectual disability in order to understand how cognitive impairment affects the structures and components of moral judgment.

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