Academic literature on the topic 'Women, Black, in popular culture'

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Journal articles on the topic "Women, Black, in popular culture"

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Johnson, Adeerya. "Hella Bars: The Cultural Inclusion of Black Women’s Rap in Insecure." Open Cultural Studies 6, no. 1 (2022): 76–87. http://dx.doi.org/10.1515/culture-2022-0144.

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Abstract The musical supervision of HBO’s insecure sonically maps various representations of Black women’s connections to hip-hop music as a site of autonomy, agency, and authenticity. Importantly, the variety of Black female rappers who are featured in seasons 1–3 of insecure connects nuanced and contemporary representations of Black millennial women’s understanding of Black womanhood, sex, friendship, love, and relationships. I argue that the influence of Issa Rae’s perception and connections to hip-hop and the placement of songs in insecure supports a soundtrack that takes on a hip-hop femi
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Herbert, Emilie. "Black British Women Filmmakers in the Digital Era: New Production Strategies and Re-Presentations of Black Womanhood." Open Cultural Studies 2, no. 1 (2018): 191–202. http://dx.doi.org/10.1515/culture-2018-0018.

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Abstract The story of Black women in British mainstream cinema is certainly one of invisibility and misrepresentations, and Black women filmmakers have historically been placed at the margins of British film history. Up until the mid-1980s, there were no Black female directors in Britain. Pioneers like Maureen Blackwood, Martina Attille and Ngozi Onwurah have actively challenged stereotypical representations of Black womanhood, whilst asserting their presence in Black British cinema, often viewed as a male territory. In the 2010s, it seems that the British film industry remains mostly white an
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Neal, Ronald B. "Shayne Lee: Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture." Journal of African American Studies 17, no. 3 (2012): 402–4. http://dx.doi.org/10.1007/s12111-012-9223-4.

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Nogueira, Martha Maria Brito. "Empowerment of Black Women: Culture, Tradition and Protagonism of Dona Dió do Acarajé in the "Washing the Alley"." Mosaico 10, no. 2 (2017): 174. http://dx.doi.org/10.18224/mos.v10i0.5855.

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Abstract: the objective of this study is to deconstruct the racist and sexist ideologies that make invisible the presence of black women in the various spaces of society, especially in the cultural field, seeking to show their actions to promote and establish new positions. In order to do so, it analyzes the trajectory of Dona Dió do Acarajé, a black woman of quilombola descent who excelled in several popular demonstrations in the city of Vitória da Conquista in the last decades of the twentieth century, becoming a symbol of black culture. These questions will be analyzed from the feminist the
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Rodriguez, Mario. "“Blame it on the Black Star”: Black Holes in Culture." IAFOR Journal of Cultural Studies 8, no. 2 (2023): 5–30. http://dx.doi.org/10.22492/ijcs.8.2.01.

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“Black holes” continue to compel the human imagination, as demonstrated by the public reception of the first images of a black hole produced by the Event Horizon Telescope in 2019 or the success of Hollywood science fiction movies like Christopher Nolan’s 2014 film Interstellar that depicts what it might be like to fall into one. My study traces the discovery of “black holes” in the 20th century – collapsed stars with so much gravity that nothing can escape them, not even light – regarding how scientists talked about them and their emergence in popular culture. This begins with discussing how
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Thompson Moore, Katrina. "The Wench: Black Women in the Antebellum Minstrel Show and Popular Culture." Journal of American Culture 44, no. 4 (2021): 318–35. http://dx.doi.org/10.1111/jacc.13299.

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Boylorn, Robin M. "Dark-Skinned Love Stories." International Review of Qualitative Research 5, no. 3 (2012): 299–309. http://dx.doi.org/10.1525/irqr.2012.5.3.299.

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In recent years academic scholarship and the public imagination has focused on the love lives (or lack thereof) of black women. In response and reaction to the recent so-called black love epidemic I interrogate claims about black women's failure at love and critique the ways that black women are often blamed for their cultural positionality. Framing my personal story with Toni Morrison's fictional character Pecola Breedlove, I discuss the role of sexism and colorism in the context of heterosexual love narratives. I use autoethnography, references to popular culture, and interdisciplinary schol
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Różalska, Aleksandra. "Transgressing the Controlling Images of African-American Women? Performing Black Womanhood in Contemporary American Television Series." EXtREme 21 Going Beyond in Post-Millennial North American Literature and Culture, no. 15 (Autumn 2021) (November 20, 2021): 273–90. http://dx.doi.org/10.7311/pjas.15/2/2021.07.

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Drawing from intersectionality theories and black feminist critiques of white, masculinist, and racist discourses still prevailing in the American popular culture of the twenty-first century, this article looks critically at contemporary images of African-American women in the selected television series. For at least four decades critics of American popular culture have been pointing to, on the one hand, the dominant stereotypes of African-American women (the so-called controlling images, to use the expression coined by Patricia Hill Collins) resulting from slavery, racial segregation, white r
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Farrugia, Rebekah, and Kellie D. Hay. "Wrecking rap's conventions: the cultural production of three daring Detroit emcees." Popular Music 37, no. 1 (2017): 63–80. http://dx.doi.org/10.1017/s0261143017000575.

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AbstractThis article profiles the music of three politically motivated hip hop emcees. It combines textual and musicological analysis with ethnographic data to examine the ways in which these women use music to empower themselves and to contribute to meaningful, positive change in post-industrial, post-bankruptcy Detroit. These narratives are significant because they combat the dominant, hegemonic two-dimensional representations of African American women that are epitomised in commercial hip hop and popular culture at large. Further, in a context where art and activism are connected, their wor
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Bailey, Moya. "Misogynoir in Medical Media: On Caster Semenya and R. Kelly." Catalyst: Feminism, Theory, Technoscience 2, no. 2 (2016): 1–31. http://dx.doi.org/10.28968/cftt.v2i2.28800.

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Misogynoir describes the co-constitutive, anti-Black, and misogynistic racism directed at Black women, particularly in visual and digital culture (Bailey, 2010). The term is a combination of misogyny, the hatred of women, and noir, which means black but also carries film and media connotations. It is the particular amalgamation of anti-Black racism and misogyny in popular media and culture that targets Black trans and cis women. Representational images contribute to negative societal perceptions about Black women, which can precipitate racist gendered violence that harms health and can even re
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Dissertations / Theses on the topic "Women, Black, in popular culture"

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Johnson, Lakesia Denise. "The Iconography of the Black Female Revolutionary and New Narratives of Justice." The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1213127495.

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Pacheco, Tâmara. "Desconstruindo estereótipos: narrativas da mulher negra no batuque de umbigada paulista." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/100/100134/tde-11122017-155233/.

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Os batuques manifestam-se em cidades brasileiras como práticas de terreiro. Sob a guarda de mulheres negras e homens negros mais velhos, o tambu (tambor) é o meio de comunicação entre os vivos e os mortos, seguindo os fundamentos africanos banto, na região que ficou conhecida como Oeste Paulista. Neste estudo, tratamos como a mulher negra no batuque de umbigada paulista relaciona sua experiência de vida à cultura negra. Em tempos midiáticos da sociedade de consumo, partimos da visão folclórica acerca da batuqueira para refletir de que forma em seu repertório pessoal ela desconstrói essas e out
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Silva, Bianca Dantas Alves Gomes da Silva. "Existir e resistir - mulheres negras no graffiti : a produção cultural de Negahamburguer e Nenesurreal /." Araraquara, 2019. http://hdl.handle.net/11449/183248.

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Orientador: Dagoberto José Fonseca<br>Banca: Claudete Camargo Pereira Basaglia<br>Banca: Valquíria Pereira Tonório<br>Resumo: Essa dissertação tem como objetivo compreender de que modo as mulheres negras atuam no mundo do graffiti e quais as possíveis transformações presentes nesse campo majoritariamente ocupado por representações masculinizadas. Buscamos verificar como as relações de gênero se apresentam na prática de graffiti, sob a perspectiva das categorias de raça/etnia, a fim de compreender o lugar das mulheres negras nesse universo. Para tanto, nos atemos à produção cultural de duas gra
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Cochran, Shannon M. Phd. "Corporeal (isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281917081.

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Hahlin, Sanna. ""This is my father and he's a woman" : En undersökning av framställningar av transpersoner i tv-serierna Orange Is the New Black och Transparent." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-134684.

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The purpose of this essay is to examine how transgender people are represented in modern day popular fiction. To do this, I have analyzed two tv-programmes, Orange Is the New Black and Transparent. To do this, I have used thematic analysis as well as analyzed the images produced within the programs. The theories that I base my analysis on is largely based on the theories of representation as coined by Stuart Hall as well as queer theory and Judith Butler’s take on gender. I find that they share many common themes such as the process of “coming out” and a clear focus on what transgender peoples
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Howell, Danielle Marie. "Cloning the Ideal? Unpacking the Conflicting Ideologies and Cultural Anxieties in "Orphan Black"." Bowling Green State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1460059315.

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Harris, John Rogers. "The performance of black masculinity in contemporary black drama." Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1054742668.

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Thesis (Ph. D.)--Ohio State University, 2003.<br>Title from first page of PDF file. Document formatted into pages; contains vii, 233 p. Includes abstract and vita. Advisor: Stratos E. Constantinidis, Dept. of Theatre. Includes bibliographical references (p. 214-233).
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Kajikawa, Loren Yukio. "Centering the margins black music and American culture, 1980-2000 /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930277371&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Robinson, Penelope A. "A postfeminist generation : young women, feminism and popular culture." Thesis, View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.

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The under-theorisation of the concept of generation within feminism has led to negative and unproductive disputes. In the heated generational exchanges of the 1990s, feminists were cast according to age into opposing sides: old or young, mothers or daughters, second wave or third wave. These categories are limiting and the conflict harmful for feminist politics. In order to avoid these pitfalls, a theoretical framework is developed that draws on the work of Karl Mannheim and post feminist cultural analyses to elucidate the significance of popular culture in marking a generation. This framework
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Robinson, Penelope A. "A postfeminist generation young women, feminism and popular culture /." View thesis, 2008. http://handle.uws.edu.au:8081/1959.7/37397.

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Thesis (Ph.D) -- University of Western Sydney, 2008.<br>A thesis submitted to the University of Western Sydney, College of Arts, School of Social Sciences, in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
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Books on the topic "Women, Black, in popular culture"

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Assumpção, Michelle de. Lia de Itamaracá: Nas rodas da cultura popular. Cepe Editora, 2020.

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Parks, Sheri. Fierce angels: The strong black woman in American life and culture. One World Books, 2010.

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Greene, Jasmin S. Beyond money, cars and women: Examining black masculinity in hip hop culture. Cambridge Scholars, 2008.

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1962-, Wallace-Sanders Kimberly, ed. Skin deep, spirit strong: The Black female body in American culture. University of Michigan Press, 2002.

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Borges, Stephanie. Talvez precisemos de um nome para isso: [ou o poema de quem parte]. Cepe Editora, 2019.

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Hobson, Janell. Venus in the dark: Blackness and beauty in popular culture. Routledge, 2005.

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Brown, Jayna. Babylon girls: Black women performers at the threshold of the modern. Duke University Press, 2008.

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Sharpley-Whiting, T. Denean. Black Venus: Sexualized savages, primal fears, and primitive narratives in French. Duke University Press, 1999.

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Lee, Shayne. Erotic Revolutionaries: Black Women, Sexuality, and Popular Culture. Hamilton Books, 2010.

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Ford, VaNatta S., Adria Y. Goldman, and Alexa A. Harris. Black Women and Popular Culture: The Conversation Continues. Lexington Books/Fortress Academic, 2015.

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Book chapters on the topic "Women, Black, in popular culture"

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Griffiths, John. "'Women in India'." In Empire and Popular Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-40.

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Griffiths, John. "'Women Organising for an Active Part'." In Empire and Popular Culture. Routledge, 2022. http://dx.doi.org/10.4324/9781351024747-39.

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Falola, Toyin, and Olajumoke Yacob-Haliso. "Women and Popular Culture in Africa." In Women in Africa. Routledge, 2025. https://doi.org/10.4324/9781003221586-16.

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Bowker, Kelly. "Plasticity in Lexus's Black Panther Commercial." In Dance in US Popular Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003011170-16.

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Roberts, Shearon. "Naomi Osaka, Racial Hybridity, and Black Femininity in Tennis." In East Asian Popular Culture. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97780-1_13.

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Taylor, Anthea. "Blogging Solo: Women Refiguring Singleness." In Single Women in Popular Culture. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230358607_7.

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Anderson, Ronya-Lee. "#Burberry and the Utility of Black Femininity." In Dance in US Popular Culture. Routledge, 2023. http://dx.doi.org/10.4324/9781003011170-26.

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Henry, Britney. ""Red, White, and Black 1 "." In Black Popular Culture and Social Justice. Routledge, 2022. http://dx.doi.org/10.4324/9781003308089-16.

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Horn, Katrin. "Beyond Gay Men and After the Closet: Camp’s New Politics and Pleasures." In Women, Camp, and Popular Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_1.

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Horn, Katrin. "The History and Theory of Camp." In Women, Camp, and Popular Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64846-0_2.

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Conference papers on the topic "Women, Black, in popular culture"

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Zhou, Ting-ting. "On the Status and Effect of Women in Popular Entertainment Culture." In 3d International Conference on Applied Social Science Research (ICASSR 2015). Atlantis Press, 2016. http://dx.doi.org/10.2991/icassr-15.2016.177.

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Yulianto, Nanang, Narsen Afatara, Bani Sudardi, and Warto Warto. "Various Images of Contemporary Women in Popular-Culture Perspectives on Luna Dian Setya's Painting." In Proceedings of the Third International Conference of Arts, Language and Culture (ICALC 2018). Atlantis Press, 2019. http://dx.doi.org/10.2991/icalc-18.2019.8.

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Sewell, Christopher. "Representations of Black Male Collegiate Activism at Predominantly White Institutions in Popular Culture (Poster 15)." In AERA 2022. AERA, 2022. http://dx.doi.org/10.3102/ip.22.1888683.

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Sewell, Christopher. "Representations of Black Male Collegiate Activism at Predominantly White Institutions in Popular Culture (Poster 15)." In 2022 AERA Annual Meeting. AERA, 2022. http://dx.doi.org/10.3102/1888683.

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Oliveira, Cynthya Letícia Teles de, and Isadora Garcia Ferrão. "Help Me: Evaluation of Applications to Support Women Victims of Domestic Violence." In Women in Information Technology. Sociedade Brasileira de Computação - SBC, 2024. http://dx.doi.org/10.5753/wit.2024.2628.

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Brazil, the fifth country with the most cases of femicide in the world, faces challenges both in its culture and in its public policies about supporting women who are victims of domestic violence. There are assistance programs, such as granting protective measures to ensure a minimum distance between the aggressor and the victim. Thus, different complementary initiatives emerged, such as applications that allow reporting incidents of violence and support for access. In this sense, this article proposes a technical evaluation of the five most popular brazilian applications on the Play Store ded
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Medar, Filip. "The Woman in the Bathtub: Elderly Women and Sexuality as a Horror Trope." In 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.06.

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Šesnić, Jelena. "How to Nurture (Little) Men and (Little) Women: New Directions in Louisa May Alcott’s Educational Novels." In 10th Annual Conference of the Croatian Association for American Studies: Breaking Stereotypes in American Popular Culture. University of Zagreb Faculty of Humanities and Social Sciences; Croatian Association for American Studies, 2023. http://dx.doi.org/10.17234/9789533791258.02.

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Paulo, Avner, Carlos Eduardo Oliveira De Souza, Bruna Guimarães Lima e Silva, Flávio Luiz Schiavoni, and Adilson Siqueira. "Black Lives Matter." In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10459.

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The Brazilian police killed 16 people per day in 2017 and 3/4 of the victims were black people. Recently, a Brazilian called Evaldo Rosa dos Santos, father, worker, musician, and black, was killed in Rio de Janeiro with 80 rifle bullets shot by the police. Everyday, the statistics and the news show that the police uses more force when dealing with black people and it seems obvious that, in Brazil, the state bullet uses to find a black skin to rest. Unfortunately, the brutal force and violence by the state and the police to black people is not a problem only in this country. It is a global real
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Khorramrouz, Adel, Mahbeigom Fayyazi, and Ashiqur R. KhudaBukhsh. "A Survival Guide for Iranian Women Prescribed by Iranian Women: Participatory AI to Investigate Intimate Partner Physical Violence in Iran." In Thirty-Third International Joint Conference on Artificial Intelligence {IJCAI-24}. International Joint Conferences on Artificial Intelligence Organization, 2024. http://dx.doi.org/10.24963/ijcai.2024/808.

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Intimate Partner Violence (IPV) is a global problem affecting more than 2 billion women worldwide. Our paper makes two key contributions. First, via a substantial corpus of 53,220 comments to 1,563 Intimate Partner Physical Violence (IPPV) posts gleaned from more than 10 million comments posted on 523,232 posts on a popular parental health website in Iran, we present the first-ever computational analysis of user comments on accounts of IPPV in Iran. We harness large language models and participatory AI and tackle extreme class imbalance and other linguistic challenges that arise from tackling
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YANUTSH, O. A. "THE SPECIFICS OF THE ALTAI WOMAN'S WORLD REPRESENTATION IN I. MUROMTSEVA'S DOCUMENTARY “WOMEN OF ALTAI” (2022)." In FORTUNES OF NATIONAL CULTURES IN GLOBALIZATION CONTEXT: BETWEEN TRADITION AND THE NEW REALITY. Chelyabinsk State University Publishing House, 2024. https://doi.org/10.47475/9785727120088_77.

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The purpose of this article is to identify the mechanisms and specifics of constructing images of the Altai women's world in modern popular culture. The methodological basis of the work is the approaches to the study of cinema formed within the framework of Cinema Studies, the principles of studying cinema in the logic of postcolonial theory, as well as the theoretical and methodological tools of ethnosophy. Of particular interest is the combination of two discourses in this film: the stories of the female characters, and the director's view structuring these stories for perception by viewers
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Reports on the topic "Women, Black, in popular culture"

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Berrian, Brenda F. Chestnut Women: French Caribbean Women Writers and Singers. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0007945.

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Sin, Isabelle, and Shannon Minehan. Building on strengths: Educational pathways that benefit Māori students. Motu Economic and Public Policy Research, 2024. http://dx.doi.org/10.29310/wp.2023.01.

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This paper is an economic analysis of pathways through education leading to strong outcomes for Māori students, and how these differ by gender and for students with different interests and aptitudes (‘specialties’) in high school. The authors focus on labour market outcomes and also consider some non-labour market outcomes. This paper will help inform policy development and career advice to both school-aged Māori students and older Māori people considering returning to education. Key findings in the research: • Level 2 NCEA certificate subjects do not define careers. • Women gain more educatio
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Kim, Sedara, Joakim Öjendal, and Nareth Chhun. Gatekeepers in Local Politics: Political Parties in Cambodia and Their Gender Policy. Cambodia Development Resource Institute, 2014. https://doi.org/10.64202/wp.87.201401.

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Gender issues have become a part of mainstream Cambodian politics over the last decade, and gender-neutral electoral systems have been developed in cooperation between donors and government. Female representation has been achieved primarily through direct and indirect elections at different levels. And although Cambodia is a male-dominated culture in a patrimonial society, attention has turned to attracting female voters, and the strategic importance of female leaders and role models is being slowly realised. Predictably, driven by popular demand, gender issues have become a part of mainstream
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