Relevant bibliographies by topics / Women cartoonists

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Women cartoonists'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Women cartoonists"

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Degand, Darnel, and Annika Tyson Grier. "‘WAIT! Isn’t cartooning supposed to be fun?!’: Little Barbara Brandon’s earliest lessons." Studies in Comics 15, no. 1 (2025): 119–45. https://doi.org/10.1386/stic_00121_1.

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This publication features a creative presentation of findings from interviews conducted with Barbara Brandon-Croft, the first African American woman to have a nationally syndicated newspaper comic strip in the United States, Where I’m Coming From (1989–2005). This article begins with an introduction to the historical contributions of women and Black American cartoonists. Afterward, it presents a detailed overview of (Barbara’s father) Brumsic Brandon, Jr.’s works as an activist, animator, cartoonist and television personality on numerous concurrent projects. Next, a similar review of Barbara B
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Galvan, Margaret. "Making Lesbians Visible: Recovering the Social History of the 1990s Lesbian Comics Boom." Feminist Formations 37, no. 1 (2025): 178–205. https://doi.org/10.1353/ff.2025.a962235.

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Abstract: In the early 1990s, young feminists and queer individuals embraced zines, a DIY self-publishing format with no editorial rules or restrictions, building epistolary networks which spread the word about the riot grrrl and queercore subcultures and formed them into internationally known movements. Paralleling but also independent of these movements, lesbian and bisexual women cartoonists also formed a tight-knit community through zines, expanding their publishing opportunities and facilitating an unprecedented but little-remembered boom in lesbian comics publishing. This article traces
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Samson, Andrea C., and Oswald Huber. "The interaction of cartoonist's gender and formal features of cartoons." Humor – International Journal of Humor Research 20, no. 1 (2007): 1–25. http://dx.doi.org/10.1515/humor.2007.001.

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AbstractThe present study investigates gender differences in the use of formal features of cartoons, like the amount of text, the number of panels, or the application of color. For the analysis, 300 cartoons (150 each by female and male cartoonists) were selected randomly from the works of 1519 cartoonists. Twenty-one formal features were analyzed. On average, female cartoonists use more text, include text more frequently, and also draw more panels. These differences were expected, because Differential Psychology has shown for a long time in a variety of cultures that, on average, women tend t
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Nasser, Aisha K. "A generation of resistance." International Journal of Cultural Studies 20, no. 4 (2016): 377–94. http://dx.doi.org/10.1177/1367877916629731.

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Over the last few years in Egypt, female cartoonists have ventured into the traditionally male-dominated arena of political cartoons. For the first time, a group of female cartoonists has emerged, and is expressing its opinions about global, local, and female-related issues. This article discusses the works of young Egyptian female cartoonists and some of the initiatives in which they have participated. I explore their works as sites of resistance that challenge the power hierarchies within the patriarchal structure in post-revolution era Egypt. I use Karl Mannheim’s concept of generation styl
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Tamás, Ágnes. "Caricatures as propaganda weapons during the First World War." European Journal of Humour Research 12, no. 2 (2024): 18–35. http://dx.doi.org/10.7592/ejhr.2024.12.2.869.

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This study examines a specific segment of visual propaganda from the First World War, the caricatures of comic papers (German: Kladderadatsch; Austrian: Figaro, Kikieriki, Wiener Caricaturen and Die Muskete; Hungarian: Borsszem Jankó and Mátyás Diák). It focuses on the visual tools used by cartoonists to depict the enemy, how they employed visual propaganda, and whether this met the criteria of effective propaganda. By way of comparison, it also briefly discusses some elements of the self-image. The symbols of the First World War cartoons still closely followed 19th century trends: cartoonists
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Cunnally, John. "Before the Babe and After: Counting Women Cartoonists in the Underground Comix." Source: Notes in the History of Art 40, no. 1 (2020): 44–54. http://dx.doi.org/10.1086/711343.

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Miller, Rachel R. "Drawn to Purpose: American Women Illustrators and Cartoonists by Martha H. Kennedy." Inks: The Journal of the Comics Studies Society 3, no. 2 (2019): 221–23. http://dx.doi.org/10.1353/ink.2019.0021.

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Masinde, Moses Wanyama, Masibo Lumala, and Jared Obuya. "How Journalists and Civil Society View Gender Portrayal in Editorial Cartoons in Kenya’s Daily Nation and Standard Newspapers." Journal of Linguistics, Literary and Communication Studies 1, no. 2 (2022): 1–7. http://dx.doi.org/10.58721/jltcs.v1i2.73.

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Diverse views by scholars, policy makers as well as readers of newspapers and magazines, point to one critical issue that the media have of late become conduits for gender stereotyping not only in Kenya but the world over. This fact has been affirmed by public uproar against specific media houses in recent years after publishing cartoons that appeared offensive to sections of society. In some cases, such protests and reactions were very violent and claimed lives besides causing the destruction of property. Hinged on the Agenda setting theory, this paper refers to Kenya’s Daily Nation and Stand
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Edwards, Louise. "Drawing Sexual Violence in Wartime China: Anti-Japanese Propaganda Cartoons." Journal of Asian Studies 72, no. 3 (2013): 563–86. http://dx.doi.org/10.1017/s0021911813000521.

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During the War of Resistance against Japan (1937–45), China's leading cartoon artists formed patriotic associations aimed at repelling the Japanese military. Their stated propaganda goals were to boost morale among the troops and the civilian population by circulating artwork that would ignite the spirit of resistance among Chinese audiences. In keeping with the genre, racialized and sexualized imagery abounded. The artists created myriad disturbing visions of how militarized violence impacted men's and women's bodies differently. By analyzing the two major professional journals, National Salv
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Schmidt, Bonnie Reilly. "“The Greatest Man-Catcher of All”: The First Female Mounties, the Media, and the Royal Canadian Mounted Police1." Journal of the Canadian Historical Association 22, no. 1 (2012): 201–43. http://dx.doi.org/10.7202/1008962ar.

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The arrival of the first female Royal Canadian Mounted Police (RCMP) officers disrupted the highly masculinized image of a police force that was closely connected to ideal Canadian manhood and the formation of the nation. The absence of women from the historical record allowed the figure of the manly and heroic male Mountie to continue its dominance in official, academic, and popular histories of the police force. Both the print and broadcast media were complicit in disseminating these representations. When the first female Mounties were hired in 1974, editorial cartoonists and journalists fre
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Dissertations / Theses on the topic "Women cartoonists"

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Chenault, Wesley. "Working the Margins: Women in the Comic Book Industry." unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04232007-124907/.

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Thesis (M.A.)--Georgia State University, 2007.<br>Title from file title page. Marian Meyers, committee chair; Layli Phillips, Amira Jarmakani, committee members. Description based on contents viewed June 3, 2008. Includes bibliographical references (p. 120-123).
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Liu, Ting. "Boys' love in girls' hands : the survival of a gendered youth culture in mainland China and Hong Kong." Phd thesis, 2011. http://hdl.handle.net/1885/150198.

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Originating in the late-1970s' Japanese comic and fiction culture, boys' love (BL) has become a transnational genre in which young women create, distribute and appreciate stories of male-male relationships in various media, ranging from fiction, comics, music, video films, radio dramas and cosplays (an abbreviation of costume-play), to computer games. Also known as danmei (we indulge in the beautiful) in Chinese, the genre expanded and blossomed in the late-1990s in mainland China and Hong Kong. Grounded in the two relatively unstudied fields, this thesis presents a systematic analysis of a di
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Clark, Anne Biller. "My dear Mrs. Ames: A study of the life of suffragist cartoonist and birth control reformer Blanche Ames Ames, 1878-1969." 1996. https://scholarworks.umass.edu/dissertations/AAI9638948.

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Blanche Ames Ames, an elite graduate of Smith College and a distinguished state and national leader in the woman suffrage and birth control causes, was one of a small cadre of educated women who, in the early 1900s, recast the iconography of political cartoons, long a means of discourse used only by men, to promote women's rights. In this, she was most unusual. Fortunately, because of her prominence, Ames's extensive family papers have been preserved in the Sophia Smith Collection at Smith College. She has not slid into obscurity as other women political artists and reformers have done. As a r
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Books on the topic "Women cartoonists"

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Robbins, Trina. A century of women cartoonists. Kitchen Sink Press, 1993.

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Rodrigues, Antonio Edmilson Martins. Nair de Teffé: Vidas cruzadas. Editora FGV, 2002.

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1954-, Warren Rosalind, ed. Mothers!: Cartoons by women. Crossing Press, 1993.

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Wiggs, Susan. Just breathe. Chivers, 2013.

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Robbins, Trina. Women and the comics: By Trina Robbins and Catherine Yronwode. Eclipse Bks., 1985.

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Prone, Terri. Running before daybreak. Hodder & Stoughton, 2001.

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AJS. Yŏmyŏnggi: Yŏsŏng sŏsa tanp'yŏn manhwajip. Wijŭdŏm Hausŭ, 2020.

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Trina, Robbins, and Josei Manga Kenkyū Purojekuto, eds. Komikkusu o egaku joseitachi: Amerika no josei ātisutotachi no 100-nen. Josei Manga Kenkyū Purojekuto, 2009.

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9

1947-, Davis Nancy, ed. Just humor me: A collection of the best contemporary women writers, lyricists, playwrights, and cartoonists. Park Lane Press, 1997.

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Safran, Dalin Anne, and Davis Nancy 1947-, eds. Creme de la femme: A collection of the best contemporary women writers, lyricists, playwrights and cartoonists. Random House, 1997.

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Book chapters on the topic "Women cartoonists"

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Lent, John A., and Xu Ying. "Chinese Women Cartoonists: A Brief, Generational Perspective." In Women’s Manga in Asia and Beyond. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-97229-9_15.

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Swords, Betty. "Why Women Cartoonists Are Rare, and Why That's Important." In New Perspectives on Women and Comedy. Routledge, 2022. http://dx.doi.org/10.4324/9781003273714-7.

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Abdo, Diya, and Maria Bobroff. "“Look who's laughing now: a comparative study of Maghrebi women cartoonists”." In Women and Resistance in the Maghreb. Routledge, 2021. http://dx.doi.org/10.4324/9781003043928-8-11.

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Nasri, Chourouq. "The Liberating Force of Art, Humor, and Social Media: Women Cartoonists of the Arab Spring." In North African Women after the Arab Spring. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-49926-0_3.

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Lent, John A. "Women and Asian Comic Art." In The Comics World. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496834645.003.0003.

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When people argue that they don’t know any significant women cartoonists, it often turns out that they simply haven’t been looking. In this chapter, John A. Lent demonstrates the rich history of women creating and promoting comics in many Asian countries. It attempts to grapple with the marginalization of women in comics, taking women cartoonists in Asia as its focus. Examining the gendering of periodicals and genres, stereotyped portrayals of women in cartoons and comics, and the careers and attitudes of female cartoonists, the chapter attempts not only to redress the false perception that no
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Robbins, Trina. "Here Are the Great Women Comic Artists of the United States." In Comic Art in Museums. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828118.003.0032.

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This chapter includes a 2008 article briefly describing popular women cartoonists by feminist herstorian, author, and curator Trina Robbins. This article was the text of her presentations on women cartoonists in Los Angeles and New York during the all-male Masters of American Comics exhibition and her concurrent show She Draws Comics at MoCCA in NY. This chapter discusses incidents of women left out of articles, exhibits and panels. This chapter lists reasons why comics by women are not taken seriously. Image: She Draws Comics promo.
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"I Natural history illustration, 1855–90." In Nineteenth-century women illustrators and cartoonists. Manchester University Press, 2023. http://dx.doi.org/10.7765/9781526161703.00008.

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"II Book illustration, cartoons, and caricature, 1859–1901." In Nineteenth-century women illustrators and cartoonists. Manchester University Press, 2023. http://dx.doi.org/10.7765/9781526161703.00012.

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"III Illustration at the fin de siècle, 1890–1908." In Nineteenth-century women illustrators and cartoonists. Manchester University Press, 2023. http://dx.doi.org/10.7765/9781526161703.00019.

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Devereux, Jo. "Florence and Adelaide Claxton." In Nineteenth-century women illustrators and cartoonists. Manchester University Press, 2023. http://dx.doi.org/10.7765/9781526161703.00017.

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Conference papers on the topic "Women cartoonists"

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Wunsch, Valentin, Knut Möller, and Verena Wagner-Hartl. "Avatar-based emotion representation with varying degrees of realism." In 2025 Intelligent Human Systems Integration. AHFE International, 2025. https://doi.org/10.54941/ahfe1005824.

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In the age of digitalization with its progressive visualization of a wide variety of content, avatars are becoming increasingly important. Consequently, virtual human representations are also being used in healthcare, for example in therapeutic applications. The use of technologies such as virtual reality or virtual characters like avatars can support people who find social interactions challenging. This is often the case for people with autism spectrum disorder (ASD). The aim of the presented study was to evaluate the suitability of different avatar types for the development of a future digit
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