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Books on the topic 'Women characters – Shakespeare'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Shakespeare and women. Oxford [England]: Oxford University Press, 2005.

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2

Hamer, Mary. William Shakespeare, Julius Caesar. Plymouth, U.K: Northcote House in association with the British Council, 1998.

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3

Oppen, Alice Arnott. Shakespeare: Listening to the women. Henley Beach, S. Aust: Seaview Press, 1999.

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4

Women in the age of Shakespeare. Santa Barbara, Calif: Greenwood Press, 2010.

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5

Shakespeare and the nature of women. 3rd ed. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2003.

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6

Juliet, Dusinberre. Shakespeare and the nature of women. 2nd ed. New York: St. Martin's Press, 1996.

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7

Women and revenge in Shakespeare: Gender, genre, and ethics. Selinsgrove, PA: Susquehanna University Press, 2011.

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8

1960-, Dolan Frances E., and Roberts Jeanne Addison, eds. Shakespeare's unruly women. Washington, D.C: Folger Shakespeare Library, 1997.

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9

Shakespeare, William. The sweet silvery sayings of Shakespeare on the softer sex. Cambridge: Cambridge university press, 2009.

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10

Dusinberre, Juliet. Shakespeare and the nature of women. 2nd ed. New York: St. Martin's Press, 1996.

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11

1564-1616, Shakespeare William, ed. The loves of Shakespeare's women. London: Nick Hern Books, 2001.

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12

Jameson. Characteristics of women: Moral, poetical, and historical. Cambridge: Cambridge University Press, 2009.

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13

donor, Milward Peter, and Milward Peter former owner, eds. Jacobean Shakespeare. Naples, FL: Sapientia Press of Ave Maria University, 2007.

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14

A feminist companion to Shakespeare. Chichester, West Sussex: John Wiley & Sons Inc., 2016.

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15

Stapleton, M. L. Fated sky: The femina furens in Shakespeare. Newark: University of Delaware Press, 2000.

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16

Wright, Courtni Crump. The women of Shakespeare's plays: Analysis of the role of the women in selected plays with plot synopses and selected one act plays. Lanham: University Press of America, 1993.

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17

The feminine reclaimed: The idea of woman in Spenser, Shakespeare, and Milton. Lexington, Ky: University Press of Kentucky, 1986.

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18

Rutter, Carol Chillington. Clamorous voices: Shakespeare's women today. London: Women's Press, 1988.

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19

Sinead, Cusack, ed. Clamorous voices: Shakespeare's women today. New York, N.Y: Routledge, 1989.

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20

Sinead, Cusack, and Evans Faith, eds. Clamorous voices: Shakespeare's women today. London: Women's Press, 1988.

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21

Hoeckley, Cheri L. Larsen, 1962-, ed. Shakespeare's heroines: Characteristics of women : moral, poetical, and historical. Peterborough, Ont: Broadview Press, 2005.

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22

Buske, Gabriele. Die Darstellung der weiblichen Figuren in Shakespeares frühen Komödien aus feministischer Sicht: Unter besonderer Berücksichtigung der Inszenierungen der Royal Shakespeare Company in den Jahren 1960 bis 1995. Göttingen: Cuvillier Verlag, 2002.

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23

Shakespeare without women: Representing gender and race on the Renaissance stage. London: Routledge, 2000.

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24

Erickson, Peter. Rewriting Shakespeare, rewriting ourselves. Berkeley: University of California Press, 1991.

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25

Shakespeare and feminist performance: Ideology on stage. London: Routledge, 2001.

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26

Jardine, Lisa. Still harping on daughters: Women and drama in the age of Shakespeare. New York: Harvester Wheatsheaf, 1989.

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27

Jardine, Lisa. Still harping on daughters: Women and drama in the age of Shakespeare. Brighton: Harvester Press, 1985.

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28

Jardine, Lisa. Still harping on daughters: Women and drama in the age of Shakespeare. New York: Columbia University Press, 1989.

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29

Shakespeare, William. Shakespeare's women: A playscript for performance and analysis. Carbondale: Southern Illinois University Press, 1986.

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30

Callaghan, Dympna. The weyward sisters: Shakespeare and feminist politics. Oxford, UK: Blackwell, 1994.

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31

Mucci, Clara. Il teatro delle streghe: Il femminile come costruzione culturale al tempo di Shakespeare. Napoli: Liguori, 2001.

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32

M, Walker Julia. Medusa's mirrors: Spenser, Shakespeare, Milton, and the metamorphosis of the female self. Newark: University of Delaware Press, 1998.

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33

Singh, Sarup. The double standard in Shakespeare and related essays: Changing status of women in 16th and 17th century England. Delhi: Konark Publishers, 1988.

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34

Enter the body: Women and representation on Shakespeare's stage. London: Routledge, 2001.

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35

As she likes it: Shakespeare's unruly women. London: Routledge, 1994.

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36

Ranald, Margaret Loftus. Shakespeare and his social context: Essays in osmotic knowledge and literary interpretation. New York: AMS Press, 1987.

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37

Ranald, Margaret Loftus. Shakespeare and his social context: Essays in osmotic knowledge and literary interpretation. New York: AMS Press, 1986.

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38

What you will: Gender, contract, and Shakespearean social space. Philadelphia: University of Pennsylvania Press, 2011.

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39

Shakespeare's domestic economies: Gender and property in early modern England. Philadelphia: University of Pennsylvania Press, 2002.

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40

Schuch, Elke. "I exceed my sex": Inszenierungen von Geschlecht in Shakespeares Dramen : Text und Aufführung. Trier: WVT, Wissenschaftlicher Verlag Trier, 2003.

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41

Schuch, Elke. "I exceed my sex": Inszenierungen von Geschlecht in Shakespeares Dramen : Text und Aufführung. Trier: WVT, Wissenschaftlicher Verlag Trier, 2003.

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42

Shakespeare's feminine endings: Disfiguring death in the tragedies. London: Routledge, 1999.

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43

Shakespeare's women in love. Raleigh, N.C: Pentland Press, 2001.

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44

Impersonations: The performance of gender in Shakespeare's England. Cambridge: Cambridge University Press, 1996.

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45

1955-, Koskinen Karla, ed. Re-visioning Lear's daughters: Testing feminist criticism and theory. New York, NY: Palgrave Macmillan, 2010.

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46

Hutson, Lorna. The usurer's daughter: Male friendship and fictions of women in sixteenth-century England. London: Routledge, 1997.

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47

The usurer's daughter: Male friendship and fictions of women in sixteenth-century England. London: Routledge, 1994.

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48

Rutter, Carol Chillington. Enter The Body. London: Taylor & Francis Group Plc, 2004.

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49

Orgel, Stephen. Impersonations: The performance of gender in Shakespeare's England. Cambridge [England]: Cambridge University Press, 1996.

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50

Eggert, Katherine. Showing like a queen: Female authority and literary experiment in Spenser, Shakespeare, and Milton. Philadelphia: University of Pennsylvania Press, 2000.

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