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Journal articles on the topic 'Women Feminism. Imperialism Korea'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Armstrong, Elisabeth. "Peace and the Barrel of the Gun in the Internationalist Women’s Movement, 1945–49." Meridians 18, no. 2 (2019): 261–77. http://dx.doi.org/10.1215/15366936-7775685.

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Abstract In 1949, at a conference instigated by the Women’s International Democratic Federation (WIDF) held in Beijing, China, the Asian Women’s Conference solidified an anticolonial, antifascist, and antiracist theory for organizing women transnationally. This transnational feminist praxis drew its movement demands and strategies from the masses of women in anticolonial movements, both rural and urban poor women. It also framed a two-fold theory of women’s organizing: it delineated one platform for women fighting imperialism within colonized countries, and another platform for women fighting

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2

Vergès, Françoise. "On Women and their Wombs: Capitalism, Racialization, Feminism." Critical Times 1, no. 1 (2018): 263–67. http://dx.doi.org/10.1215/26410478-1.1.263.

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Abstract This article draws from Françoise Vergès's book, Le ventre des femmes: Capitalisme, racialisation, féminisme,* which traces the history of the colonization of the wombs of Black women by the French state in the 1960s and 1970s through forced abortions and the forced sterilization of women in French foreign territories. Vergès retraces the long history of colonial state intervention in Black women's wombs during the slave trade and post-slavery imperialism, and after World War II, when international institutions and Western states blamed the poverty and underdevelopment of the Third Wo

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3

Arik, Hülya. "Muslim Women, Transnational Feminism, and the Ethics of Pedagogy." American Journal of Islam and Society 32, no. 4 (2015): 104–9. http://dx.doi.org/10.35632/ajis.v32i4.1007.

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The asphyxiation of subaltern voices and the disregard of Arab and Muslimwomen’s subjectivities in the cultural sphere of the post-9/11 era is the mainproblematic addressed by this collection. With the editorship of Lisa K. Taylorand Jasmin Zine, and based on the legacy of post-colonial writers like GayatriSpivak and Paulo Friere, this collection foregrounds how Orientalism operateson the ground and discusses how we can come up with new discursive toolsand spaces for articulations of difference and diversity and for “reading back” to resist the Empire. Critical public pedagogy is both the main

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4

Khattak, Shabana Shamaas Gul. "Revisiting Gender And Feminism: Global And Pakistani Perspectives." Pakistan Journal of Gender Studies 17, no. 1 (2018): 253–77. http://dx.doi.org/10.46568/pjgs.v17i1.19.

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This study elaborates a discussion of my previous studies; ‘Feminism in Education’1 and ‘Synthesising Feminists’ Theories2. Here, I analyse the three waves of feminism through my feminist lens of liberal, socialist/Marxist, radical and Islamic feminism. I argue that the waves of feminism enhance our understanding about gender struggle for equality around the global. However the differences of processes and parameters of discrimination are varies from society to society and culture to culture. Unknowably, feminism in Pakistan has been alive since the freedom struggle from the British imperialis

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Ikeotuonye, Maureen. "‘Mary Amaka’ Feminism: Exploring the underside of pop-cultured ‘global women empowerment’." Current Sociology 64, no. 2 (2015): 293–310. http://dx.doi.org/10.1177/0011392115614790.

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Until recently, conventional discourses on global inequality and justice have been inundated with what can be called the narrative of the ‘global women’s rights issues’ industry. Interpersonal themes dominate the global social mission in an almost exclusive focus on alleged remnants of colonized cultures’ ‘bad cultural practices’ – e.g. ‘rape’, ‘forced marriages’, ‘domestic violence’, ‘FGM’, ‘honour killing’. Moreover, these widely accepted cultural judgements are deployed mainly on the basis of the ‘universal values’ of ‘solidarity’, ‘egalitarianism’ and ‘liberty’ – all slogans of Western ‘En

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6

Song, Jesook. "Writing Women in Korea: Translation and Feminism in the Colonial Period (review)." University of Toronto Quarterly 75, no. 1 (2006): 198–200. http://dx.doi.org/10.1353/utq.2006.0218.

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7

Kwon, Insook. "'The New Women's Movement' in 1920s Korea: Rethinking the Relationship Between Imperialism and Women." Gender History 10, no. 3 (1998): 381–405. http://dx.doi.org/10.1111/1468-0424.00110.

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8

Jung, Jiyoon. "The right to see and not be seen: South Korean musicals and young feminist activism." Studies in Musical Theatre 14, no. 1 (2020): 37–50. http://dx.doi.org/10.1386/smt_00017_1.

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In South Korea, musicals are considered as ‘female culture’. Based on recent fieldwork, this essay gives attention to the ways in which female fans project themselves in three common spaces: in dark theatre auditoriums, online fan forums and feminist protests. In each of the three spaces, female musical fans nurture and enact their own version of feminism. I employ the discourse of ‘voyeurism’ and ‘half-visibility’ to understand how young South Korean women navigate patriarchal capitalist society. I ultimately argue that today’s South Korean musicals empower young South Korean women by providi

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9

Koh, Eunkang. "Gender issues and Confucian scriptures: Is Confucianism incompatible with gender equality in South Korea?" Bulletin of the School of Oriental and African Studies 71, no. 2 (2008): 345–62. http://dx.doi.org/10.1017/s0041977x08000578.

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AbstractKorean Confucianism has been described as “the enemy of feminism”: feminists often argue that Confucianism is the source of the patriarchal society. Feminist scholars have produced significant works about Confucianism's role in preserving the idea of women's subordination to men; they argue that the idea of men's superiority to women is embedded in Confucian philosophy. In this article I will examine whether Confucian philosophy is responsible for women's subordination to men in such Confucian texts as Naehun, The Book of Change, The Book of Poetry, and The Analects. Naehun was written

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10

Riedi, Eliza. "Options for an Imperialist Woman: The Case of Violet Markham, 1899-1914." Albion 32, no. 1 (2000): 59–84. http://dx.doi.org/10.1017/s0095139000064218.

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Recent years have seen growing interest both in the influence of the British Empire on metropolitan culture—what John M. MacKenzie described as “the centripetal effects of Empire”—and in the relationships between gender and imperialism. Early studies of European women and imperialism described the activities of women as “memsahibs,” travellers and colonists in the nineteenth and early twentieth centuries, challenged the notion that “women lost us the Empire,” and began to analyze the roles of white women in the “man’s world” of imperial rule. More recently attention has been drawn by Vron Ware

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11

Esmaeeli, Sarah, and Hossein Pirnajmuddin. "A Postcolonial Feminist Reading of Evelyn Waugh's A Handful of Dust, Black Mischief and Scoop." International Letters of Social and Humanistic Sciences 31 (June 2014): 56–67. http://dx.doi.org/10.18052/www.scipress.com/ilshs.31.56.

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Evelyn Waugh is commonly said to be a misogynist. However, his stance toward women was ambiguous. For, though he presents a male world in his fiction and his racialist tendencies, Eurocentricism and class consciousness almost always color his attitude toward women, he also provides the reader with some challenging roles for women. This is echoed in his depiction of the „sexed subaltern‟ who often belongs to categories such as Oriental, colonized, non-white and underclass women. The female subaltern, then, is arguably triply colonized, this time by the author. Working from a postcolonial femini

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12

Surahman, Surahman Cinu. "FEMINISME : SEBUAH KOMUNIKASI SPIRITUALITAS MENUJU PENGUATAN SISTEM SOSIAL." KINESIK 8, no. 2 (2021): 189–200. http://dx.doi.org/10.22487/ejk.v8i2.166.

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Discourse on feminism can be seen in the struggle of a woman named Hajar. As the mother of the Prophets, Hajar helped support the foundation of civilization framed by Ismail, her son, as a form of social movement wrapped in spiritual awareness, that all forms of racism, feudalism and domination of capital, will disappear in the power of God. This is enshrined in the Hajj ritual, jogging between the hills of Safa and Marwah. Hajar is a historical cultural capital that is represented from class consciousness, which must be accumulated for future civilizations. That is why in an effort to explore

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13

Fauziatunnisa, Fauziatunnisa, and Swita Amallia Hapsari. "REPRESENTASI IDENTITAS “COMFORT WOMEN” DALAM FILM I CAN SPEAK THE REPRESENTATION OF “COMFORT WOMEN” IDENTITY IN THE KOREAN MOVIE TITLED I CAN SPEAK." Jurnal Audience 2, no. 2 (2019): 155–75. http://dx.doi.org/10.33633/ja.v2i2.2711.

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AbstrakFilm Korea yang berjudul I Can Speak merupakan film yang diadaptasi dari kisah nyatatentang comfort women di Korea Selatan dan Jepang. Film ini menggunakan genre komedidan menjelaskan tentang seorang perempuan yang berjuang mencari keadilan atas kasuswanita penghibur atau comfort women selama lebih dari satu tahun. Penelitian ini fokus padarepresentasi identitas comfort women dalam film “I Can Speak”. Penelitian ini menggunakanpendekatan kualitatif dan dikaji melalui teknik analisa Semiotika dari Roland Barthes. Untukmendapatkan tujuan dari penelitian, maka digunakan teori Gender Strukt

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14

Oh, Bonnie B. C. "Writing Women in Korea: Translation and Feminism in the Colonial Period. By Theresa Hyun. Honolulu: University of Hawai'i Press, 2004. xiv, 174 pp. $42.00 (cloth)." Journal of Asian Studies 64, no. 1 (2005): 213–14. http://dx.doi.org/10.1017/s002191180500046x.

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15

Rasheed, Shaireen. "Islam, Sexuality, and the “War on Terror”." American Journal of Islamic Social Sciences 31, no. 1 (2014): 1–15. http://dx.doi.org/10.35632/ajiss.v31i1.291.

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This paper explores the reasons why, in the aftermath of 9/11, the interests of Muslim women and Muslim gays have become the civilizing mission in the “war on terror.” In critically examining how pervasive American and European notions of patriotism, liberalism, secularism, and freedom have been couched within the discourseof sexual rights, I explain why this new politics of belonging is inseparable from the new politics of exclusion. This shift has had consequences for progressive social movements. Whereas in social and cultural analysis nationalism has long been associated with male dominanc

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16

Rasheed, Shaireen. "Islam, Sexuality, and the “War on Terror”." American Journal of Islam and Society 31, no. 1 (2014): 1–15. http://dx.doi.org/10.35632/ajis.v31i1.291.

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This paper explores the reasons why, in the aftermath of 9/11, the interests of Muslim women and Muslim gays have become the civilizing mission in the “war on terror.” In critically examining how pervasive American and European notions of patriotism, liberalism, secularism, and freedom have been couched within the discourseof sexual rights, I explain why this new politics of belonging is inseparable from the new politics of exclusion. This shift has had consequences for progressive social movements. Whereas in social and cultural analysis nationalism has long been associated with male dominanc

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17

Karyono, Karyono. "PENGARUH KOLONIALISME TERHADAP PERUBAHAN PSIKOLOGIS WANITA PRIBUMI DALAM CERPEN “PEREMPUAN DALAM PERANG” KARYA CHINUA ACHEBE." METASASTRA: Jurnal Penelitian Sastra 5, no. 1 (2016): 35. http://dx.doi.org/10.26610/metasastra.2012.v5i1.35-43.

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Cerpen “Perempuan dalam Perang” merupakan salah satu cerpen yang terdapat dalam Kumpulan Cerpen Afrika: Kenapa Tidak Kau Pahat Binatang Lain. Kumpulan cerpen terbit tahun 2005 dan diterjemahkan oleh Sapardi Djoko Damono. Cerpen ini menceritakan masa keterpurukan Negara Afrika yang menjadi sorotan para kolonialis untuk menjajahnya. Masyarakat Afrika diperlakukan sebagai golongan inferior di tanah mereka oleh pihak Barat, akibat konflik yang terjadi berkenaan dengan sosiologis dan psikologis penderitaan wanita pribumi dalam kolonialisme. Salah satu penderitaan psikologis yang dialami oleh masyar

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18

"Feminism, Imperialism and the Mission of International Law." Nordic Journal of International Law 71, no. 2 (2002): 275–96. http://dx.doi.org/10.1163/157181002761931387.

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AbstractThis special issue of the Nordic Journal of International Law is testimony to the range of international interventions that have been enabled by the energies and insights of feminism. Each of the contributions to this issue is an attempt to think through what it means to read and write feminist legal theory in an age dominated by internationalist narratives, whether of globalization and harmonization, or of high-tech wars on terror and for humanity. This introductory article sketches some of the ethical and political questions that face those of us who attempt to develop a feminist pra

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19

Hamdon, Syamimi Waznah, and Fitriani Bintang Timur. "Feminism against Beauty Standards in South Korea: Force Creates Resistance." Journal of Techno-Social 12, no. 2 (2021). http://dx.doi.org/10.30880/jts.2021.12.02.008.

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This article explores about the resistance that women in South Korean made in regards to the unrealistic beauty standards that is projected for the Korean women in order for the to get a place in social involvement. Women in South Korea are marginalized, and although the population in women in South Korea is 49.93% in 2019 which is a balance number for both female and male, but their voices remain as minority within the society involvement. In regards, they are often isolated from important social and professional networks and subjected to the negative stereotyping of becoming a feminist. Wome

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20

"Writing women in Korea: translation and feminism in the colonial period." Choice Reviews Online 41, no. 08 (2004): 41–4485. http://dx.doi.org/10.5860/choice.41-4485.

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21

PETRULIS, JASON. "“A Country of Hair”: A Global Story of South Korean Wigs, Korean American Entrepreneurs, African American Hairstyles, and Cold War Industrialization." Enterprise & Society, March 16, 2020, 1–41. http://dx.doi.org/10.1017/eso.2019.69.

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This article reinterprets Asian industrialization during the Cold War through the lens of a forgotten commodity: the South Korean wig. Wigs were critical to Asia’s “miraculous” economic growth—a US$1 billion industry in 1970, as well as the number two export in South Korea and number four in Hong Kong at the height of export-oriented industrialization. The article makes a methodological argument, suggesting that we see industrialization differently when we “follow” a commodity transnationally—from the heads of rural South Koreans to the hands of Seoul factory workers to the shoulder bags of Ko

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22

Das, Devaleena. "What’s in a Term: Can Feminism Look beyond the Global North/Global South Geopolitical Paradigm?" M/C Journal 20, no. 6 (2017). http://dx.doi.org/10.5204/mcj.1283.

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Introduction The genealogy of Feminist Standpoint Theory in the 1970s prioritised “locationality”, particularly the recognition of social and historical locations as valuable contribution to knowledge production. Pioneering figures such as Sandra Harding, Dorothy Smith, Patricia Hill Collins, Alison Jaggar, and Donna Haraway have argued that the oppressed must have some means (such as language, cultural practices) to enter the world of the oppressor in order to access some understanding of how the world works from the privileged perspective. In the essay “Meeting at the Edge of Fear: Theory on

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23

Abbas, Herawaty, and Brooke Collins-Gearing. "Dancing with an Illegitimate Feminism: A Female Buginese Scholar’s Voice in Australian Academia." M/C Journal 17, no. 5 (2014). http://dx.doi.org/10.5204/mcj.871.

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Sharing this article, the act of writing and then having it read, legitimises the point of it – that is, we (and we speak on behalf of each other here) managed to negotiate western academic expectations and norms from a just-as-legitimate-but-not-always-heard female Buginese perspective written in Standard Australian English (not my first choice-of-language and I speak on behalf of myself). At times we transgressed roles, guiding and following each other through different academic, cultural, social, and linguistic domains until we stumbled upon ways of legitimating our entanglement of experien

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24

Haupt, Adam. "Queering Hip-Hop, Queering the City: Dope Saint Jude’s Transformative Politics." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1125.

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This paper argues that artist Dope Saint Jude is transforming South African hip-hop by queering a genre that has predominantly been male and heteronormative. Specifically, I analyse the opening skit of her music video “Keep in Touch” in order to unpack the ways which she revives Gayle, a gay language that adopted double-coded forms of speech during the apartheid era—a context in which homosexuals were criminalised. The use of Gayle and spaces close to the city centre of Cape Town (such as Salt River and Woodstock) speaks to the city as it was before it was transformed by the decline of industr

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25

Johnson-Hunt, Nancy. "Dreams for Sale: Ideal Beauty in the Eyes of the Advertiser." M/C Journal 23, no. 1 (2020). http://dx.doi.org/10.5204/mcj.1646.

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Introduction‘Dream’ has been researched across numerous fields in its multiplicity within both a physical and emotional capacity. For Pagel et al., there is no fixed definition of what ‘dream’ is or are. However, in an advertising context, ’dream’ is the idealised version of our desires, re-visualised in real life (Coombes and Batchelor 103). It could be said that for countless consumers, advertising imagery has elicited dreams of living the perfect life and procuring material pleasures (Manca et al.; Hood). Goodis asserts, “advertising doesn’t always mirror how people are acting but how they

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26

King, Emerald L., and Denise N. Rall. "Re-imagining the Empire of Japan through Japanese Schoolboy Uniforms." M/C Journal 18, no. 6 (2016). http://dx.doi.org/10.5204/mcj.1041.

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Introduction“From every kind of man obedience I expect; I’m the Emperor of Japan.” (“Miyasama,” from Gilbert and Sullivan’s musical The Mikado, 1885)This commentary is facilitated by—surprisingly resilient—oriental stereotypes of an imagined Japan (think of Oscar Wilde’s assertion, in 1889, that Japan was a European invention). During the Victorian era, in Britain, there was a craze for all things oriental, particularly ceramics and “there was a craze for all things Japanese and no middle class drawing room was without its Japanese fan or teapot.“ (V&A Victorian). These pastoral depictions

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27

Hardey, Mariann. "Going Live." M/C Journal 10, no. 1 (2007). http://dx.doi.org/10.5204/mcj.2609.

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   Introduction Australia’s mobile communications industry has been slower to embrace the convergence of digital communication technology compared to other areas of the Asia-Pacific region, in particular Japan. However, the introduction of new mobile networks and spread of broadband (albeit still limited in some areas) has given Australians opportunities to experience the new technosocial communications. As a result mobile communication resources have become embedded within a sociocultural infrastructure that is at once mobile, personalised and consumerist. This paper examine

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