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Relevant bibliographies by topics / Women in American art

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Academic literature on the topic 'Women in American art'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Women in American art"

1

Springer, Julie, and Bailey Van Hook. "Angels of Art: Women and Art in American Society, 1876-1914." Woman's Art Journal 21, no. 1 (2000): 44. http://dx.doi.org/10.2307/1358871.

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Hartsell-Gundy, Arianne A. "Book Review: American Colonial Women and Their Art: An Encyclopedia." Reference & User Services Quarterly 58, no. 2 (2019): 126. http://dx.doi.org/10.5860/rusq.58.2.6944.

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American Colonial Women and their Art: An Encyclopedia has a unique focus, which makes it an interesting addition for most libraries. Though there are reference works that explore women and art and reference works that cover the American colonial period, there is not a work that focuses specifically on the art of colonial women. In addition to the distinctive topic, this one volume edition not only includes recognizable names such as Abigail Adams and Phillis Wheatley, but also less well-known women, such as Mary Roberts (miniaturist), Sarah Bushnell Perkins Grosvenor (painter), and Elizabeth Foote Huntington (needle worker). This reference work should make for a great tool for any researcher wanting to discover the artistic contributions of specific women.

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Farrington, Lisa E. "CONCEPTUALISM, POLITICS, AND THE ART OF AFRICAN-AMERICAN WOMEN." Source: Notes in the History of Art 24, no. 4 (2005): 67–75. http://dx.doi.org/10.1086/sou.24.4.23207951.

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Fajardo-Hill, Cecilia, and Marcela Guerrero. "Latina Art Through the Exhibition Lens: Radical Women: Latin American Art, 1960-1985." Diálogo 20, no. 1 (2017): 133–40. http://dx.doi.org/10.1353/dlg.2017.0015.

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Tone-Pah-Hote, Jenny. "Women and Ledger Art: Four Contemporary Native American Artists (Pearce)." Museum Anthropology Review 9, no. 1-2 (2015): 204–5. http://dx.doi.org/10.14434/mar.v9i1-2.19518.

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Stott, Annette. "Prairie Madonnas and Pioneer Women: Images of Emigrant Women in the Art of the Old West." Prospects 21 (October 1996): 299–325. http://dx.doi.org/10.1017/s0361233300006566.

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In the art of the American West, women have traditionally occupied a minor position. Compared to a surfeit of depictions of cowboys, braves, soldiers, miners, Indian chiefs, scouts, trappers, and traders, there are relatively few images of women; and when considering women who were not native to the plains and prairies, the field narrows still farther. Although literature and popular culture have given us numerous female types of the trans-Mississippi West (saloon and dance-hall girls, frontier mothers, helpless captives, schoolteachers, renegade female outlaws, wild-west-show women), art has virtually ignored all but the emigrant woman who traveled west in a covered wagon to establish a home on the prairie.

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French, Kara M. "Evolving Images of Women Religious in Nineteenth-Century American Art." American Catholic Studies 132, no. 1 (2021): 105–19. http://dx.doi.org/10.1353/acs.2021.0013.

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Sheppard, Alice. "Suffrage Art and Feminism." Hypatia 5, no. 2 (1990): 122–36. http://dx.doi.org/10.1111/j.1527-2001.1990.tb00421.x.

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Suffrage graphics constitute one of the first collective, ideological, artistic expressions by American women. Premised on the popular view of woman's nature as virtuous, responsible, and nurturant, this art nonetheless challenged traditional practices and demanded political change. Interrelationships between feminism, art, and the historical context are explored in this analysis of women's imagery.

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Mosley-Williams, Angelia, Mark A. Lumley, Mazy Gillis, James Leisen, and Deena Guice. "Barriers to treatment adherence among African American and white women with systemic lupus erythematosus." Arthritis & Rheumatism 47, no. 6 (2002): 630–38. http://dx.doi.org/10.1002/art.10790.

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Puerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress." Art Libraries Journal 20, no. 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.

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The work of Latin American women artists is not adequately documented, nor is it sufficiently recognised in the major art reference works and bibliographies which thus fail to facilitate access even to documentation which is available in the USA. The author has been working towards a bibliographic apparatus that will bring together readily available sources on 20th century Latin American women artists. Much material has been found in the Art Exhibition Catalog collection in the Arts Library at the University of California at Santa Barbara. Two Cuban artists, Ana Mendieta and María Martínez-Cañas, are just two of some 200 artists from 20 countries represented in this project. (The revised text of a paper presented to the IFLA Section of Art Libraries at the IFLA General Conference at Havana, August 1995).

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Dissertations / Theses on the topic "Women in American art"

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Moham, Carren D. "The contributions of four African-American women composers to American art song." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1250881412.

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Moham, Carren Denise. "The contributions of four African-American women composers to American art song /." The Ohio State University, 1997. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487945015618126.

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Long, Jessica X. "She Inked! Women in American Tattoo Culture." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1588796599281498.

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McEwin, Florence Rebecca. "American women artists and the female nude image (1969-1983)." Thesis, North Texas State University, 1986. http://catalog.hathitrust.org/api/volumes/oclc/23638110.html.

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Thesis (Ph. D.)--North Texas State University, 1986.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (p. 367-404).

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Xue, Grace H. "Space Between: Asian-American Women Identity, Culture and Contemporary Art." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/765.

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An exploration and analysis on the connections between identity, culture and contemporary art. A number of critical race theories are examined as possible constructions of Asian-American women identities. This paper seeks to understand how Asian-American women reconcile with these strivings and limitations and how they maintain their native racial identities despite their conflicting desire to conform to the mainstream culture. This paper also examines two contemporary women artists who promote a dialogue regarding transcultural identities.

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Hood, Yolanda. "African American quilt culture : an afrocentric feminist analysis of African American art quilts in the Midwest /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9974639.

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Hargro, Brina. "Hair Matters: African American Women and the Natural Hair Aesthetic." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/95.

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This thesis addresses the negative cultural and social connotations of natural hair for African American women. This issue is examined throughout history from slavery to present day with a visual analysis of hair care advertisements. Presently, natural hair is gaining more positive implications; which can be affected by creating more positive images with natural hair. Using art as the vehicle for social change and using research to inform art has a positive impact on teaching and learning in the art classroom.

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Muente, Tamera Lenz. "Repose, Reflections, and “Girls in Sunshine”: Frederick Carl Frieseke’s Paintings of Women, 1905–1920." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147531632.

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Thomas, Shannon L. "“An Obtrusive Sense of Art”: The Poetess and American Periodicals, 1850–1900." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1280934312.

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Malone, Kelsey Frady. "Sisterhood as Strategy| The Collaborations of American Women Artists in the Gilded Age." Thesis, University of Missouri - Columbia, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13877154.

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<p> This dissertation employs four case studies—illustrator Alice Barber Stephens in Philadelphia; Louisville-born sculptor Enid Yandell; photographer Frances Benjamin Johnston in Washington, D.C.; and the Newcomb College Pottery in New Orleans—to show how individual women artists from a variety of media utilized collaborative strategies to advance their professional careers. These strategies included mentoring, teaching, and sharing commissions with one another; establishing art organizations; sharing studio and living spaces; organizing and participating in all-female art exhibitions; and starting businesses to market their work. At a historical moment when expectations and ideas towards gender roles and feminine performance were shifting, these women artists negotiated these changes as well as those of a fine art world that was redefining itself in an increasingly consumer-based culture that challenged traditional definitions of the “professional” artist.</p><p> “Sisterhood as Strategy” intersects with important work in the fields of American History, Women’s and Gender Studies, and Art History. It bridges a gap between broad, cultural histories of women’s artistic production and more focused scholarly studies on women’s labor and organized womanhood. Indeed, this dissertation brings more specificity to these areas by focusing on particular artists who were highly acclaimed during their lifetime but who have since fallen through the cracks of the art historical canon and by attending to the wide array of genres and media that all artists, men and women, worked with during the era: illustration, photography, public sculpture, and the decorative arts. By analyzing the art produced as a result of collaboration; the artists’ letters, photographs, and personal papers; and contemporary mass media, particularly art journals and popular ladies’ magazines, this dissertation recovers the voices of artists who served as professional role models and creates a far more diverse picture of the people and art forms that constituted early modern American visual culture.</p><p>

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Books on the topic "Women in American art"

1

Munro, Eleanor C. Originals: American women artists. Da Capo Press, 2000.

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Center for the History of Collecting in America and Università degli studi di Venezia, eds. Power underestimated: American women art collectors. Marsilio, 2011.

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Constance, Schwartz, ed. ¡Latinas!: Latin American women in art. Nassau County Museum of Art, 2010.

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Nassau County Museum of Art. ¡Latinas!: Latin American women in art. Nassau County Museum of Art, 2010.

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Notley, Alice. Homer's Art. Institute of Further Studies, 1990.

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Arlene, Raven, ed. Exposures: Women & their art. NewSage Press, 1989.

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Francey, Mary. American women at work. JP Realty, 2000.

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8

Angels of art: Women and art in American society, 1876-1914. Pennsylvania State University Press, 1996.

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9

1952-, Deacon Deborah A., ed. American women artists in wartime, 1776-2010. McFarland & Company, Inc., 2011.

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Chandler, Christy Howard. The American girl. Angel City Press, 1999.

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Book chapters on the topic "Women in American art"

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Gatlin, Rochelle. "Education, Art and Spirituality." In American Women Since 1945. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18896-3_9.

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Weldt-Basson, Helene Carol. "All Women Are Whores." In Postmodernism’s Role in Latin American Literature. Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230107939_10.

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Jemmott, Loretta Sweet, Veronica Catan, Adeline Nyamathi, and Joyce Anastasia. "African American Women and HIV-Risk-Reduction Issues." In Women at Risk. Springer US, 1995. http://dx.doi.org/10.1007/978-1-4899-1057-8_6.

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Alcázar, Josefina. "The body, women, and performance art in Latin America." In The Routledge Companion to Applied Performance. Routledge, 2020. http://dx.doi.org/10.4324/9781351120142-30.

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Harrison, Renee K. "“In the Company of My Sisters”: Violence among Women in the American Colonies." In Enslaved Women and the Art of Resistance in Antebellum America. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230100664_6.

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Gerassi-Navarro, Nina. "Elizabeth Cary Agassiz: The Art of Scientific Observation." In Women, Travel, and Science in Nineteenth-Century Americas. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61506-6_4.

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Dex, Shirley, and Lois B. Shaw. "Introduction." In British and American Women at Work. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18267-1_1.

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Dex, Shirley, and Lois B. Shaw. "Women’s Work and Family Responsibilities." In British and American Women at Work. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18267-1_2.

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Dex, Shirley, and Lois B. Shaw. "Timing of First Return to Work." In British and American Women at Work. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18267-1_3.

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Dex, Shirley, and Lois B. Shaw. "Occupational Mobility." In British and American Women at Work. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-18267-1_4.

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Conference papers on the topic "Women in American art"

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Sepúlveda-Páez, Geraldy, and Carmen Araneda-Guirriman. "WOMEN FACULTY AND SCIENTIFIC PRODUCTIVITY IN LATIN AMERICAN CONTEXT: EVIDENCE FROM CHILE." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end026.

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Since the 19th century, the position of women in the context of higher education has undergone multiple changes, although their incorporation has not been a simple or homogeneous task. Currently, women face new consequential challenges of a globalized world and the notion of market education that characterizes institutions nowadays. One of the great challenges is related to the under-representation of women in senior research positions (Aiston and Fo, 2020). In this context, new standards have been established to measure the productivity, quality, and effectiveness of teachers, specifically scientific productivity has been internalized as an indicator of professional progress, the type of publication, its impact, and the citation rates today. They have special relevance, where many times achieving high scientific productivity is very complex for academics who do not access the teaching staff early (Webber and Rogers, 2018). Furthermore, it is very difficult for academic women to maintain high levels of productivity constantly both at work and home (Lipton, 2020). In this sense, the principles that encourage academic productivity increase competition among teachers and reinforce gender inequalitiestogether with a valuation of male professional life (Martínez, 2017). Indeed, the participation of women in sending articles is much lower than their male counterparts (Lerback and Hanson, 2017). Therefore, the present study aims to visualize the participation of Chilean academics in current productivity indices, based on the description of secondary data obtained from the DataCiencia and Scival platforms. The sample consists of 427 people, of which 17.3% were women, with an average of 10 publications for the year 2019. To achieve the objectives, the following strategy was developed: 1) describe and interpret the secondary data obtained during the year 2019 on each of the platforms. 2) Compare the data obtained to national averages and type of institution and gender. Based on the analyzes, the implications of female participation in the number of women observed at the national level and their position in international indicators and new lines of research are discussed.

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Sarkissyan, Marianna, Yanyuan Wu, Marianne Carlota, and Jaydutt V. Vadgama. "Abstract 5514: Comorbidities are associated with breast cancer in African-American and Hispanic women." In Proceedings: AACR 103rd Annual Meeting 2012‐‐ Mar 31‐Apr 4, 2012; Chicago, IL. American Association for Cancer Research, 2012. http://dx.doi.org/10.1158/1538-7445.am2012-5514.

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Ochs-Balcom, Heather M., Lara Sucheston, Song Liu, et al. "Abstract B63: ESR1 variants are not associated with breast cancer in African American women." In Abstracts: AACR International Conference on the Science of Cancer Health Disparities‐‐ Sep 18-Sep 21, 2011; Washington, DC. American Association for Cancer Research, 2011. http://dx.doi.org/10.1158/1055-9965.disp-11-b63.

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Soerheim, I., A. Johannessen, P. Bakke, A. Gulsvik, E. Silverman, and D. DeMeo. "Gender Differences in COPD – Are Women More Susceptible to Smoking Effects?." In American Thoracic Society 2009 International Conference, May 15-20, 2009 • San Diego, California. American Thoracic Society, 2009. http://dx.doi.org/10.1164/ajrccm-conference.2009.179.1_meetingabstracts.a3750.

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Valente, Allyson L., Craig D. Shriver, and Rachel E. Ellsworth. "Abstract 3270: Gene expression profiling of breast tumors from African American and Caucasian women: Are molecular differences meaningful." In Proceedings: AACR Annual Meeting 2014; April 5-9, 2014; San Diego, CA. American Association for Cancer Research, 2014. http://dx.doi.org/10.1158/1538-7445.am2014-3270.

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Johnson, Scott, Anne E. Dixon, Laurianne Griffes, et al. "Change In Adipokines In Obesity Are Associated With Decreased Th2 Chemokines In Pre-menopausal Women." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a4048.

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Chaudhury, A., C. Laukaitis, C. Mauss, et al. "Abstract P3-07-05: Frequent BRCA1 and BRCA2 mutations are found in Mexican and Mexican-American women with breast cancer." In Abstracts: Thirty-Sixth Annual CTRC-AACR San Antonio Breast Cancer Symposium - Dec 10-14, 2013; San Antonio, TX. American Association for Cancer Research, 2013. http://dx.doi.org/10.1158/0008-5472.sabcs13-p3-07-05.

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O'Donnell, Max R., Nesri Padayatchi, Jennifer Zelnick, et al. "Women Are At Increased Risk For Extensively Drug Resistant-tuberculosis (XDR-TB) In KwaZulu-Natal, South Africa." In American Thoracic Society 2010 International Conference, May 14-19, 2010 • New Orleans. American Thoracic Society, 2010. http://dx.doi.org/10.1164/ajrccm-conference.2010.181.1_meetingabstracts.a5378.

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Khan, Y., A. Ali, C. Bell, D. Ratan, S. Datt, and S. Mehta. "Women, Visible Minorities and Residents of Lower-Middle Income Countries Are Underrepresented in Leading Respirology and Critical Care Journals." In American Thoracic Society 2019 International Conference, May 17-22, 2019 - Dallas, TX. American Thoracic Society, 2019. http://dx.doi.org/10.1164/ajrccm-conference.2019.199.1_meetingabstracts.a4167.

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Tetrick, Dan E., Daniel Farley, Golnaz Arastoopour, Michael Zinn, David Williamson Shaffer, and Naomi C. Chesler. "RescuShell: A Biomechanical Design Epistemic Game for First-Year Engineering Education and Potentially Increased Retention of Women." In ASME 2013 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/sbc2013-14069.

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The American engineering workforce lacks the size and diversity needed to maintain its place as the world leader in science and technology. Across the United States, academic institutions are attempting to retain men and especially women in engineering degree paths by providing introductory coursework that motivates them to persist to graduation. Epistemic games provide students with an authentic engineering experience that may increase their persistence towards engineering degrees. This authentic experience, which we refer to as a virtual internship, helps students create an engineering epistemic frame, in which their skills and knowledge are linked a developing engineering identity, values, and epistemology. RescuShell is an epistemic game that was developed to provide this virtual internship experience for first-year engineering students and increase the persistence of women. In RescuShell, students complete a biomechanical engineering design project in which they create an arm joint for a human enhancement suit. Students research the joint’s actuators, control sensors, power sources, types of articulation, and materials. Completed designs are assessed by the company’s various stakeholders for their ability to meet thresholds for safety, agility, payload, work capacity, reliability, and cost. We anticipate that RescuShell will motivate more men and women to persist to engineering degrees and future careers in the engineering profession than traditional first-year engineering coursework.

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Reports on the topic "Women in American art"

1

Sangster, Alesha. Narratives of Native American Women and Tribal Courts: the Framing of the Violence Against Women Act of 2013 in Mainstream, Native American, and Tribal Press Coverage. Portland State University Library, 2000. http://dx.doi.org/10.15760/etd.3296.

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Bustelo, Monserrat, Pablo Egana-delSol, Laura Ripani, Nicolas Soler, and Mariana Viollaz. Automation in Latin America: Are Women at Higher Risk of Losing Their Jobs? Inter-American Development Bank, 2020. http://dx.doi.org/10.18235/0002566.

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New technological trends, such as digitization, artificial intelligence and robotics, have the power to drastically increase economic output but may also displace workers. In this paper we assess the risk of automation for female and male workers in four Latin American countries Bolivia, Chile, Colombia and El Salvador. Our study is the first to apply a task-based approach with a gender perspective in this region. Our main findings indicate that men are more likely than women to perform tasks linked to the skills of the future, such as STEM (science, technology, engineering and mathematics), information and communications technology, management and communication, and creative problem-solving tasks. Women thus have a higher average risk of automation, and 21% of women vs. 19% of men are at high risk (probability of automation greater than 70%). The differential impacts of the new technological trends for women and men must be assessed in order to guide the policy-making process to prepare workers for the future. Action should be taken to prevent digital transformation from worsening existing gender inequalities in the labor market.

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Wansley, William J. American Art: Toward an American Theory of Peace. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada253169.

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Freeman, Jean L. Mammography Use by Older Mexican American Women. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada381714.

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McBride, Magelende R. Early Cancer Detection for Filipino American Women. Defense Technical Information Center, 1996. http://dx.doi.org/10.21236/ada325842.

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McBride, Magelende R. Early Cancer Detection for Filipino American Women,. Defense Technical Information Center, 1997. http://dx.doi.org/10.21236/ada341610.

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Heimerman, Cheryl A. Women of Valor in the American Civil War. Defense Technical Information Center, 1999. http://dx.doi.org/10.21236/ada388777.

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Anastas, Kevin P. The American Way of Operational Art: Attrition or Maneuver. Defense Technical Information Center, 1992. http://dx.doi.org/10.21236/ada254194.

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Magee, Caroline E. The Characterization of the African-American Male in Literature by African-American Women. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada299399.

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Lee, Charlene H. Sexual Harassment of Women in the American Work Place. Defense Technical Information Center, 1991. http://dx.doi.org/10.21236/adb165810.

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