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Books on the topic 'Women in animation'

Author: Grafiati
Published: 19 February 2023
Last updated: 20 February 2023

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1

Good girls and wicked witches: Women in Disney's feature animation. Eastleigh, U.K: John Libbey Publishing, 2006.

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2

Yi, Su-yŏn. Hanʼguk yŏsŏng ŭi munhwa hyangsu siltʻae wa munhwa hyangsu chego rŭl wihan chŏngchʻaek chiwŏn pangan. Sŏul Tʻŭkpyŏlsi: Munhwa Kwanʼgwangbu, 2005.

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3

Meckel, Anne. Animation, Agitation: Frauendarstellungen auf der "Grossen Deutschen Kunstausstellung" in München, 1937-1944. Weinheim: Deutscher Studien Verlag, 1993.

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4

Mbilinyi, Marjorie J. Beyond 'women and education': Towards transformative gender animation = Zaidi ya 'wanawake na elimu' : tuelekee kwenye jinsia na uraghibishi. Dar es Salaam: Tanzania Gender Networking Programme, 1995.

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5

Le donne nel cinema d'animazione. Latina, Italy: Tunué, 2010.

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6

Valentini, Alessandra. Agrippina Maggiore. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-346-5.

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On October 18th of 33 AD, after five years of confinement on the island of Ventotene, Agrippina the Elder, Augstus’ niece, Germanicus Caesar’s wife, Caligula’s mother and Nero’s grandmother, died. At first she was a witness and then she assumed a leading role in the fight for the choice of the prince's heir, held up by a consistent group of supporters and animating the opposition in the Domus Augusta. In recent years scholars’ attention has been dedicated to the reconstruction of Augustus and Tiberius’ politics and to the organization of the groups animating the fight for the heir’s choice in the domus principis. To Agrippina the Elder, who assumed for decades a central role in the dynamics of the principate’s succession, scholars didn’t give specific attention, favoring, instead, the male perspective in the Augustan and Tiberian politics or the study of other women linked to men who assumed important role on the political scene. In a historical context in which the domus Augusta became the space of the political discussion and where women easily acquired spaces in the political field, Agrippina the Elder assumed an increasingly important role, acting in fields traditionally precluded to women and obtaining major possibilities to interfere in politics.
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7

Clamp. Magic knight Rayearth. Los Angeles, CA: Tokyopop Manga, 2001.

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8

Clamp. Magic Knight Rayearth. [Los Angeles]: Mixx Manga Premium Edition/Mixx Entertainment, 1998.

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9

Clamp. Magic Knight Rayearth. Los Angeles: Tokyopop, 2002.

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10

Kio, Shimoku. Genshiken. New York: Del Rey/Ballantine, 2007.

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11

David, Ury, and Michaelis/Carpelis Design (Firm), eds. Genshiken volume 2. New York: Ballantine, 2005.

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12

David, Ury, ed. Genshiken volume 5. New York, N.Y: Ballantine Books, 2005.

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13

Jayne, Pilling, and British Film Institute. Exhibition & Distribution Division., eds. Women and animation: A compendium. London: British Film Institute, Exhibition & Distribution Division, 1992.

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14

Foray, June, writer of foreword, Disney Walt 1901-1966, and Walt Disney Productions, eds. Ink & paint: The women of Walt Disney's animation. Disney Editions, 2017.

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15

Davis, Amy M. Good Girls And Wicked Witches: Women in Disney's Feature Animation. Indiana University Press, 2007.

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16

Wu, Weihua. Chinese Animation, Creative Industries, and Digital Culture. Taylor & Francis Group, 2017.

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17

Wu, Weihua. Chinese Animation, Creative Industries, and Digital Culture. Taylor & Francis Group, 2017.

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18

Wu, Weihua. Chinese Animation, Creative Industries, and Digital Culture. Taylor & Francis Group, 2017.

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19

Chinese Animation, Creative Industries and Digital Culture. Taylor & Francis Group, 2017.

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20

Wu, Weihua. Chinese Animation, Creative Industries, and Digital Culture. Taylor & Francis Group, 2017.

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21

Cohen, Judith Love. You Can Be A Woman Animator. Cascade Pass, Inc., 2004.

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22

Davis, Amy M. Good Girls and Wicked Witches: Changing Representations of Women in Disney's Feature Animation, 1937-2001. Libbey & Company, Limited, John, 2007.

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23

Chen, Helen (Mingjue Helen), artist, Keene Lisa artist, Lee Brittney artist, and Ying Victoria artist, eds. Lovely: Ladies of animation : the art of Lorelay Bové, Mingjue Helen Chen, Claire Keane, Lisa Keene, Brittney Lee, & Victoria Ying. Design Studio Press, 2014.

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24

Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History. Little Brown & Company, 2020.

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25

Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History. Little Brown & Company, 2019.

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26

Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History. Cengage Gale, 2020.

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27

Holt, Nathalia. The Queens of Animation: The Untold Story of the Women Who Transformed the World of Disney and Made Cinematic History. Little Brown and Company, 2019.

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28

Anim, Silvia Silvia. Cute Anime for N Girls Women Japanese Animation Sketchbook: Blank Paper for Drawing, Arts and Crafts Drawing Pad for Sketching and Doodling. Independently Published, 2021.

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29

Anim, Silvia Silvia. Cute Anime for N Girls Women Japanese Animation Sketchbook: Drawing Book for Kids and Teenagers / Inspirational Pages to Sketch, Doodle and Journal. Independently Published, 2021.

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30

Publishing, Sunshine. I Would Rather Suffer with 3d Animation Than Be Senseless: Funny Notebook for 3d Animation Lovers, Cute Journal for Writing Journaling and Note Taking at Home Office Work School College,appreciation Birthday Christmas Gag Gift for Women Men Teen Friend. Independently Published, 2020.

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31

Publishing, Sunshine. I Would Rather Suffer with 3d Animation Than Be Senseless: Funny Notebook for 3d Animation Lovers, Cute Journal for Writing Journaling and Note Taking at Home Office Work School College,appreciation Birthday Christmas Gag Gift for Women Men Teen Friend. Independently Published, 2020.

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32

Publishing, Sunshine. I Would Rather Suffer with 3d Animation Than Be Senseless: Funny Notebook for 3d Animation Lovers, Cute Journal for Writing Journaling and Note Taking at Home Office Work School College,appreciation Birthday Christmas Gag Gift for Women Men Teen Friend. Independently Published, 2020.

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33

Nava, Lennon. Chibi Black Girls Coloring Book: Cute Kawaii African American Women Coloring Pages with Lovely Illustrations for Kids and Teens Gift Idea for Animation Fans Relieving Stress and Relaxation. Independently Published, 2022.

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34

Bell, Melanie. Movie Workers. University of Illinois Press, 2021. http://dx.doi.org/10.5622/illinois/9780252043871.001.0001.

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After the advent of sound, women in the British film industry formed an essential corps of below-the-line workers, laboring in positions from animation artist to negative cutter to costume designer. This book maps the work of these women decade by decade, examining their far-ranging economic and creative contributions against the backdrop of the discrimination that constrained their careers. The author's use of oral histories and trade union records presents a vivid counter-narrative to film history, one that focuses not only on women in a male-dominated business, but on the innumerable types of physical and emotional labor required to make a motion picture. The book's feminist analysis looks at women's jobs in film at important historical junctures while situating the work in the context of changing expectations around women and gender roles. Illuminating and astute, the book is a first-of-its-kind examination of the unsung women whose invisible work brought British filmmaking to the screen.
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35

Publishing, April Birthday Gift. Badass Animation Teachers Are Born in April Notebook Birthday University Graduation Gift: Funny Lined Notebook / Journal Gift for Women Men Who Are Born in April, 110 Pages, 6x9, Soft Cover, Matte Finish. Independently Published, 2020.

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36

Cohen, Judith Love, and Vicky Jenson. You Can Be A Woman Animator. Cascade Pass, Inc., 2004.

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37

Adams, Marilyn McCord. Duns Scotus on the Female Gender. Edited by Adrian Thatcher. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199664153.013.009.

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Scotus’ estimate of the female gender is shaped by his view that Mary is pre-eminent among merely human saints. Because Mary must be a real mother, he rejects the Aristotelian view that mothers are merely passive causes in reproduction. Christ’s most perfect saving act preserves Mary for immaculate conception, freedom from original sin, not just from birth but from the moment of foetal animation. Gender-justice is important in the marriage contract, even though God never dispenses from life-long indissoluble monogamy to allow polyandry or to permit women to divorce. The Franciscan distinction between dominion and use allows Mary and Joseph to be really married even though both vowed chastity. Gender-justice means that right reason would never permit merely human institutions from restricting ordination to men. The command must come from Christ himself.
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38

Phillips, Amanda. Gamer Trouble. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479870103.001.0001.

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Gamers have been in trouble as long as games have existed, constantly mired in controversies about violence, diversity, and online harassment. As our popular understanding of “gamer” shifts beyond its historical construction as a white, straight, adolescent, cisgender male, the troubles that emerge both confirm and challenge our understanding of identity politics. This book excavates the turbulent relationships between surface and depth in contemporary gaming culture, taking readers under the hood of the mechanisms of video games in order to understand the ways that gender, race, and sexuality operate in their technological, ludic, ideological, and social systems. By centering the insights of queer and women of color feminisms in readings of online harassment campaigns, industry animation practices, and popular video games like Portal, Bayonetta, Tomb Raider, and Mass Effect, Phillips adds necessary analytical tools to our conversations about video games. In the context of a political landscape in which reinvigorated forms of racism, sexism, and homophobia thrive in games and gaming communities, Phillips follows the lead of those who have been making good trouble all along, agitating for a better world.
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39

Iyer, Usha. Dancing Women. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190938734.001.0001.

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Dancing Women: Choreographing Corporeal Histories of Hindi Cinema, an ambitious study of two of South Asia’s most popular cultural forms—cinema and dance—historicizes and theorizes the material and cultural production of film dance, a staple attraction of popular Hindi cinema. It explores how the dynamic figurations of the body wrought by cinematic dance forms from the 1930s to the 1990s produce unique constructions of gender, stardom, and spectacle. By charting discursive shifts through figurations of dancer-actresses, their publicly performed movements, private training, and the cinematic and extra-diegetic narratives woven around their dancing bodies, the book considers the “women’s question” via new mobilities corpo-realized by dancing women. Some of the central figures animating this corporeal history are Azurie, Sadhona Bose, Vyjayanthimala, Helen, Waheeda Rehman, Madhuri Dixit, and Saroj Khan, whose performance histories fold and intersect with those of other dancing women, including devadasis and tawaifs, Eurasian actresses, oriental dancers, vamps, choreographers, and backup dancers. Through a material history of the labor of producing on-screen dance, theoretical frameworks that emphasize collaboration, such as the “choreomusicking body” and “dance musicalization,” aesthetic approaches to embodiment drawing on treatises like the Natya Sastra and the Abhinaya Darpana, and formal analyses of cine-choreographic “techno-spectacles,” Dancing Women offers a variegated, textured history of cinema, dance, and music. Tracing the gestural genealogies of film dance produces a very different narrative of Bombay cinema, and indeed of South Asian cultural modernities, by way of a corporeal history co-choreographed by a network of remarkable dancing women.
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40

Motrescu-Mayes, Annamaria, and Heather Norris Nicholson. British Women Amateur Filmmakers. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474420730.001.0001.

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In the rapidly growing study of amateur film, this groundbreaking book addresses the development of British women's amateur visual practice. Drawing upon social and visual anthropology, imperial and postcolonial studies and British, Commonwealth and gender history, the authors explore how women in Britain and overseas, used the evolving technologies of moving imagery to create visual stories about their lives and times. Locating the making, watching and sharing of women's recreational film-making against wider societal, technological and ideological changes, British Women Amateur Filmmakers discloses how women from varied backgrounds negotiated changing lifestyles, attitudes and opportunities as they created first personal visual narratives about themselves and the world around them. Using non-fictional films and animations, the authors invite readers to view films through different interpretative lens and provide detailed contexts for their case-studies and survey of over forty women amateur filmmakers. Whether in remote communities, suburban homes, castles, missionary or diplomatic enclaves, or simply travelling as intrepid sightseers, women filmed their companions, other people and their surroundings, not only as observers but often displaying agency, autonomy and aesthetic judgment during decades when careers, particularly after marriage, were often denied in film and other professions. Research across Britain on films in private hands and specialist archives, interviews and extensive study of the Institute of Amateur Cinematographers (IAC's) collections enable the authors to reposition an activity once thought of as overwhelmingly male and middle class.
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41

Publishing, B. yessine. Animator Make a Difference Notebook : Animator Gift, Animator Notebook, Animator Journal: Birthday Gift / Notebook for Men and Women/ Journal / Diary Gift, 110 Blank Pages, 6x9 Inches, Soft Cover, Matte Finish Cover. Independently Published, 2020.

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42

Publishing, Animator ST. Keep Calm and Let the Animator Handle It: Professional Animator Practitioner Notebook Gift Idea for Women Animator Graduation Notebook Gift Journal for Quotes Luxury 6x9 Blank Lined Marble Notebook. Independently Published, 2020.

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43

Kumao, Heidi. Heidi Kumao: Real and Imagined. Maize Books, 2022. http://dx.doi.org/10.3998/mpub.12465060.

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Heidi Kumao: Real and Imagined documents and contextualizes narrative fabric works and animations from Kumao’s 2020 solo exhibition at the University of Michigan’s Stamps Gallery. Using fabric cutouts and stitching of everyday objects, Kumao invents a tactile visual vocabulary that distills unspoken aspects of ordinary exchanges into accessible narrative images. Weaving in her experiences as an Asian American woman, artist, and educator, Kumao creates poetic and playful open-ended visual haikus, generating a range of associations to current events, gender roles, and institutional power structures. Captured midstream, interactions from intimate relationships, medical procedures, the workplace, and the political sphere are suspended in time within felt film stills. Real and Imagined presents the reader with an opportunity to experience this remarkable oeuvre of over thirty fabric works and video animations. For over thirty years, Kumao has developed an expanded art practice that includes animations, video installations, photographs, machine art, and fabric works that give physical form to the intangible parts of our lives: our emotions, psychological states, memories, thinking patterns. Her hybrid artworks have included electromechanical girl’s legs that “misbehave,” video installations about surviving confinement, surreal, experimental stop motion puppet animations, performative staged photographs, and hand crafted cinema machines. She has exhibited her award-winning artwork in solo and group exhibitions nationally and internationally including the Art Science Museum Singapore, Centre de Cultura Contemporània de Barcelona, the Museum of Image and Sound (São Paulo) and the Museum of Modern Art in Buenos Aires. Her work is in permanent and private collections including the Houston Museum of Fine Arts, Arizona State University Art Museum, the Philadelphia Museum of Art and the Exploratorium in San Francisco. She has received fellowships and grants from the Guggenheim Foundation, the Creative Capital Foundation, and the National Endowment for the Arts. She is a professor at the Stamps School of Art & Design at the University of Michigan, Ann Arbor. This exhibition catalogue marks the first significant publication on Kumao’s work and includes a selection of works from across her career. It includes written contributions by: Srimoyee Mitra, curator and Director of the Stamps Gallery and NYC-based art critic; Wendy Vogel; an interview between the artist and writer Lynn Love; and poems by the Ruth Lilly Poetry Prize Award winner Marilyn Chin.
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44

Publishing, Animator ST. Future Animator: Diamond Crystal Animator Student Notebook Gift Idea for Women Girl Graduation Student Journal for Quotes Cute 6x9 Blank Ruled Matte Notebook for Notes Journaling. Independently Published, 2020.

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45

Publishing, Strawberry Art. Coolest Pumpkin and Happy Birthday to My Animator: Animator Vintage Retro Gift - Lined Notebook Gift Idea for Women, Girls, Boys, Coworkers, Friends, and Family and Holiday Season. Independently Published, 2021.

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46

Clamp. Magic Knight Rayearth #4. TokyoPop, 2000.

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47

Clamp. Magic Knight Rayearth #6. TokyoPop, 2001.

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48

Clamp., N/A CLAMPCLAMP, and A. CLAMPCLAMP. Magic Knight Rayearth #5. TokyoPop, 2001.

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49

Magic Knight Rayearth 3. Buenos Aires, Argentina: Ivrea, 2020.

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50

Clamp. Magic Knight Rayearth 1. TokyoPop, 1999.

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