Journal articles: 'Women in animation'

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Novianto, Hanang, and Erma Rachmayanti. "Hemoroid Pada Kehamilan." Reslaj : Religion Education Social Laa Roiba Journal 5, no. 1 (August 7, 2022): 126–37. http://dx.doi.org/10.47467/reslaj.v5i1.1332.

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Hemorrhoids during pregnancy is one of the problems that pregnant women often complain about. It is estimated that around 25-35 percent of pregnant women experience this condition, also known as hemorrhoids. Hemorrhoids during pregnancy usually begin to appear at week 25 or in the last trimester of pregnancy. Hemorrhoids in pregnant women are a physiological condition, so the therapy is aimed at overcoming complaints, namely with preventive measures and animation. New surgery is performed if the animation treatment is not successful. Keywords: Hemorroid, Pregnancy

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Novianto, Hanang, and Erma Rachmayanti. "Hemoroid pada Kehamilan." Reslaj : Religion Education Social Laa Roiba Journal 4, no. 6 (April 10, 2022): 1650–59. http://dx.doi.org/10.47467/reslaj.v4i6.1332.

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Hemorrhoids during pregnancy is one of the problems that pregnant women often complain about. It is estimated that around 25-35 percent of pregnant women experience this condition, also known as hemorrhoids. Hemorrhoids during pregnancy usually begin to appear at week 25 or in the last trimester of pregnancy. Hemorrhoids in pregnant women are a physiological condition, so the therapy is aimed at overcoming complaints, namely with preventive measures and animation. New surgery is performed if the animation treatment is not successful. Keywords: Hemorroid, Pregnancy

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Parsons, Joanne E., Katie V. Newby, David P. French, Elizabeth Bailey, and Nadia Inglis. "The development of a digital intervention to increase influenza vaccination amongst pregnant women." DIGITAL HEALTH 7 (January 2021): 205520762110121. http://dx.doi.org/10.1177/20552076211012128.

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Objective Pregnant women and unborn babies are at increased risk of complications from influenza, including pneumonia, yet in the UK, uptake of flu vaccination amongst this population remains <50%. Pregnant women hold beliefs about risks of flu and efficacy of vaccination that consistently predict them to decline vaccination. This study aimed to develop a theory and evidence-based intervention addressing these beliefs to promote flu vaccine uptake. Methods The intervention was developed by behavioural scientists, pregnant women, midwives, clinicians and Public Health professionals, informed by Intervention Mapping. Six predefined steps were performed in line with Intervention Mapping. Results The intervention is an animation addressing beliefs about risks of flu and efficacy of vaccination. Preliminary testing using qualitative methodology indicates the information within the animation is appropriate, and the animation is acceptable to pregnant women. Conclusions This is the first known intervention for pregnant women, aiming to increase flu vaccination through addressing risk and efficacy appraisals. It has been implemented within seasonal flu vaccination campaigns during 2018/19 and 2019/20 within one geographically and ethnically diverse area of the UK.

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Bothra, Sapana, Sabaretnam Mayilvaganan, Prabhaker Mishra, Anjali Mishra, Amit Agarwal, and Gaurav Agarwal. "Use of animation video in surgical decision-making for treatment of early breast cancer in Indian women." South Asian Journal of Cancer 08, no. 03 (July 2019): 137–39. http://dx.doi.org/10.4103/sajc.sajc_179_18.

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Abstract Introduction: Surgical decision-making in early breast cancer is difficult for the patient and also for the treating clinician, especially when the patient is not completely aware of the available options. Adjuncts such as animation video with case scenarios can be helpful in this regard. We used an animation video to help in decision-making and evaluated the effect of such adjunct in Indian women with early breast cancer. Materials and Methods: An animation video of running time of 4 min and 11 s was shown to forty patients with early breast cancer, who filled in a patient satisfaction multimedia questionnaire at the end of the animation. Results: Seventeen (42.5%) patients underwent breast-conserving surgery (BCS) while the rest 23 (57.5%) patients underwent the mastectomy. All forty patients were satisfied with the animation video. The mean score of the utility of the video to improve understanding of the disorder, better organization of treatment, stimulated interest in the relations, and saved unnecessary discussion was 88.50, 88.50,88.3, and 90.3, respectively. Age and literacy status did not significantly affect the scores. Discussion: All the patients found the video useful and most patients made the decision on the first attempt. Patients' perspective about BCS is influenced by the fear of recurrence, fear of multiple surgeries, complications, and also the counseling provided by the surgeon. Conclusion: In this situation, such animation videos provide an unbiased view on the operative procedure and help in decision-making.

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Van de Peer, Stefanie. "Fragments of War and Animation: Dahna Abourahme’s Kingdom of Women and Soudade Kaadan’s Damascus Roofs: Tales of Paradise." Middle East Journal of Culture and Communication 6, no. 2 (2013): 151–77. http://dx.doi.org/10.1163/18739865-00602003.

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In this article, the author addresses the meaning of animated fragments in documentary films. She analyzes a Syrian and a Lebanese film, and illustrates the role and function of the hybrid form as a means through which women are now able to express themselves. Dahna Abourahme’s film Ein El Hilweh: Kingdom of Women (Lebanon, 2010) and Soudade Kaadan’s film Damascus Roofs: Tales of Paradise (Syria, 2010) are used as recent examples of documentaries addressing taboo issues by way of animated fragments. The author places these films in the wider context of the contemporary developments in animation in the Middle East, paying special attention to women’s contributions in the field. Both documentaries use animation not only for aesthetic appeal but also to enhance understanding and deepen engagement with topics and events that are necessarily situated beyond the knowledge and experience of a transnational audience. The author contends that animation creates a different film experience, and the audience must deal with the seduction of the animation.

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Azza, Sekar Yolanda. "THE TRADITIONAL GENDER ROLES STEREOTYPES AS SEEN IN TROLLS (2016) THE DREAMWORKS ANIMATION MOVIE." SIGEH ELT : Journal of Literature and Linguistics 2, no. 2 (September 8, 2022): 91–105. http://dx.doi.org/10.36269/sigeh.v2i2.518.

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In recent years, literature is not merely about poetry, prose, novel, short story but also the movie. One of the exciting animation movies is Trolls, produced by DreamWorks Animation in 2016. Undoubtedly, movies are not always about entertainment but can persuasively create an ideology in the kids' minds. Gender stereotypes are a negative impact of ideology that exists all over the world. Two research questions are formulated; what are the stereotypes towards women in Trolls movie and what ideology the movie seems to promote. This research aims to reveal the traditional stereotype towards women in Trolls movies and make the audience aware of the ideology of gender stereotypes towards women. This research applies library research with the descriptive qualitative method. Since this research analyzes gender stereotypes towards women in the movie, binary opposition theory can see the movie's structure. The writer concludes that women’s traditional gender roles stereotypes still exist in this movie. The stereotypes over women through Poppy as the character can be seen as irrational, weak, and submissive. The researcher also can find the patriarchal ideology. The movie promotes the gender issue in this film that shows the man is superior to the woman

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Ivanovski, Aleksandar, Bojan Ugrinić, Katarina Ćirić-Duvnjak, Saša Pantelić, and Dušan Mitić. "The quantitative analysis of animation programs in tourism." Sport — nauka i praksa = Sport — Science And Practice 9, no. 2 (2019): 36–48. http://dx.doi.org/10.5937/snp1901036i.

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The aim of the paper was to analyze tourist participation in animation programs during daily recreational activities within package tours which included apartment accommodation in Greece, i.e. whether there are differences between male and female participation rate in certain activities. Indirectly, based on the obtained results, it is necessary to establish whether animation programs should be conducted jointly and/or they should be planned and conducted separately for men and women. Another aim was to determine whether any differences occurred in animation programs during multiannual monitoring.

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Kim, Eun Ju and Geon KIM. "Image ideological of women appeared in Miyazaki Hayao’s animation." Journal of Korea Design Forum ll, no. 44 (August 2014): 217–30. http://dx.doi.org/10.21326/ksdt.2014..44.019.

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Trotman, Carroll-Ann, Julian J. Faraway, Kirsten T. Silvester, Geoffrey M. Greenlee, and Lysle E. Johnston. "Sensitivity of a Method for the Analysis of Facial Mobility. I. Vector of Displacement." Cleft Palate-Craniofacial Journal 35, no. 2 (March 1998): 132–41. http://dx.doi.org/10.1597/1545-1569_1998_035_0132_soamft_2.3.co_2.

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Objective (1) To determine which facial landmarks show the greatest movement during specific facial animations and (2) to determine the sensitivity of our instrument in using these landmarks to detect putatively abnormal facial movements. Design Movements of an array of skin-based landmarks on five healthy human subjects (2 men and 3 women; mean age, 27.6 years; range, 26 to 29 years) were observed during the execution of specific facial animations. To investigate the instrument sensitivity, we analyzed facial movements during maximal smile animations in six patients with different types of functional problems. In parallel, a panel was asked to view video recordings of the patients and to rate the degree of motor impairment. Comparisons were made between the panel scores and those of the measurement instrument. Results Specific regions of the face display movement that is representative of specific animations. During the smile animation, landmarks on the mid- and lower facial regions demonstrated the greatest movement. A similar pattern of movement was seen during the cheek puff animation, except that the infraorbital and chin regions demonstrated minimal movement. For the grimace and eye closure animations, the upper, mid-facial, and upper-lip regions exhibited the greatest movement. During eye opening, the upper and mid-facial regions, excluding the upper lip and cheek, moved the most, and during lip purse, markers on the mid- and lower face demonstrated the most movement. We used the smile-sensitive landmarks to evaluate individuals with functional impairment and found good agreement between instrument rankings based on the data from these landmarks and the panel rankings. Conclusion The present method of three-dimensional tracking has the potential to detect and characterize a range of clinically significant functional deficits.

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Leon, Carlo Yannick, and Emilia Schmidt. "Women Equity Strive in Society Depicted through Animation Film Characters." NOTION: Journal of Linguistics, Literature, and Culture 3, no. 2 (November 23, 2021): 112–25. http://dx.doi.org/10.12928/notion.v3i2.4818.

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The purpose of this research is to identify the female representation depicted in the Disney Renaissance and to investigate why Disney characters struggle to claim their equity as women in their society. The research methods used in this study are classified as qualitative and descriptive. The documentation method and taking notes techniques are used to collect data. The research also employs two method concepts to analyze the collected data, including a gender equity approach analysis and Simone de Beauvoir's second-wave feminism theory. The data consists of linguistic units from various Disney Renaissance stories. The writer discovered three parts in the description of female representations based on data analysis of the female representations depicted in Disney Renaissance: rebel, wise, and adventurous women; confident, intelligent, and repellent of domestication women; and masculine, loyal, and ambitious women. Furthermore, data analysis of Disney characters' struggles in claiming their equality as women in their society reveals that they outperform patriarchal expectations, reject domestication, and practice emancipation by appropriating masculine attributes and roles.

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Hamad, Hannah. "good girls & wicked witches: women in Disney's feature animation." Feminist Review 95, no. 1 (July 2010): e19-e21. http://dx.doi.org/10.1057/fr.2010.6.

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Lewis, Diane Wei. "Shiage and Women's Flexible Labor in the Japanese Animation Industry." Feminist Media Histories 4, no. 1 (January 1, 2018): 115–41. http://dx.doi.org/10.1525/fmh.2018.4.1.115.

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For much of the history of anime, women were in charge of shiage (finishing), the tasks of inking, coloring, and cleaning up drawings. Despite its seemingly minor contribution to the creative process, shiage reflects important historical transformations in anime production, since compared to other aspects of cel-style animation, it is more subject to the influence of technological innovations as well as labor redistribution. In the late 1970s, animation work took on special appeal due to its associations with creativity, media consumption, and leisure culture. Advertisements for animation work in women's magazines reflected this changing image. These ads presented shiage as a creative hobby and a form of self-cultivation. This phenomenon shows how the convergence of production and consumption in “prosumption” supported new forms of value extraction and labor exploitation, both for the animation industry as well as for opportunistic companies that positioned themselves between would-be workers and studios.

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Ratnaningsih, Ester, Lenna Maydianasari, and Dyan Avando Meliala. "Perancangan Media Animasi 2 Dimensi untuk Promosi Kesehatan Layanan Provider Initiated Testing and Counseling (PITC)." Jurnal SMART Kebidanan 9, no. 1 (June 28, 2022): 14. http://dx.doi.org/10.34310/sjkb.v9i1.525.

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ABSTRAKMinimnya informasi layanan Provider Initiated Testing and Counseling (PITC) bagi ibu hamil, menyebabkan kasus HIV/AIDS cenderung meningkat setiap tahun. Media promosi kesehatan layanan PITC bagi ibu hamil diperlukan dengan tujuan untuk mempermudah penyampaian informasi dan pemahaman ibu hamil. Janis media yang lebih mudah dipahami berbentuk audiovisual yaitu animasi. Media animasi 2 dimensi perlu dirancang sebagai media promosi kesehatan yang dapat meningkatkan pengetahuan ibu hamil tentang layanan PITC. Merancang media animasi 2 dimensi untuk promosi kesehatan layanan PITC. Pendekatan dalam penelitian ini adalah kuantitatif dengan jenis penelitian deskriptif. Metode pengembangan multimedia terdiri dari tahap pra produksi, produksi dan pasca produksi. Tahap pra produksi meliputi pembuatan ide, naskah, storyboard, dan disain karakter. Tahap produksi meliputi pembuatan Key Animasi, In Between, Background, Dubbing, dan Music. Tahap pasca produksi meliputi kegiatan compositing, editing, dan rendering. Hasil penelitian didapatkan fakta bahwa kelayakan media berdasarkan penilaian dari ahli materi dengan persentase yaitu 77,5% dengan kategori layak, ahli media dengan persentase yaitu 96,4% dengan kategori sangat layak dan uji kelayakan pengguna dengan persentase yaitu 86,3 % dengan kategori sangat layak. Berdasarkan hasil penelitian, dapat disimpulkan bahwa animasi 2 dimensi promosi kesehatan layanan PITC dapat dijadikan sebagai media promosi bagi masyarakat luas. Kata Kunci: animasi; 2 dimensi; promosi; Provider Initiated Testing and Counseling ABSTRACTThe lack of information about Provider Initiated Testing and Counseling (PITC) services for pregnant women leads to an increase in HIV/AIDS cases every year. Health promotion media regarding PITC services for pregnant women is required with the aim of facilitating the delivery of information and increasing the understanding of pregnant women. Audiovisual media is found to be better in information delivery, for example in the form of animation. 2-dimensional animation media needs to be designed as a health promotion media in order to increase the knowledge of pregnant women about PITC services. This study was to design 2-dimensional animation media for health promotion of PITC services. The approach implemented in this research was quantitative with descriptive type. Multimedia development methods consisted of pre-production, production and post-production stages. The pre-production stage involved the creation of ideas, scripts, storyboards, and character designs. The production stage involved the making of Key Animation, In Between, Background, Dubbing, and Music. The post-production stage involved compositing, editing, and rendering activities. It was obtained the fact that the feasibility of the media based on the assessment of material experts was 77,5 % which was involved in feasible category. Furthermore, based on media experts it was 96,4% which was involved in very feasible category. Based on the users, the feasibility was 86,3% which was involved in very feasible category. Based on the results of the study, it can be concluded that the 2-dimensional animation for health promotion of PITC services could be used as a promotional media in a wider community. Keywords: animation; 2 dimensions; promotion; PITC

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Trotman, Carroll-Ann, and Julian J. Faraway. "Sensitivity of a Method for the Analysis of Facial Mobility. II. Interlandmark Separation." Cleft Palate-Craniofacial Journal 35, no. 2 (March 1998): 142–53. http://dx.doi.org/10.1597/1545-1569_1998_035_0142_soamft_2.3.co_2.

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Objective This study demonstrates a method of quantifying facial movements based on distortions of the skin surface. Design Landmarks were identified on the faces of five healthy human subjects (2 men and 3 women; mean age, 27.6 years; range, 26 to 29 years), and the distortions were characterized by changes in the separation between 20 pairs of landmark distances during specific maximal facial animations: smile, lip purse, cheek puff, grimace, eye closure, and eye opening. Data were recorded with a video-based tracking system for a period of 3 seconds at a sampling rate of 60 Hz or frames per second. For each subject, we analyzed the change in the separation of 20 pairs of landmarks, of which the majority were bilaterally symmetrical and functionally active. Results Characteristic patterns of movement emerged for each animation. We found that smiling involved movements of the lateral orbital, circumoral, and chin regions; grimacing involved the inner orbital, lateral orbital, lateral nasal, and upper-lip regions; eye closure involved the inner orbital, lateral orbital, and, to a lesser degree, lateral nasal regions; eye opening involved the inner and lateral orbital regions; cheek puffing involved the cheek and lower-lip regions; and the lip purse animation involved the nasolabial, cheek, commissure, and lip regions. Conclusion This measurement of distortion provided a quantitative estimate of facial movement, and this approach is especially applicable to patients with unilateral problems in which the patient can serve as his or her own control.

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Smits, Lieke. "Small Pipe-Clay Devotional Figures: Touch, Play and Animation." Das Mittelalter 25, no. 2 (November 10, 2020): 397–423. http://dx.doi.org/10.1515/mial-2020-0044.

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AbstractSmall, mass-produced pipe-clay figurines were popular devotionalia in the late medieval Low Countries. In this paper, focusing on representations of the Christ Child, I study the sensory and playful ways in which such objects were used as ‘props of perception’ in spiritual games of make-believe or role-play. Not only does this particular iconography invite tactile and playful behaviour, the figurines fit within a larger context of image practices involving visions and make-believe. Through such practices images were animated and imbued with a divine power. Contemporary written sources suggest that, especially for women, ownership of and sensory engagement with small-scale figures provided them with agency.

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Salim, Andi. "Changes in Attitudes in Stunting Prevention through ASAKI Animation Media for Pregnant Women." Indian Journal of Public Health Research & Development 9, no. 12 (2018): 1472. http://dx.doi.org/10.5958/0976-5506.2018.02061.2.

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Salim, Andi. "Changes in Attitudes in Stunting Prevention through ASAKI Animation Media for Pregnant Women." Indian Journal of Public Health Research & Development 10, no. 1 (2019): 1183. http://dx.doi.org/10.5958/0976-5506.2019.00215.8.

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Karen Hollinger. "Good Girls & Wicked Witches: Women in Disney's Feature Animation (review)." American Studies 48, no. 2 (2007): 75–76. http://dx.doi.org/10.1353/ams.0.0057.

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Aryangga, Afri, and Ely Nurmaily. "Women’s Power and Stereotype Denial in Pocahontas Movie." TEKNOSASTIK 15, no. 1 (June 13, 2017): 46. http://dx.doi.org/10.33365/ts.v15i1.19.

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The aim of this research is to explicate the women power around men and oppose the stereotype issues of woman who is better taking care than man who is better taking charge. In some cultures, woman is expected to be the caregivers, soft, weak, which are considered feminine attributes and man is expected to be the breadwinners, strong and powerful, which is seen as masculine traits. The object of this research is from Disney’s animation movie, Pocahontas. This movie shows the woman’s power by how the main character protected family and also society, moreover the stereotype denial also is seen by the main character in several extreme activities inside of the movie.

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Indriani, Rini Sri, Yuli Mulyawati, and Mira Mirawati. "PENGGUNAAN MEDIA ANIMASI TULISAN TANGAN UNTUK MENINGKATKAN KETERAMPILAN MENULIS KARANGAN DESKRIPSI PADA MAHASISWA." JPPGuseda | Jurnal Pendidikan & Pengajaran Guru Sekolah Dasar 3, no. 1 (March 29, 2020): 56–60. http://dx.doi.org/10.33751/jppguseda.v3i1.2019.

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USE OF HAND WRITING ANIMATION MEDIA TO IMPROVE WRITING SKILLS DESCRIPTION OF DESCRIPTION IN STUDENTSOne of the functions of the Indonesian Language and Literature Learning course in general is as a means of increasing knowledge and skills in Indonesian language to gain and develop science, technology, and art. This research was conducted on November 20, 2019 in Class 5D PGSD FKIP UNPAK with a total of 26 people consisting of 3 men and 23 women, Odd Academic Year 2019-2020. The results of research that researchers do are processed using descriptive statistics. Based on research conducted on the assessment of descriptive essays using Handwriting Animation media, the recapitulation results are obtained as follows: For the content or ideas expressed, obtained a score of 77 with very good criteria. Content organizations score 78 with Very Good criteria. Grammar scores 78 with Very Good criteria. Style: choice of structure and vocabulary scored 76 with Very Good criteria. Results of recapitulation Assessment of the use of animated media Handwriting on the making of descriptive essays for indicators of the suitability of the material 100% of students are in conformity so that the criteria are Very Good ,. The duration of making animation 100% in accordance with the time that has been set is a maximum of 30 minutes so the criteria are Very Good. The beauty of the appearance in Handwritten animation that has been made is only 75% with the criteria Very Good. Posts that are made get 100% accordingly so that the criteria are very good..

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Saadah, Khairiatu, and Efendi Sianturi. "THE EFFECTIVENESS OF COUNSELING THROUGH AUDIO VISUAL MEDIA USING ANIMATION VIDEO ON COMPLIANCE OF IRON TABLETS (FE) CONSUMPTION IN PREGNANT WOMEN AT WORKING AREA OF TANJUNG MORAWA COMMUNITY HEALTH CENTER IN 2020." COLOSTRUM : Jurnal Kebidanan 2, no. 1 (January 19, 2021): 85–91. http://dx.doi.org/10.36911/colostrum.v2i1.876.

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The results of Basic Health Research (Riskesdas) issued by the Health Research and Development Agency (Baritbankes) of the Indonesian Ministry of Health in 2018 stated that the prevalence of anemia in pregnant women in Indonesia was 48.9%. In North Sumatra, blood tests were carried out on pregnant women from 9,377 pregnant women in three cities, namely Medan, Pematang Siantar and Kisaran. 33% of them had anemia. One of the causes of anemia in pregnancy is iron deficiency. The type of research used was pre-experiment with One Group Pretest-Posttest Design. In this study, using purposive sampling technique, namely 34 pregnant women. Adherence is the level of patients carrying out the treatment and behavior suggested by their doctor or by others. Meanwhile, the compliance with taking blood-supplemented tablets is a behavior where pregnant women support the iron supplementation program carried out by the government to prevent anemia in pregnant women. Based on the results of the research discussion entitled "Effectiveness of Extension through Audio Visual Media Using Animation Videos on Compliance with the Consumption of Iron (Fe) Tablets in Pregnant Women in the Work Area of ??the Tanjung Morawa community Health Center in 2020, it can be concluded that the compliance of respondents before being given counseling was the majority as obedient as 22 respondents ( 35.3%) and the compliance of respondents after being given counseling was the majority obedient as many as 29 respondents (85.3%), and the effectiveness of counseling through audio-visual media using animation videos on compliance with consuming iron tablets (Fe) in pregnant women in the work area of ?? Tanjung Morawa community health center in 2020 after being given counseling with the results of the T test paired sample T-test, it was obtained that sig 2 tailed was 0.000 (p value) <0.05. And it is hoped that the next researchers will develop this research using other media

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Budiono, Muhamad Faisal, and Aidin Najihi. "Upaya Meningkatkan Hasil Belajar IPA menggunakan Model Picture and Picture dengan Media Animasi di SDS Muhammadiyah Selat Tahun Pelajaran 2016/2017." Bitnet: Jurnal Pendidikan Teknologi Informasi 3, no. 2 (August 31, 2018): 19–21. http://dx.doi.org/10.33084/bitnet.v3i2.655.

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This study aims to improve learning outcomes and describe the learning activities of Va SDS Muhammadiyah Selat students using Animation media. The subjects in this study consisted of 27 students, 14 men, and 13 women. Data collection techniques used were observation and tests. Data analysis uses qualitative and quantitative data analysis. The results of this study indicate that the use of animation media can improve the learning outcomes of science students in VA class SDS Muhammadiyah Straits of Kuala Kapuas. This is based on the results of research with the acquisition of values in the learning activities that have been carried out for two cycles, it can be concluded that: The use of poster media can improve student learning outcomes, this can be seen from the pre-action average = 40.55 with classical completeness 7.40 %, the average cycle I = 45 with classical completeness 22.27% and cycle II = 72 with classical completeness 88.88%.

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Chen, Ming-Hsiu Mia. "How Biographies of Women in Science, Technology, and Medicine Influence Fifth Graders’ Attitudes Toward Gender Roles." SAGE Open 9, no. 4 (July 2019): 215824401989370. http://dx.doi.org/10.1177/2158244019893704.

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This research focuses on elementary pupils’ attitudes toward gender roles and the learning results from using two types of teaching materials, multimedia animation and a role-play transcript, based on the biographies of women in science, technology, and medicine. We selected two fifth-grade classes for the experiment, which was conducted during the students’ science period. The findings revealed that using the two teaching materials positively benefited elementary pupils’ attitudes toward gender roles, particularly in terms of games and toys.

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Haya, Miratul, and Tetes Wahyu. "EFFECT OF EDUCATION WITH THE METHOD AND VIDEO ANIMATION ON BALANCED NUTRITION KNOWLEDGE FOR PREVENTION ANEMIA." Jurnal Vokasi Keperawatan (JVK) 4, no. 1 (June 28, 2021): 253–66. http://dx.doi.org/10.33369/jvk.v4i1.16162.

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The prevalence of anemia among adolescent girls in Bengkulu city is very high, reaching 43%. The Indonesian Ministry of Health (2018) states that anemia in adolescent girls is a health problem if the prevalence is ?20%, so it is necessary to carry out further research to find out the main problem of anemia in young women in the city of Bengkulu.to determine the effect of nutrition education with lecture methods and animated videos on knowledge of balanced nutrition for the prevention of anemia in adolescents in SMA N 9 Bengkulu City in 2021.This type of quasy experimental design with Two group pre-test post test design. The student population is 175 people, with a sample size of 40 people. Data analysis using independent t-test and dependent t-test.Knowledge of young women before and after being given education with the lecture method with a p-value of 0.0005, then the p-value (<0.05), and the knowledge of young women before and after being given education using the video animation method with a p-value. value 0.0005 then the p-value (<0.05).There is an effect of nutrition education with lecture methods and animated videos on balanced nutrition knowledge to prevent adolescent anemia in SMA N 9 Bengkulu City in 2021. It is hoped that young women who have received nutrition education can maintain their knowledge to be able to change attitudes and actions true related to balanced nutrition in everyday life in order to prevent anemia.

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Álvarez San Román, Mercedes. "Women in the animation industry in Spain: the oeuvre of female filmmakers of feature films." Con A de animación, no. 11 (September 10, 2020): 44. http://dx.doi.org/10.4995/caa.2020.13979.

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<p>En la industria del cine español, únicamente tres mujeres han dirigido largometrajes de animación. Su obra, condensada en las últimas tres décadas, representa un siete por ciento de la producción total de los más de cien años de historia del medio. En este trabajo analizamos el trabajo de Maite Ruiz de Austri —pionera en el sector—, Virginia Curiá y Agurtzane Intxaurraga con el objetivo de identificar los elementos de confluencia en el total de ocho películas largas que forman parte del corpus. En primer lugar, se ha observado una tendencia a dirigirse a una audiencia infantil, con una clara vertiente educativa. Asimismo, se ha podido constatar cómo emergen rasgos comunes en torno a temáticas como la maternidad, la vida profesional, la corresponsabilidad o la condición de la mujer. Este artículo está encaminado a visibilizar el trabajo de las directoras españolas de largometraje y a explorar la influencia del género sobre el contenido.</p>

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Prince, Emi John, and Vidya Seshan. "The Effect of Selected Antenatal Exercises in Reduction of Labor Pain among Primigravid Women: Implication for Practice." Journal of South Asian Federation of Obstetrics and Gynaecology 7, no. 3 (2015): 185–90. http://dx.doi.org/10.5005/jp-journals-10006-1353.

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ABSTRACT Purpose Labor is a physiological event, but it is a painful event. The agony and stress a woman suffers are beyond description. Primigravid women must be prepared during the antenatal period itself for safe and natural childbirth. The purpose of this study was to determine the effect of antenatal exercise in pain management during labor. Materials and methods A quasi-experimental study was conducted with 600 primigravid women. Education on antenatal exercises provided with the help of three-dimensional (3D) animation and the practice was monitored. Visual analog scale (VAS) was used to assess the perception of the pain of these primigravid women during labor. Results The primigravid women performed exercise for a minimum of 15 to a maximum of 34 days. In the experimental group, 74% of the primigravid women had moderate pain, and only 26% of them had severe pain. Whereas in the control group, 95.7% of the primigravid women had severe pain and only 4.4% of women had mild to moderate pain. Experimental group women had better pain bearing capacity due to exercise as compared to control group. Conclusion Nurses and childbirth educators must be willing to provide sensitive, continuous care that is a collaborative effort with the woman to assist her in coping with pain and mastering the experience of childbirth. Greater attention needs to be paid to promote and implement the antenatal exercise program from the onset of pregnancy in the absence of any medical and obstetrical complications. Healthcare providers should appreciate and strongly recommend the exercise program as nonpharmacological pain relief measure during labor. How to cite this article Prince EJ, Seshan V. The Effect of Selected Antenatal Exercises in Reduction of Labor Pain among Primigravid Women: Implication for Practice. J South Asian Feder Obst Gynae 2015;7(3):185-190.

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Griffin, Martyn, Nancy Harding, and Mark Learmonth. "Whistle While You Work? Disney Animation, Organizational Readiness and Gendered Subjugation." Organization Studies 38, no. 7 (September 26, 2016): 869–94. http://dx.doi.org/10.1177/0170840616663245.

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This paper introduces the concept of ‘organizational readiness’: socio-cultural expectations about working selves that prepare young people (albeit indirectly and in complex and multi-faceted ways) for their future life in organizations. This concept emerges from an analysis of Disney animations and how they constitute expectations about working life that may influence children through their representations of work and gendered workplace roles. The paper’s exploration of Disney’s earlier animations suggests they circulated norms of gender that girls should be weak and avoid work. In contrast, its contemporary productions circulate gender norms that suggest girls should be strong and engage in paid work. In this reading, the continued circulation of earlier alongside contemporary animations may convey to young viewers a paradox: girls must and must not work; they must be both weak and strong. We thus offer new insights into the puzzle of the continued relegation of women to the sidelines in organizations; more optimistically, we also point to ways in which future generations of employees may forge ways of constituting forms of gendered selves as yet hardly imaginable.

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Tasker, Yvonne. "An Interview with Terry Wragg on the Work of the Leeds Animation Workshop." Feminist Media Histories 2, no. 2 (2016): 122–32. http://dx.doi.org/10.1525/fmh.2016.2.2.122.

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Based in the city of Leeds in the north of England, Leeds Animation Workshop describes itself as a “not-for-profit, cooperative company, which produces and distributes animated films and films on social and educational issues.” The organization was formally established in 1978 following a collaboration by a group of women on the film Who Needs Nurseries? We Do! In this interview Terry Wragg, a member of the group since that founding period, talks with Yvonne Tasker about funding patterns, filmmaking, the women's movement, and the significance of the workshop movement in the United Kingdom.

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Hakim, Novi Maulana, and Muhamad Ramli. "Upaya Meningkatkan Hasil Belajar IPS Menggunakan Model Direct Instruction dengan Media Animasi pada SDS Muhammadiyah Selat Kelas Iv-A Tahun Pelajaran 2016/2017." Bitnet: Jurnal Pendidikan Teknologi Informasi 4, no. 1 (February 1, 2019): 7–12. http://dx.doi.org/10.33084/bitnet.v4i1.524.

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This study aims to (1) describe the learning activities of students in teaching and learning activities using the Direct Instruction Model with Animation Media (2) to know the increase in social studies learning outcomes at SDS Muhammadiyah Strait of Class IVA after using the Direct Instruction Model with Animation Media. The type of research used by researchers is to use a class action research design (CAR) that seeks to solve problems faced in the current situation. With the number of research subjects 27 students namely 16 men and 11 women � qualitative and quantitative data analysis techniques. The results of the study show that: (1) Student learning activities are good at social studies learning using Direct Instruction models with animated media. The first cycle of student activity has an average value of 3.52 with good categories and the second cycle of student activity has an average value of 3.94 in the excellent class. (2) There is an increase in learning outcomes after learning by using the Direct Instruction model with animation media on social studies lessons for students of class IVA SDS Muhammadiyah Selat. This can be seen from the data on student learning outcomes. In the initial test of learning outcomes students get 48% classical completeness with an average value of 61, in the first cycle the learning outcomes of students get 77% artistic completeness with an average value of 70 and in the second cycle the learning outcomes of students get 100% classical completeness with an average amount of 87 reaching the specified KKM.

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Hewa, S. G. "‘Monsters’ vs. ‘Angels’: A Feminist Approach to the Film Brave Through the Character of Merida." Vidyodaya Journal of Humanities and Social Sciences 07, no. 01 (2022): 223–34. http://dx.doi.org/10.31357/fhss/vjhss.v07i01.14.

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Brave (2012) is an animated film produced by Pixar Animation Studios and released by Walt Disney pictures. Set in the fictional medieval times of Scotland, the story follows the journey of Merida, a rebellious young girl who strives to dismantle oppressive social norms and conventional attitudes upheld by her mother. The way in which the film presents powerful feminist ideologies is discussed by providing insight into the importance of solidarity between women, repressive gender stereotypes and the cyclical nature of oppression within the patriarchal social structure. The concept of gender and its complexities are explored within this study to identify dominant patriarchal ideologies that are marginalizing and discriminatory towards women. The trajectory of Merida which is representative of the struggles of women within the patriarchal social structure is analysed while focusing on the mother-daughter relationship. This research aims to present the oppressiveness of socially constructed gender identities through the challenges faced by Merida in her fight for freedom and self-expression. The feminist elements of the film are discussed based on the dichotomy of the ‘angel’ and the ‘monster’ highlighted by the theorists Gilbert and Gubar in Mad Woman in the Attic (1979). Furthermore, the theories of bell hooks, Simone de Beauvoir, Judith Butler and Luce Irigaray are used to support the central argument.

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El Bayoumi, Rania Fouad. "Parallel Architectures: Studying Space as a Medium to Express Dreams, Psychosis and the Unconscious Mind." Academic Research Community publication 1, no. 1 (September 18, 2017): 9. http://dx.doi.org/10.21625/archive.v1i1.114.

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This is a paper that is written in relation to a rotoscope painting animation film project that the researcher is currently working on. The film, in a way, is about women. By interpreting both their tangible realities and inner spaces, polar entities co-exist in a way that seems to cancel their disparity.The project includes moving images of painted spaces and architectures that work within the context of the film as psychological doors to the otherness of the self, a mirror, or a medium to express dreams, psychosis and the unconscious mind.

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Mayilvaganan, S., G. Agarwal, and A. Agarwal. "Role of Technology (Breast Self Examination Animation Video) in Breast Cancer Screening in Indian Tribal Rural Women." Journal of Global Oncology 4, Supplement 2 (October 1, 2018): 47s. http://dx.doi.org/10.1200/jgo.18.41600.

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Background: The Lifeline Express or Jeevan Rekha Express is World´s first hospital train run by the Impact India Foundation. It was developed in collaboration with the Indian Railways and Health Ministry and has been funded by Impact UK, international charitable sources, Indian corporate houses and individuals. It started on July 16, 1991; as of 2016 the service had completed almost 200 projects, benefiting over 900,000 rural Indians. Aim: This study aimed to study the role of superspeciality doctor (endocrine and breast surgeon) in this setting. Methods: The specialist surgeon was assigned a task screen and teach the importance of breast self examination in the rural setting. The women were divided into batches of 50 and were shown a PowerPoint presentation with a video on breast self examination. The screening was done by 2 female general surgeons and any kind of abnormal finding was consulted to the endocrine and breast surgeon. At the end of 15 minutes lecture on screening and breast self examination, the ladies were provided a pamphlet on breast self examination in their native language and also advised and requested to teach another 5 women in the community. Results: 1000 ladies were screened and taught them the importance of breast self examination. Each lady was requested to teach another 5 women in the community. Patients with breast cancer (6 ladies) were appropriately referred and treated in a tertiary referral hospital. 120 patients had mastalgia, treated with dietary measures and first line drugs evening primrose oil and vitamin E. 1 month telephonic follow-up revealed 60% ladies taught on a average 4 other ladies and was compliant. 2 patients who had abscesses was aspirated. Out of 6 patients with breast cancer 5 were locally advanced breast cancer (1 fungating breast cancer). The average duration of tumor was 34 ± 12 weeks. Other cancers like thyroid cancer and oral cancer were detected and treated appropriately. Conclusion: Technology with the intent to serve the rural community should be the motto to provide improved health care to the neglected rural women.

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Fairfield, Joy Brooke, Krista Knight, and Barry Brinegar. "The future of musical theatre: An animation of a video call between collaborators, 30 September 2020." Studies in Musical Theatre 15, no. 1 (April 1, 2021): 25–40. http://dx.doi.org/10.1386/smt_00053_1.

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In the first autumn of the COVID-19 pandemic, long-time theatre collaborators in two different cities in the US South discuss the future of an art form that has currently gone dark. Influenced by punk culture, twenty-first-century internet aesthetics, social justice movements and their pets, this decade-strong creative team reflects in a multimedia format on their past work and enumerates their priorities for the future of musical theatre: cheap, remote, inexperienced, local, radical and full of women and sexual/gender minorities.

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Song, Seohyun. "A Comparative Analysis of the Women Characters Characteristics of Aladdin of Disney s ANIMATION and Live Action Film." J-Institute 6, no. 3 (September 30, 2021): 49–60. http://dx.doi.org/10.22471/value.2021.6.3.49.

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Song, Seohyun. "A Comparative Analysis of the Women Characters Characteristics of Aladdin of Disney s ANIMATION and Live Action Film." J-Institute 6, no. 3 (September 30, 2021): 49–60. http://dx.doi.org/10.22471/value.2021.6.3.49.

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Khalid, Farisa. "Ink & Paint: The Women of Walt Disney's Animation. Mindy Johnson. Disney Editions, 2017. 384 pp. $60.00 cloth." Journal of Popular Culture 51, no. 3 (June 2018): 809–11. http://dx.doi.org/10.1111/jpcu.12686.

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Wouters, Tirza, Jenny Soomers, Marieke Smink, Rixt A. Smit, Margreet Plaisier, Saskia Houterman, Ruud L. Bekkers, Angélique A. Schiffer, Victor J. Pop, and Jurgen M. J. Piek. "The effect of an animation video on consultation time, anxiety and satisfaction in women with abnormal cervical cytology." Preventive Medicine Reports 13 (March 2019): 238–43. http://dx.doi.org/10.1016/j.pmedr.2019.01.005.

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Klauß, Cornelia. "New Horizons and Disruptions. East-German Female Directors of the DEFA-Studios and from Underground." Panoptikum, no. 23 (August 24, 2020): 43–50. http://dx.doi.org/10.26881/pan.2020.23.03.

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On the occasion of a publication Sie – Regisseurinnen der DEFA und ihre Filme, Berlin, Schriftenreihe der DEFA-Stiftung, 2019, all female directors who worked for the DEFA studios in the GDR were identified for the first time. More than sixty women directors worked for DEFA between 1946 and 1992. They made feature films and documentaries, worked in advertising film and in the animation studio. Particularly among the smaller formats, there is a striking number of female directors who were able to accommodate their preferred themes in the slipstream of the major productions. They problematized the official reading of equal rights and created counter-images in their figures and portraits. To be added to the canon of female filmmaking are also the independent women filmmakers, who were only allowed to realize and show their works outside the official media structures. These were female artists who discovered the film medium for themselves and made Super-8 abstract films with elements of performance on very low budgets.

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Iswalono, Astrinda N., and Listiyanti Jaya Arum. "DISNEY PRINCESS SEQUELS IN THE PERSPECTIVE OF SECOND WAVE FEMINISM IN AMERICA." Rubikon : Journal of Transnational American Studies 8, no. 1 (April 26, 2021): 62. http://dx.doi.org/10.22146/rubikon.v8i1.65485.

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Disney Animation Production, one of the media manifesting American sociology phenomena, discovered a breakthrough by depicting Princess movies. Starting with the appearance of Snow White (1937), followed by Cinderella (1950) and other sequels of Princess movies, Disney reflected one important progress of American history. The development of the sequels was estimated to be under the appeal of the Second Wave Feminism movement. Hypothesizing the change was within American society, a gender study by Nancy Hewitt would direct the observation of the study. The First Period Princesses (1937-1959) reflected the idea of the American Golden Age, also where the recognition of the role of women in wider society began. Meanwhile, the Second Period (1989-2009) claimed the social acceptance of public access by glorifying unique characters from women. The Princesses in the Third Period (2009-2014) were able to attest their own power in order to broaden the horizon of gender equality and equity.

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Fathy, Shrook A., and Prof Amany S. Fahmy. "The Exposure to Animated Movies and Constructing Adolescents’ Perception towards Gender Role." Communication, Society and Media 3, no. 2 (April 16, 2020): p96. http://dx.doi.org/10.22158/csm.v3n2p96.

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This study aims to know the Egyptian adolescents’ perception towards gender roles; coinciding with the evolution of the female lead animated movies. Being affected by the third and the fourth wave of feminism in American society and its effect on Egyptian adolescents; since animated movies are mainly American produced. The study found that Egyptian adolescents perceive the female role in the society to be independent decision-maker and has her own rights, reassuring that women hold much more work-load than men and her biggest enemy and fighter is the society itself, not her capabilities, while animation movies from 2012 till 2018 hold more muscular personality traits and behavioral traits than feminine ones.

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Putri, Artanti Eka Ellasari, and Pratiwi Retnaningdyah. "Women's Role in Overcoming Nature Exploitation in Disney Movie Frozen II." Humanitatis : Journal of Language and Literature 7, no. 2 (July 3, 2021): 129–42. http://dx.doi.org/10.30812/humanitatis.v7i2.1255.

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The purpose of this paper is to analyze the interrelation between women and nature in an animation movie produced by Walt Disney and directed by Chris Buck and Jennifer Lee. The study aims at examining the relationship between women and nature in Walt Disney’s Movie Frozen II (2019), with a special focus on the destruction of nature that occurs in the movie and the role of female characters in repairing the environmental damage. Moreover, Gaard’s theory of Ecofeminism serves as the theoretical framework upon which women and nature relations are examined within the gender and ecological contexts. The study shows that there are environmental issues in the movie as a result of the dominant patriarchal system in which the king is considered as a leader of everything and everyone must obey the King's orders. Furthermore, the study shows that Elsa and Anna have the feminine values to overcoming the existing natural destruction. The results of this study reveal that women can be a leader and also the female character in this movie have feminine values to repair the existing natural destruction and maintaining the nature by reconciling with the 4 supernatural spirits. Hence, the study highlights the domination of women, the role of gender, and the ecological aspects in Frozen II movies that have not been fully explored previously.

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Perea, Katia. "Gender and Cartoons from Theaters to Television: Feminist Critique on the Early Years of Cartoons." Animation 13, no. 1 (March 2018): 20–34. http://dx.doi.org/10.1177/1746847718755591.

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From adults to children, from theaters to television, cartoons are one of the few major popular art forms that have been able to consistently redefine their audience as they experiment and change and, as such, have proved their importance in culture and society. This article discusses the social critique that originated with cartoons’ theatrical beginnings, which were met with substantial praise from the intellectual and art community of their time. An exploration into the massification of the medium reveals its role in the marginalization of women in the animation industry as underpaid and unrecognized labor. This article also explores the industry’s creation of a compulsory gender coding associated with the animated female form by investigating Disney’s and Warner Bros.’ competing portrayals of women as a ‘madonna–whore’ duality, and further looks into Disney’s feminine triptych perpetuating heteronormative gender coding in the form of the princess, the witch and the fairy godmother. The massification of the medium, as television programming shaped the industry into children’s programming, was led by Hanna-Barbera who did not consider girl cartoons a priority and continued to marginalize women in the workforce.

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Dyrberg, Diana L., Camilla Bille, Vibeke Koudahl, Oke Gerke, Jens A. Sørensen, and Jørn B. Thomsen. "Evaluation of Breast Animation Deformity following Pre- and Subpectoral Direct-to-Implant Breast Reconstruction: A Randomized Controlled Trial." Archives of Plastic Surgery 49, no. 05 (September 2022): 587–95. http://dx.doi.org/10.1055/s-0042-1756337.

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Abstract Background The incidence of breast animation deformity (BAD) is reported to be substantial after direct-to-implant breast reconstruction with subpectoral implant placement. It has, however, never been examined if BAD can occur following prepectoral implant placement. Our primary aim was to compare the incidence and degree of BAD after direct-to-implant breast reconstruction using either subpectoral or prepectoral implant placement. Secondary aim of this study was to assess and compare the level of pain between sub- and prepectoral reconstructed women. Methods In this randomized controlled trial, patients were allocated to reconstruction by either subpectoral or prepectoral implant placement in accordance with the CONSORT guidelines. The degree of BAD was assessed by the “Nipple, Surrounding skin, Entire breast (NSE)” grading scale 12 months after surgery. The level of postoperative pain was assessed on a numerical pain rating scale. Results We found a significant difference in the degree of BAD favoring patients in the prepectoral group (23.8 vs. 100%, p < 0.0001; mean NSE grading scale score: 0.4 vs. 3.6, p < 0.0001). The subpectoral reconstructed group reported higher levels of pain on the three subsequent days after surgery. No significant difference in pain levels could be found at 3 months postoperatively. Conclusion The incidence and degree of BAD was significantly lower in women reconstructed by prepectoral direct-to-implant breast reconstruction. Unexpectedly, we found mild degrees of BAD in the prepectoral group. When assessing BAD, distortion can be challenging to discern from rippling.

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Arby, Sella Putri, Lina Meilinawati Rahayu, and R. M. Mulyadi. "NEGOSIASI WACANA FEMININITAS MELALUI FILM-FILM ANIMASI PUTRI DISNEY." Paradigma: Jurnal Kajian Budaya 12, no. 2 (September 26, 2022): 136. http://dx.doi.org/10.17510/paradigma.v12i2.609.

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Negotiation Discourse of Femininity Through Disney Princesses’ Movies. Femininity tends to be explained as a condition ‘to be a woman’, making it an ideology that gives limitations to women. Mills uses discourse theory to explain femininity, stating femininity is a process that is constructed and negotiated in every interaction. Disney Princesses show changes through times and each animation film, showing a negotiation of what defines femininity. The data collection was carried out by qualitative method narrative study, with Performativity of Gender by Judith Butler and Negotiation Discourse of Femininity theory by Sara Mills. Thirteen Disney Princesses were used as researched objects to show the slow changing of femininity. The results of this study show a change in Disney Princesses, through long negotiations based on the wave of feminism that occurred with the Disney Princess characters featured. Indications have shown through the Disney Princess characters who initially showed only stereotypes of feminine elements—such as being passive, gentle, not leaving their safe zone, becoming a Disney Princess who also showed stereotypical masculinity elements— such as being physically active, not easily afraid to discover new things, and showing bravery. This slow shift does not change the identity of Disney Princesses as a princess and as a woman.

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Rahayu, Nurhadianty. "The Portrayal of Gender and Race in Cars Trilogy." ATAVISME 22, no. 1 (June 26, 2019): 75–87. http://dx.doi.org/10.24257/atavisme.v22i1.532.75-87.

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As the most commercially successful animated film, Cars trilogy, produced by Pixar Animation Studios, are opted to be analysed due to its impact on formulating perception of gender and race. Considering that intolerance and gender-based injustice still happens within our society, any discussion about gender and race portrayal, particularly through films, becomes urgent. The study aims at investigating how gender and race are portrayed in Cars trilogy. Gender portrayal is analysed through Beauvoir’s concept of immanence and transcendence and Finklea’s themes about masculinities. The portrayal of race is investigated using McLaren’s critical multiculturalism. The study uses the descriptive analytical interpretative method. The data analyzed are the characters, dialogue, and plot. The result shows that men and women are portrayed as equal but the stereotypes are still visible. Men are portrayed not only brave but also confident. Males’ romantic interest is manifested in heterosexual desire and male bosses are driven by profit. Women can be successful in racing if she dares to intervene the bureaucracy or is given opportunity by men. Different accent of English is seen as less capable and white characters are not always portrayed unproblematic.

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Nowakowska, Luiza. "The specificity of the individual professional practice of midwives with regard to home births. Analysis of the ‘relationship field’." Polish Journal of Public Health 128, no. 2 (June 1, 2018): 93–97. http://dx.doi.org/10.2478/pjph-2018-0018.

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Abstract Introduction. By virtue of the Act of 5 July 1996 on the occupation of nurses and midwives, a midwife in Poland has full professional autonomy. The Act does not forbid conduct of individual practice outside of a hospital. Aim. The purpose of the article is to present practical execution of individual practice of assisting during home birth with regard to relations between the midwife and the woman giving birth. Materials and methods. The issues presented in the article are a part of broader research concerning home births in Poland. The research was commenced in 2014 and finalized in 2018. The analysis concerned statements of women who decided not to give birth in a hospital. I obtained the empirical material through in-depth interviews and I referred to data existing in the form of e.g. blog entries. Finally, I collected 40 descriptions of home births. They underwent a qualitative analysis with the use of the grounded theory methodology and the social world theory. Results. The outcome of the research is a multifaceted “sociological portrait” of the world of women, which implement an alternative to the hospital birth scenario. In the article, I limit myself to the presentation of mechanisms of transformation of midwife-birthing woman relations from professionally neutral to emotionally involved: mutual appreciation, balancing of positions, comprehensive qualification, systematic maintenance of relations, and feminization of birth. I also presented the principles of cooperation with the birthing woman during home birth: constant and imperceptible presence, following a woman, patient accompaniment, support, animation of bonds, and respect for the ceremony. The whole discussion depicts the special character of the individual practice of midwives with regard to the field of relations. Conclusion. Reference to childbirth experiences allowed for identifying potential expectations of women planning to have children towards the midwife’s profession, as well as the possible paths of professional development of representatives of this profession, especially in the face of the growing awareness and autonomy of people using health care services. These issues may also be treated as an element of a broader discussion on the shape of an optimum pre- and post-natal care.

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Tsangaris, Elena, Andrea L. Pusic, Manraj N. Kaur, Sophocles Voineskos, Louise Bordeleau, Toni Zhong, Raghavan Vidya, Justin Broyles, and Anne F. Klassen. "Development and Psychometric Validation of the BREAST-Q Animation Deformity Scale for Women Undergoing an Implant-Based Breast Reconstruction After Mastectomy." Annals of Surgical Oncology 28, no. 9 (February 26, 2021): 5183–93. http://dx.doi.org/10.1245/s10434-021-09619-2.

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Saito, Kumiko. "Magic,Shōjo, and Metamorphosis: Magical Girl Anime and the Challenges of Changing Gender Identities in Japanese Society." Journal of Asian Studies 73, no. 1 (January 2, 2014): 143–64. http://dx.doi.org/10.1017/s0021911813001708.

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The magical girl, a popular genre of Japanese television animation, has provided female ideals for young girls since the 1960s. Three waves in the genre history are outlined, with a focus on how female hero figures reflect the shifting ideas of gender roles in society. It is argued that the genre developed in close connection to the culture ofshōjo(female adolescence) as an antithesis to adulthood, in which women are expected to undertake domestic duties. The paper then incorporates contexts for male-oriented fan culture ofshōjoand anime aesthetics that emerged in the 1980s. The recent tendencies for gender bending and genre crossing raise critical questions about the spread of the magical girl trope as cute power. It is concluded that the magical girl genre encompasses contesting values of gender, and thus the genre's empowerment fantasy has developed symbiotically with traditional gender norms in society.

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Aldouby, Hava. "Appropriating Canaanism: Ruth Patir’s Reanimation of Judean Pillar Figurines." Arts 11, no. 5 (October 21, 2022): 108. http://dx.doi.org/10.3390/arts11050108.

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This article addresses a body of works by the video artist Ruth Patir, in which Israeli womanhood in the 2020s is interrogated through Iron Age female statuettes, known as Judean Pillar Figurines. By means of motion capture technology and 3D animation, Patir features contemporary Israeli women uncannily moving and speaking through the bodies of millennium-old female figurines, whose history and function are still under debate. In Petah Tikva (2020), Patir situates these hybrid figures in a modern IVF clinic, offering a biopolitical perspective on Israeli society’s compelling maternal impulse. Marry Fuck Kill (2019), in turn, ponders Israeli women’s legitimation of their femininity, across the generational gap between the artist and her mother, here cast in the role of an imposing Iron Age figurine. The paper addresses Patir’s work in both biopolitical and phenomenological terms, arguing that the sensual appeal of the archaeological objects often undermines the videos’ political critique.

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Karavodin, Katerina. "Transforming and queering identity: The influence of magical girl anime on queer-inclusive western animation." Queer Studies in Media & Popular Culture 7, no. 1-2 (June 1, 2022): 95–108. http://dx.doi.org/10.1386/qsmpc_00071_1.

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Following the success of Cartoon Network’s Steven Universe there has been an explosion of openly queer representation in US children’s animated television through programmes such as She-Ra and the Princesses of Power and The Owl House (2020–present), among others. The majority of these programmes follow trends seen in Steven Universe. These queer-inclusive children’s programmes tend to exist within the sci-fi/fantasy genre, visually reference Japanese anime, focus on female queer identity and attract adult fan bases in addition to young audiences. These factors can be accounted for, at least in part, by the direct influence of the mahō shōjo or magical girl genre of Japanese anime and manga or its indirect influence through Steven Universe. Scholarship has already commented upon the queer tropes common in magical girl programmes, both open and subtextual, and the direct influence of this genre on Steven Universe is well established. However, while the influence of the magical girl genre is obvious in programmes like Steven Universe and She-Ra that are closely patterned on the magical girl, it can also account for the aforementioned similarities in a majority of seemingly different recent queer-inclusive programmes such as The Owl House, Kipo and the Age of Wonderbeasts and others. The anime influenced visuals of these programmes are partially a result of borrowing from aspects of the magical girl genre, such as the iconic transformation or henshin sequence. It is the sci-fi/fantasy nature of magic and transformation, just as in magical girl programmes, that allows young women to access magical power and agency through explorations of identity. These similarities make for an accessible language of transformation and exploration through which queer narratives can be expressed. By tracing the influence of the magical girl genre and its focus on the power of self and interpersonal exploration, we can begin to see why modern, queer-inclusive children’s animation exists in the form it currently does and begin to question what this means for queer representation and messages in contemporary US children’s animation.

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Journal articles on the topic 'Women in animation'

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