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Books on the topic 'Women in Chinese Films'

Author: Grafiati

Published: 4 June 2021

Last updated: 10 February 2022

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1

Wang, Lingzhen. Chinese women's cinema: Transnational contexts. New York: Columbia University Press, 2011.

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2

Chen, Ya-chen. Women in Chinese martial arts films of the new millennium: Narrative analyses and gender politics. Lanham: Lexington Books, 2012.

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3

Women in Chinese martial arts films of the new millennium: Narrative analyses and gender politics. Lanham: Lexington Books, 2012.

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4

Chinese women's cinema: Transnational contexts. New York: Columbia University Press, 2011.

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5

"Ta zhe" jing xiang: Haolaiwu dian ying zhong de Hua ren nü xing = The image of the other : Chinese women in Hollywood films. Beijing: Zhongguo she hui ke xue chu ban she, 2010.

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6

Yuan, Yongyi, Jiali Wu, and Dongsheng Er. Xin bu liao qing: C'est la vie, mon cheri. San Francisco, CA: Tai Seng Entertainment, 2007.

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7

Li, Hanxiang, Kun Li, and Run Run Shaw. Liang Shanbo yu Zhu Yingtai. Taibei Shi: Hao ke chang pian gu fen you xian gong si, 2003.

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8

Gu, Dezhao, and Zhiwei Zeng. Liu fu xi shi: Hello babies. Xianggang: Lei she qi ye you xian gong si, 2014.

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9

Charlotte, Brunsdon, ed. Films for women. London: British Film Institute, 1986.

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10

Zhang, Baiqing. Chinese films and television plays. Beijing: Culture and Art Publishing House, 1999.

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11

Berry, Chris, ed. Chinese Films in Focus II. London: British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92280-2.

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12

Cai, Shenshen. Contemporary Chinese Films and Celebrity Directors. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-2966-0.

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13

Women in horror films, 1930s. Jefferson, N.C: McFarland, 1999.

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14

Hurd, Mary G. Women directors and their films. Westport, Conn: Praeger, 2007.

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15

Sengupta, Saswati, Shampa Roy, and Sharmila Purkayastha, eds. 'Bad' Women of Bombay Films. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26788-9.

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16

Lewis, Ingrid. Women in European Holocaust Films. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-65061-6.

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17

Mank, Gregory W. Women in horror films, 1940s. Jefferson, NC: McFarland & Co., 1999.

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18

History films, women, and Freud's uncanny. Austin: University of Texas Press, 2004.

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19

Neshat, Shirin. Women of Allah: Photographies, films, vidéos. Paris: Paris Audiovisuel, 1998.

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20

Films for, by, and about women. Metuchen, N.J: Scarecrow Press, 1985.

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21

Chinese women speak. London: Century Hutchinson, 1985.

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22

Chinese women speak. Westport, Conn: Praeger, 1996.

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23

About Chinese women. New York: M. Boyars, 1986.

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24

Wu, Jing, and Gang Wu. Zhan lang II: Wolf warrior II. Plano, Texas]: Well Go USA Entertainment, 2017.

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25

Noonan, Bonnie. Women scientists in fifties science fiction films. Jefferson, NC: McFarland & Co., 2004.

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26

Women scientists in fifties science fiction films. Jefferson, N.C: McFarland & Co., 2005.

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27

Reflections: Images of women in hindi films. Pune: National Film Archive of India, Ministry of Information and Broadcasting, Government of India, 2010.

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28

Lu, Yanguang. 100 celebrated Chinese women. 2nd ed. Singapore: Asiapac, 2001.

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29

Reel women: An international directory of contemporary feature films about women. Lanham, MD: Scarecrow Press, Inc., 2007.

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30

The art of Chinese kung-fu. Berkeley, CA: Gingko Press, 2014.

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31

Sullivan, Kaye. Films for, by and about women: Series II. Metuchen: Scarecrow, 1985.

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32

Neshat, Shirin. Shirin Neshat, women of Allah: Photographies, films, vidéos. Paris: Paris audiovisuel, 1998.

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33

Yan, Fei, and Damo Peng. Xia Luo te fan nao: Goodbye Mr. Loser. [Xianggang]: Lei she qi ye you xian gong si, 2015.

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34

Chinese women: Their Malaysian journey. Petaling Jaya, Selangor, Malaysia: MPH Pub., 2010.

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35

Chinese Animation, Creative Industries and Digital Culture. Taylor & Francis Group, 2017.

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36

Warrior Women: Gender, Race, and the Transnational Chinese Action Star. SUNY Press, 2014.

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37

Wang, Lingzhen. Chinese Women's Cinema. Columbia University Press, 2011.

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38

Charlotte, Brunsdon, ed. Films for women. London: British Film Institute, 1986.

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39

Chen, Xiangyang. Woman, Generic Aesthetics, and the Vernacular. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036613.003.0013.

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Abstract:

This chapter examines the hybrid origins of Hong Kong's Huangmei opera film. It shows how the Chinese Communist Party's demand for a cinema showcasing the national cultural past paradoxically facilitated the cross-border circulation of an indigenous, vernacular operatic tradition—featuring feisty rural women, female voice-over chanting, and frequent cross-dressing—into the modernizing idioms of Hong Kong's film industry. Under colonial suppression of local nationalist objectives, the resulting hybridized genre carried a vital female imaginary in nostalgic Chinese wrappings. In contrast to Indian cinema's culture of emotion, female performativity contests Chinese conventions of restraint, opening up imaginary female power. This is supported by the impact of the female voice on point-of-view shooting, spatial organization, and narrative structure, foregrounding, against Western feminism's focus on the male gaze, a female counter-gaze within a patriarchal drama of conflicting desires.

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40

Chinese Films In Focus Ii. British Film Institute, 2008.

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41

Chinese Films In Focus Ii. British Film Institute, 2008.

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42

Hollywood Chinese: The Chinese in American Feature Films. Angel City Press, 2019.

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43

Audrey, Foster Gwendolyn, Jacobs Katrien, and Unterburger Amy L, eds. Women filmmakers & their films. Detroit: St. James Press, 1998.

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44

Mank, Gregory William. Women in Horror Films. McFarland & Company, 1999.

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45

Women in Marvel Films. Edinburgh University Press, 2020.

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46

(Editor), Gwendolyn Audrey Foster, Amy L. Unterburger (Editor), and Katrien Jacobs (Editor), eds. Women Filmmakers & Their Films Edition 1. (Women Filmakers and Their Films). St. James Press, 1998.

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47

Reference, ICON. The Age of Innocence (Webster's Chinese-Simplified Thesaurus Edition). ICON Reference, 2006.

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48

Reference, ICON. The Age of Innocence (Webster's Chinese-Traditional Thesaurus Edition). ICON Reference, 2006.

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49

Contemporary Chinese Films and Celebrity Directors. Palgrave Macmillan, 2017.

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50

Cai, Shenshen. Contemporary Chinese Films and Celebrity Directors. Palgrave Macmillan, 2018.

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