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Journal articles on the topic 'Women In English Literature'

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Published: 4 June 2021
Last updated: 12 February 2022

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1

Manlapaz, Edna Zapanta. "Literature in English by Filipino Women." Feminist Studies 26, no. 1 (2000): 187. http://dx.doi.org/10.2307/3178598.

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2

Finlay, A. "New Readings on Women in Old English Literature." English 40, no. 168 (September 1, 1991): 259–64. http://dx.doi.org/10.1093/english/40.168.259.

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3

V. Brahmane, Miss Madhuri. "Voice of Women in Indian English Literature." IOSR Journal of Humanities and Social Science 21, no. 08 (August 2016): 28–34. http://dx.doi.org/10.9790/0837-2108032834.

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4

Robertson, Elizabeth Ann. "Practicing Women: The Matter of Women in Medieval English Literature." Literature Compass 5, no. 3 (May 2008): 505–28. http://dx.doi.org/10.1111/j.1741-4113.2008.00547.x.

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5

Fienberg, Nona, Helen Damico, and Alexandra Hennessey Olsen. "New Readings on Women in Old English Literature." Tulsa Studies in Women's Literature 11, no. 1 (1992): 145. http://dx.doi.org/10.2307/463795.

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6

Wright, J. H. "English Women Writing Politics." Eighteenth-Century Life 34, no. 3 (September 27, 2010): 81–87. http://dx.doi.org/10.1215/00982601-2010-016.

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7

Forsyth, N. "Forms of Engagement: Women, Poetry and Culture 1640-1680." English 63, no. 241 (April 2, 2014): 175–78. http://dx.doi.org/10.1093/english/efu004.

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8

CHEN, Zhongxiang. "Interpretation of the Women in the Biblical Literature." Review of Social Sciences 1, no. 6 (June 29, 2016): 09. http://dx.doi.org/10.18533/rss.v1i6.36.

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<p>Bible as literature and Bible as religion are comparative. It is without doubt that Bible, as a religious doctrine, has played a great role in Judaism and Christianity. It is meanwhile a whole literature collection of history, law, ethics, poems, proverbs, biography and legends. As the source of western literature, Bible has significant influence on the English language and culture, English writing and modeling of characters in the subsequent time. Interpreting the female characters in the Bible would affirm the value of women, view the feminist criticism in an objective way and agree the harmonious relationship between the men and the women. </p>
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9

Zubair, Shirin. "Women, English Literature and Identity Construction in Southern Punjab, Pakistan." Journal of South Asian Development 1, no. 2 (October 2006): 249–71. http://dx.doi.org/10.1177/097317410600100205.

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10

Feroli, Teresa, and Jonathan Goldberg. "Desiring Women Writing: English Renaissance Examples." Tulsa Studies in Women's Literature 18, no. 1 (1999): 113. http://dx.doi.org/10.2307/464349.

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11

Singh, Dr Abha. "Space and Identity of Women in Indian English Writings." SMART MOVES JOURNAL IJELLH 7, no. 11 (November 28, 2019): 16. http://dx.doi.org/10.24113/ijellh.v7i11.10134.

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The women’s studies have been receiving increasing academic and disciplinary recognition throughout the globe. The writers are determined to narrate, respond and react to the place of women in society. The purpose of the present paper is to redefine the image of women in post colonial Indian English literature. The post colonial Indian English writers focus on major issues relating to woman such as her awakening to the realization of her individuality, her breaking away with the traditional image. The transformation of the idealized women into an assertive self willed woman, searching and discovering her true self is described by various Indian Writers like Anita Desai, Sashi Deshpande, Nayantara Sahgal, Bharati Mukherjee, Kamla Markandaya, Manju Kapoor and many others have depicted females who are not silent sufferers but have learnt to fight against injustice and humiliation.
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12

Bhabad, P. R. "Native Feminism in the Globalized Indian English Novel." Feminist Research 1, no. 1 (December 29, 2017): 37–41. http://dx.doi.org/10.21523/gcj2.17010105.

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Fictional medium is really very useful to know reality of society. Literature and visual art used realistically to depict several methods in which perfect description of feminism is the aim. The novel is depiction of day to day life, custom and the woman is portrayed as the key figure of Indian families and at the same time, she has been projected as the subject of suffering domestic slavery and suppression. Native feminism in India is not as aggressive as feminism in the West. Patriarchy is another name of native feminism reflected in the novels; through self-realization, it is expected that the woman can emerge as a new woman. The social realist writers have been very much interested in recording social changes and the status of women. Industrialization, urbanization and globalization have brought considerable changes in social life and status of women in India. Position of educated women is quite better than illiterate but gender discrimination still persists. To face all hurdles of their life the next generation women very boldly and intelligently achieve their aims to get their identity.
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13

Sharma, Dr Shreeja, and Prof Shubhra Tripathi. "Unshackling the tribal women in Indian English Literature: dreams and visions." SMART MOVES JOURNAL IJELLH 5, no. 7 (July 30, 2017): 9. http://dx.doi.org/10.24113/ijellh.v5i7.2136.

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The marginalised tribal women comprise the weakest section of the Indian society. It is a sad reality that their identity remains weak, unvoiced and largely unexplored. Invigorating them would enhance the collective national capability as it will carry justice, equity and development to the most vulnerable segment of the nation, thereby reinforcing and the frailest of its stalk. The portrayal of tribal women in literature can go a long way in spreading awareness about the cause, not only on the national, but also on an international scale. Writing on these marginalised, poor, and socially excluded women can in the long run, change the perception of the society and bring to attention the neglected lot, integrating them rightfully with society. Prominent writers including Mahasweta Devi, Kamala Markandaya and Gita Mehta among others have made important contributions in this area. While the tribal narratives voice the concerns of the tribals, there still remains lot of room for exploring and expressing the concerns of these women for a feminist rendition . This paper examines the potential of writings on the female tribal protagonist.
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14

Lees, Clare A. "Women Write the Past: Medieval Scholarship, Old English and New Literature." Bulletin of the John Rylands Library 93, no. 2 (September 2017): 3–22. http://dx.doi.org/10.7227/bjrl.93.2.2.

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This article explores the contributions of women scholars, writers and artists to our understanding of the medieval past. Beginning with a contemporary artists book by Liz Mathews that draws on one of Boethius‘s Latin lyrics from the Consolation of Philosophy as translated by Helen Waddell, it traces a network of medieval women scholars of the nineteenth and twentieth centuries associated with Manchester and the John Rylands Library, such as Alice Margaret Cooke and Mary Bateson. It concludes by examining the translation of the Old English poem, The Wife‘s Lament, by contemporary poet, Eavan Boland. The art of Liz Mathews and poetry of Eavan Boland and the scholarship of women like Alice Cooke, Mary Bateson, Helen Waddell and Eileen Power show that women‘s writing of the past – creative, public, scholarly – forms a strand of an archive of women‘s history that is still being put together.
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15

Foley, Michael. "A Comment on "Women Writers and the Survey of English Literature"." College English 48, no. 1 (January 1986): 78. http://dx.doi.org/10.2307/376590.

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16

Pour, Samaneh Bidmeshki. "Muslim Women and their Impact on English Literature in Indian Subcontinent." Afro Asian Journal of Anthropology and Social Policy 4, no. 1 (2013): 21. http://dx.doi.org/10.5958/j.2229-4414.4.1.004.

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17

McJannet, Linda. "Women and Islam in Early Modern English Literature (review)." Shakespeare Quarterly 60, no. 2 (2009): 236–38. http://dx.doi.org/10.1353/shq.0.0077.

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18

Jacobs, Rita D., Sandra M. Gilbert, and Susan Gubar. "The Norton Anthology of Literature by Women: The Tradition in English." World Literature Today 60, no. 2 (1986): 314. http://dx.doi.org/10.2307/40141787.

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19

Moors, Elizabeth. "New readings on women in Old English literature (review)." Parergon 10, no. 2 (1992): 196–98. http://dx.doi.org/10.1353/pgn.1992.0097.

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20

Achinstein, Sharon. "Women on top in the pamphlet literature of the English revolution." Women's Studies 24, no. 1-2 (November 1994): 131–63. http://dx.doi.org/10.1080/00497878.1994.9979045.

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21

Reale, Michelle, and Joel Kuortti. "Tense Past, Tense Present: Women Writing in English." World Literature Today 78, no. 3/4 (2004): 157. http://dx.doi.org/10.2307/40158651.

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22

Boecherer, Michael. "The Other Exchange: Women, Servants, and the Urban Underclass in Early Modern English Literature. By Denys Van Renen." English: Journal of the English Association 67, no. 256 (2018): 71–73. http://dx.doi.org/10.1093/english/efy002.

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23

Clare, Janet, Jonathan Goldberg, Marshall Grossman, and Megan Matchinske. "Desiring Women Writing: English Renaissance Examples." Modern Language Review 96, no. 3 (July 2001): 791. http://dx.doi.org/10.2307/3736755.

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24

Vishnuvajjala, Usha. "Women’s Contributions to Middle English Arthurian Scholarship." Journal of the International Arthurian Society 7, no. 1 (September 1, 2019): 91–119. http://dx.doi.org/10.1515/jias-2019-0005.

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Abstract This article examines the history of scholarship of both Middle English Arthurian literature and its afterlives to argue that the marginalisation of such literature has slowly diminished – often through the work of women. The increasing numbers of women in academia coincided with the advent of new methodologies in literary studies in the late-twentieth century to produce a wide range of scholarship on English Arthurian literature, including on texts that had long been considered beneath serious study. This work continues now, with recent studies considering English Arthuriana through postcolonial theory, queer theory, affect theory, adaptation studies and many other methods.
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25

TEBEAUX, ELIZABETH. "Technical Writing for Women of the English Renaissance." Written Communication 10, no. 2 (April 1993): 164–99. http://dx.doi.org/10.1177/0741088393010002002.

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26

Meenakshi, Ms. "Violence against Women in Taslima Nasrin’s Lajja." Think India 22, no. 3 (October 30, 2019): 2043–48. http://dx.doi.org/10.26643/think-india.v22i3.8633.

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Bangladeshi English literature consists of all those literary works written in the English language in Bangladesh and by the Bangladeshi diaspora. Some of its prominent writers are Rabindranath Tagore, Begam Rokeya,Tehmima Anam, Taslima Nasrin and so on. The name of Tagore shows that the origin of Bangladeshi literature can be traced to pre-independent Bengal. The writers of Bangladesh use English as a medium to connect to the rest of the world. It is used as a medium to contribute to the world literature. They also find it a tool to show the real conditions of Bangladesh to the world. Writers like Taslima Nasrin details many of the issues of the nation in her magnum opus Lajja. One of those issues is the violence against women in Bangladesh. In one of her interviews, she states that everything she has written is for the oppressed women of Bangladesh. She further stated that she has wrung her heart out into her words. She has consistently been criticizing the patriarchal society of the nation for its bad treatment of women.
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27

Meenakshi. "Violence against Women in Taslima Nasrin’s Lajja." Think India 22, no. 3 (September 27, 2019): 2164–69. http://dx.doi.org/10.26643/think-india.v22i3.8684.

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Bangladeshi English literature consists of all those literary works written in the English language in Bangladesh and by the Bangladeshi diaspora. Some of its prominent writers are Rabindranath Tagore, Begam Rokeya,Tehmima Anam, Taslima Nasrin and so on. The name of Tagore shows that the origin of Bangladeshi literature can be traced to pre-independent Bengal. The writers of Bangladesh use English as a medium to connect to the rest of the world. It is used as a medium to contribute to the world literature. They also find it a tool to show the real conditions of Bangladesh to the world. Writers like Taslima Nasrin details many of the issues of the nation in her magnum opus Lajja. One of those issues is the violence against women in Bangladesh. In one of her interviews, she states that everything she has written is for the oppressed women of Bangladesh. She further stated that she has wrung her heart out into her words. She has consistently been criticizing the patriarchal society of the nation for its bad treatment of women.
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28

Bhayro, Siam. "Women in the Bible, Qumran and Early Rabbinic Literature." Journal of Jewish Studies 68, no. 2 (October 1, 2017): 400–402. http://dx.doi.org/10.18647/3332/jjs-2017.

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29

Engberg, Norma J. "The Oxford Women Writers in English 1530–1850 Series." Ben Jonson Journal 5, no. 1 (January 1998): 299–316. http://dx.doi.org/10.3366/bjj.1998.5.1.18.

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30

Azam, Azmi. "Hester Prynne and Nora Helmer: Two extraordinary women representatives in English Literature." IOSR Journal of Humanities and Social Science 19, no. 4 (2014): 94–97. http://dx.doi.org/10.9790/0837-19419497.

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31

Savage, Anne. "The Discourse of Enclosure: Representing Women in Old English Literature. Shari Horner." Speculum 78, no. 2 (April 2003): 520–23. http://dx.doi.org/10.1017/s0038713400169052.

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32

Williams, Carolyn D., and Laura Brown. "Ends of Empire: Women and Ideology in Early Eighteenth-Century English Literature." Yearbook of English Studies 25 (1995): 291. http://dx.doi.org/10.2307/3508878.

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33

Vikhrieva, I. V. "THE ROLE OF “FEMALE LITERATURE” IN THE WORKS OF ENGLISH-SPEAKING ZIMBABWEAN WRITERS." Bulletin of Udmurt University. Series History and Philology 31, no. 2 (May 11, 2021): 382–91. http://dx.doi.org/10.35634/2412-9534-2021-31-2-382-391.

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The article introduces the study of “female literature” in Zimbabwe’s English language literary creative writing, which has undergone accelerated development. In the material presented, the methods of language selection and plot-compositional organization of literary text, the main categories of textuality are examined. The specialization of literature is shown, as an indicator of its growth. The author compares the traditional attitude towards women in African society, which is characterized by inequality, and the appearance in the XX-XXI centuries women writers, signifying a revolutionary change in their socio-cultural role. A typical problematic of works created in different historical periods is revealed. A comparison on the creativity of women writers of three generations is made, an interpretation of problems related to women's destinies is given, tendencies in the formation, disclosure, and establishment of new roles of women in society are revealed. The typology of plots is shown from the point of view of subject matter and completeness of the text. Particular attention is paid to the complexity of semantic structures of the text of small and large genres; its cognitive potential, adherence to the regional English language standard is revealed.
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34

Bick, Suzann, and Elaine Showalter. "The Female Malady: Women, Madness, and English Culture, 1830-1980." Antioch Review 44, no. 2 (1986): 242. http://dx.doi.org/10.2307/4611600.

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35

Stevenson, J. A. "Fictions of Modesty: Women and Courtship in the English Novel." Modern Language Quarterly 52, no. 3 (January 1, 1991): 348–52. http://dx.doi.org/10.1215/00267929-52-3-348.

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36

Parameswaran, Uma, and Malashri Lal. "The Law of the Threshold: Women Writers in Indian English." World Literature Today 69, no. 3 (1995): 649. http://dx.doi.org/10.2307/40151578.

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37

Krontiris (author, first book), Tina, Charlotte F. Otten (editor, second book), and A. Lynne Magnusson (review author). "Oppositional Voices: Women as Writers and Translators of Literature in the English Renaissance; English Women’s Voices, 1540-1700." Renaissance and Reformation 31, no. 1 (January 23, 2009): 83–86. http://dx.doi.org/10.33137/rr.v31i1.11601.

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38

Kern, Darcy. "Roman Exempla in the Early Tudor Period." English: Journal of the English Association 68, no. 261 (2019): 112–25. http://dx.doi.org/10.1093/english/efz020.

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Abstract Roman exempla, or moralizing anecdotes, appear frequently in the English literature of the early Tudor period. Textual, authorial, and historical exempla offered a language people could use to counsel the king and their fellow Englishmen and women. As a teacher of individual virtue, Roman exempla remained fairly stable throughout the period, though translators themselves became more conscious of their role as counsellors and more visible in their texts through their prefatory material. As a political guide for England, Roman exempla became more problematic over the course of the early Tudor period. Authors increasingly discouraged kings and nobles from heeding popular counsel and encouraged them to rely more on printed Roman exempla and the translators who wrote them.
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Hosington, Brenda M., and Tina Krontiris. "Oppositional Voices: Women As Writers and Translators of Literature in the English Renaissance." Sixteenth Century Journal 25, no. 1 (1994): 270. http://dx.doi.org/10.2307/2542628.

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40

Walker, Faye. "Sovereign Lady: Essays on Women in Middle English Literature ed. by Muriel Whitaker." Studies in the Age of Chaucer 18, no. 1 (1996): 304–8. http://dx.doi.org/10.1353/sac.1996.0047.

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41

Hayles, N. K. "Women and the English Renaissance: Literature and the Nature of Womankind, 1540-1620." Modern Language Quarterly 46, no. 4 (January 1, 1985): 456–58. http://dx.doi.org/10.1215/00182702-46-4-456.

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42

Mackie, Erin Skye. "Designing Women: The Dressing Room in Eighteenth-Century English Literature and Culture (review)." Eighteenth Century Fiction 19, no. 1 (2006): 225–27. http://dx.doi.org/10.1353/ecf.2006.0087.

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43

Bosanac, Peter, Anne Buist, and Graham Burrows. "Motherhood and Schizophrenic Illnesses: A Review of the Literature." Australian & New Zealand Journal of Psychiatry 37, no. 1 (February 2003): 24–30. http://dx.doi.org/10.1046/j.1440-1614.2003.01104.x.

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Objective: To provide an overview of the current knowledge on the impact of motherhood on women with schizophrenia and schizoaffective disorder. Method: The published literature was selectively reviewed and assessed, based on a complete MEDLINE and PsychLIT (1971 to current) search, including English and non-English journals and books. Results: Research to date into motherhood and schizophrenic illnesses has been limited by a number of methodological constraints, limiting the ability to draw conclusions and the prevention of relapses and mother-infant difficulties. These constraints have included: a paucity of prospective studies with initial, antenatal recruitment; variable definitions of the length of the puerperium; significant changes in psychiatric classification; the heterogeneity of postpartum psychotic disorders, with the majority being mood or schizoaffective disorder rather than schizophrenia; selection biases inherent in studying mother-baby unit inpatients; difficulties in life events research in general, such as its retrospective nature and confounding, illness factors; and the specificity versus non-specificity of childbirth as a unique or discrete life event. Conclusions: Further study is required to explore: the impact of child care, parenting and having a partner on the course of women with schizophrenic and schizoaffective disorders during the first postpartum year; whether women with postpartum relapses of these mental illnesses are likely to have slower recoveries than those women with the same diagnoses but without young children; and protective factors against postpartum relapse.
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44

Jasper, Alison. "Michèle Roberts: Female Genius and the Theology of an English Novelist." Text Matters, no. 1 (November 23, 2011): 61–75. http://dx.doi.org/10.2478/v10231-011-0005-8.

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Since Simone de Beauvoir published The Second Sex in 1949, feminist analysis has tended to assume that the conditions of male normativity—reducing woman to the merely excluded "Other" of man—holds true in the experience of all women, not the least, women in the context of Christian praxis and theology. Beauvoir's powerful analysis—showing us how problematic it is to establish a position outside patriarchy's dominance of our conceptual fields—has helped to explain the resilience of sexism and forms of male violence that continue to diminish and destroy women's lives because they cannot be seen as questionable. It has also, I would argue, had the unintended consequence of intensifying the sense of limitation, so that it becomes problematic to account for the work and lives of effective, innovative and responsible women in these contexts. In order to address this problematic issue, I use the life and work of novelist Michèle Roberts, as a case study in female genius within an interdisciplinary field, in order to acknowledge the conditions that have limited a singular woman's literary and theological aspirations but also to claim that she is able to give voice to something creative of her own. The key concept of female genius within this project draws on Julia Kristeva's notion of being a subject without implicitly excluding embodiment and female desire as in normative male theology, or in notions of genius derived from Romanticism. Roberts' work as a writer qualifies her as female genius in so far as it challenges aspects of traditional Christianity, bringing to birth new relationships between theological themes and scriptural narratives without excluding her singular female desires and pleasures as a writer. This paper—as part of a more inclusive, historical survey of the work of women writers crossing the disciplinary boundaries between literature and Christian theology over the last several centuries also asks whether, in order to do proper justice to the real and proven limitations imposed on countless women in these fields across global and historical contexts, we need, at the same time, to reduce the Christian tradition to something that is always antithetical or for which women can take absolutely no credit or bear no responsibility.
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Giannella, Luca, Matteo Costantini, Kabala Mfuta, Alberto Cavazza, Lillo Bruno Cerami, Giorgio Gardini, and Fausto Boselli. "Pedunculated Angiomyofibroblastoma of the Vulva: Case Report and Review of the Literature." Case Reports in Medicine 2011 (2011): 1–4. http://dx.doi.org/10.1155/2011/893261.

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Angiomyofibroblastoma (AMFB) is a rare benign mesenchymal tumour that occurs almost exclusively in the vulvovaginal region of women but can also occur occasionally in the inguinoscrotal region of men. It is a well-circumscribed lesion that clinically is often thought to represent a Bartholin's gland cyst and usually does not form a pedunculated mass. To our knowledge, only five cases of vulvar AMFB with pedunculated mass have been reported in the English literature and all cases involving the labia majora and middle-aged women. We report the first case of pedunculated AMFB of the vulva occurring in a young woman of 21 years old and involving the left labia minora. After excluding the most common diseases, pedunculated AMFB should be part of differential diagnosis in the workup of any pedunculated vulvar mass even in young women with a lesion involving the labia minora. We reviewed the literature and summarized all reported cases.
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Tukhlibaeva, Zubayda Farkhod kizi. "THE CREATIVE PATH OF SUNITA JAIN IN INDIAN ENGLISH LITERATURE (BASED ON THE ANALYSIS OF S. JAIN'S NOVELS)." Journal of Central Asian Social Research 01, no. 01 (August 29, 2020): 106–10. http://dx.doi.org/10.37547/jcass/volume01issue01-a11.

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In Indian literature, English literature demonstrates its peculiarities by productivity, variety of creative directions and originality of the creative style, the relevance of the issues raised. In this article, we will focus on the work of Sunita Jain, a prominent representative of English literature in India, and the immortal works created by the writer. The current part of our article has not studied the works of the author we have chosen, and her works have not been translated and learned by uzbek and russian literator. Sunita Jain’s works were distinguished by originality and sincerity. Sunita Jane has focused on important topics such as women, love, gender equality and caste. Her novels are distinguished by pure and delicate feminine taste. A realistic depiction of reality in his works is characterized by the fact that there is not much romantic flavor and the disclosure of the relationship between the individual and society through meaning, and society as a whole is oriented toward comprehensibility. Her Hindi novels Bindu and Boju were widely criticized as in both novels the author portrayed the plight of young girls and women in India as two families, openly blaming the environment and society at the time. At a scientific conference at the Women's Department of the University of Delhi, a journalist asked why you accuse the open society in both novels, to which he replied: "I am also a woman in the society embodied in this novel." It is clear that Sunita Jain reflected the realities of life in her works. The novels presented in the article are a vivid example of this.
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47

Minogue, Sally, and Andrew Palmer. "Confronting the Abject: Women and Dead Babies in Modern English Fiction." Journal of Modern Literature 29, no. 3 (2006): 103–25. http://dx.doi.org/10.1353/jml.2006.0032.

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48

Hartman, Michelle. "“Zahra’s Uncle, or Where Are Men in Women’s War Stories?”." Journal of Arabic Literature 51, no. 1-2 (April 6, 2020): 83–107. http://dx.doi.org/10.1163/1570064x-12341401.

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Abstract Scholarship in modern Arabic literary studies has treated the literature of the Lebanese Civil War, particularly novels written by women, in some depth. One of the most important texts used in both scholarship and teaching about this war is Ḥanān al-Shaykh’s Ḥikāyat Zahrah, translated as The Story of Zahra. This article focuses specifically on the one chapter in the novel narrated from the point of view of the protagonist’s uncle in order to explore how the English translation dramatically changes a number of elements in the original text. It uses insights from translation studies to show how significant changes to the novel in translation produce a text that serves particular ideological functions in English, consistent with a horizon of expectations that constructs Arab women as oppressed and passive victims of war. The article analyzes specific translation choices—most notably the extensive editing out of words, sentences, and passages—to demonstrate how the character of Zahrah’s uncle is changed in English and depicted as an unsavory and abusive man with little background, context, or history that would help the reader to better understand the character’s actions and motivations. It also shows how cutting out elements of the uncle’s story serves to depoliticize the text in English, divesting it of its local political context and changing its meaning and function as a novel about the Lebanese Civil War. The article is grounded in postcolonial, feminist translation studies, especially those dealing with Arabic fiction, to argue that the English-language novel The Story of Zahra functions within an ideological field that recycles stereotypes and tropes about Arab women. It will propose that the translation changes here depict Arab men against Arab women, rather than in relation to them, and subordinate the analysis of politics and communal relations to a more individual and individualized story of one exceptional woman.
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49

Woods, Susanne, and Elaine V. Beilin. "Redeeming Eve: Women Writers in the English Renaissance." South Central Review 6, no. 4 (1989): 80. http://dx.doi.org/10.2307/3189656.

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50

Gardiner, Judith Kegan. "Desiring Women Writing: English Renaissance Examples. Jonathan Goldberg." Modern Philology 98, no. 3 (February 2001): 460–63. http://dx.doi.org/10.1086/492976.

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