Relevant bibliographies by topics / Women in jazz

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Women in jazz'

Author: Grafiati
Published: 4 June 2021
Last updated: 20 February 2023

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Journal articles on the topic "Women in jazz"

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Carter, Mia, and Leslie Gourse. "Madame Jazz: Contemporary Women Instrumentalists." Notes 52, no. 4 (1996): 1145. http://dx.doi.org/10.2307/898380.

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Larziz, Paul. "Jazz women : Et pourtant elles swinguent." Cahiers du féminisme 34, no. 1 (1985): 30–31. http://dx.doi.org/10.3406/cafem.1985.3541.

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Hennessey, Mike. "The Prejudice Against Women in Jazz." International Jazz Archive Journal 03, no. 1 (2006): 24–29. http://dx.doi.org/10.2307/44758101.

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Jabouin, Emilie. "Black Women Dancers, Jazz Culture, and “Show Biz”: Recentering Afro-Culture and Reclaiming Dancing Black Bodies in Montréal, 1920s–1950s." Canadian Journal of History 56, no. 3 (2021): 229–65. http://dx.doi.org/10.3138/cjh.56-3-2021-0030.

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The documentary Show Girls, directed by Meilan Lam, makes an unprecedented contribution to the history of jazz and Black women jazz dancers in Montréal, Quebec, and to the conversation of jazz in Canada. Show Girls offers a glimpse into the lives of three Black women dancers of the 1920s–1950s. This essay asks what the lives of Black women dancers were like and how they navigated their career paths in terms of social and economic opportunities and barriers. I seek to better understand three points: (1) the gap in the study of jazz that generally excludes and/or separates dance and singing from
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McKeage, Kathleen M. "Gender and Participation in High School and College Instrumental Jazz Ensembles." Journal of Research in Music Education 52, no. 4 (2004): 343–56. http://dx.doi.org/10.1177/002242940405200406.

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This study is an examination of the relationship between gender and participation in high school and college instrumental jazz ensembles. Student demographic and attitudinal information was collected using the researcher-designed Instrumental Jazz Participation Survey (IJPS). Undergraduate college band students ( N=628) representing 15 programs offering degrees in music education were surveyed. Gender and jazz ensemble participation were found to be related at both levels; 52% of women and 80% of men surveyed reported playing jazz in high school, and 14% of women and 50% of men played in colle
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McAndrew, Siobhan, and Paul Widdop. "‘The man that got away’: Gender inequalities in the consumption and production of jazz." European Journal of Cultural Studies 24, no. 3 (2021): 690–716. http://dx.doi.org/10.1177/13675494211006091.

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Jazz is remarkable among genres in emerging from marginalised communities to a position of status, and is also evidently male-dominated in terms of both audiences and musicians. Using the Taking Part surveys of cultural participation in England, we investigate the gender gap in jazz and how it compares with classical and rock. We find women are less likely to attend jazz concerts than men. We also report on a unique dataset of 983 musicians, and identify how the position of women in the jazz network differs from men. Women also feature lower recording productivity, an effect appearing to work
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Ramanna, Nishlyn. "Musical Echoes: South African Women Thinking in Jazz." Journal of Southern African Studies 38, no. 4 (2012): 1014–15. http://dx.doi.org/10.1080/03057070.2012.749612.

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Inglese, Francesca. "Musical Echoes: South African Women Thinking in Jazz." Journal of the Musical Arts in Africa 11, no. 1 (2014): 125–28. http://dx.doi.org/10.2989/18121004.2014.995444.

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Gillett, Rachel Anne. "Jazz women, gender politics, and the francophone Atlantic." Atlantic Studies 10, no. 1 (2013): 109–30. http://dx.doi.org/10.1080/14788810.2013.766494.

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Bush, Elizabeth. "Sophisticated Ladies: The Great Women of Jazz (review)." Bulletin of the Center for Children's Books 60, no. 6 (2007): 251–52. http://dx.doi.org/10.1353/bcc.2007.0072.

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Dissertations / Theses on the topic "Women in jazz"

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Denson, Marjorie Louise. "Music from the Margins: An Autoethnographic Study of the Development of a Jazz Composer’s Voice." Thesis, Griffith University, 2014. http://hdl.handle.net/10072/366579.

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This is a multi-modal, authoethnographic study which examines the development of my voice as a composer. It consists of a folio of music scores, two CD recordings, and an exegesis. The principal question of how my musical identity has been shaped by my experiences as a jazz practitioner has been examined through composing music, personal writing and reflection, and an examination of relevant literature. The compositions reveal the main influences in my musical identity - jazz, western art music and Latin music, as well as their connection to the places which have inspired their creation. They
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Lambeth, Dawn. "A woman's place is in the groove: an examination of female jazz musicians, 1900 to the present." Thesis, Boston University, 1994. https://hdl.handle.net/2144/27700.

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Boston University. University Professors Program Senior theses.<br>PLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.<br>2031-01-02
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Bremmer, Jessica. "Jazz Babies, a Femme Fatale, and a Joad: Women and the Automobile in the American Modernist Era." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04162006-150750/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title screen. Audrey Goodman, committee chair; Thomas McHaney, Chris Kocela, committee members. Electronic text (84 p.) : digital, PDF file. Description based on contents viewed June 19, 2007. Includes bibliographical references (p. 82-84).
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George, Aimée. "An exploration of the gender and sexual dynamics for women performers in the Cape Town jazz community." Master's thesis, Faculty of Humanities, 2021. http://hdl.handle.net/11427/33739.

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This research explores the dynamics of gender, sexuality and power for women performers within the jazz community in Cape Town. Although the history and development of South African jazz has been extensively researched, very few texts mention the presence and impact of women performers and has yet to include how questions of gender, power and sexuality influence both the cultures of jazz and the experiences of women jazz artists. The current study is strongly influenced by feminist theory, which seeks to uncover experiences obscured by patriarchal epistemologies. A qualitative methodology is u
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Khoury, Nicole Michelle. "Hybrid identity and Arab/American feminism in Diana Abu-Jaber's Arabian Jazz." CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2862.

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In her novel Arabian Jazz, Diana Abu-Jaber attempts to explore the Arab American identity as something new; as an identity that exists related to, but ultimately separate from, the Arab and American identities from which it was originally created. This thesis discusses the emergence of the depiction of the Arab American female identity in the novel, examining how the characters explore issues of race, class, imperialism, and sex within both the Arab and the American cultures as those issues shape female identity. The thesis also presents a rhetorical analysis of the speeches that allow the cha
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Hansson, Clare. "Marian McPartland, jazz pianist : an overview of a musical career." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16621/.

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This, the first study at doctoral level of any white female jazz instrumentalist, provides an overview to the long, active and enduring musical career of British-born, New York-based jazz pianist, Marian McPartland (born 1918). For over six decades, besides being a pianist and a composer, she has been prominent in the professional roles of educator, writer, record producer and recording artist, radio broadcaster and advocate. The scope and impact of this multi-layered career are conveyed through the medium of a Website profiling significant aspects of her professional life through textual, aur
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Gustavsson, Jonas. "Subjects Matter : The Subject-Object Dichotomy in Toni Morrison's Jazz." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18196.

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This essay examines the subject-object dichotomy between men and women in Toni Morrison’s Jazz and the thesis of the essay is that this dichotomy develops into subject-object harmony. Through Simone de Beauvoir’s theory regarding the subject-object dichotomy and a close reading of the novel, this essay concludes that Jazz shows the possibility of reciprocal relationships built on friendship. In other words, the dichotomy changes into harmony, which makes it possible for both men and women to reach freedom and fulfilment in transcendence.
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Hansson, Clare. "Marian McPartland, jazz pianist : an overview of a musical career." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16621/1/Clare_Hansson_Thesis.pdf.

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This, the first study at doctoral level of any white female jazz instrumentalist, provides an overview to the long, active and enduring musical career of British-born, New York-based jazz pianist, Marian McPartland (born 1918). For over six decades, besides being a pianist and a composer, she has been prominent in the professional roles of educator, writer, record producer and recording artist, radio broadcaster and advocate. The scope and impact of this multi-layered career are conveyed through the medium of a Website profiling significant aspects of her professional life through textual, aur
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Butete, Netsayi. "The jazz divas an analysis of the musical careers of six New Brighton vocalists." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1002298.

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There has been insufficient academic research on the music of the Eastern Cape in general and Port Elizabeth and New Brighton in particular. This study, as part of the International Library of African Music (ILAM)lRed Location Museum Music History Project (ILAMIRLMHP) - an oral history intervention to save the music history of New Brighton from extinction through research and documentation of the memories of veteran musicians - is focused on jazz vocalists. The primary objective of my study is to investigate, critically analyze, interpret and document the career experiences of six New Brighton
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Keeler, Matthew. "BESSIE SMITH: AN AMERICAN ICON FROM THREE PERSPECTIVES." Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1130967483.

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Books on the topic "Women in jazz"

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Madame Jazz: Contemporary women instrumentalists. Oxford University Press, 1995.

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Smith, Julie. The Axeman's jazz. Ivy Books, 1992.

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Satin dolls: The women of jazz. Friedman/Fairfax Publishers, 1994.

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Satin dolls: The women of jazz. Friedman/Fairfax, 1997.

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Like jazz. Bold Strokes Books, 2013.

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Women in jazz: A discography of instrumentalists, 1913-1968. Greenwood Press, 1985.

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Jazz, etc. Flambard, 2003.

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Bea, Benjamin Sathima, ed. Musical echoes: South African women thinking in jazz. Duke University Press, 2011.

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Jazz and die. Thorpe, 2015.

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Sophisticated ladies: The great women of jazz. Dutton Children's Books, 2007.

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Book chapters on the topic "Women in jazz"

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Buscatto, Marie. "Vocal Jazz, Commercial Jazz, Gendered Jazz." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-4.

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Zola, Rebecca. "Women in Jazz." In The Routledge Companion to Jazz and Gender. Routledge, 2022. http://dx.doi.org/10.4324/9781003081876-37.

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Buscatto, Marie. "Difficult Access to Stable Working Networks." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-11.

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Buscatto, Marie. "Introduction." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-1.

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Buscatto, Marie. "Conclusion." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-14.

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Buscatto, Marie. "Managing One's “Femininity” in Public." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-13.

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Buscatto, Marie. "Women in a Man's World." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-12.

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Buscatto, Marie. "An Irresistible “Feminine” Seduction." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-7.

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Buscatto, Marie. "Amateur Vocal Jams." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-8.

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Buscatto, Marie. "A Saturated and Hierarchized Professional World." In Women in Jazz. Routledge, 2021. http://dx.doi.org/10.4324/9781003177555-2.

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