Log in

Relevant bibliographies by topics / Women in literature – 17th century / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Women in literature – 17th century.

Dissertations / Theses on the topic 'Women in literature – 17th century'

Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 dissertations / theses for your research on the topic 'Women in literature – 17th century.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Xu, Sufeng. "Lotus flowers rising from the dark mud : late Ming courtesans and their poetry." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102831.

Full text

Abstract:

The dissertation examines the close but overlooked relationship between male poetry societies and the sharp rise of literary courtesans in the late Ming. I attempt to identify a particular group of men who devoted exclusive efforts to the promotion of courtesan culture, that is, urban dwellers of prosperous Jiangnan, who fashioned themselves as retired literati, devoting themselves to art, recreation, and self-invention, instead of government office. I also offer a new interpretation for the decline of courtesan culture after the Ming-Qing transition.
Chapter 1 provides an overview of the social-cultural context in which late Ming courtesans flourished. I emphasize office-holding as losing its appeal for late Ming nonconformists who sought other alternative means of self-realization. Chapter 2 examines the importance of poetry by courtesans in literati culture as demonstrated by their visible inclusion in late Ming and early Qing anthologies of women's writings. Chapter 3 examines the life and poetry of individual courtesans through three case studies. Together, these three chapters illustrate the strong identification between nonconformist literati and the courtesans they extolled at both collective and individual levels.
In Chapter 4, by focusing on the context and texts of the poetry collection of the courtesan Chen Susu and on writings about her, I illustrate the efforts by both male and female literati in the early Qing to reproduce the cultural glory of late Ming courtesans. However, despite their cooperative efforts, courtesans became inevitably marginalized in literati culture as talented women of the gentry flourished.
This dissertation as a whole explores how male literati and courtesans responded to the social and literary milieu of late Ming Jiangnan to shed light on aspects of the intersection of self and society in this floating world. This courtesan culture was a counterculture in that: (1) it was deep-rooted in male poetry societies, a cultural space that was formed in opposition to government office; (2) in valuing romantic relationship and friendship, the promoters of this culture deliberately deemphasized the most primary human relations as defined in the Confucian tradition; (3) this culture conditioned, motivated, and promoted serious relationships between literati and courtesans, which fundamentally undermined orthodox values.

APA, Harvard, Vancouver, ISO, and other styles

2

Reynolds, Paige Martin. "Reforming Ritual: Protestantism, Women, and Ritual on the Renaissance Stage." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5439/.

Full text

Abstract:

My dissertation focuses on representations of women and ritual on the Renaissance stage, situating such examples within the context of the Protestant Reformation. The renegotiation of the value, place, and power of ritual is a central characteristic of the Protestant Reformation in early modern England. The effort to eliminate or redirect ritual was a crucial point of interest for reformers, for most of whom the corruption of religion seemed bound to its ostentatious and idolatrous outer trappings. Despite the opinions of theologians, however, receptivity toward the structure, routine, and familiarity of traditional Catholicism did not disappear with the advent of Protestantism. Reformers worked to modify those rituals that were especially difficult to eradicate, maintaining some sense of meaning without portraying confidence in ceremony itself. I am interested in how early Protestantism dealt with the presence of elements (in worship, daily practice, literary or dramatic representation) that it derogatorily dubbed popish, and how women had a particular place of importance in this dialogue. Through the drama of Shakespeare, Webster, and Middleton, along with contemporary religious and popular sources, I explore how theatrical representations of ritual involving women create specific sites of cultural and theological negotiation. These representations both reflect and resist emerging attitudes toward women and ritual fashioned by Reformation thought, granting women a particular authority in the spiritual realm.

APA, Harvard, Vancouver, ISO, and other styles

3

Hirsch, Brett Daniel. "Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture." University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.

Full text

Abstract:

Each chapter of Werewolves and Women with Whiskers: Figures of Estrangement in Early Modern English Drama and Culture explores a particular figure of fascination and fear in the early modern English imagination: in one it is owls, in another bearded women, in a third werewolves, and in yet another Jews. Drawing on instances from drama and other cultural forms, this thesis seeks to examine each of these phenomena in terms of their estrangement. There is a symbolic appositeness in each of these figures, whether in estranged and estranging minority groups, such as Catholics, Jesuits, Jews, Puritans, Italians, the Irish, and the Scots; or in transgressive behaviours, such as cross-dressing and gender trouble, infidelity and apostasy, intemperate passion and unnatural desire. Essentially unfixed and unstable, these emblematic figures are indicative of cultural uncertainty and therefore are easily adapted to suit changing political, religious, and social climates. However, adaptability and fluidity come at a price, since figures of difference have an uncomfortable way of transforming themselves into figures of resemblance. Thus, this thesis argues, each of these figuresowls, bearded women, werewolves, Jewsoccupies an undefined and undefinable space on the precarious boundary between the usual and the unusual, between the strange and the strangely familiar, and, most strangely and paradoxically of all, between us and them.

APA, Harvard, Vancouver, ISO, and other styles

4

Thiébaud, Jane Rather. "Madame de Rambouillet's Chambre Bleue [Blue Room]: Birthplace of Salon Culture." Fogler Library, University of Maine, 2007. http://www.library.umaine.edu/theses/pdf/ThiebaudJR2007.pdf.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Roth, Jenny. "Law, gender and culture : representations of the female legal subject in selected Jacobean texts." Thesis, University of St Andrews, 2003. http://hdl.handle.net/10023/14658.

Full text

Abstract:

This thesis addresses some of the extant gaps in law and literature criticism using an historical cultural criticism of law and literature that focuses on the Jacobean female legal subject in cases of divorce and adultery. It examines the intellectual milieu that constructs law and literature in this period to contribute to research on female subject formation, and looks specifically at how literature and law work to construct identity. This thesis asks what views Jacobean literature presents of the female legal subject, and what do those views reveal about identity and gender construction? Chapter one offers some essential historical contexts. It establishes the jurisprudential conditions of the period, defines the ideal female legal subject, touches on recent historical scholarship regarding women and law, explores how literature reveals law's artificiality, and links the Inns of Court to the theatres. Chapter two focuses on women and divorce. The first sections discuss the theology and ideology which impacted on divorce law. The latter sections examine Elizabeth Cary's Tragedy of Mariam, ca. 1609, and two manuscript accounts of Frances Howard's 1613 divorce trial, William Terracae's poem, A Plenarie Satisfaction, ca. 1613, and The True Tragi-Comedie Formarly Acted at Court, a play by Francis Osborne, 1635. These texts reveal the legal construction and frustrations of married women, and illustrate a gendered divide in attitudes towards women's legal position. Chapter three examines women and adultery law. It then juxtaposes representations of women justly accused of adultery, like the real-life Alice Clarke, and the fictional Isabella in John Marston's The Insatiate Countess, 1613, and unjustly accused, like the virtuous wives in Marston's play. This chapter reveals how male anxiety creates the stereotypes that constrain the female legal subject within systems of patrilineal inheritance. As a whole, this thesis uses literature to explore the Jacobean female legal subject's relationship to her husband and to the law, and, in some cases, it challenges the assumption that women were effectively constrained by legal dictates which would keep them chaste, silent and submissive. Literature, in some cases, works alongside law to sustain constructed identities, but radical literature can undermine law by challenging the stereotypes and identities law works to maintain.

APA, Harvard, Vancouver, ISO, and other styles

6

Gomez, Clemente Jr. "Manhood in Spain: Feminine Perspectives of Masculinity in the Seventeenth Century." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849616/.

Full text

Abstract:

The question of decline in the historiography of seventeenth-century Spain originally included socio-economic analyses that determined the decline of Spain was an economic recession. Eventually, the historiographical debate shifted to include cultural elements of seventeenth-century Spanish society. Gender within the context of decline provides further insight into how the deterioration of the Spanish economy and the deterioration of Spanish political power in Europe affected Spanish self-perception. The prolific Spanish women writers, in addition, featured their points of view on manhood in their works and created a model of masculinity known as virtuous masculinity. They expected Spanish men to perform their masculine duties as protectors and providers both in public and in private. Seventeenth-century decline influenced how women viewed masculinity. Their new model of masculinity was based on ideas that male authors had developed, but went further by emphasizing men treating their wives well.

APA, Harvard, Vancouver, ISO, and other styles

7

Pickard, Claire. "Literary Jacobitism : the writing of Jane Barker, Mary Caesar and Anne Finch." Thesis, University of Oxford, 2006. http://ora.ox.ac.uk/objects/uuid:85514fc9-6f0c-4992-ae8c-2666dc1f7ede.

Full text

Abstract:

This thesis argues that much of the gender based criticism that has led to the "rediscovery" of neglected early modern women writers has, paradoxically, also served to limit our understanding of such writers by distracting attention from other aspects of their writing, such as their political commitments. The three authors considered, Jane Barker (1652-1732), Mary Caesar (1677-1741) and Anne Finch (1661-1720), have been selected precisely because Jacobitism is central to their writing. However, it will be argued that a focus upon gender politics in the texts of these writers has led to a failure to comprehend the party political boldness of their work. The thesis examines the writing of each author in turn and explores the implications of Barker's, Caesar's and Finch's Jacobite allegiances for their respective views of human history as played out in political affairs. It also considers the ways in which each author attempts to reconcile a cause that is supposedly supported by God with apparent political failure. The quest of Barker, Caesar and Finch to investigate these issues and to comprehend how Jacobitism forms part of their own authorial identities is central to what is meant here by "literary Jacobitism" in relation to these writers. The thesis demonstrates that Jacobitism is enabling for each of these three women as it enhances their ability to conceive of themselves as authors by allowing their sense of political identity to overcome their scruples about their position as women who write. However, it also illustrates that Jacobitism functions differently in the writing of each of the selected authors. It thus argues that an undifferentiated labelling of the work of these three women as "Jacobite" is as restrictive as their previous categorisation as "women writers".

APA, Harvard, Vancouver, ISO, and other styles

8

Roberts, David. "The ladies : female patronage of Restoration drama 1660-1700." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670377.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Tanner, Jane Hinkle. "Sharing the Light: Feminine Power in Tudor and Stuart Comedy." Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.

Full text

Abstract:

Studies of the English Renaissance reveal a patriarchal structure that informed its politics and its literature; and the drama especially demonstrates a patriarchal response to what society perceived to be the problem of women's efforts to grow beyond the traditional medieval view of "good" women as chaste, silent, and obedient. Thirteen comedies, whose creation spans roughly the same time frame as the pamphlet wars of the so-called "woman controversy," from the mid-sixteenth to the mid-seventeenth centuries, feature women who have no public power, but who find opportunities for varying degrees of power in the private or domestic setting.

APA, Harvard, Vancouver, ISO, and other styles

10

Wang, Shuo. "Manchu women in transition gender, ethnicity, and acculturation in the 17th-18th century China /." online access from Digital Dissertation Consortium access full-text, 2002. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3075081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Benson, Fiona. "The Ophelia versions : representations of a dramatic type, 1600-1633." Thesis, St Andrews, 2008. http://hdl.handle.net/10023/478.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Baird, J. Aileen. "Medical and popular attitudes toward female sexuality in late seventeenth century England (1660-1696)." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=22557.

Full text

Abstract:

This thesis is an analysis of medical and popular views toward female sexuality in late seventeenth century England (1660-1696), based on the study of learned vernacular medical texts, personal sources and popular literature. In that period, women's subordinate social status to men was largely determined by their 'inferior' biology; "female illnesses" were considered to be a product of women's innate physiological 'weakness' as defined by humoral medical theory, and their reproductive organs were linked to their less restrained (than men's) sexual desires.
This research examines those medical and social ideas that defined the female sex in late seventeenth century England, in conjunction with women's own records of their experiences; it is argued that while their physiology was used to justify their inferior social status, women's degree of self-autonomy in early modern England--particularly in the area of pregnancy and childbirth--was probably far greater than would be thought from an examination of the contemporary printed sources. This thesis also demonstrates how medical and social attitudes toward women mutually reinforced the secondary position of women in that society.

APA, Harvard, Vancouver, ISO, and other styles

13

Kirk, Maria. "Performing consumption and consuming performance : a 17th century play collection." Thesis, University of Sussex, 2016. http://sro.sussex.ac.uk/id/eprint/61894/.

Full text

Abstract:

This thesis explores the relationship between performance and consumption in relation to play collection in the 1630s, and also examines the wider contexts of performance and consumption in that decade. It proposes that the 1630s were a decade characterised by particularly self-conscious performances of consumption, and that this environment contributed directly to the beginnings of the collection of books for display purposes. A focus on the Petworth collection and its original collector is maintained throughout the thesis, which weaves together the material and literary content of the collection. Using material evidence from the volumes themselves, this thesis demonstrates that the collection was purchased in 1638 by the 10th Earl of Northumberland through an agent who assembled the collection specifically for the Earl just prior to his purchase of it. It also demonstrates, again using evidence from the volumes themselves, that the purchase was partly informed by principles of education, personal taste and a consideration for family history, but that the overwhelming motive was the drive to consume and to perform that consumption. Using the literary content of the collection to explore representations of performed consumption, this thesis tracks the development of the conceptualisation of consumption on the stage from the wariness about dangerous consumption in the late Elizabethan period to the much more open, and yet still rather complex, attitudes of the 1630s. Finally, the thesis discusses some other kinds of public, performed consumption, including a procession by Northumberland and an entertainment with which he was connected, exploring the explicitly social elements of performance. The Petworth play collection is at once anomalous and typical as an example of mid-17th century book collection, and it can be used to illustrate and map the multitude of issues, concepts and attitudes which surround performance, consumption and collection in the 1630s, and beyond.

APA, Harvard, Vancouver, ISO, and other styles

14

Sunbul, Cicek. "Nineteenth-century Women." Master's thesis, METU, 2011. http://etd.lib.metu.edu.tr/upload/12612905/index.pdf.

Full text

Abstract:

This thesis proposes to demonstrate the representation of women in the 19th-century fiction through an analysis of the characters in George Eliot&rsquo
s Middlemarch and Thomas Hardy&rsquo
s The Return of the Native and Tess of the D&rsquo
Urbervilles. The study starts with an outline of the intellectual and industrial transformations shaping women&rsquo
s position in the 19th century in addition to the already existing prejudices about men&rsquo
s and women&rsquo
s roles in the society. The decision of marriage and its consequences are placed earlier in these novels, which helps to lay bare the women&rsquo
s predicaments and the authors&rsquo
treatment of the female characters better. Therefore, because of marriage&rsquo
s centrality to the novels as a theme, the analysis focuses on the female subordination with its educational, vocational and social extensions, the women&rsquo
s expectations from marriage, their disappointments, and their differing responses respectively. Finally, the analogous and different aspects of the attitudes of the two writers are discussed as regards their portrayal of the characters and the endings they create for the women in their novels.

APA, Harvard, Vancouver, ISO, and other styles

15

Henderson, Felicity 1973. "Erudite satire in seventeenth-century England." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Brovedan, Corinne. "Images of women in seventeenth-century French novels." Thesis, Queen Mary, University of London, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283299.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Johnson, Melissa Ann. "Subordinate saints : women and the founding of Third Church, Boston, 1669-1674." PDXScholar, 2009. https://pdxscholar.library.pdx.edu/open_access_etds/3662.

Full text

Abstract:

Although seventeenth-century New England has been one of the most heavily studied subjects in American history, women's lived experience of Puritan church membership has been incompletely understood. Histories of New England's Puritan churches have often assumed membership to have had universal implications, and studies of New England women either have focused on dissenting women or have neglected women's religious lives altogether despite the centrality of religion to the structure of New England society and culture. This thesis uses pamphlets, sermons, and church records to demonstrate that women's church membership in Massachusetts's Puritan churches differed from men's because women were prohibited from speaking in church or from voting in church government. Despite the Puritan emphasis on spiritual equality, women experienced a modified form of membership stemming from their subordinate place in the social hierarchy.

APA, Harvard, Vancouver, ISO, and other styles

18

Longust, Bridgett Renee 1964. "Reconstructing urban space: Twentieth-century women writers of French expression." Diss., The University of Arizona, 1996. http://hdl.handle.net/10150/282108.

Full text

Abstract:

This dissertation examines the importance of urban space in the works of feminist writers from France, Quebec, the Maghreb and Francophone West Africa. Each author writes women as subjects of their own experience in the city, identifies the representations of power and gender in urban landscapes, restores a feminist voice to the polis and supports women's claim to enfranchisement in urban space. My analysis is based upon the fundamental premise that urban space reflects power dynamics and is, like gender, a social and political construction borne of a dominant patriarchal ideology. The urban type of the female flaneuse, or ambulant heroine, is prevalent in several of the texts. These are women whose personal trajectories through the metropolis serve as a common referant to define their identity. Exploitation, disciplinary surveillance and disillusion characterize (1) Claire Etcherelli's urban dystopia in Elise ou la vraie vie. (2) Annie Ernaux's observations of life in the periphery of Paris in the Journal du dehors are centered on the market economy of the city and women's status as commodity. The deviant behavior of (3) Andree Chedid's virtually homeless, elderly heroine in La cite fertile thinly veils a provocative inquiry into the notion of urban identity. (4) Christine de Pizan and the Quebecoise writer, (5) Nicole Brossard both employ the metaphor of construction--architectural and textual--and share utopian visions of women's writing as the site for feminist praxis and cultural transformation. (6) Nina Bouraoui's cloistered Algerian heroine in La Voyeuse interdite and the women in (7) Assia Djebar's novels dare to defy and transgress the boundaries which exclude women from the urban realm in the Maghreb. (8) Calixthe Beyala's novels depict young African women struggling with issues of identity and survival in metropolises dominated by a repressive, patriarchal mentality. Throughout the texts, the city appears in multiple guises: as a text, a body, a marketplace, and a prison. For these authors, writing on the city constitutes a feminist act asserting women's right to claim a voice in that space. These works situate the city as a locus of cultural and political critique, whose spatial configurations reflect the social constructions of gender.

APA, Harvard, Vancouver, ISO, and other styles

19

Jackson, Simon John. "The literary and musical activities of the Herbert family." Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Siedina, Giovanna. "The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century." Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065007.

Full text

Abstract:

For the first time, the reception of the poetic legacy of the Latin poet Horace (65 B.C.-8 B.C.) in the poetics courses taught at the Kyiv Mohyla Academy (17th-first half of the 18th century) has become the subject of a wide-ranging research project presented in this dissertation. Quotations from Horace and references to his oeuvre have been divided according to the function they perform in the poetics manuals, the aim of which was to teach pupils how to compose Latin poetry. Three main aspects have been identified: the first consists of theoretical recommendations useful to the would-be poets, which are taken mainly from Horace's Ars poetica. The second aspect is the use of Horace's poetry as a model of word usage, tropes, rhetorical figures, and metrical schemes. Finally, the last important aspect of the reception of Horace is how his works could be imitated and his words or dicta borrowed in the composition of poetry, in which students were expected to exercise as part of the poetics course. The research draws the conclusion that Horace's legacy was of paramount importance in the manuals analyzed: on the one hand the Mohylanian poetics teachers' tendency (after Renaissance literary theorists and critics) to consider poetry within rhetorical categories rendered Horace's Ars Poetica extremely congenial to them. On the other, Horace's ideas were extrapolated from their original context and at times modified to serve a moralistic and "utilitarian" conception of poetry, which considered the latter as an instrumental science that served the ends of moral philosophy. With its metrical virtuosity and brilliant verbal craftsmanship, Horace's poetry provided an excellent model for the introduction of Christian content. The analysis of the way pagan authors (Horace first and foremost) were elaborated in a Christian key in the poetry composed by Mohylanian teachers and pupils indicates that education (and with it the assimilation of the Classics) at the KMA was not extraneous to the integration of ancient learning in Christian thinking as it took place in the different confessional schools of contemporary Western Europe.
Slavic Languages and Literatures

APA, Harvard, Vancouver, ISO, and other styles

21

Bowen, Scarlett K. "The labor of femininity : working women in eighteenth-century British prose /." Digital version accessible at:, 1998. http://wwwlib.umi.com/cr/utexas/fullcit?p9837908.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Bennett, Victoria. "Invisible women/hidden voices : women writing on sport in the twentieth century." Thesis, De Montfort University, 2002. http://hdl.handle.net/2086/13292.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Collins, Margo. "Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.

Full text

Abstract:

This dissertation examines the role of "acceptable" feminine violence in Restoration and eighteenth-century drama and fiction. Scenes such as Lady Davers's physical assault on Pamela in Samuel Richardson's Pamela (1740) have understandably troubled recent scholars of gender and literature. But critics, for the most part, have been more inclined to discuss women as victims of violence than as agents of violence. I argue that women in the Restoration and eighteenth century often used violence in order to maintain social boundaries, particularly sexual and economic ones, and that writers of the period drew upon this tradition of acceptable feminine violence in order to create the figure of the violent woman as a necessary agent of social control. One such figure is Violenta, the heroine of Delarivier Manley's novella The Wife's Resentment (1720), who murders and dismembers her bigamous husband. At her trial, Violenta is condemned to death "notwithstanding the Pity of the People" and "the Intercession of the Ladies," who believe that although the "unexampled Cruelty [Violenta] committed afterwards on the dead Body" was excessive, the murder itself is not inexcusable given her husband's bigamy. My research draws upon diverse archival materials, such as conduct manuals, criminal biographies, and legal records, in order to provide a contextual grounding for the interpretation of literary works by women. Moving between contemporary accounts of feminine violence and discussions of pertinent literary works by Eliza Haywood, Susanna Centlivre, Delarivier Manley, Aphra Behn, Mary Pix, and Jane Wiseman, the dissertation examines issues of interpersonal violence and communal violence committed by women.

APA, Harvard, Vancouver, ISO, and other styles

24

Holland, Dorothy J. "The casting and fate of "older" women in nineteenth-century American plays /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/10213.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Raza, Rosemary. "British women writers on India between mid-eighteenth century and 1857." Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.285448.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Zalduondo, María M. "Novel women gender and nation in nineteenth-century novels by two Spanish American women writers /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3037032.

Full text

APA, Harvard, Vancouver, ISO, and other styles

27

Cast, Andrea Snowden. "Women drinking in early modern England." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phc346.pdf.

Full text

Abstract:

Includes bibliographical references (leaves 320-415) Investigates female drinking patterns and how they impacted on women's lives in the sixteenth and seventeenth centuries in early modern England. Deals with female drinking as a site of contention between insubordinate women and the dominant paradigm of male expectations about drinking and drunkeness. Female drinking patterns integrated drinking and drunkeness into women's lives in ways that enhanced bonding with their female friends, even if it inconvenienced their husbands and male authorities. Drunken sociability empowered women.

APA, Harvard, Vancouver, ISO, and other styles

28

Swank, Andrea H. "Virtually corporal : the polite articulation of the female body in the 18th century novel /." free to MU campus, to others for purchase, 1997. http://wwwlib.umi.com/cr/mo/fullcit?p9841339.

Full text

APA, Harvard, Vancouver, ISO, and other styles

29

Chambers, Jacqueline M. "The needle and the pen : needlework and women writers' professionalism in the nineteenth century /." free to MU campus, to others for purchase, 2000. http://wwwlib.umi.com/cr/mo/fullcit?p9999278.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Diener, Laura Michele. "Gendered Lessons: Advice Literature for Holy Women in the Twelfth Century." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1204677363.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Miller, Robin A. (Robin Annette). "The Prologue in the Seventeenth-Century Venetian Operatic Libretto: its Dramatic Purpose and the Function of its Characters." Thesis, University of North Texas, 1998. https://digital.library.unt.edu/ark:/67531/metadc277705/.

Full text

Abstract:

The Italian seicento has been considered a dead century by many literary scholars. As this study demonstrates, such a conclusion ignores important literary developments in the field of librettology. Indeed, the seventeenth-century operatic libretto stands as a monument to literary invention. Critical to the development of this new literary genre was the prologue, which provided writers with a context in which to experiment and achieve literary transcendence. This study identifies approximately 260 dramatic works written in Venice between the years 1637 and 1682, drawn together for the first time from three sources: librettos in the Drammaturgia di Leone Allacci accresciuta e continuata fino all'anno MCDDLV; the musical manuscripts listed in the Codici Musicali Contariniani; and a chronological list of seventeenth-century Venetian operas found in Cristoforo Ivanovich's Minerva al Tavolino. Of the 260 Venetian works identified, over 98 begin with self-contained prologues. This discovery alone warrants a reconsideration of the seventeenth-century Italian libretto and the emergence of the dramatic prologue as a new and important literary genre.

APA, Harvard, Vancouver, ISO, and other styles

32

MacIntyre, Christine Anne. "Turn-of-the-century Canadian women writers and the "New Woman"." Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10372.

Full text

Abstract:

This study examines the literature written by the generation of women who come between pioneering women writers such as Catharine Parr Traill and Susanna Moodie and contemporary women writers such as Alice Munro and Margaret Laurence, literature which helps us to understand the tradition of New Woman writing present in Canada at the turn of the century. This thesis examines selected texts published between 1895 and 1910, a period of rapid urban and industrial expansion in Canada when women began seeing themselves and their roles in society in "new" ways. The first chapter of this thesis examines the concept of the "New Woman" in terms of its original connotations. The second chapter focuses on the representations of the "New Woman" in Lily Dougall's The Madonna of a Day. Sara Jeannette Duncan's A Daughter of Today is the subject of the third chapter. The final chapter examines short stories written by Canadian women journalists Kit Coleman, Ethelwyn Wetherald, and Jean Blewett. (Abstract shortened by UMI.)

APA, Harvard, Vancouver, ISO, and other styles

33

Laverick, Jane A. "A world for the subject and a world of witnesses for the evidence : developments in geographical literature and the travel narrative in seventeenth-century England." Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/2250.

Full text

Abstract:

In the latter half of the seventeenth century, the first-person overseas voyage narrative enjoyed an unprecedented degree of popularity in England. This thesis is concerned with texts written by travellers and the increasing perception that such information might be useful to those engaged in newly-developing scientific specialisms. It draws upon a wide range of texts including geographiae, physico-theological texts, first-person voyage narratives and imaginary voyage prose fictions. The main focus of the thesis is on the movement away from traditional encyclopaedic geographical textbooks whose treatment of non-European countries comprised an amalgam of unattributed information and a mass of traditional and erudite beliefs, towards a priontising of eyewitness accounts by named observers. Following an introductory survey of the production of an indigenous body of geographical literature in England, the first chapter traces the decline in popularity of traditional geographiae and the separation of regional description from general theories of the earth. The second chapter shows how in the Restoration period the concerted efforts of Fellows of the newly-established Royal Society resulted in a significant increase in the number of overseas travel narratives being published. The third chapter looks at the way in which the Royal Society's campaign developed from its initiation in 1666 to the close of the century, focusing on the response of travellers to the Society's requests for information. The fourth chapter considers the way in which earlier accounts were advertised as fulfilling contemporary expectations of this type of discourse. The fifth and sixth chapters concern fictitious voyage narratives. Imitative of a genre the value of which was increasingly seen as residing in its veracity, these fictions adapted in accordance with the changes being introduced to real voyage accounts whilst continuing to perpetuate the archaic myths and traditional beliefs which had been ehminated from factual geographical description. Appended to the thesis is a list of accounts of voyages and travels outside Europe, printed in the Philosophical Transactions (1665-1700). Also listed are reviews and abstracts of geographical texts, inquiries concerning specific locations and directions and instructions aimed at seamen, with brief biographical information about the authors to indicate the range of contributors to that journal.

APA, Harvard, Vancouver, ISO, and other styles

34

Tsakiropoulou, Ioanna Zoe. "The piety and charity of London's female elite, c.1580-1630 : the wives and widows of the aldermen of the City of London." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:1b933cc5-905a-4be0-b10b-a20aec49997a.

Full text

Abstract:

Why was an ideal of elite women's virtue promoted in London c. 1580-1630, and why was it based on their reformed piety and charity? To what extent can elite women's piety and charity reveal their religious identity, among an elite characterised as 'puritan' by contemporaries and historians? How did women practise piety and charity in a worldly City, and did they share a civic ethos? This thesis engages with historiographies of urban history, the history of charity and hospitality, and gender history. It concerns over 400 wives and widows of the 331 aldermen elected 1540-1630, and uses 78 widows' wills. Women's wills are analysed qualitatively save to consider widows' public charitable bequests. From preambles to exceptionally diffuse bequests, wills are an intimate source for studying women's religious identity through their piety and charity. They reveal women's understanding of their gender in a patriarchal society that fostered an attitude of sorority that is particularly evident in women's charity and hospitality. To study the piety and charity of aldermen's wives extra-testamentary personal evidence complements the wills. Sources written by women themselves include a household book used to reconstruct a woman's charity and hospitality, portraits, devotional works and letters. Sources of praise and abuse authored by men including Stow's Survay, funeral sermons, verse libel and verbal abuse are used to reconstruct ideals and antitypes of elite female virtue and hypocrisy, and are read critically in comparison with other sources to furnish evidence of female piety and social conduct. Chapter II-VII focus on the conforming female elite, comparing contemporary discussion of female piety, charity and religious identity to women's lives and practice in the household and the community, and Chapter VIII considers three Catholic women to ask to what extent the civic ethos shared by reformed City women could accommodate even their recusant kinswomen.

APA, Harvard, Vancouver, ISO, and other styles

35

Jarvis, Kelly Langdon. "The indoctrination of desire : a study of women, sexuality, and marriage in eighteenth and nineteenth century British domestic fiction /." View text, 2002. http://library.ccsu.edu/theses/etd-2002-7.

Full text

Abstract:

Thesis (M.A.)--Central Connecticut State University, 2002.
Thesis advisor: Stuart Barnett. " ... in partial fulfillment of the requirements for the degree of Master of Arts in English." Includes bibliographical references (leaves 136-139). Also available via the World Wide Web.

APA, Harvard, Vancouver, ISO, and other styles

36

Brundan, Katherine. "Mysterious women : memory, madness, and trauma in the nineteenth-century sensation narrative /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192179961&sid=4&Fmt=2&clientId=11238&RQT=309&VName=PQD.

Full text

Abstract:

Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 204-216). Also available for download via the World Wide Web; free to University of Oregon users.

APA, Harvard, Vancouver, ISO, and other styles

37

Scott, Francesca M. "The fuzzy theory and women writers in the late eighteenth century." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/50247/.

Full text

Abstract:

'Fuzzy Theory and Women Writers in the Late Eighteenth Century' contends that women writers require more careful critical treatment, and suggests that critics are still bound by the outdated logic of the Law of the Excluded Middle. This law, first formulated by Aristotle, and developed by Gottfried Leibniz in the early eighteenth century, indicates that where there are two contradictory prepositions, one must be true and the other false; a female writer must, therefore, either be feminine or masculine, conservative or radical. The twentieth century concept of Fuzzy logic, however, helped mathematicians and engineers to manage reasoning that was only approximate, rather than exact. Borrowing from this, the thesis will employ the Fuzzy Set Theory, which permits the gradual assessment of elements in a set, rather than relying on elements that are assessed in binaric terms (the principle of bivalence, or, contradiction). Put simply, the Fuzzy Set Theory does away with binaries, the Law of the Excluded Middle, and the Law of Contradiction, allowing subjects to be imprecise, and changeable. Thus, each chapter will construct a Fuzzy Set by which a variety of eighteenth century debates, with which women writers engaged, can be examined. The thesis will show that all such concepts are subjective and unstable— changeable and open to personal interpretation, and will discuss such writers as Mary Wollstonecraft, Catherine Macaulay, Charlotte Smith, Anna Letitia Barbauld, Mary Hays, Lucy Aikin, Hannah More and Joanna Southcott.

APA, Harvard, Vancouver, ISO, and other styles

38

Hone, Joseph. "The end of the line : literature and party politics at the accession of Queen Anne." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.

Full text

Abstract:

This thesis provides the first full-length account of the political and cultural significance of the accession of Queen Anne. It offers a critical reassessment of the politics of the royal image across a spectrum of texts, events, and artefacts - from panegyrics, newspapers, sermons, royal progresses, and processions to medals, coins, and playing cards. Recent scholarship has emphasized the importance of party politics to the literature and culture of the early eighteenth century. This thesis nuances that assumption by arguing: (1) that the principal focus of partisan texts was competing representations of monarchy; and (2) that the explosion of partisanship at the start of the eighteenth century was triggered by unrest about the royal succession. Anne was the last protestant Stuart. She had no surviving children. This thesis explores how authors such as Daniel Defoe, Joseph Addison, Alexander Pope, and a great many lesser known and anonymous writers and propagandists conceptualized the end of the Stuart dynasty. Anne's accession forced writers to conjecture on the future succession. There were two rival claimants to the throne after Anne's death: the protestant Electress Sophia of Hanover and Anne's Catholic half-brother, James Francis Edward. Sophia's claim was statutory, James's hereditary. Factions emerged in support of both claimants. Almost all topical writing took a stance on the issue. Many sided with the government, supporting Hanover. Yet some writers favoured the illegal but hereditary claim of James Francis Edward; they had to express support in covert ways. This succession crisis triggered not only printed polemic, but also swathes of clandestine manuscript literature circulating in the Jacobite underground. The government took a hard line on Jacobite writers and printers; this thesis documents both their persecution and the techniques they used to evade the law. The thesis concludes by suggesting that this oppositional literary culture only disintegrated after the defeat of the Jacobite rebellion, and the consequent settlement of the Hanoverian succession, in late 1716. After this point, royal succession ceased to be a major source of political discontent.

APA, Harvard, Vancouver, ISO, and other styles

39

Grist, Elizabeth Rosalind. "The salon and the stage : women and theatre in seventeenth-century France." Thesis, Queen Mary, University of London, 2001. http://qmro.qmul.ac.uk/xmlui/handle/123456789/1464.

Full text

Abstract:

This thesis is a study of the links between female emancipation and the theatre in seventeenth century France. Since both were considered problematical by some religious moralists, the discussion is situated in the context of religious criticism. The approach is broadly chronological and focuses in particular on the work of women playwrights. The religious background is summarized in the Introduction. Part One surveys the cultural climate, discussing links between salon society and the theatre including women's involvement as patrons; their presence in the auditorium and on stage; and the concept of 'bienséance', examined here in the context of the 'querelle du Cid'. Part Two considers the function of the stage as a place where women could literally try out different roles. It examines ways in which women were portrayed in a selection of plays from the 1630s to the 1670s (including works by Mairet, Rotrou, Corneille and Molière), discussing the images of 'la femme forte' and 'la precieuse', and the contribution made by playwrights to the contemporary debate on female emancipation. Part Three is devoted to the work of six women playwrights who had their work published or performed in France between 1650 and 1691 (Madame de Saint-Balmon, Marthe Cosnard, Françoise Pascal, Marie-Catherine Desjardins, Madame Deshoulieres and Catherine Bernard) and one whose only play was performed in England (Anne de La Roche-Guilhen). The discussion focuses not only on the plays themselves and their inspiration, but on what is known of each author's background and literary career, her contacts in literary society and the reception of her work. The involvement of women in the theatre proved of mutual benefit, contributing to its popularity and providing opportunities for their greater freedom and intellectual development.

APA, Harvard, Vancouver, ISO, and other styles

40

McMullen, Maram George. "Irish Women Poets of the Twentieth Century and Beyond| Voices from the Margin." Thesis, King Saud University (Saudi Arabia), 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3576677.

Full text

Abstract:

This dissertation study explores the rise of Irish women poets of the twentieth century, in particular Eavan Boland from the southern Republic of Ireland and Medbh McGuckian from Northern Ireland. It investigates the birth of Irish Feminist Literary Theory and Irish Postcolonial Literary Theory and uses these two theories to analyze the poetry found therein. This project shows that, unlike Irish women novelists and playwrights, Irish women poets were excluded from the Irish canon until poets such as Boland and McGuckian destabilized their once rigid national literary tradition and challenged it to include women as both authors and subjects of the Irish poem. In addition to challenging their patriarchal literary tradition, Irish women poets of the twentieth century also drew attention to the lingering effects of British colonial rule in Ireland, demonstrating that Irish women poets were doubly colonized and doubly marginalized. As a result, their poetry features two distinct voices: one which speaks for the women who were silenced in Ireland and one which raises postcolonial issues. By challenging the hegemonic power structures which dominated them, Boland and McGuckian paved the way for the Irish women poets who followed, including Mary O'Malley from the Republic of Ireland and Sinéad Morrissey from Northern Ireland. For the most part, Irish women poets of the twenty-first century have managed to let go of the trauma of colonization—both patriarchal and imperial—and have created a new hybrid national identity, a Third Space, which has liberated their work. This hybridity has broadened the vision of the Irish poem which now features a new global voice.

APA, Harvard, Vancouver, ISO, and other styles

41

Riddell, Aileen M. "At the verge of their proper sphere : early nineteenth century Scottish women novelists." Thesis, University of Glasgow, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.241736.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Honka, Agnes. "Writing an alternative Australia : women and national discourse in nineteenth-century literature." Master's thesis, Universität Potsdam, 2007. http://opus.kobv.de/ubp/volltexte/2008/1650/.

Full text

Abstract:

In this thesis, I want to outline the emergence of the Australian national identity in colonial Australia. National identity is not a politically determined construct but culturally produced through discourse on literary works by female and male writers. The emergence of the dominant bushman myth exhibited enormous strength and influence on subsequent generations and infused the notion of “Australianness” with exclusively male characteristics. It provided a unique geographical space, the bush, on and against which the colonial subject could model his identity. Its dominance rendered non-male and non-bush experiences of Australia as “un-Australian.” I will present a variety of contemporary voices – postcolonial, Aboriginal, feminist, cultural critics – which see the Australian identity as a prominent topic, not only in the academia but also in everyday culture and politics. Although positioned in different disciplines and influenced by varying histories, these voices share a similar view on Australian society: Australia is a plural society, it is home to millions of different people – women, men, and children, Aboriginal Australians and immigrants, newly arrived and descendents of the first settlers – with millions of different identities which make up one nation. One version of national identity does not account for the multitude of experiences; one version, if applied strictly, renders some voices unheard and oppressed. After exemplifying how the literature of the 1890s and its subsequent criticism constructed the itinerant worker as “the” Australian, literary productions by women will be singled out to counteract the dominant version by presenting different opinions on the state of colonial Australia. The writers Louisa Lawson, Barbara Baynton, and Tasma are discussed with regard to their assessment of their mother country. These women did not only present a different picture, they were also gifted writers and lived the ideal of the “New Women:” they obtained divorces, remarried, were politically active, worked for their living and led independent lives. They paved the way for many Australian women to come. In their literary works they allowed for a dual approach to the bush and the Australian nation. Louisa Lawson credited the bushwoman with heroic traits and described the bush as both cruel and full of opportunities not known to women in England. She understood women’s position in Australian society as oppressed and tried to change politics and culture through the writings in her feminist magazine the Dawn and her courageous campaign for women suffrage. Barbara Baynton painted a gloomy picture of the Australian bush and its inhabitants and offered one of the fiercest critiques of bush society. Although the woman is presented as the able and resourceful bushperson, she does not manage to survive in an environment which functions on male rules and only values the economic potential of the individual. Finally, Tasma does not present as outright a critique as Barbara Baynton, however, she also attests the colonies a fascination with wealth which she renders questionable. She offers an informed judgement on colonial developments in the urban surrounds of the city of Melbourne through the comparison of colonial society with the mother country England. Tasma attests that the colonies had a fascination with wealth which she renders questionable. She offers an informed judgement on colonial developments in the urban surrounds of the city of Melbourne through the comparison of colonial society with the mother country England and demonstrates how uncertainties and irritations emerged in the course of Australia’s nation formation. These three women, as writers, commentators, and political activists, faced exclusion from the dominant literary discourses. Their assessment of colonial society remained unheard for a long time. Now, after much academic excavation, these voices speak to us from the past and remind us that people are diverse, thus nation is diverse. Dominant power structures, the institutions and individuals who decide who can contribute to the discourse on nation, have to be questioned and reassessed, for they mute voices which contribute to a wider, to the “full”, and maybe “real” picture of society.
Das heutige Australien ist eine heterogene Gesellschaft, welche sich mit dem Vermächtnis der Vergangenheit – der Auslöschung und Unterdrückung der Ureinwohner – aber auch mit andauernden Immigrationswellen beschäftigen muss. Aktuelle Stimmen in den australischen Literatur-, Kultur- und Geschichtswissenschaften betonen die Prominenz der Identitätsdebatte und weisen auf die Notwendigkeit einer aufgeschlossenen und einschließenden Herangehensweise an das Thema. Vor diesem Hintergrund erinnern uns die Stimmen der drei in dieser Arbeit behandelten Schriftstellerinnen daran, dass es nicht nur eine Version von nationaler Identität gibt. Die Pluralität einer Gesellschaft spiegelt sich in ihren Texten wieder, dies war der Fall im neunzehnten Jahrhundert und ist es heute noch. So befasst sich die vorliegende Arbeit mit der Entstehung nationaler Identität im Australien des späten neunzehnten Jahrhunderts. Es wird von der Prämisse ausgegangen, dass nationale Identität nicht durch politische Entscheidungen determiniert wird, sondern ein kulturelles Konstrukt, basierend auf textlichen Diskurs, darstellt. Dieser ist nicht einheitlich, sondern mannigfaltig, spiegelt somit verschiedene Auffassungen unterschiedlicher Urheber über nationale Identität wider. Ziel der Arbeit ist es anhand der Texte australischer Schriftstellerinnen aufzuzeigen, dass neben einer dominanten Version der australischen Identität, divergierende Versionen existierten, die eine flexiblere Einschätzung des australischen Charakters erlaubt, einen größeren Personenkreis in den Rang des „Australiers“ zugelassen und die dominante Version hinterfragt hätten. Die Zeitschrift Bulletin wurde in den 1890ern als Sprachrohr der radikalen Nationalisten etabliert. Diese forderten eine Loslösung der australischen Kolonien von deren Mutterland England und riefen dazu auf, Australien durch australische Augen zu beschreiben. Dem Aufruf folgten Schriftsteller, Maler und Künstler und konzentrierten ihren Blick auf die für sie typische australische Landschaft, den „Busch“. Schriftsteller, allen voran Henry Lawson, glorifizierten die Landschaft und ihre Bewohner; Pioniere und Siedler wurden zu Nationalhelden stilisiert. Der australische „bushman“ - unabhängig, kumpelhaft und losgelöst von häuslichen und familiären Verpflichtungen - wurde zum „typischen“ Australier. Die australische Nation wurde mit männlichen Charaktereigenschaften assoziiert und es entstand eine Version der zukünftigen Nation, die Frauen und die Australischen Ureinwohner als Nicht-Australisch propagierte, somit von dem Prozess der Nationsbildung ausschloss. Nichtsdestotrotz verfassten australische Schriftstellerinnen Essays, Romane und Kurzgeschichten, die alternative Versionen zur vorherrschenden und zukünftigen australischen Nation anboten. In dieser Arbeit finden Louisa Lawson, Barbara Baynton und Tasma Beachtung. Letztere ignoriert den australischen Busch und bietet einen Einblick in den urbanen Kosmos einer sich konsolidierenden Nation, die, obwohl tausende Meilen von ihrem Mutterland entfernt, nach Anerkennung und Vergleich mit diesem durstet. Lawson und Baynton, hingegen, präsentieren den Busch als einen rechtlosen Raum, der vor allem unter seinen weiblichen Bewohnern emotionale und physische Opfer fordert.

APA, Harvard, Vancouver, ISO, and other styles

43

Willis, Avery Tinch. "Euripides' Trojan women : a 20th century war play in performance." Thesis, University of Oxford, 2005. http://ora.ox.ac.uk/objects/uuid:bb57e1d3-b560-45f2-8cd9-64befab97bba.

Full text

Abstract:

In this dissertation, I approach the interpretation of a classical text in performance by examining the practical elements (directorial and design choices: set, costumes, lighting, music, etc.) and promotional materials (programmes, press releases, photographs, etc.) for a selection of significant test cases in order to determine how these production decisions engage with external factors of political, intellectual, and cultural import. Trojan Women is a particularly useful case study to explore within the parameters of this method because the dynamism and immediacy of the play is most powerfully articulated when production choices allow for it to be wielded as a weapon of protest or reaction against contemporary policy, especially the waging of war. Using a chronological approach, this analysis of Trojan Women as a text for performance provides a broad and in-depth discussion of the reception of the play in the twentieth century, the period in which the ancient text was most frequently performed. Through the investigation of several influential productions on the international stage, and through an examination of the roles of key players (particularly Gilbert Murray and Jean-Paul Sartre), Trojan Women emerges as a play that offers theatre artists a unique and effective forum for debating issues of human responsibility in times of war a central theme in the play and a considerable preoccupation during a century of armed conflict. Chapter One discusses how the play was used to criticize imperial activity and promote ideological causes in the first half of the century. Chapters Two and Three draw attention to a major cluster of performances reflecting the spirit of international war protest in the 1960s and 1970s. Chapter Four addresses productions of the play affected by delayed responses to the Holocaust. Chapter Five features performances in the 1990s that respond to crises of civil conflict and genocide.

APA, Harvard, Vancouver, ISO, and other styles

44

Adair, Vivyan C. "From "good ma" to "welfare queen" : a "genealogy" of the poor woman in 20th century American literature, photography and culture /." Thesis, Connect to this title online; UW restricted, 1996. http://hdl.handle.net/1773/9511.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Henson, Karen. "Of men, women and others : exotic opera in late nineteenth-century France." Thesis, Boston Spa : British thesis service, 1999. http://catalogue.bnf.fr/ark:/12148/cb391434233.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Langford, Charles K. "Le utopie rinascimentali : esempli moderni di polis perfetta." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102806.

Full text

Abstract:

The citizens of utopian Renaissance cities have in common the confidence in the power of reason and moral virtues. The purpose of the thesis is to prove that, in spite of the imaginative and unreal aspects of these utopian societies, they contain the prodroms of the modern societies.
The utopias of the Renaissance are projects of a new commonwealth, based on justice and education. The Italian peninsula of the XVI and early XVII century spawned several works belonging to this literary genre, inspired by Plato's Republic and initiated in England with Thomas More's Utopia (1516). Those considered in this thesis, besides Utopia, are: Francesco Doni's Il mondo savio e pazzo (1552), Francesco Patrizi's La Citta felice (1553), Ludovico Agostini's La Repubblica immaginaria (1580), Tommaso Campanella's La Citta del Sole (The City of the Sun) (1602) and Lodovico Zuccolo's Il Belluzzi (1621).
The thesis examines these six main literary works according to the concept of uchronie and escapism, the definitions of utopia by Karl Mannheim, J.C. Davis and Mikhail Bakhtin, the religious and Arcadian elements and the relationship between utopia and satire. The thesis analyzes three essential aspects of the utopian tales: city planning, relationship between man and woman, and education. The utopias of the Renaissance also reveal two different visions: one innovative if compared to the society of the time, and another, post-tridentina, oriented towards a return to more traditional values. The thesis examines the influence of More's work on the utopias of the Renaissance by analyzing and comparing a series of topics, like the title of the work, the narrator, fantastical names and ideas, the role of Plato, property and inequity, the choice of woman and the concept of beauty, daily labor, the function of God, and the concept of law.
The utopias of the Renaissance have various modern aspects: a utilitarian justice, a better place of woman in the society, the laicity of the government, the "rationality" of war, secularism, education, health, social justice, assistance to elderly. They also contain myopias, like an unrealistic economic model and a static society.

APA, Harvard, Vancouver, ISO, and other styles

47

Dufresne, Virginie. "De Versailles à Clarens : nature et politique dans les jardins littéraires de l'âge classique." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99589.

Full text

Abstract:

During the 17th and 18th centuries, the French garden history witnesses the triumph and then the decline of the French formal garden, to which succeeds the fashion of landscape gardening of foreign inspiration. Integrating and nourishing this debate, the literary texts of that period enable to grasp the stakes that it brings up. The garden notably lends itself to the expression of an emerging sentiment of nature, as well it also serves that of a political thought enlightened by new ideas. Effectively, the treatment that these texts give to the garden is a witness to the revival that installs itself in the way of conceiving nature, and the relation that nature holds with man and the art of the gardens. The garden's topic and scenography are a testimony of changes that in turn affect its imaginary and that of the walk. Finally, the critical discourse exploits the analogy that establishes itself between the art of the gardens and the exercise of power, polarizing the debate around the political metaphor.

APA, Harvard, Vancouver, ISO, and other styles

48

Patterson, Jonathan Hugh Collingwood. "Representations of avarice in early modern France (c.1540-1615) : continuity and change." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610850.

Full text

APA, Harvard, Vancouver, ISO, and other styles

49

Mulhern, Kathleen Ann. "Saint Bernard, the Virgin, and women twelfth century womanhood in history and literature /." Theological Research Exchange Network (TREN), 1986. http://www.tren.com.

Full text

APA, Harvard, Vancouver, ISO, and other styles

50

Villa, Elena M. "Eloquent flesh : cross-cultural figurations of the dancer in nineteenth- and twentieth-century literature /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?index=0&did=1232398811&SrchMode=1&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1180979327&clientId=11238.

Full text

Abstract:

Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 313-332). Also available for download via the World Wide Web; free to University of Oregon users.

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!