Relevant bibliographies by topics / Women in love (Lawrence)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Women in love (Lawrence)'

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Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Women in love (Lawrence)"

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Macadré, Brigitte. "The Illogical Logic of Emotion in Women in Love." Études Lawrenciennes, no. 42 (June 15, 2011): 187–204. http://dx.doi.org/10.4000/lawrence.126.

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Periyan, Natasha. "Women in Love and Education: D. H. Lawrence's Epistemological Critique." Modernist Cultures 14, no. 3 (August 2019): 357–74. http://dx.doi.org/10.3366/mod.2019.0260.

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On a plot level, D. H. Lawrence's Women in Love rejects the conformity of the classroom and the narrowness of intellectual knowledge, celebrating instead the realm of instincts and the senses. Like its teacher-author, though, the novel retains a pedagogic design; to lead the reader through the experience of the text's narrative confusions into an epistemological critique of the rationalised intellect and the male teachers who embody it. Attention to the poems and textbooks Lawrence was writing during the novel's gestation show that Lawrence's developing modernist style was an an alternative form of teaching ‘sense’ to his readers, in line with his wider conception of the educational qualities of art.
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Feyel, Juliette. "Twilight of the Aristocrats: Foreign Words in Women in Love." Études Lawrenciennes, no. 44 (December 1, 2013): 205–26. http://dx.doi.org/10.4000/lawrence.198.

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Acheson, James. "Schopenhauer, Nietzsche and D. H. Lawrence’s Women in Love." Journal of European Studies 50, no. 1 (February 26, 2020): 7–16. http://dx.doi.org/10.1177/0047244119892871.

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D. H. Lawrence began to read Schopenhauer and Nietzsche while a student at Nottingham University College. The influence of the two philosophers on his early short stories and his novels from The White Peacock (1911) through to The Rainbow (1915) has been considered at length in books and essays on Lawrence. There has been little discussion to date, though, of the presence of Schopenhauer and Nietzsche in Women in Love (1920). The unmistakably Nietzschean term Wille zur Macht (will to power) appears in the novel and has attracted some critical comment, but there is no equally obvious reference to Schopenhauer, and discussion of Schopenhauer’s influence has been accordingly slight. Lawrence believed, however, that every novel should have a ‘background metaphysic’, and careful examination of Women in Love reveals that its metaphysic, or ‘theory of being’, derives from a combination of Schopenhauer’s and Nietzsche’s philosophical theories.
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Markova, E. A. "“Underground Love”: D. H. Lawrence and “Notes from the Underground” by F. M. Dostoevsky." Nauchnyy Dialog, no. 2 (February 28, 2020): 238–50. http://dx.doi.org/10.24224/2227-1295-2020-2-238-250.

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The reception of the novel by F. M. Dostoevsky “Notes from the Underground” in the works and correspondence of D. H. Lawrence is analyzed in the article. The novelty of the study is in the fact that the influence of this story on Lawrence’s prose is being studied for the first time. Particular attention is paid to Lawrence’s letters to the translator S. S. Kotelyansky, with whom the English writer shared his impressions of reading the works of Russian classics, especially Dostoevsky, as well as to one of the letters addressed to the writer G. Campbell, which contains the only direct reference to “Notes from the Underground” in Lawrence. This letter reveals an individual interpretation of the story by Lawrence. It is proved that this interpretation turns out to be close to the reading of the Notes by L. Shestov. The question is raised about the existing parallels between the text of Dostoevsky and the novels of D. G. Lawrence (“Women in Love”, “The Lost Girl”, “Rainbow” and “Aaron’s Rod”). The similarity is seen in the peculiar interpretation of the Underground concept by Lawrence. It is shown that the image of the Underground in the works of the English writer (usually expressed by the words “underworld”, “subterranean”) is always somehow connected with the irrational principle and is involved in the formation of Lawrence sensualism.
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Latham, Monica. "On the Rocks: Women (and Men) in (and out of) Love." Études Lawrenciennes, no. 42 (June 15, 2011): 281–317. http://dx.doi.org/10.4000/lawrence.134.

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Brault-Dreux, Elise. "Laughter and Mockery in Women in Love: Heterogeneous Symptoms of Discontent." Études Lawrenciennes, no. 45 (December 15, 2014): 57–76. http://dx.doi.org/10.4000/lawrence.208.

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Roussenova, Stefana. "Lawrence’s “Art Speech” and the Malady of Civilization in Women in Love." Études Lawrenciennes, no. 45 (December 15, 2014): 95–106. http://dx.doi.org/10.4000/lawrence.216.

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Ameen, Hishryar Muhammed, and Khorsheed Mohammed Rasheed Ahmed. "Thematization of Power in D. H. Lawrence’s Women in Love with reference to Nietzsche’s - The Will to Power." European Scientific Journal, ESJ 12, no. 11 (April 27, 2016): 425. http://dx.doi.org/10.19044/esj.2016.v12n11p425.

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This paper gives a brief discussion on Nietzsche's - The Will to Power. It aims to thoroughly discuss how this theme has been reflected within the plot and characters of D. H. Lawrence novel Women in Love. This paper briefly talks about Nietzsche and his concept of The Will to Power, Nietzsche’s influence over Lawrence, the relationships between characters in Women in Love and their significances, and The Will to Power and conflicts for dominations. Subsequently, it focuses on the Will to Power between male and female. Also, it considers social status as a source of power and authority. Finally, this study concludes on the type of Will to Power that is mainly reflected in Women in Love.
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La Cassagnère, Mathilde. "The Death Instinct and the Recovery of Psychical Integrity in the Bestiary of Women in Love." Études Lawrenciennes, no. 45 (December 15, 2014): 77–94. http://dx.doi.org/10.4000/lawrence.218.

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Dissertations / Theses on the topic "Women in love (Lawrence)"

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Ng, Yee-ling. "Modern fiction and the creation of the new woman : Madame Bovary, Jude the obscure and Women in love /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2005970X.

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Phelps, James Malet. "The interloper plot in the novels and other works of D.H. Lawrence." Thesis, University of York, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336575.

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Vincey, Lucette. "La volonté de puissance dans trois romans de David Herbert Lawrence : Women In Love, Kangaroo, The Plumed Serpent." Paris 10, 1987. http://www.theses.fr/1987PA100192.

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L'essence de la volonté de puissance réside dans l'acte de se surmonter soi-même. L'idée de dépassement est fondamentale. La volonté de puissance est principe de vie, elle présuppose la volonté de vivre. Pour Lawrence la volonté est un terme négatif et obsessionnel qu'il utilise pour caractériser la civilisation industrielle moderne. Dans women in love, kangaroo et the plumed serpent, la volonté de puissance lawrencienne puise ses sources chez les philosophes allemands tels Schopenhauer et Nietzsche qui font ressortir l'idée de dépassement de soi. Le surhomme nietzschéen se dépasse lui-même et devient l'aristocrate naturel décrit par Lawrence dans les trois romans choisis. Nous débouchons alors sur le problème des races et de la volonté de puissance avec les théoriciens du racisme : Gobineau, Chamberlain, Rosenberg. Cette prétendue supériorité raciale de l’Europe du nord n'est qu'un mythe car elle implique l'idée de corruption de certains individus. Ce problème racial nous permet d'aborder l'étude du pouvoir et de la société dans women in love, du pouvoir et de la politique dans kangaroo, du pouvoir et de la religion dans the plumed serpent. La volonté de puissance n'est pas seulement l'apanage du genre masculin mais également celui des personnages féminins lawrenciens. Pour compenser cette domination féminine, Lawrence a décrit l'existence d'une brutale domination masculine. Cette suprématie masculine n'est pas sans rapport avec la domination du bourreau sur sa victime. La recherche de la volonté de puissance dans les images lawrenciennes nous aide à mieux comprendre le "dernier homme" qui veut mourir, compare à l'aristocrate naturel, lui-même artiste confronte a sa propre volonté de puissance. L'ambiguïté coexiste chez l'auteur avec une réelle volonté de puissance
The will-to-power lies in the exercise of mastering oneself. The notion of going beyond is fundamental. The will-to-power is the principle of life; it implies the will-to-live. According to Lawrence, the will is a negative and recurrent term used to lay stress on the modern industrial civilization. In women in love, kangaroo and the plumed serpent the will-to-power draws its matter from the German philosophes such as Schopenhauer and Nietzsche who emphasize the notion of going beyond. The "nietzschean superman" goes beyond himself and becomes the natural aristocrat described by Lawrence in the selected three novels. We come to the racial problem and the will-to-power with the theorists of racialism such as Gobineau, Chamberlain, and Rosenberg. This would-be racial superiority of northern Europe is only a myth because it involves the corruption idea among some persons. This racial problem enables us to deal with the studying of power and society in women in love, power and politics in kangaroo, power and religion in the plumed serpent. The will-to-power is not only the prerogative of men, but also the one of lawrentian female characters. In order to compensate for this female domination, Lawrence describes a brutal male domination. This male supremacy is linked with the domination of victimizer over his victim. The search for the will-to-power in the lawrentian images helps us to understand the "last man" who wants to die, compared to the natural aristocrat, an artist faced with his own will-to-power. The ambiguity is present in Lawrence’s works with a real will-to-power
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Ziberkienė, Indrė. "Engagement and Disengagement in David Herbert Lawrence's Novel “Women in Love”." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100903_083826-61018.

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The turn of the 19th and the 20th centuries in Great Britain was marked by the appearance of modernist ideology particularly manifested in literature. The school of Modernism was pioneered by the group of so called ‘imagists’ with David Herbert Lawrence as a prominent leader. Modernism rejected Victorian realities and values and suggested a totally different way of thinking. D. Lawrence established himself as a sex revolutionist and implemented his ideas in his oeuvre. One of his mostly recognized novels Women in Love displays engagement and disengagement. The theme involves an overlook on various ways of engagement presented in the novel, including variety of sexual attractions, polarity and blood based inclinations. Furthermore, the theme presents ways of disengagement described in the book. The liberty is gained through: escaping the past, sexual intimacy, separation and death. The object of the current study is the novel Women in Love by David Herbert Lawrence first published in 1920. The current paper is aimed at revealing engagement and disengagement through characters in the novel Women in Love. After carrying out descriptive analysis of theoretical literature and investigating the object from the aspect of engagement and disengagement, following conclusions were drawn: Lawrence was a modernist writer criticized for amorality but praised for his literary talent. His modernist novel Women in Love reflects the great shift of mind from Victorian era to the twentieth... [to full text]
XIX-ojo ir XX-ojo amžių sandūroje, Didžiojoje Britanijoje, iškilo modernistinis judėjimas, kuris ypatingai reiškėsi literatūroje. Modernizmo mokyklos pradininkai buvo rašytojų būrelis pasivadinęs imagist‘ų vardu. Vienas ryškiausių jų lyderių buvo Davidas Herbertas Lawrence‘as. Modernizmas atsisakė Viktorijinio stiliaus tikroviškumo ir vertybių bei pasiūlė visiškai kitokį mąstymą. D.Lawrence‘as pasiskelbė sekso revoliucionieriumi ir savo mintis išdėstė savo kūryboje. Vienas žymiausių jo romanų Mylinčios moterys atskleidžia potraukius ir išsilaisvinimą. Šio tyrimo tema apima įvairių, romane nupasakojamų potraukių apžvalgą, įskaitant seksualinių polinkių įvairovę, priešingybių bei kraujo ryšių traukas. Taip pat apibūdinama išsilaisvinomo tema romane. Išsilaisvinimo siekiama per atsiribojimą nuo praeities, seksualinį intymumą, išsiskyrimą ir mirtį. Šio tyrimo objektas yra Davido Herberto Lawrence‘o romanas Mylinčios moterys, pirmą kartą išspausdintas 1920 metais. Šiuo tyrimu siekiama atskleisti potraukio ir išsilaisvinimo idėjas perteiktas per veikėjus romane Myličios moterys. Atlikus teorinės medžiagos apibūdinamąją analizę ir ištyrus objektą potraukio ir išsilaisvinimo aspektu, buvo padarytos šios išvados: Lawrence‘as buvo modernistinės srovės atsovas, kritikuotas dėl amoralumo ir garbintas dėl literatūrinio talento. Jo modernistinis romanas Mylinčios moterys atspindi Britanijos visuomenės minties kaitą nuo Viktorijos epochos į XX amžių. Potraukis, romane Myličios moterys... [toliau žr. visą tekstą]
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Cherqaoui, Jaouad. "Le Couple dans l'oeuvre de D.H. Lawrence union humaine, union mystique dans "The Rainbow" et "Women in love"." Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb375966694.

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Vincey, Lucette. "La Volonté de puissance dans trois romans de David Herbert Lawrence "Women in love", "Kangaroo", "The Plumed serpent /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376106514.

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Cherqaoui, Jaouad. "Le couple dans l'oeuvre de D. H. Lawrence : Union humaine, union mystique dans The Rainbow et Women in love." Université Marc Bloch (Strasbourg) (1971-2008), 1986. http://www.theses.fr/1986STR20018.

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Sperens, Jenny. "My Friend Is the Man : Changing Masculinities, Otherness and Friendship in The Good Soldier and Women in Love." Thesis, Umeå universitet, Institutionen för språkstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-135734.

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This essay explores how masculinity is portrayed in The Good Soldier (Ford Madox Ford) and Women in Love (D.H Lawrence), and how Victorian and Edwardian masculinity ideals impact the friendships between the characters John Dowell and Edward Ashburnham and Rupert Birkin and Gerald Crich. The novels portray how hegemonic masculinity in Edwardian Britain changed from one type of masculinity, based on physical dominance, to include another, which drew on expert knowledge, capitalism and rationalism. In the texts, these masculinities are buttressed by the comparison to a male Other. In The Good Soldier, Edward Ashburnham stands for the ideals connected to dominance through his roles as landlord and soldier, and he is depicted as the “manlier” character in comparison to John Dowell. The same kind of coupling is found in Women in Love, where Gerald Crich represents both older ideals of dominance and newer ideals of expertise and rationality and Rupert Birkin is the relational opposite. Both Rupert Birkin and John Dowell are categorized as “not man” in the texts in order to emphasize that Edward Ashburnham and Gerald Crich are the “real” men. However, when the “manlier” characters have died both John Dowell and Rupert Birkin perpetuate masculine ideals, either by emulating hegemonic ideals or by redefining them. Furthermore, the Victorian and Edwardian conceptions of masculinity and male friendship inhibit the characters from forming emotionally close friendships. In both texts, emotional intimacy is portrayed as precarious and a more impersonal from of friendship that entails loyalty to a group or cause, camaraderie, is preferred.
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GOUIRAND, ROUSSELON GOUIRAND JACQUELINE. "Aspects de la creation litteraire chez d. H. Lawrence. Analyse des avant-textes, de "the rainbow a women in love"." Montpellier 3, 1990. http://www.theses.fr/1990MON30045.

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L'attitude critique adoptee dans cette these - comparer le manuscrit de the rainbow et les deux manuscrits de women in love aux versions publiees de ces romans, permet d'apprehender le processus et l'orientation de la creation litteraire chez d. H lawrence. Ce travail se presente non comme une etude exhaustive des variantes, mais comme une analyse selective avec regroupement thematique. Centree sur women in love, cette etude integre ce qui, du premier roman, marque une difference de caractere general dans l'inspiration et affecte les personnages qui se retrouvent dans les deux oeuvres. La production de cette fiction - 1913-20 - marque un tournant dans la creation romanesque de d. H lawrence, qui subit des transformations considerables. S'il fait de la quete de la completude, le theme central de the rainbow qui consacre la suprematie du principe feminin, il exalte le principe masculin dans le second roman, en redonnant a l'homme l'initiative dans la rencontre sexuelle. Il met en oeuvre une nouvelle ethique des relations humaines qui se dessine nettement d'une version a l'autre de women in love. L'amour ainsi recycle, l'homme et la femme en retournant aux sources de la vie, accedent au salut et transcendent les distinctions sexuelles
The comparison of the mss of the rainbow and the typescripts of women in love with the published versions enables to apprehend the process of literary creation in d. H lawrence together with its orientation. This work does not consist in an exhaustive study of the variants but in a selective one, the main themes of the second novel being grouped together. Centered on women in love, this thesis integrates some elements of the first novel. The production of this fiction (1913-1920) is a turning point in lawrence's art and vision. In the rainbow, whose main theme is the quest for selthood, the feminine principle is exalted; in women in love, the masculine principle triumphs, man becomes woman's initiator : from the first version of this novel to the ultimate one, a new code of human relationships emerges. Love being thus recycled, man and woman, returning to the sources of life, experience salvation and transcend sexual distinctions
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Weatherby, Yvonne Martha. "D.H. Lawrence's "struggle for verbal consciousness": From Women in love to Psychoanalysis and the unconscious and Fantasia of the unconscious." CSUSB ScholarWorks, 1995. https://scholarworks.lib.csusb.edu/etd-project/1224.

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Books on the topic "Women in love (Lawrence)"

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D.H. Lawrence's The rainbow and Women in love: A critical study. New York: Peter Lang, 2005.

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D. H. Lawrence: Myth and metaphysic in The rainbow and Women in love. Ann Arbor, MI: UMI Research Press, 1988.

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Tytell, John. Passionate lives: D.H. Lawrence, F. Scott Fitzgerald, Henry Miller, Dylan Thomas, Sylvia Plath--in love. Secaucus, NJ: Carol Pub. Group, 1991.

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Passionate lives: D.H. Lawrence, F. Scott Fitzgerald, Henry Miller, Dylan Thomas, Sylvia Plath-- in love. New York: St. Martin's Press, 1995.

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D.H. Lawrence on screen: Re-visioning prose style in the films of The rocking-horse winner, Sons and lovers, and Women in love. New York: Peter Lang, 1999.

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The von Richthofen sisters: The triumphant and the tragic modes of love : Else and Frieda von Richthofen, Otto Gross, Max Weber, and D.H. Lawrence, in the years 1870-1970. 2nd ed. Albuquerque: University of New Mexico Press, 1988.

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Hirai, Masako. Sisters in literature: Female sexuality in Antigone, Middlemarch, Howards End, and Women in love. Basingstoke [England]: Macmillan Press, 1998.

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Surma, Anne. A selective bibliographical guide to secondary texts examining organising principles in D.H. Lawrence's "The Rainbow" and"Women in Love". [s.l.]: typescript, 1986.

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Lawrence and the women: The intimate life of D.H. Lawrence. New York, NY: HarperCollins Publishers, 1993.

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Gosman, Gillian. Jennifer Lawrence. Edited by Way Jennifer. New York: PowerKids Press, 2012.

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Book chapters on the topic "Women in love (Lawrence)"

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Kelsey, Nigel. "Women in Love." In D. H. Lawrence: Sexual Crisis, 141–80. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21749-6_5.

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Day, Gary. "Introduction: Lawrence and Criticism." In The Rainbow and Women in Love, 1–28. London: Macmillan Education UK, 2004. http://dx.doi.org/10.1007/978-1-137-06453-0_1.

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Messenger, Nigel. "Women in Love (1920)." In How to Study a D. H. Lawrence Novel, 78–104. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-09125-6_5.

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Wexler, Joyce Piell. "D. H. Lawrence: Women in Love." In A Companion to Modernist Literature and Culture, 393–401. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996331.ch44.

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Schmidt, Johann N. "Lawrence, D. H.: Women in Love." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_8945-1.

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DiBattista, Maria. "4. Women in Love: D. H. Lawrence’s Judgment Book." In D. H. Lawrence, edited by Phillip L. Marcus, 67–90. Ithaca, NY: Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501741135-005.

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Worthen, John. "The Restoration of Women in Love." In D.H. Lawrence in the Modern World, 7–26. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-09848-4_2.

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Black, Michael. "Women in Love: Birkin and Lawrence: Loerke." In Lawrence’s England, 208–16. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1007/978-1-349-64303-5_12.

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Donaldson, George. "Unestablished Balance in Women in Love." In D. H. Lawrence in Italy and England, 52–76. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27073-6_4.

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MacKillop, Ian. "Women in Love, Class War and School Inspectors." In D. H. Lawrence: New Studies, 46–58. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1007/978-1-349-18695-2_4.

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Conference papers on the topic "Women in love (Lawrence)"

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Anh, Kim Tran, Thi Bich Vu, Ngoc Toan Nguyen, Tran Cat Do, and Thach Son Vo. "Vietnamese women love physics." In WOMEN IN PHYSICS: 4th IUPAP International Conference on Women in Physics. AIP, 2013. http://dx.doi.org/10.1063/1.4794271.

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Ge, Youjin. "Modernism Technique of Women in Love." In 3rd International Conference on Science and Social Research (ICSSR 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icssr-14.2014.176.

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Mills, Dixie, Marc Hurlbert, and Susan Love. "Abstract B23: Love/Avon army of women: Revolutionizing research." In Abstracts: Frontiers in Cancer Prevention Research 2008. American Association for Cancer Research, 2008. http://dx.doi.org/10.1158/1940-6207.prev-08-b23.

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Nirwan. "I Call You through Fire: A Pakkado Love Magic Parallelism." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.6-3.

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The main concern of this article is to elaborate on the magic of Pa’issangang Baine 'knowledge about women’ within ‘Pakkado’ (people who speak I) in West Sulawesi, Indonesia. More specifically, the article focuses on this spell in individual ritual contexts, not in ordinary activity. The spell is performed by certain actors, and focuses on the characteristics of the utterances. The type of knowledge is categorized as a spell and is practiced by men who want to attract beloved women. Albeit, it also used by women to gain beloved men. The techniques used are recordings and field notes. The utterances are taken from a single informant. The rationale of the research is to give a better understanding of spells within the society who speak I. Nowadays, this spell lives only within the heads of aged populatons. Some people are worried about the death of this magic language, but only some attention has been directed at its preservation. The research also contributes in two ways; practice and academic. Practically, it is one way for revitalizing the magic word into written text; academically, it shows fascinating language use from semantic and pragmatic points of view. The writer applies some linguistic tools to analyze the utterances and the activity of performers in producing words such as in the poetic function of language use (Jakobson 1960), and in the deictic field (Hank, 2005). The features of this spell show the act of using parallelism and sentences repeated many times (Fox, 1988). In addition, it also shows the variety within a deictic system. Mandar is an ethnicity located in West Sulawesi—on the island of Sulawesi.
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Love, S., D. Mills, E. Eraklis, and M. Hurlbert. "The Love/Avon Army of Women – Accelerating Research into the Etiology and Prevention of Breast Cancer." In Abstracts: Thirty-Second Annual CTRC‐AACR San Antonio Breast Cancer Symposium‐‐ Dec 10‐13, 2009; San Antonio, TX. American Association for Cancer Research, 2009. http://dx.doi.org/10.1158/0008-5472.sabcs-09-3075.

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Lapina, Evgeniia. "Women in love against the underworld: “Female savior” scenario in English, Russian and Turkish folklore narratives." In Eighth Brno Conference on Linguistics Studies in English. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9767-2020-7.

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The main idea of this work was to study gender representations in the English “Ballad of Tam Lin”, the Russian fairy tale “Finist the Bright Falcon” and the Turkish tale “Patience-Stone” through the analysis of language units with implicit gender semantics. These folklore narratives have important similarities featuring the female protagonist as the main plot driver and possessor of cultural wisdom. They follow the “female savior” scenario, depicting women as decisive and challenging the traditional role of a decorative victim.
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Xiao, Ningshuang, and Hongbin Dai. "The Loss of Dream, Love and Words of Women: A Brief Analysis of Three Female Characters in Winesburg, Ohio." In 2nd International Conference on Humanities Science and Society Development (ICHSSD 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ichssd-17.2018.43.

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Love, Susan M. "Abstract B118: An efficient resource to accelerate research into the cause and prevention of breast cancer: The Love Army of Women." In Abstracts: AACR Special Conference on Advances in Breast Cancer Research: Genetics, Biology, and Clinical Applications - October 3-6, 2013; San Diego, CA. American Association for Cancer Research, 2013. http://dx.doi.org/10.1158/1557-3125.advbc-b118.

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Eraklis, Effie, Dixie J. Mills, Marc Hurlbert, and Susan M. Love. "Abstract 2894: A new resource to accelerate research into the cause and prevention of breast cancer: The Love/Avon Army of Women." In Proceedings: AACR 101st Annual Meeting 2010‐‐ Apr 17‐21, 2010; Washington, DC. American Association for Cancer Research, 2010. http://dx.doi.org/10.1158/1538-7445.am10-2894.

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Love, Susan, and Leah Wilcox. "Abstract B51: A new resource to accelerate research into the cause and prevention of breast cancer: The Love/Avon Army of Women." In Abstracts: AACR International Conference on Translational Cancer Medicine-- Jul 11-14, 2010; San Francisco, CA. American Association for Cancer Research, 2010. http://dx.doi.org/10.1158/1078-0432.tcmusa10-b51.

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