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Dissertations / Theses on the topic 'Women in love (Lawrence, D. H.)'

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1

Ng, Yee-ling. "Modern fiction and the creation of the new woman : Madame Bovary, Jude the obscure and Women in love /." Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B2005970X.

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2

Cherqaoui, Jaouad. "Le couple dans l'oeuvre de D. H. Lawrence : Union humaine, union mystique dans The Rainbow et Women in love." Université Marc Bloch (Strasbourg) (1971-2008), 1986. http://www.theses.fr/1986STR20018.

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3

GOUIRAND, ROUSSELON GOUIRAND JACQUELINE. "Aspects de la creation litteraire chez d. H. Lawrence. Analyse des avant-textes, de "the rainbow a women in love"." Montpellier 3, 1990. http://www.theses.fr/1990MON30045.

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L'attitude critique adoptee dans cette these - comparer le manuscrit de the rainbow et les deux manuscrits de women in love aux versions publiees de ces romans, permet d'apprehender le processus et l'orientation de la creation litteraire chez d. H lawrence. Ce travail se presente non comme une etude exhaustive des variantes, mais comme une analyse selective avec regroupement thematique. Centree sur women in love, cette etude integre ce qui, du premier roman, marque une difference de caractere general dans l'inspiration et affecte les personnages qui se retrouvent dans les deux oeuvres. La prod
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4

Woolhead, Ben. "Between, beneath and beyond words : silences in D. H. Lawrence's The rainbow and Women in love." Thesis, University of Nottingham, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.430268.

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Svenson, Lembke Jenny. "Bodies of Water: The Question of Resisting or Yielding to the Active Unconsciousness in D. H. Lawrence’s Women in Love." Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113166.

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D. H. Lawrence believed the individual psyche to consist of two parts: the active unconsciousness and the mental consciousness. The active unconsciousness is a sort of life force within the individual, and one that allows the individual a true connection to the world. It is also closely related to the body, and sometimes called “blood-being” or “blood-consciousness.” The mental consciousness could be said to be the “intellect” in the individual psyche, dealing with abstractions and ideas. Lawrence insists that contemporary society’s prioritizing of the functions of the mental consciousness lea
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Buenaflor, Judith L. "Ursula Brangwen the lady of the dance /." Instructions for remote access. Click here to access this electronic resource. Access available to Kutztown University faculty, staff, and students only, 1998. http://www.kutztown.edu/library/services/remote_access.asp.

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Thesis (M.A.)--Kutztown University of Pennsylvania, 1998.<br>Source: Masters Abstracts International, Volume: 45-06, page: 2842. Typescript. Abstract precedes thesis as preliminary leaves [1]-2. Includes bibliographical references (leaves 80-84).
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7

Hester, Vicki M. (Vicki Martin). "D. H. Lawrence: Misogyny as Ideology in His Later Works of Fiction and Nonfiction." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500651/.

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Critics continue to debate Lawrence's attitude toward women: Some say Lawrence is a misogynist, some say he is an egalitarian, and others say he is ambivalent toward women. If Lawrence's works are divided into two chronological periods, before and after 1918, these differences of opinions begin to dissolve. Lawrence is fair in his treatment of women in the earlier works; however, in his later works Lawrence restricts women to what he calls the sensual realm, the realm of feelings and emotions. In addition, Lawrence denounces all women who assert individuality and self-responsibility. In the l
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Driskill, Richard T. "Madonna, maiden and martyr : models of femininity in some early works of André Gide and D.H. Lawrence." Thesis, University of St Andrews, 1995. http://hdl.handle.net/10023/14828.

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This dissertation studies certain similarities between some early Bildungsroman of D. H. Lawrence and André Gide. In Lawrence's Sons and Lovers and The Rainbow, and Gide's L'lmmoraliste and La Porte étroite, the authors explore the destructive effects of cultural "Icons", narrowly codified gender roles, upon sensitive young European women at the turn of the century. Through an intricate subtext of allusive imagery, postures, language, and "mythical" patterns, Lawrence and Gide imply that a patristic Christianity had somehow enlisted certain strains of Romance to fashion a pervasive cultural
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9

Watson, Anna Elizabeth. "Music lessons and the construction of womanhood in English fiction, 1870-1914." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/5479.

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This thesis explores the gendered symbolism of women's music lessons in English fiction, 1870-1914. I consider canonical and non-canonical fiction in the context of a wider discourse about music, gender and society. Traditionally, women's music lessons were a marker of upper- and middle-class respectability. Musical ‘accomplishment' was a means to differentiate women in the ‘marriage market', and the music lesson itself was seen to encode a dynamic of obedient submission to male authority as a ‘rehearsal' for married life. However, as the market for musical goods and services burgeoned, musica
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10

Tan, Teresa, and 談玉儀. "The Color Paradigm in D. H. Lawrence: Painterly Symbolism in Women in Love." Thesis, 2000. http://ndltd.ncl.edu.tw/handle/83959032996358550717.

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碩士<br>淡江大學<br>西洋語文研究所<br>88<br>The “analogy of forms” method of interpretation has contributed tremendously to academic studies of matters linguistic and the pictorial. D. H. Lawrence especially invites the ‘analogy of forms’ interpretation because his novels overtly concern themselves with aesthetic currents and arguments. Women in Love, the author’s novel most strongly influenced by modern art, throws much light on Lawrence’s aesthetic development, which begins with color-oriented Impressionism, vibrant Post-Impressionism, subjective Expressionism, sensual Primitivism, and ends up with dyn
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Chao, Hsiu-hua, and 趙秀華. "The End of Gerald Crich in D. H. Lawrence's Women in Love." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/27940131402617654952.

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碩士<br>國立成功大學<br>外國語文學系<br>89<br>This thesis aims to explore Lawrence's central ideas and some of the main concerns of the twentieth century by analyzing the meaning and causes of Gerald Crich's death. The first chapter is an introduction to the social and cultural background of Women in Love. New discoveries and developments in science and technology challenged traditional beliefs and values during this period. Contributing to the collapse of tradition was the destructiveness and terror of World War I. Under their pressures, human beings, as represented in Women in Love, struggled to find mean
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12

Lin, Kai-Di, and 林愷蒂. "Feministic Equilibrium in D. H. Lawrence's Sons and Lovers, Women in Love and Lady Chatterley's Lover." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/18242423789142316558.

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碩士<br>中國文化大學<br>英國語文學研究所<br>92<br>This thesis applies Simone de Beauvoir's concept of feminism to D. H. Lawrence's three novels─Sons and Lovers, Women in Love and Lady Chatterley's Lover. De Beauvoir's feminist theory can be understood in her work─The Second Sex, which mainly explores the history and situation of women. The works of Lawrence have focused on the sexual relationship and roles between men and women. This work discusses the position of women in those relations with men according to Simone de Beauvoir’s feminist theory. The first chapter explains the change in woman's
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13

Yu, Cristo, and 余良園. "Dichotomous Characters and Dualistic Relationships in D. H. Lawrence's Women in Love and Lady Chatterley's Lover." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/42641945930808557722.

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碩士<br>國立中正大學<br>外國語文研究所<br>87<br>This thesis aims to demonstrate a reading of Women in Love and Lady Chatterley’s Lover in terms of D. H. Lawrence’s philosophical thoughts. In Chapter One, I will concentrate on the main concepts in Lawrence’s philosophy: the unconscious, the blood consciousness, the mental consciousness, the emotional mind, the phallic consciousness, and the cerebral sex consciousness. In Chapter Two, the characters in Women in Love and Lady Chatterley’s Lover will be analyzed in terms of the blood consciousness and the mental consciousness. Last, in Chapter Three, two them
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Hsu, Shih-chin, and 徐世瑾. "D. H. Lawrence in the Vanguard: His Concepts of a Whole Life as Revealed in The Rainbow, Women in Love, and Lady Chatterley's Lover." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/25536541121619086952.

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碩士<br>國立高雄師範大學<br>教育學系<br>83<br>Nowadays, most of Lawrence's ideas and concepts revealed in his novels are widely acclaimed or even taken for granted. Nevertheless, in conventional Edwardian society they are sevely condemned and particularly his masterpiece, Lady Chatterley's Lover, is banned. People then go into a panic over it because in them many of the so-called universal norms are radically challenged. Lawrence devotes himself, wholeheartedly and altruistically, to translating the ne
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15

WU, SHU-HUA, and 吳淑華. "A study of motifs in D. H. Lawrence's The rainbow and Women in love." Thesis, 1987. http://ndltd.ncl.edu.tw/handle/57054262215468934567.

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碩士<br>輔仁大學<br>英國語文研究所<br>75<br>D‧ H‧ 勞倫斯小說中的女性和書中傳播出的生命力吸引著我。他呈現現代人的問題 ,而不流入現代小說常有的壓迫感和艱澀。勞倫斯的文句優美。他能生動呈現人物動 作和景物,同時也將人心深處的感覺帶出。 本論文探討的範圍,僅止於勞倫斯兩本小說「彩虹」與「戀愛中的女人」的主題研究 。在檢視作品主題時,我大都以重覆出現的意象、觀念或用語等來探討。這兩本小說 頗能代表作者風格,且顯示了作者心態的改變。 在「彩虹」中,重覆出現的主題還有:自然意象,如水、陽光、種子、彩虹,動物意 象,男女相異的本質以其男女間變化而富生機的關係。因而我們可以看出「彩虹」明 顯呈現生命遞邅的訊息和人與自然的關係。兩性的關係尤其是「彩虹」的重心,透過 此一主題,作者顯示男女本質的差異,以及本能和心智、肉體和精神之相異和相抗。 同時我們看出這相異導致吸引以及互相抗衡,由是激洫出生命力,新生命也由此結合 誕生,生生不息推衍著。
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16

Hsu, Jui-Yuan, and 徐瑞元. "Corporeal Ethics in D. H. Lawrence’s The Rainbow and Women in Love: An Irigarayan Reading." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/31694770474604802886.

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碩士<br>淡江大學<br>英文學系碩士班<br>95<br>This thesis studies how Luce Irigaray’s theories of “sexual difference,” and “divinity” could offer a non-phallocentric approach to read D. H. Lawrence’s novels, The Rainbow and Women in Love and how Lawrence’s novels could liberate women from the patriarchal society and create a new revolution in man-woman relationship, namely, Lawrentian theory of “star-equilibrium.” Lawrence’s theory of star-equilibrium is a way to escape the control of the diseased intellectualism. Once people are released from the oppression of diseased intellectualism, they will find the
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17

Lin, Fang-li, and 林芳俐. "The "Odd" Art: The African Statues and Bohemian Artists in D. H. Lawrence's "Women in Love"." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/66075401112017501755.

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碩士<br>淡江大學<br>西洋語文研究所<br>84<br>"Women in Love," D. H. Lawrence's "novel of ideas," reveals the author's dualism as a dialectic of cultures--the polarity of the cold Nordic culture, embodiment of the rationaility of westerncivilization, and the fire-burning African culture, concealed insensuous African statuettes. How the "odd" art of the sensuous African statuettes and the ruthless artists--Gudrun and Loerke--challenge the cold rationality of Nordic culture is the main concern in thi
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18

Lo, Tsui-chu, and 羅翠珠. "Death and Sensuality in D. H. Lawrence's "The Princess," "The Man Who Loved Islands," "St. Mawr," "Sun," "The Man Who Died" and "The Woman Who Rode Away"." Thesis, 1994. http://ndltd.ncl.edu.tw/handle/03355039846385247764.

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碩士<br>國立中正大學<br>外國語文學系<br>82<br>This thesis is an intertextual reading of D. H. Lawrence's "The Princess," "The Man Who Loved Islands," "St. Mawr," "Sun," "The Man Who Died" and "The Woman Who Rode Away" alongside with Georges Bataille's treatise on death and sensuality. In this connection, the thesis is mainly concerned with the reciprocity of Lawrence's proposition on the fulfillment of self through sensual communions and Bataille's notion of the completion of self through death and sens
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