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Journal articles on the topic 'Women in love (Lawrence, D. H.)'

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Published: 4 June 2021

Last updated: 27 July 2025

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1

WANG, Dong. "Research on the Theme of Creativity in D. H. Lawrence’s Works." Studies in Linguistics and Literature 8, no. 1 (2024): p186. http://dx.doi.org/10.22158/sll.v8n1p186.

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The theme of creativity is a common theme in D. H. Lawrence’s main novels, including Sons and Lovers, The Rainbow, Women in Love and Lady Chatterley’s Lover. Sons and Lovers remains blurry in the possibility of true creative fulfillment. In The Rainbow, Lawrence begins to ponder over creativity clearly. Lawrence’s Women in Love handles the theme of creativity in a more dismal and realistic way. The novel Lady Chatterley’s Lover does not directly portray the realistic societal level within the process of creativity. It only portrays creative self-renewal on a personal level. If seen as the sole

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2

Periyan, Natasha. "Women in Love and Education: D. H. Lawrence's Epistemological Critique." Modernist Cultures 14, no. 3 (2019): 357–74. http://dx.doi.org/10.3366/mod.2019.0260.

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On a plot level, D. H. Lawrence's Women in Love rejects the conformity of the classroom and the narrowness of intellectual knowledge, celebrating instead the realm of instincts and the senses. Like its teacher-author, though, the novel retains a pedagogic design; to lead the reader through the experience of the text's narrative confusions into an epistemological critique of the rationalised intellect and the male teachers who embody it. Attention to the poems and textbooks Lawrence was writing during the novel's gestation show that Lawrence's developing modernist style was an an alternative fo

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3

Acheson, James. "Schopenhauer, Nietzsche and D. H. Lawrence’s Women in Love." Journal of European Studies 50, no. 1 (2020): 7–16. http://dx.doi.org/10.1177/0047244119892871.

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D. H. Lawrence began to read Schopenhauer and Nietzsche while a student at Nottingham University College. The influence of the two philosophers on his early short stories and his novels from The White Peacock (1911) through to The Rainbow (1915) has been considered at length in books and essays on Lawrence. There has been little discussion to date, though, of the presence of Schopenhauer and Nietzsche in Women in Love (1920). The unmistakably Nietzschean term Wille zur Macht (will to power) appears in the novel and has attracted some critical comment, but there is no equally obvious reference

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4

Kortas, Cyrine. "IBN ‘ARABĪ’S CREATIVE IMAGINATION AND ITS ECHOES IN D.H. LAWRENCE’S WOMEN IN LOVE." Kanz Philosophia: A Journal for Islamic Philosophy and Mysticism 10, no. 2 (2024): 183–210. https://doi.org/10.20871/kpjipm.v10i2.348.

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This paper employs textual analysis and comparative literary methods to examine the mystical and spiritual dimensions of D. H. Lawrence's Women in Love through the lens of sufi mysticism. It posits that Lawrence's engagement with sufi philosophy and literature significantly informed his portrayal of love as a transformative spiritual journey. By scrutinizing Lawrence's use of symbolism, imagery, and character development, particularly in the character of Birkin, the study aims to demonstrate how the novel reflects a profound resonance with sufi concepts, such as the unity of the universe and t

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5

Markova, E. A. "“Underground Love”: D. H. Lawrence and “Notes from the Underground” by F. M. Dostoevsky." Nauchnyy Dialog, no. 2 (February 28, 2020): 238–50. http://dx.doi.org/10.24224/2227-1295-2020-2-238-250.

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The reception of the novel by F. M. Dostoevsky “Notes from the Underground” in the works and correspondence of D. H. Lawrence is analyzed in the article. The novelty of the study is in the fact that the influence of this story on Lawrence’s prose is being studied for the first time. Particular attention is paid to Lawrence’s letters to the translator S. S. Kotelyansky, with whom the English writer shared his impressions of reading the works of Russian classics, especially Dostoevsky, as well as to one of the letters addressed to the writer G. Campbell, which contains the only direct reference

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6

Ameen, Hishryar Muhammed, and Khorsheed Mohammed Rasheed Ahmed. "Thematization of Power in D. H. Lawrence’s Women in Love with reference to Nietzsche’s - The Will to Power." European Scientific Journal, ESJ 12, no. 11 (2016): 425. http://dx.doi.org/10.19044/esj.2016.v12n11p425.

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This paper gives a brief discussion on Nietzsche's - The Will to Power. It aims to thoroughly discuss how this theme has been reflected within the plot and characters of D. H. Lawrence novel Women in Love. This paper briefly talks about Nietzsche and his concept of The Will to Power, Nietzsche’s influence over Lawrence, the relationships between characters in Women in Love and their significances, and The Will to Power and conflicts for dominations. Subsequently, it focuses on the Will to Power between male and female. Also, it considers social status as a source of power and authority. Finall

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7

Rajendra Prasad Chapagaee. "Nietzsche’s Influence on Character Design in Women in Love: A Philosophical Exploration." Interdisciplinary Journal of Management and Social Sciences 6, no. 1 (2025): 262–71. https://doi.org/10.3126/ijmss.v6i1.75408.

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This paper attempts to examine philosophical infusion in D. H. Lawrence’s novel Women in Love. It examines how Lawrence has been influenced by Neitzsche's philosophy in his character portrayal in his novel. It also looks at how Lawrence shapes his characters in his novel borrowing the ideas from Nietzsche. Nietzsche's key philosophical ideas are used to the creation of characters in Women in Love. This study presents a fresh analysis of the text and opens the door for further research by analyzing the novel through the spectacles of Nietzsche's philosophy. It fosters a greater knowledge of bot

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8

Birgy, Philippe. ""Snowed Up" : le topos montagnard dans Women in Love de D. H. Lawrence." Caliban, no. 23 (May 1, 2008): 191–99. http://dx.doi.org/10.4000/caliban.1260.

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9

S., Srinivetha. "Freud psychoanalytic view of constant Reid sex to self-conscious in D. H Lawrence's The Lady Chatterley's Lover." Freud psychoanalytic view of constant Reid sex to self-conscious in D. H Lawrence's The Lady Chatterley's Lover 9, no. 2 (2024): 11–16. https://doi.org/10.36993/ RJOE.2024.9.2.16.

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"The Lady Chatterley's Lover" provides a zenith in Lawrence's exploration of character psychology. Firstly, Lawrence is an insightful writer rather than a sexist. With a profound interest in psychological revelation, Lawrence strongly emphasizes depicting characters' irrational psychological activities to unveil the essence of human nature. His exploration goes beyond the surface, delving into the unconscious and unveiling new subtleties of psychological approaches. Constance Reid Chatterley's transformative psychological journey navigates love, passion, and socie

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10

Hossain, Mostak, and Md Chand Ali. "D. H. Lawrence’s Sons and Lovers: A Study of Abortive Love Affairs." International Journal of Research and Innovation in Social Science IX, no. IV (2025): 5380–87. https://doi.org/10.47772/ijriss.2025.90400386.

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This article analyzes the theme of love gone wrong in D. H. Lawrence’s Sons and Lovers. It focuses on Paul Morel’s entangled relationships with three women: Miriam Leivers, Clara Dawes, and his mother, Gertrude Morel. With Freudian theory and close reading of the novel, this writing illustrates how emotional dependence, inner struggle, and the Oedipus complex prevent Paul from having successful love affairs. All of these experiences—spiritual, bodily, and maternal—are manifestations of different forms of love, yet none of them makes him happier for longer than his sorrow over having loved some

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11

Shaihen, Kadar. "D. H. Lawrence's Sons and Lovers: A Neo Version of Oedipal Complex." International Journal of Social Science And Human Research 05, no. 09 (2022): 4051–57. https://doi.org/10.5281/zenodo.7060280.

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This article endeavors to come up with the novel Sons and Lovers with the view of Oedipus complex which turned out at the time when D.H. Lawrence set off to rejuvenate the new generation writers along with the readers throughout his novel to be familiar with the neo type of complication which is related to Freudian Theory of Psychosexual Development or Organic evolution. Following the footprint of Sophocles, Lawrence depicts his neo form of complexity in accordance with the philosophy of psychoanalysis but in different way that is in reality the influential work Oedipus Rex (Oedipus Tyrannus).

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12

Stelzig, Eugene. "Romantic Reinventions in D. H. Lawrence's "Women in Love"." Wordsworth Circle 44, no. 2-3 (2013): 93–97. http://dx.doi.org/10.1086/twc24044228.

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13

Ahmed Majeed, May. "Utopian Tendencies in D. H. Lawrence's Women In Love." Anbar University Journal of Languages & Literature 6, no. 1 (2014): 114–26. http://dx.doi.org/10.37654/aujll.2014.92400.

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14

Wollaeger, Mark. "D. H. Lawrence and the Technological Image: Modernism, Reference, and Abstraction in Women in Love." English Language Notes 51, no. 1 (2013): 75–92. http://dx.doi.org/10.1215/00138282-51.1.75.

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15

Vainshtein, Olga. "Gossips, patronage and literary games: on reputation of lady Ottoline Morrell." Adam & Eve. Gender History Review, no. 32 (2024): 94–133. https://doi.org/10.32608/2307-8383-2024-32-94-133.

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The reputation of Lady Ottoline Morrell, the society hostess and patron of arts (1873-1938), is rather ambivalent. Gossips damaged it, because Lady Ottoline Morrell was frequently an object of hostile parodies and caricatures, even among her friends, including the Bloomsbury group. She was a sharp dresser, and her original dresses and unique hats attracted lots of attention. Her radical bohemian style was frequently discussed and misunderstood. Gossiping about Lady Ottoline Morrell the members of Blooms-bury group affirmed their collective identity. This model of communication and spreading go

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16

Gharib, Mohammad Hosein, and Ahmad Gholi. "Psychoanalytical Analysis of Gerald’s Three Coverts to Perpetrate Violence in D.H. Lawrence’s Women in Love." Journal of Language Teaching and Research 7, no. 6 (2016): 1117. http://dx.doi.org/10.17507/jltr.0706.08.

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D. H. Lawrence is well known for creating psychologically deep characters. Since contemporaneous with Sigmund Freud, he has been familiar with his groundbreaking theories about unconscious mind. Moreover, he utilizes them for creating his characters in his novels. For instance in his Women in Love, Freud’s impact on him is striking. Freud holds that human beings are primitive by nature and their primitive attitudes can emerge anytime. In this regard, this paper aims to draw on Freud’s idea of unconsciousness to analyze Gerald, one of main characters in the novel in question. To do so, it will

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17

Kurraz, Abdullah. "Artistic Narrative Structure of Ihsan Abdel Quduos and D. H. Lawrence's Novels: A Stylistic Comparative Sketch." International Journal of Linguistics, Literature and Translation 5, no. 3 (2022): 48–57. http://dx.doi.org/10.32996/ijllt.2022.5.3.6.

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This paper explores the artistic structures, aesthetics, and thematics in the literary works of Ihsan Abd Al-Quduos (the Arab writer) and D. H. Lawrence (the English writer) in terms of the narrative style, language, dialogue, settings, and characters through a textual analysis in the light of the premises of the narrative aesthetics, comparative assumptions and aesthetic intertextualities. Comparatively, the paper sheds light on the aspects of artistic aesthetics of structure and style between the two writers, basically the treatment of women, clarifying their narrative experiences. Therefore

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18

McGowan, Christopher. "Conrad, Lawrence, and the Sabotage and Salvage of Genre." Novel: A Forum on Fiction 56, no. 3 (2023): 389–409. http://dx.doi.org/10.1215/00295132-10750559.

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Abstract This article considers Joseph Conrad's Nostromo and D. H. Lawrence's Women in Love as modernist reworkings of the industrial novels of the mid-nineteenth century, such as Elizabeth Gaskell's Mary Barton and Charles Dickens's Hard Times. Conrad and Lawrence, the article argues, rework the industrial-novel genre as a way to figure a crisis of British culture—and of the novel as a form. In the era of British imperial decline, the apparent massification and globalization of modern Western culture, and revolutionary changes in gender relations and family life, the synoptic historical narra

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19

Janaki, Dr S., and Dr S. Sumathi. "An Ecocritical Reading of D. H. Lawrence’s Women in Love." IOSR Journal of Humanities and Social Science 22, no. 03 (2017): 125–28. http://dx.doi.org/10.9790/0837-220304125128.

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20

Kortas, Cyrine. "A Feminist Dialogic Reading of the New Woman: Love, Female Desire, and Family in The Virgin and the Gypsy by D. H. Lawrence and in The Tragedy of Demetrio by Hanna Mina." International Journal of English and Comparative Literary Studies 3, no. 4 (2022): 1–11. http://dx.doi.org/10.47631/ijecls.v3i4.485.

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This paper explores the depiction of female characters as New Women in a comparative analysis of two selected short stories by two seemingly anti-feminist authors; D. H. Lawrence in England and Hanna Mina in Syria. I argue that these short stories signal the need for a new perspective, analyzing how these two authors challenged the conventional fictional treatment of womanhood and created complex female heroines struggling against restrictive social roles and values. Examining these selected narratives, “The Virgin and the Gypsy” by D. H. Lawrence and in “The Tragedy of Demetrio” by Hanna Mina

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21

Kang, Sang-deok. "The Apocalyptic Vision in D. H. Lawrence’s in Women in Love." Studies in English Language & Literature 34, no. 2 (2008): 189–202. http://dx.doi.org/10.21559/aellk.2008.34.2.011.

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22

Constantine, D. "DAVID ELLIS (ed.), D. H. Lawrence's Women in Love: A Casebook." Notes and Queries 57, no. 1 (2010): 148–49. http://dx.doi.org/10.1093/notesj/gjp238.

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23

Watson, G. "D. H. Lawrence (in Women in Love) on the Desire for Difference and 'the Facism in US All'." Cambridge Quarterly XXVI, no. 2 (1997): 140–54. http://dx.doi.org/10.1093/camqtly/xxvi.2.140.

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24

Watson, G. "D H Lawrence (in Women in Love) on the desire for difference and 'the Facism in us all'." Cambridge Quarterly 26, no. 2 (1997): 140–54. http://dx.doi.org/10.1093/camqtly/26.2.140.

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25

Thomas, Martine. "Le néant ou l'être : Variations sur le désir et la mort dans Woman in love de D. H. Lawrence." Recherches anglaises et nord-américaines 35, no. 1 (2002): 151–84. http://dx.doi.org/10.3406/ranam.2002.1655.

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The dialectics of desire and death is refracted through the different levels of D. H. Lawrence's novel. Desire and death form a recurrent theme, bringing into play the characters and underlying their relationships within the story. As a leitmotiv, it undergoes variations which contribute to the novel's contrapuntal structure ; as a thematics, it is modulated through the teeming richriess of the novels symbols, resurfacing in the lovers 'discourse as a syntax, becoming at moments musical phrasing. The dialectics of desire and death goes beyond textual frontiers, to a point where the author's de

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26

Upadhyaya, Parthivendra. "Vitalism in Man and Superman and Women in Love." Rupandehi Campus Journal 3, no. 1 (2022): 69–81. http://dx.doi.org/10.3126/rcj.v3i1.51549.

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This article is an examination into the concepts of will, marriage and male-female relationship in G. B. Shaw’s Man and Superman and D. H. Lawrence’s Women in Love. The article starts will the discussion of the concept of will in both the works and moves on to discuss the works in the light of eugenics, vitalism and further analyze them under the framework of marriage and the male-female relationship. The article concludes that the two works are similar in certain aspects like being influenced by Schopenhauer’s concept of will but they still remain ways apart on other grounds like in their con

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27

Neilson, Brett. "D. H. Lawrence's "Dark Page": Narrative Primitivism in Women in Love and The Plumed Serpent." Twentieth Century Literature 43, no. 3 (1997): 310. http://dx.doi.org/10.2307/441914.

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28

Kern, Stephen. "Modernist Ambivalence about Christianity." Renascence 73, no. 1 (2021): 57–75. http://dx.doi.org/10.5840/renascence20217315.

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Kern argues that the responses of Friedrich Nietzsche, James Joyce, André Gide, D. H. Lawrence, and Martin Heidegger to Christianity made up a Weberian ideal type. Accordingly: They all were raised as Christians but lost their faith when they began university studies. They all criticized the impact that they believed the anti-sexual Christian morality, with its emphasis on sin, had had, or threatened to have, on their love life. For that reason they were militantly anti-Christian but also ambivalent about Christianity. They worked to replace the loss of Christian unity with non-Christian unify

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29

Soonhee Lim. "The Debates on Visual Arts as a Cultural Critique in D. H. Lawrence’s Women in Love." New Korean Journal of English Lnaguage & Literature 51, no. 2 (2009): 157–74. http://dx.doi.org/10.25151/nkje.2009.51.2.008.

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30

Zangenehpour, Fareshteh. "Daisies And The Whirling Dervishes. D. H. Lawrence's Metaphysics in Women in Love and Rumi's Theory of Colourlessness." Moderna Språk 99, no. 1 (2005): 22–31. http://dx.doi.org/10.58221/mosp.v99i1.9436.

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31

Creighton, Matthew. "On the Pleromatic." Religion and the Arts 22, no. 3 (2018): 294–315. http://dx.doi.org/10.1163/15685292-02203002.

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Abstract This essay meets at the crossroads of religion and literature, insofar as it concerns the extent to which fictional characters can articulate religious viewpoints. The subject here is D. H. Lawrence’s Women in Love with particular focus on the novel’s main character, Rupert Birkin. This essay argues that Birkin’s particular worldview, and the source of the strangeness with which it is encountered, is due to its location outside Judeo-Christian frameworks and inside a fundamentally “Gnostic” one. To prove this argument, I first adumbrate essential features of the Gnostic myth and then

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32

LACKEY, MICHAEL. "D. H. Lawrence's Women in Love: A Tale of the Modernist Psyche, the Continental “Concept,” and the Aesthetic Experience." Journal of Speculative Philosophy 20, no. 4 (2006): 266–86. http://dx.doi.org/10.2307/25670629.

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33

LACKEY, MICHAEL. "D. H. Lawrence's Women in Love: A Tale of the Modernist Psyche, the Continental “Concept,” and the Aesthetic Experience." Journal of Speculative Philosophy 20, no. 4 (2006): 266–86. http://dx.doi.org/10.2307/jspecphil.20.4.0266.

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34

Rosinberg, Erwin. "“After us, not out of us”: Wrestling with the Future in D. H. Lawrence’s Women in Love." MFS Modern Fiction Studies 59, no. 1 (2013): 1–25. http://dx.doi.org/10.1353/mfs.2013.0018.

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35

Barrows, Adam. "“His Numbering Clock”: Clockwork Men in Literary and Popular Culture." KronoScope 23, no. 2 (2024): 201–16. http://dx.doi.org/10.1163/15685241-20231534.

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Abstract The image of a man turning into a clock has haunted literary and popular culture for the last four hundred years. This essay surveys the trope of the clockwork man from Shakespeare’s Elizabethan age to the modernist era and beyond. I explore two modernist examples of the trope, E. V. Odle’s The Clockwork Man (1923) and D. H. Lawrence’s Women in Love (1920), before turning to the postwar example of a DC comic book supervillain named the “Clock King,” who adorns his costume with clock dials and whose traumatic backstory involves the failure of mechanical devices to accurately measure hu

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36

Vainshtein, O. Β. "“Why did she provoke so much hostility?”: What upset Miranda Seymour while writing the biography of Lady Ottoline Morrell." Shagi / Steps 9, no. 4 (2023): 233–43. http://dx.doi.org/10.22394/2412-9410-2023-9-4-233-243.

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The article is focused on the emotional contexts of the biography of Lady Ottoline Morrell (1873–1938), written by the distinguished author Miranda Seymour. One of the main emotional attitudes of the biographer is sorrow and sadness. The reason for this is the distorted image of Lady Ottoline in memoirs and fiction; she was portrayed in several novels in an unfair and satirical manner. Literary representations of her can be found in Crome Yellow by Aldous Huxley, Women in Love by D. H. Lawrence, Between the Acts by Virginia Woolf and several other contemporary works of fiction. Special attenti

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37

Zangenehpour, Fereshteh. "Sexual Politics Revised: A Feminist Re-Reading of D. H. Lawrence’s The Rainbow and Women in Love." Nordic Journal of English Studies 19, no. 5 (2020): 181. http://dx.doi.org/10.35360/njes.620.

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38

Devdiuk, Ivanna Vasylivna, and Svitlana I. Nisevych. "Women Artists in the British and Ukrainian Literature at the Turn of the 19th – 20th Century: D. H. Lawrence’s Women in Love and O. Kobylianska’s Valse Mélancolique." Journal of History Culture and Art Research 9, no. 3 (2020): 226. http://dx.doi.org/10.7596/taksad.v9i3.2661.

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Neha, Neha. "The Image of Man’s Relationship to Other Man in D. H. Lawrence’s Novels ‘Woman In Love’ and ‘Aaron’s Rod." Indian Journal of Applied Research 3, no. 8 (2011): 369–70. http://dx.doi.org/10.15373/2249555x/aug2013/119.

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40

STEVENS, HUGH. "Love and Hate in D. H. Lawrence." Men and Masculinities 4, no. 4 (2002): 334–45. http://dx.doi.org/10.1177/1097184x02004004003.

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41

Hoffpauir, Richard. "The Early Love Poetry of D. H. Lawrence." ESC: English Studies in Canada 14, no. 3 (1988): 326–42. http://dx.doi.org/10.1353/esc.1988.0049.

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42

Khan, Dolat. "Impact of Persian Sufi Thoughts on D. H. Lawrence’s Writing." University of Chitral Journal of Linguistics and Literature 5, no. II (2021): 34–48. http://dx.doi.org/10.33195/jll.v5iii.321.

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In this paper, we have argued that Lawrence’s interest in what is ancient wisdom brings him in direct or indirect contact with Sufi metaphysics. This outlook on the world brings him closer to a Sufi universe in two ways. Firstly, Lawrence portrays romantic relationships in a mystical language, he presents the sensuous relationships as sacred activities through which the characters aspire to self-discovery. Lawrence`s portrayal of romantic love corresponds with the higher concept of love in Sufi literature. Secondly, this paper takes a closer look at some of Lawrence’s spiritual works including

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43

Mahmood, Elaf Tariq, and Hamdi Hameed Yousif. "D. H. Lawrence’s Lady Chatterley’s Lover: A Marxist Feminist Study." Journal of Tikrit University for Humanities 30, no. 5, 2 (2023): 1–20. http://dx.doi.org/10.25130/jtuh.30.5.2.2023.18.

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Lady Chatterley’s Lover narrates a story of the relationship between an upper class married woman, Constance, and a working class game keeper, Oliver Mellors . However, this paper draws on Marxist feminism that explains women’s status and oppression form the viewpoints of famous philosophers as Karl Marx and Friedrich Engles. In addition, it argues with the following questions: What are the class structures established in the text and what are the social binary oppositions between classes ? What groups control the economic means of production?

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44

Banerjee, A. "D H Lawrence and Frieda: A Portrait of Love and Loyalty." English Studies 90, no. 6 (2009): 745–47. http://dx.doi.org/10.1080/00138380903181791.

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45

El-Garhy, Tahany M. Saeed El-Garhy. "The Image of the Weak Woman in D. H. Lawrence's 'Love on the Farm'." CDELT Occasional Papers in the Development of English Education 68, no. 1 (2019): 69–92. http://dx.doi.org/10.21608/opde.2019.131919.

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46

Beiderwell, Bruce, and Robert H. Polhemus. "Erotic Faith: Being in Love from Jane Austen to D. H. Lawrence." South Atlantic Review 57, no. 2 (1992): 145. http://dx.doi.org/10.2307/3200244.

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47

Bick, Suzann, and Robert M. Polhemus. "Erotic Faith: Being in Love from Jane Austen to D. H. Lawrence." Antioch Review 50, no. 3 (1992): 587. http://dx.doi.org/10.2307/4612574.

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48

Delany, Paul, and Robert Polhemus. "Erotic Faith: Being in Love from Jane Austen to D. H. Lawrence." Comparative Literature 45, no. 3 (1993): 295. http://dx.doi.org/10.2307/1771510.

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49

Ragachewkaya, Marina. "The Logic of Love: Deconstructing Eros in Four of D. H. Lawrence’s Short Stories." Études Lawrenciennes, no. 43 (April 15, 2012): 105–28. http://dx.doi.org/10.4000/lawrence.91.

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50

Moqbel, Kamel Hizam. "An Ecocritical Reading of D. H. Lawrence’s TheRainbow." Albaydha University Journal 3, no. 2 (2021): 1146–60. http://dx.doi.org/10.56807/buj.v3i2.205.

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This paper intends to analyze the Ecological elements in D. H. Lawrence's The Rainbow. It investigates the treatment of nature and how man and nature exchange mutual effects, through three generations, as man moves from rural to industrial era. It traces how the three generations of the Brangwens live in contradictions as they live in a transitional era from country life to city life. The environmental awareness of the Brangwens characters make them sensitive to their natural surroundings. Although the first generation women were attracted to the industrial lights, Ursula returns to nature to

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