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Journal articles on the topic 'Women in the motion pictures'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

FERREIRA, Ana Tereza Ramos de Jesus, Vannini de Medeiros Mendes RIBEIRO, Fauston NEGREIROS, SOBRINHO Asdrúbal Borges FORMIGA, and Fabrícia Borges TEIXEIRA. "THE REPRESENTATIVENESS OF LATIN WOMEN IN MOTION PICTURES: SYSTEMATIC REVIEW." Boletim de Conjuntura (BOCA) 14, no. 42 (2023): 36–55. https://doi.org/10.5281/zenodo.7995589.

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Cinema is a form of artistic expression that has great social impact, contributing to the formation of values, opinion, dissemination of ideas, ideologies and cultures. Thus, the present study is a systematic review whose objective was to analyze, in the human sciences, articles, theses and dissertations published on the participation of Latina women in cinema. The research was carried out in four databases: PePSIC, Google Scholar, Biblioteca Digital Brasileira de Teses e Dissertações (BDTD) and ProQuest, and the last one includes nine other databases, chosen by convenience in th

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Liang, Jichen. "Gender Stereotype and Position of Women in the 19th Century America." BCP Social Sciences & Humanities 20 (October 18, 2022): 131–35. http://dx.doi.org/10.54691/bcpssh.v20i.2175.

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This article is about the movie Little Women (2019), which is produced by Colombia Pictures, Regency Enterprises and Sony Pictures, and has won many awards such as Young Artist Award and Best Family Motion Picture. This movie is mainly about the main character Jo, a writer that does not want to get married, and her family, Amy, Meg and Beth. It reflects the truth and the society of the 19th Century America, expressing the impacts made by these situations at that time. Therefore, this movie mainly discusses women’s position through film production, which brings a positive impact on later films

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Hirschman, Elizabeth C. "Consumer Preferences in Literature, Motion Pictures, and Television Programs." Empirical Studies of the Arts 5, no. 1 (1987): 31–46. http://dx.doi.org/10.2190/3c9d-4vf6-v7nt-hbpw.

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This study examined the relationship between five motives—sensory arousal, cognitive arousal, escapism, mastery-control, and emotional involvement—and preferences for different types of content in three cultural media—television programs, motion pictures, and books. The findings both confirmed and extended prior theorization and found some intriguing differences in content preferences between women and men.

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Ezzedeen, Souha R., Marie-Helene Budworth, and Chanda Riggi. "Devils and Contenders: Portrayals of Professional Women in North American Motion Pictures." Academy of Management Proceedings 2012, no. 1 (2012): 14094. http://dx.doi.org/10.5465/ambpp.2012.14094abstract.

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ELLIS, PATRICK. "A cinema for the unborn: moving pictures, mental pictures and Electra Sparks's New Thought film theory." British Journal for the History of Science 50, no. 3 (2017): 411–28. http://dx.doi.org/10.1017/s0007087417000644.

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AbstractIn the 1910s, New York suffragette Electra Sparks wrote a series of essays in theMoving Picture Newsthat advocated for cine-therapy treatments for pregnant women. Film was, in her view, the great democratizer of beautiful images, providing high-cultural access to the city's poor. These positive ‘mental pictures’ were important for her because, she claimed, in order to produce an attractive, healthy child, the mother must be exposed to quality cultural material. Sparks's championing of cinema during its ‘second birth’ was founded upon the premise of New Thought. This metaphysical Christ

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Kosonogov, Vladimir, José M. Martínez-Selva, Ginesa Torrente, Eduvigis Carrillo-Verdejo, Aurelio Arenas, and Juan P. Sánchez-Navarro. "Head Motion Elicited by Viewing Affective Pictures as Measured by a New LED-Based Technique." Multisensory Research 32, no. 7 (2019): 575–88. http://dx.doi.org/10.1163/22134808-20191363.

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Abstract The complex sensory input and motor reflexes that keep body posture and head position aligned are influenced by emotional reactions evoked by visual or auditory stimulation. Several theoretical approaches have emphasized the relevance of motor reactions in emotional response. Emotions are considered as a tendency or predisposition to act that depends on two motivational systems in the brain — the appetitive system, related to approach behaviours, and the defensive system, related to withdrawal or fight-or-flight behaviours. Few studies on emotion have been conducted employing kinemati

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HWANG HO DUK. "Like a motion picture, Like the Lives of Virtuous Women -the issues emerging with Mujŏng(The Heartless): Gramophone, (Motion) pictures, Gun and typography." DAEDONG MUNHWA YEON'GU ll, no. 70 (2010): 409–47. http://dx.doi.org/10.18219/ddmh..70.201006.409.

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EGHAREVBA, KUFRE NOSA. "THE FOOL IN AFRICA: A FEMINIST READING OF EDDIE MURPHY'S COMING TO AMERICA." International Journal of Contemporary Research on Environmental Studies And Arts 1, no. 1 (2023): 11–32. https://doi.org/10.5281/zenodo.10424191.

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<strong>Abstract</strong>Motion pictures are works and they are intended to be appreciated as art. As aresult, movies are frequently referred to as entertainment, despite the fact thatthey contain ideologies that the director intends for the audience to absorbeither directly or indirectly. Based on this context, this essay uses Lois Tyson'sconcept of feminism which holds that any work that denigrates women orportrays them as inferior beings is patriarchal to analyze Eddie Murphy'sComing to America. Imani, Akeem's "carefully selected African bride," isportrayed in the movie as the ideal of an A

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Maham Zafar, Dr. Deeba Shahwar, and Amna Fazail. "Portrayal of Women in Netflix Movie “Greta”: A Content Analysis." Critical Review of Social Sciences Studies 3, no. 1 (2025): 1738–47. https://doi.org/10.59075/abbtx348.

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Film Dramas & motion pictures are Consider as a powerful medium of mass media. Similarly, Netflix is promoting our social norms and values, but at the same time they are affecting our moral Values & violating ethical guidelines. The current research attempts to analyze the movie, Greta. Content Analysis method was used for data collection with the help of Purposive sampling techniques. The findings of the research suggest that the Netflix movie Greta are showing more unethical content & violating ethical guidelines. The results prove that most of the Female characters are violating

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Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels." EduLite: Journal of English Education, Literature and Culture 6, no. 2 (2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

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This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from

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LEFF, LEONARD J. "What in the World interests Women? Hollywood, Postwar America, and Johnny Belinda." Journal of American Studies 31, no. 3 (1997): 385–405. http://dx.doi.org/10.1017/s0021875897005744.

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During World War II, when the Office of War Information urged the American film companies to help the nation win the war, the OWI's Bureau of Motion Pictures delivered both moral support and guidance. The BMP “Manual” (1942), for instance, encouraged producers to show women dropping off their children at day-care centers, then cheerfully heading off to jobs where they enjoyed equal opportunity and equal pay. Scenes like those may have been fantasy, and for some women wryly amusing, and yet, in the late 1940s and beyond, as one historian says, World War II came to be thought of as “the best war

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Hallett, Hilary A. "Based on a True Story: New Western Women and the Birth of Hollywood." Pacific Historical Review 80, no. 2 (2011): 177–210. http://dx.doi.org/10.1525/phr.2011.80.2.177.

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This article explores early publicity about Hollywood that promoted Los Angeles as a New West supporting a New Western Woman who became a key, if often slighted, element in the “grounding of modern feminism.” The New Western Woman was both an image that sought to attract more women into movie audiences and a reality that dramatized the unconventional and important roles played by women workers in the early motion picture industry. By describing these women as expertly navigating the city, the West, and professional ambitions simultaneously, this publicity created a booster literature that depi

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Marwah, Diniati, Ismunandar Ismunandar, and Regaria Tindarika. "BENTUK PENYAJIAN TARI LANGKAH DUA BELAS DI DESA SUNGAI BUNGKOK KALIMANTAN BARAT." Jurnal Pendidikan dan Pembelajaran Khatulistiwa (JPPK) 11, no. 6 (2022): 421. http://dx.doi.org/10.26418/jppk.v11i6.55840.

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This research aims to describe the Langkah Dua Belas dance. This study used qualitative approach with method of interview, observation and document analysis. The documents that the author used in this study were written documents, pictures and videos. The authors concluded that Langkah Dua Belas dance has an opening movement structure, namely the motion of respect, the core movement which consists of 12 steps and the closing motion is the motion of the throne. The number of dancers must be even, namely 4, 6, 8, and so on. This dance can be danced by both men and women. The floor pattern is a s

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Peng, Alicia Inge. "Social Changes in America: The Silent Cinema Frontier and Women Pioneers." Humanities 13, no. 1 (2023): 3. http://dx.doi.org/10.3390/h13010003.

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Silent cinema acted as a bridge between early motion pictures and today’s film industry, playing a transformative role in shaping feminist film history and American society. This article explores pioneering American women in the silent film industry who ventured into technology, film culture, marginalized communities, and social movements. Despite the prevalence of racist and sexist propaganda, American silent films were a frontier for innovation, filmmaking, and exploring the New Women concept. This study examines 23 American silent films that have often been overlooked and rarely studied, wh

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Hasan, Haris. "The Depiction Of Rape Scenes In Popular Hindi Cinema : A Critical Examination Of Representation Of Gender In Media." Journal of Women Empowerment and Studies, no. 12 (October 27, 2021): 42–46. http://dx.doi.org/10.55529/jwes.12.42.46.

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The portrayal of female gender in performing arts has been a product of constant societal change. From the days when Female parts were acted upon by male counterparts to the advent of motion pictures and the role of women in making the medium their own , the journey has been long. This can be also studied under the context of anthropology, gender issues, and women emancipation. The female characters have been always fixed into the narrative by the virtue of a certain appeal they exhibit. From Laura Mulvey’s male gaze theory in cinema to the aesthetics of violence in cinema , both have been dep

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Fronc, Jennifer. "“HISTORICAL PRESENTATION” OR “LIBEL TO THE RACE”?: CENSORSHIP AND THE BIRTH OF A NATION." Journal of the Gilded Age and Progressive Era 14, no. 4 (2015): 612–15. http://dx.doi.org/10.1017/s1537781415000432.

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On April 9, 1915, the fiftieth anniversary of General Lee's surrender at Appomattox, The Birth of a Nation opened in Boston. Audience members were “prepared for the unusual” the moment they entered the Tremont Theatre. After “a young man in evening dress and a silk hat” took tickets, “two young women in flounced hoop skirts and with long curls … ma[d]e a sort of graceful minuet bow, and hand[ed] you a program.” While “soldiers ‘on guard’ in the Civil War uniforms of the North and South” flanked the aisles, another costumed young woman “escort[ed] you to your seat.” As the film projector flicke

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Zięba, Hubert. "Rasa, płeć, choroba. Sposoby reprezentowania czarnych kobiet w kontekście epidemii AIDS w Stanach Zjednoczonych." Prace Kulturoznawcze 21, no. 4 (2018): 97–118. http://dx.doi.org/10.19195/0860-6668.21.4.6.

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Race, sex, disease. Modes of representing black women in the context of the AIDS epidemic in the United StatesIn this article I try to outline the ways of representing black women in the context of the AIDS epidemic in the United States. The point of departure for prospecting for such images is the development of the feminist thought and women cinema practices, described by E. Ann Kaplan and Alexandra Juhasz, which diverge from a unified category of women towards a multicultural aspect of femininity. In the face of rendering HIV/AIDS dominantly from a white male perspective in the most popular

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강성현. "The U.S. Army Photography and the “Seen Side” and “Blind Side” of the Japanese Military Comfort Women: The Still Pictures and Motion Pictures of the Korean Comfort Girls in Myitkyina, Sungshan, and Tengchung." Korea Journal 59, no. 2 (2019): 144–76. http://dx.doi.org/10.25024/kj.2019.59.2.144.

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Roy, Mouparna. "Male Gaze in Indian Cinema: The Presentation of Women in Mainstream Cinema." Journal of Humanities and Education Development 3, no. 5 (2021): 94–101. http://dx.doi.org/10.22161/jhed.3.5.13.

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Since the advent of motion pictures, movies have had a great impact on the masses. It has been used as a medium of communication with society as it has been said that movies are the reflection of society. In the Indian context, we can see the depiction of different identities in the cinemas, like gender, queer, ethnic groups and so on (multiculturalism). But the question is how far it is to address the problems of these marginalized sections. Even as a common person, we can notice the less or misrepresentation or misrecognition of the subaltern groups in Indian cinema. One of the most misrepre

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Roy, Mouparna. "Male Gaze in Indian Cinema: The Presentation of Women in Mainstream Cinema." Journal of Humanities and Education Development 3, no. 5 (2021): 94–101. http://dx.doi.org/10.22161/jhed.3.5.14.

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Since the advent of motion pictures, movies have had a great impact on the masses. It has been used as a medium of communication with society as it has been said that movies are the reflection of society. In the Indian context, we can see the depiction of different identities in the cinemas, like gender, queer, ethnic groups and so on (multiculturalism). But the question is how far it is to address the problems of these marginalized sections. Even as a common person, we can notice the less or misrepresentation or misrecognition of the subaltern groups in Indian cinema. One of the most misrepre

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Donald, Stephanie Hemelryk. "Book Review: Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon, Streetwalking the Metropolis: Women, the City and Modernity." International Journal of Cultural Studies 4, no. 2 (2001): 250–54. http://dx.doi.org/10.1177/136787790100400208.

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Isha Mittal. "Use of Women’s Beauty and Makeup in Battle: Unveiling Stereotypes and Strength." Creative Saplings 2, no. 09 (2023): 35–45. http://dx.doi.org/10.56062/gtrs.2023.2.09.462.

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Since the earliest writings of Bharatmuni's Natyashastra, an essential text in Indian aesthetics written more than two thousand years ago, women have been essentially connected with beauty and makeup. Shringararasa was mostly associated with women in the Rasa philosophy. This link has persisted and can even be seen in current Hollywood productions. It is interesting how beauty has been portrayed in two distinct manners throughout various historical works of literature, films, and books. On one hand, it has supported stereotypes like child marriage and placed restrictions on women's access to h

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Levy, Emanuel. "Stage, Sex, and Suffering: Images of Women in American Films." Empirical Studies of the Arts 8, no. 1 (1990): 53–76. http://dx.doi.org/10.2190/90lj-px9t-q0j8-kb0g.

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This article systematically examines the portrayal of women in the American cinema over the last sixty years, from 1927. More specifically, it addresses itself to the following issues: the main attributes of screen women in terms of age, marital status, and occupation; the guidelines prescribed by American films for structuring women's lifestyles; the degree of rigidity of these normative prescriptions and proscriptions; and recent changes in the portrayal of women. The research is based on content analysis, quantitative and qualitative, of 218 screen roles, male and female, which have won the

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Wu, Hui. "Shakespeare in Chinese Cinema." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (2013): 71–81. http://dx.doi.org/10.2478/mstap-2013-0006.

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Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, such as A Woman Lawyer (from The Merchant of Venice, 1927), and A Spray of Plum Blossoms (from The Two Gentlemen of Verona, 1931). The most recent Chinese adaptations/spinoffs include two 2006 films based on Hamlet. After a brief review of Shakespeare’s history in the Chinese cinema, this study compares the two Chinese Hamlets released in 2006—Feng Xiaogang’s Banquet and Hu Xuehua’s Prince of the Himalayas to illustrate how Chinese filmmakers approach Shakespeare. Both re-invent Shakespeare’s Ham

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Castro, Jasmyn. "A License to Project." Feminist Media Histories 11, no. 2 (2025): 9–24. https://doi.org/10.1525/fmh.2025.11.2.9.

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During World War II, African American WACs (Women’s Army Corps) served as “motion picture operators,” representing a significant yet overlooked history at the intersection of nontheatrical film studies, African American studies, and women’s studies. This essay explores the success African American WACs experienced at Fort Huachuca in Arizona, and the challenging assumptions and beliefs that affected the trajectory of Black women in technical film trades. Although Black women faced both racial and gender-based discrimination, they countered stereotypes by demonstrating technical proficiency as

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Edenheim, Sara. "Jakten på det "queera ögonblicket". Om det subversivas (o)möjligheter." Tidskrift för genusvetenskap 24, no. 1 (2022): 29–46. http://dx.doi.org/10.55870/tgv.v24i1.4180.

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The main question in this article is how and where subversion is possible. As a point of departure the author uses the work of Tiina Rosenberg, a researcher of theatre and gender at Stockholm university, who presents a theory on subversion, or "queer moment", produced by women in male clothing on stage. The article argues against the idea that this genre disturbs the heterosexual normativity and order of gender; instead it seems to reproduce that same order, partially through the relations between the characters and partially through the reason for female cross-dressing presented both within a

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Mengxiao, Xu, and Mahyuddin Bin Ahmad. "Explore Issues and Challenges Involving Female Characters in Documentary Filming." Journal of Law and Sustainable Development 11, no. 3 (2023): e713. http://dx.doi.org/10.55908/sdgs.v11i3.713.

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Purpose: A documentary film or documentary is a non-fictional motion picture intended to reflect reality, typically for the goals of instruction, preservation of history, or training. Documentary filming heroines must always be noble, alluring, and seductive, regardless of the type of roles they perform.  Method: The same method of objectification is employed in Michael Bay's “Transformers” film, on the other hand, are what ultimately influence both male and female filmmakers as well as audiences to make sense of the narratives, reasoning, and symbolisms that the media industry, pa

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Martynuska, Małgorzata. "The Portrayal of Latina Domestic Workers in the TV Series Devious Maids." Acta Universitatis Sapientiae Film and Media Studies 25 (August 20, 2024): 116–36. http://dx.doi.org/10.47745/ausfm-2024-0007.

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The Latinx audience is an increasingly important demographic for all television networks because they represent the fastest-growing U.S. minority. Therefore, producers attempt to target Latinx viewers who are more likely to watch the programs with their on-screen representation. This article examines how Hispanic women are portrayed in the comedy-drama series Devious Maids (Marc Cherry, 2013–2016). The first section presents the historical perspective of the ethnic typecasting for the roles of domestic workers in American motion pictures, accentuating the switch when Hispanic characters replac

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Talukder, Anirban, Sougata Kumar Burman, Gairik Bera, Jayeeta Mukherjee, Mousumi Maji, and Debojyoti Santra. "A Cross-sectional Observational Study of the Etio-pathology, Socioeconomic Distribution and Clinical Pictures of Ectopic Pregnancy in a Tertiary Medical College and Hospital in Bankura, West Bengal, India." Journal of Medical Sciences and Health 9, no. 2 (2023): 197–203. http://dx.doi.org/10.46347/jmsh.v9i2.23.136.

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Background: Ectopic pregnancy or abnormal implantation of embryo is one of the foremost causes of mortality and morbidity in women of reproductive age worldwide. Its serious consequences can be effectively averted by early diagnosis and timely intervention. This study aimed at determining the incidence, predisposing socio-economic factors and etiolo-pathology, and assessment of various clinical manifestations and treatment modalities of ectopic pregnancy. Methods: This observational cross- sectional survey was conducted in the department of obstetrics and gynaecology BSMCH, Bankura from 1.4.20

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Jacobs, Carolyn Condon. "Convalescing Profiles." Feminist Media Histories 9, no. 3 (2023): 31–49. http://dx.doi.org/10.1525/fmh.2023.9.3.31.

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The influenza epidemic of 1918–20 was one of the deadliest events in recent human history, killing at least fifty million people worldwide and at least 675,000 Americans in just two years. Yet, because of government censorship during the pandemic and a lasting cultural silence about the flu, we still have a great deal to learn about this period. In the wake of the COVID-19 crisis, remembering the experience of the Spanish flu has become especially urgent. This essay argues that motion picture fan magazines, many of which are available digitally through the Media History Digital Library, are cr

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Komarova, Kseniya. "Inequality between women and men in South Korea: a discourse-analysis of the motion picture “Kim Ji-young: Born 1982”." Woman in russian society, no. 1 (March 30, 2022): 61–71. http://dx.doi.org/10.21064/winrs.2022.1.5.

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Mikievich, Igor. "A role of age of patients is in the estimation of efficiency of assisted reproductive technologies at the combined forms of infertility." Perinatology and reproductology: from research to practice 4, no. 1 (2024): 89–95. https://doi.org/10.52705/2788-6190-2024-01-14.

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The objective:to learn the role of age of women and men in the estimation of efficiency of assisted reproductive technologies (ART) at the combined forms of infertility.Materials and methods. 70 matrimonial pair of reproductive age, which made the followings groups, were inspected: basic (n=30), comparison (n=30) and control (n=10). In the complex of the conducted researches were included clinical, echographic, endocrinology, morphological, statistical and immunological which included determination of level of cytokines in a follicle liquid the method of the multiplexed analysis of albumens. R

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Vitali, Valentina. "Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019." BioScope: South Asian Screen Studies 11, no. 1 (2020): 78–91. http://dx.doi.org/10.1177/0974927620935754.

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Existing accounts of Myanmar’s film industry available to English speakers are more than twenty years out of date. Opening with a brief overview of cinema in Myanmar since 2000, this article is based on a recent visit to the Myanmar Motion Picture Development Department and the Yangon Film School, on conversations with staff, students and alumnae of these institutions and of the National University of Arts and Culture, and with local independent filmmakers. The purpose of my visit was to begin the groundwork needed to answer basic questions: Who are the women making films in Myanmar today? Whe

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Sokol, Olena. "The Creative Universe of T. Levchuk's Cinematography During the Khrushchev's Thaw." Bulletin of KNUKiM. Series in Arts, no. 38 (August 16, 2018): 70–81. https://doi.org/10.31866/2410-1176.38.2018.141745.

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The purpose of the article. The article is devoted to the creative and social activity of the leading Ukrainian Soviet film director, T. Levchuk, in 1953–1964: the creative work of the artist in the context of the specifics of Ukrainian film production and his membership in the Union of Cinematographers of the USSR were analyzed. The research methodology consisted in the principles of objectivity and historicism, based on the problem-chronological, specific-historical, descriptive, statistical and logical-analytical methods of scientific cognition. The

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Young, Linda. "Motion Pictures." SMPTE Journal 105, no. 4 (1996): 177–78. http://dx.doi.org/10.5594/j15829.

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Masson, Alan J. "Motion Pictures." SMPTE Journal 108, no. 2 (1999): 75–78. http://dx.doi.org/10.5594/j17112.

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Masson, Alan J. "Motion Pictures." SMPTE Journal 107, no. 1 (1998): 11–13. http://dx.doi.org/10.5594/j17616.

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Bonnaud, Irène, Suzanne Doppelt, Christophe Triau, and Sacha Zilberfarb. "Motion pictures." Vacarme 15, no. 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

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Burns, Edward J. "Motion Pictures." SMPTE Journal 97, no. 4 (1988): 268–74. http://dx.doi.org/10.5594/j00667.

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Young, Linda. "Motion Pictures." SMPTE Journal 106, no. 1 (1997): 9–11. http://dx.doi.org/10.5594/j09530.

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Ricotta, Frank J. "Motion Pictures." SMPTE Journal 104, no. 4 (1995): 186–88. http://dx.doi.org/10.5594/j09609.

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Ricotta, Frank J. "Motion Pictures." SMPTE Journal 103, no. 4 (1994): 211–15. http://dx.doi.org/10.5594/j09688.

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Antonoff, Michael. "Motion Pictures." Scientific American 296, no. 5 (2007): 24–25. http://dx.doi.org/10.1038/scientificamerican0507-24.

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Mitchison, Tim J. "Motion pictures." Nature 357, no. 6373 (1992): 32. http://dx.doi.org/10.1038/357032a0.

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Gomery, Douglas. "Motion Pictures." Communication Booknotes 16, no. 5 (1985): 49. http://dx.doi.org/10.1080/10948008509488306.

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Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 1 (1986): 7–9. http://dx.doi.org/10.1080/10948008609488219.

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Gomery, Douglas. "Motion Pictures." Communication Booknotes 17, no. 9-10 (1986): 98–107. http://dx.doi.org/10.1080/10948008609488269.

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Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 7-8 (1987): 63–69. http://dx.doi.org/10.1080/10948008709488193.

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Gomery, Douglas. "Motion Pictures." Communication Booknotes 18, no. 9-10 (1987): 93–99. http://dx.doi.org/10.1080/10948008709488203.

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Gomery, Douglas. "Motion Pictures." Communication Booknotes 19, no. 5 (1988): 95–103. http://dx.doi.org/10.1080/10948008809488155.

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