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Relevant bibliographies by topics / Women, Mandingo

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Academic literature on the topic 'Women, Mandingo'

Author: Grafiati

Published: 4 June 2021

Last updated: 14 February 2022

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Journal articles on the topic "Women, Mandingo"

1

Johnson, Michelle C. "Death and the Left Hand: Islam, Gender, and “Proper” Mandinga Funerary Custom in Guinea-Bissau and Portugal." African Studies Review 52, no. 2 (2009): 93–117. http://dx.doi.org/10.1353/arw.0.0187.

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Abstract:This article explores Islam, gender, and “proper” Mandinga funerary “custom” in Guinea-Bissau and Portugal, specifically the contradictions and debates between men and women about Mandinga custom and Islam as they play out in the ritual of shaking with the left hand, wailing at funerals, and visiting healers to investigate the nature of particular deaths. It suggests that far from constituting a “crisis of modernity,” these contradictions and debates have long been central to how Mandinga imagine themselves in a changing world. They have become intensified, however, in the transnational era, in which continuity among identity, place, and death has been ruptured.

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Lien, Inger-Lise. "The perspectives of Gambian men on the sexuality of cut and uncut women." Sexualities 20, no. 5-6 (2016): 521–34. http://dx.doi.org/10.1177/1363460716675142.

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The aim of the study has been to investigate men’s perspective on the effect of female genital cutting (FGC) on both women and men’s sexual feelings, their sensitivity, well-being and attitudes. Do men perceive any difference between a cut and an uncut woman when it comes to sexuality? If so, how do men understand and interpret the impact of FGC? Will their personal sexual experience have an influence on their attitude to the practice? Is there a mismatch between sexual scripts and personal experience when it comes to FGC? During 2014, 50 Gambian men, Mandinka and Wolof, and eight Mandinka women were interviewed. The interviews had a qualitative and open structure, and the men were asked to compare and assess the effects that they thought FGC had on the women, and on the sexual act itself, as they experienced it. The interviews disclosed that men perceive a difference in the feelings and behaviour expressed by women who are cut and those who are uncut. Their sense of women’s feelings have an impact on their own sexual pleasure, and on their attitude to the practice.

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Carney, Judith, and Michael Watts. "Disciplining Women? Rice, Mechanization, and the Evolution of Mandinka Gender Relations in Senegambia." Signs: Journal of Women in Culture and Society 16, no. 4 (1991): 651–81. http://dx.doi.org/10.1086/494698.

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Hinchman, Mark. "House and Household on Gorée, Senegal, 1758-1837." Journal of the Society of Architectural Historians 65, no. 2 (2006): 166–87. http://dx.doi.org/10.2307/25068263.

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The West African island of Gorée was one of the nodes that connected African trading routes to North Atlantic trade. The varied population included English, French, Portuguese, Manding, Moor, Sereer, and Wolof. The island was notable because many of the categories by which people are identified-gender, race, class-were not strictly defined and did not dictate economic success. At one time, African women constituted the majority of property owners. Whereas many colonial studies focus on urbanism and colonial discourse, this article looks to the domestic sphere. For this inquiry into life on the ground, I cast my net wide and draw on source materials including rental contracts, wills, and probate inventories. My goal is to complicate the perception of how buildings functioned in colonial environments. The primary method is considering a variety of users, including wealthy Europeans, tenants, servants, and those for whom Gorée is most widely known-slaves.

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Bellagamba, Alice. "Entrustment and its Changing Political Meanings in Fuladu, the Gambia (1880–1994)." Africa 74, no. 3 (2004): 383–410. http://dx.doi.org/10.3366/afr.2004.74.3.383.

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AbstractThe practice of entrustment is a form of voluntary allegiance for the sake of protection, one which historically lies at the core of host–stranger relationships along the River Gambia. Deeply woven into the social fabric of local communities, it was appropriated by various historical subjects during the twentieth century in order to construct networks of political confidence and mutual assistance at a local and national level. This article traces this dynamic process of re-elaboration. In so doing, it takes into account the history of a Mandinka commercial settlement in eastern Gambia from the late nineteenth century to post-Independence times, and questions the shifts that occurred in the political significance of entrustment with changing social and economic scenarios. Contextualised in the longue durée, the practice of karafoo shows its relevance as a cultural resource encouraging the creation of networks of trust and interdependence in social settings historically characterised by seasonal and more stable forms of migration.

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Kandala, Ngianga-Bakwin, Chibuzor Christopher Nnanatu, Glory Atilola, et al. "Analysing Normative Influences on the Prevalence of Female Genital Mutilation/Cutting among 0–14 Years Old Girls in Senegal: A Spatial Bayesian Hierarchical Regression Approach." International Journal of Environmental Research and Public Health 18, no. 7 (2021): 3822. http://dx.doi.org/10.3390/ijerph18073822.

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Background: Female genital mutilation/cutting (FGM/C) is a harmful traditional practice affecting the health and rights of women and girls. This has raised global attention on the implementation of strategies to eliminate the practice in conformity with the Sustainable Development Goals (SDGs). A recent study on the trends of FGM/C among Senegalese women (aged 15–49) which examined how individual- and community-level factors affected the practice, found significant regional variations in the practice. However, the dynamics of the practice among girls (0–14 years old) is not fully understood. This paper attempts to fill this knowledge gap by investigating normative influences in the persistence of the practice among Senegalese girls, identify and map ‘hotspots’. Methods: We do so by using a class of Bayesian hierarchical geospatial modelling approach implemented in R statistical software (R Foundation for Statistical Computing, Vienna, Austria) using R2BayesX package. We employed Markov Chain Monte Carlo (MCMC) techniques for full Bayesian inference, while model fit and complexity assessment utilised deviance information criterion (DIC). Results: We found that a girl’s probability of cutting was higher if her mother was cut, supported FGM/C continuation or believed that the practice was a religious obligation. In addition, living in rural areas and being born to a mother from Diola, Mandingue, Soninke or Poular ethnic group increased a girl’s likelihood of being cut. The hotspots identified included Matam, Tambacounda and Kolda regions. Conclusions: Our findings offer a clearer picture of the dynamics of FGM/C practice among Senegalese girls and prove useful in informing evidence-based intervention policies designed to achieve the abandonment of the practice in Senegal.

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Sanfilippo, Katie Rose M., Bonnie McConnell, Victoria Cornelius, et al. "Community psychosocial music intervention (CHIME) to reduce antenatal common mental disorder symptoms in The Gambia: a feasibility trial." BMJ Open 10, no. 11 (2020): e040287. http://dx.doi.org/10.1136/bmjopen-2020-040287.

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ObjectivesExamine the feasibility of a Community Health Intervention through Musical Engagement (CHIME) in The Gambia to reduce common mental disorder (CMD) symptoms in pregnant women.DesignFeasibility trial testing a randomised stepped-wedge cluster design.SettingFour local antenatal clinics.ParticipantsWomen who were 14–24 weeks pregnant and spoke Mandinka or Wolof were recruited into the intervention (n=50) or control group (n=74).InterventionMusic-based psychosocial support sessions designed and delivered by all-female fertility societies. Sessions lasted 1 hour and were held weekly for 6 weeks. Delivered to groups of women with no preselection. Sessions were designed to lift mood, build social connection and provide health messaging through participatory music making. The control group received standard antenatal care.OutcomesDemographic, feasibility, acceptability outcomes and the appropriateness of the study design were assessed. Translated measurement tools (Self-Reporting Questionnaire (SRQ-20); Edinburgh Postnatal Depression Scale (EPDS)) were used to assess CMD symptoms at baseline, post-intervention and 4-week follow-up.ResultsAll clinics and 82% of women approached consented to take part. A 33% attrition rate across all time points was observed. 72% in the intervention group attended at least three sessions. Audio and video analysis confirmed fidelity of the intervention and a thematic analysis of participant interviews demonstrated acceptability and positive evaluation. Results showed a potential beneficial effect with a reduction of 2.13 points (95% CI (0.89 to 3.38), p<0.01, n=99) on the SRQ-20 and 1.98 points (95% CI (1.06 to 2.90), p<0.01, n=99) on the EPDS at the post-intervention time point for the intervention group compared with standard care.ConclusionResults demonstrate that CHIME is acceptable and feasible in The Gambia. To our knowledge, CHIME is the first example of a music-based psychosocial intervention to be applied to perinatal mental health in a low- and middle-income country context.Trial registration numberPan African Clinical Trials Registry (PACTR201901917619299).

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Mukenge, Arthur, and Josue B. Nkaongami. "L’héroïsme de la femme dans l’épopée africaine : un regard critique de Soundjata ou l’épopée mandingue, Emperor Shaka The Great : A Zulu Epic et Nsongo’a Lianja : l’épopée nationale des Nkundo." Literator 39, no. 1 (2018). http://dx.doi.org/10.4102/lit.v39i1.1419.

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The Heroism of women in the African Epic: A critical analysis of Sundiata or the mandingo Epic, Emperor Shaka The Great: A Zulu Epic and Nsongo’a Lianja: The national Epic of the Nkundo. In African epics, female figures perform salient heroic roles that are, unfortunately, not widely recognised and celebrated, as notions of bravery and heroism are understood from a male perspective. Against this backdrop, this study adopts new critical and conceptual approaches to interrogate existing narratives, discourse and ideas on/or about female heroism. By focusing on selected epics, this work incorporates perceptions about women in folktales whose themes comment and reflect on the presentation of female characters and the roles they execute in society. The present contribution critically examines the role of supernatural forces in female characters’ commitment and heroism; not only protecting Soundiata, Shaka, and Lianja in accomplishing their destinies but also showcasing the activities, traditions, belief systems and culture of the Mandingo, Zulu, and Mongo in their respective societies.

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Tjørnhøj-Thomsen, Tine. ""Det føles ikke-mandigt på en måde"." Kvinder, Køn & Forskning, no. 3 (October 29, 1999). http://dx.doi.org/10.7146/kkf.v0i3.28406.

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The article addresses the theme of "masculinities" from the perspective of infertile men and their partners. It argues that experiences of infertility should be understood as disruption in relation to the body and in relation to the narrative of life that is informed by cultural notions of kinship and gender. These notions are closely connected to a culturally specific story of coming-into-being, which gives symbolic priority to biological procreation and genetic connectedness. Being a real father and a real man depends on procreative abilities. In order to come to terms with infertility, infertile men try to redefine such ideologies of authenticity. The article illustrates how infertile men are confronted by strong cultural associations between fertility, sexuality and masculinity, and how these notions are related to other ideas of masculinity such as independence of the individual, ability to be a provider and a conception of the "intact" body. Finally, the article demonstrates how men and women differ in coping with infertility, childlessness and fertility treatment, and their longings for parenthood. However, gender is not the only difference, which makes a difference in the world of infertile and childless people. The ideas of masculinities unfold through men's relations with other men and through generational differences and similarities.

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Dissertations / Theses on the topic "Women, Mandingo"

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Durán, Lucy. "Stars and songbirds Mande female singers in urban music, Mali 1980-99 /." Boston Spa, U.K. : British Library Document Supply Centre, 1999. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.340348.

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Books on the topic "Women, Mandingo"

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Hudson, Mark. Our grandmothers' drums. Henry Holt, 1991.

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Hudson, Mark. Our grandmothers' drums. Secker & Warburg, 1989.

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3

Our grandmothers' drums. G. Weidenfeld, 1990.

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Skramstad, Heidi. The fluid meanings of female circumcision in a multiethnic context in Gambia: Distribution of knowledge and linkages to sexuality. DERAP, Development Research and Action Programme, Chr. Michelsen Institute, Dept. of Social Science and Development, 1990.

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Our new husbands are here: Households, gender, and politics in a West African state from the slave trade to colonial rule. Ohio University Press, 2011.

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Muurling, Nienke. Relaties smeden: De rol van een jelimuso (griotte) in Mali. Aksant, 2003.

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7

Susilastuti, Dewi Haryani. Feminisasi pasar tenaga kerja: Kasus industri kulit di Manding, Yogyakarta. Pusat Penelitian Kependudukan, Universitas Gadjah Mada, 1994.

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8

Suparlan, Y. B. Faktor determinan yang mempengaruhi partisipasi ibu rumahtangga mencari nafkah di sektor informal pada industri kerajinan kulit di Manding Bantul, Yogyakarta, tahun 1997. Departemen Sosial RI, Badan Penelitian dan Pengembangan Kesejahteraan Sosial, Balai Besar Penelitian dan Pengembangan Pelayanan Kesejahteraan Sosial, 1998.

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Souvenirs d'un jeune Africain en Guinée et en Tunisie. L'Harmattan, 2011.

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10

Schroeder, Richard A. Shady Practices: Agroforestry and Gender Politics in the Gambia. University of California Press, 1999.

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Book chapters on the topic "Women, Mandingo"

1

Hicks, Cheryl D. "“Hannah Elias Talks Freely”." In Black Sexual Economies. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042645.003.0004.

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The image of the buck or Mandingo, which has historically found expression in advertising, popular culture, science, news, law, and policy, effects a powerful purchase on our national psyche. The Mandingo’s figurative though sustained life illuminates the ways in which myths about black men’s bodies incite particular kinds of fantasies and instantiate specific relationships of power. Perhaps the most insistent archetype of black masculinity, the Mandingo has been mobilized by a number of actors, including black men who have sought to defy, appropriate, or reinvent the image. Framing black men as possessing a primitive, unquenchable, and even dangerous sexuality –a sexuality that thwarts prohibitions and demands containment– the Mandingo is an ideological construction invented by white heteropatriarchy to effectively police the racial-sexual border. Embedded in the Mandingo construct are potent opposing energies: racial hatred and racialized desire. How then does the mobilization of the Mandingo in contemporary cuckold pornography speak to the desire for and fear of black men as objects for pornographic consumption by white men and women? This chapter investigates the sexual economy of sub-cultural, amateur pornography in which black men are figured as BBC (big black cock) studs central to the fetishistic fantasies of white couples. Highlighting the multiple and mobile desires, relations, and labors evident in “cuckolding socialities”, this chapter looks at pornography as a market for black men’s sex work, and as a space of discipline and containment as well as of queer possibility.

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Vaz-Deville, Kim. "“True Doll Stories”." In Walking Raddy. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496817396.003.0002.

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Resa Bazile is an important voice in the current Baby Doll tradition. Cinnamon Black is an entertainer, a queen in the Fi Yi Yi Mandigo Warriors Mardi Gras Indian tribe, a Voodoo practitioner and reader at the New Orleans Historic Voodoo Museum in New Orleans, and a cultural consultant for documentaries, film industry projects, and media outlets. With her finger on the pulse of New Orleans’ past and present spiritual and cultural heritage, this interview with Resa, who is best known as “Cinnamon Black,” delves into the meaning of the Baby Doll tradition, her group, the Treme Million Dollar Baby Dolls, about the modern revival of the tradition, about the impact of white women maskers on the tradition, and what she sees as the future of the practice.

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"2. The Rise of a Female Cash Crop: A Market Garden Boom for Mandinka Women." In Shady Practices. University of California Press, 2019. http://dx.doi.org/10.1525/9780520924475-007.

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