Academic literature on the topic 'Women novelists, english – 19th century – biography'

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Journal articles on the topic "Women novelists, english – 19th century – biography"

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Bai, Dr K. Lalitha. "Rising feminine sensibility in Indian women writings – A Kaleidoscopic view." International Journal of English Literature and Social Sciences 10, no. 3 (2025): 741–47. https://doi.org/10.22161/ijels.103.102.

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In the middle of the 19th century the fiction of women novelists in English obtained a separate identity and many renowned women novelists like Jane Austen, George Eliot, Bronte Sisters, and Virginia Woolf proved greater than men qualitatively. They established their own great tradition. Through their novels they described their powers, their inspirations, their weaknesses and their self-realization. Indian women writers writing in English have raised their voice against gender bias and male chauvinism in the patriarchal Indian society. In fiction there is a plentiful expression of feminine se
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Ashrafli, Nazifa. "The gender problem in the 19th century summary." Scientific Bulletin 1, no. 1 (2021): 40–47. http://dx.doi.org/10.54414/porv2035.

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This article addresses the gender issue of the 19th century. XIX century in England. This century is generally considered Victorian, although this is not quite the correct idea. The Victorian era refers to the period from 1837 to 1901, when Great Britain was ruled by Queen Victoria. So Queen Victoria began her reign only in 1837. In the Victorian era (1837-1901), it was the novel that became the leading literary genre in English. Women played an important role in this growth in the popularity of both authors and readers. Circulating libraries that allowed books to be borrowed for annual subscr
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Calvo Cortés, Nuria. "FROM INSTRUCTION MANUALS TO ENTERTAINING EPISTOLARY NOVELS: LETTERS IN BOTH GENRES FROM THE 17 TH TO THE 19TH CENTURIES." SASE JOURNAL 1, no. 1 (2025): 25–45. https://doi.org/10.46630/sase.1.2025.2.

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This study presents an analysis of salutations and subscriptions in letters across genres in the Late Modern English period. The paper compares letter-writing manuals addressed to women and three epistolary novels (Love-Letters Between a Nobleman and His Sister, Evelina, Lady Susan) written by women, namely Aphra Behn, Frances Burney and Jane Austen, dating from the end of the seventeenth century to the nineteenth century. The aim is to observe the evolution of the formulae to start and conclude letters along the centuries under analysis in both genres and to establish a comparison between the
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Eleanor Nesbitt. "Ghost Town and The Casual Vacancy: Sikhs in the Writings of Western Women Novelists." Sikh Research Journal 5, no. 2 (2020): 1–22. https://doi.org/10.62307/srj.v5i2.100.

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In 2012 the president of the Shiromani Gurdwara Parbandhak Committee demanded that the novelist JK Rowling remove offensive text from her novel, The Casual Vacancy. This article focuses on the appropriateness of the Sikh-related content of two 21st-century novels –JK Rowling’s The Casual Vacancy and Catriona Troth’s Ghost Town – against the backdrop of previous fictional portrayals of Sikhs. Further context is provided by both Sikh and non-Sikh responses to western novelists’ portrayal of Sikh characters and social issues. Sikhs feature – as incidental figures and as protagonists – in a substa
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Goyal, Geeta. "Gender, Borders and Boundaries in Charlotte Bronte’s Jane Eyre." Shodh Sari-An International Multidisciplinary Journal 03, no. 02 (2024): 276–88. http://dx.doi.org/10.59231/sari7703.

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The concept of borders and boundaries is one of the important themes in English literature. It might refer to national borders or divisions within countries or symbolize physical barriers, societal divisions or personal limitations. Metaphorically, borders and boundaries might mean the boundaries based on caste, color, creed or sex or represent expectations and prejudices or search for selfhood and identity. Writers from the marginalized communities take up the themes of construction of identity in their writing. Similarly, African-American writers, while addressing the issues of race, gender
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Molchanova, Tetiana. "A Stranger in the Musical Interior of Romanticism: Fanny Cecilia Mendelssohn-Hensel." Bulletin of Kyiv National University of Culture and Arts. Series in Arts, no. 46 (May 22, 2022): 108–18. https://doi.org/10.31866/2410-1176.46.2022.258623.

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The purpose of the article is an attempt to draw the attention of domestic researchers and performers to the life and work of the German composer, the older sister of Felix Mendelssohn-Bartholdy, a significant figure in the musical life of Germany in the first half of the 19th century — Fanny Cecilia Mendelssohn-Hensel, who belongs to the unexplored figures in Ukrainian musicology; to outline the principles of her work as a performer and composer; to determine the genre and stylistic direction of her creative work. The article demonstrates the relevance of the analysis of her heritage, t
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Noyce, Diana Christine. "Coffee Palaces in Australia: A Pub with No Beer." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.464.

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The term “coffee palace” was primarily used in Australia to describe the temperance hotels that were built in the last decades of the 19th century, although there are references to the term also being used to a lesser extent in the United Kingdom (Denby 174). Built in response to the worldwide temperance movement, which reached its pinnacle in the 1880s in Australia, coffee palaces were hotels that did not serve alcohol. This was a unique time in Australia’s architectural development as the economic boom fuelled by the gold rush in the 1850s, and the demand for ostentatious display that gather
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Marshall, P. David. "Seriality and Persona." M/C Journal 17, no. 3 (2014). http://dx.doi.org/10.5204/mcj.802.

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No man [...] can wear one face to himself and another to the multitude, without finally getting bewildered as to which one may be true. (Nathaniel Hawthorne Scarlet Letter – as seen and pondered by Tony Soprano at Bowdoin College, The Sopranos, Season 1, Episode 5: “College”)The fictitious is a particular and varied source of insight into the everyday world. The idea of seriality—with its variations of the serial, series, seriated—is very much connected to our patterns of entertainment. In this essay, I want to begin the process of testing what values and meanings can be drawn from the idea of
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Dissertations / Theses on the topic "Women novelists, english – 19th century – biography"

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Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.

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The research field of this thesis is framed by the major political and legal women's movement campaigns from the 1840s to the 1870s: the debates over the Married Women's Property Act; over philanthropy and methods of addressing social ills; the campaign for professional opportunities for women, and the arguments surrounding women's suffrage. I address how these issues are considered and contextualised in major works of Victorian fiction: Anne Bronte's The Tenant of Wildfell Hall (1848), Elizabeth Gaskell's North and South (1855), Charlotte Bronte's Villette (1853), and George Eliot's Middlemar
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O’Neill, Patrick Nathaniel. "Paul Solanges : soldier, industrialist, translator : a biographical study and critical edition of his correspondence with Antonio Fogazzaro and Henry Handel Richardson." Monash University. Faculty of Arts. School of Languages, Cultures and Linguistics, 2007. http://arrow.monash.edu.au/hdl/1959.1/53105.

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Paul Solanges was one of the most prolific (in correspondence) and enthusiastic fans of Australian author Henry Handel Richardson (HHR). What was it about him that made HHR invest so much time in his translation of her novel, and to what extent can credence be given to the self-portrait in his letters? This thesis reveals his illegitimate royal background, considers his early career as a cavalry officer in North Africa and in the Franco-Prussian War, and describes his long career as manager of the gasworks in Milan. It also portrays in detail his other life as a translator of songs, short stor
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Francis, Diana Pharaoh. "Models to the universe : Victorian hegemony and the construction of feminine identity." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1159142.

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Götting, Elena Rebekka. "Challenging maleness : the new woman's attempts to reconstruct the binary code." Thesis, University of St Andrews, 2014. http://hdl.handle.net/10023/6612.

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This thesis explores the construction of masculinity in novels written by New Women authors between the years 1881-1899. The fin de siècle was a period during which gender roles were renegotiated with fervour by both male and female authors, but it was the so-called New Woman in particular who was trying to transform the Victorian notion of femininity to incorporate the demands of the burgeoning women's movement. This thesis argues that in their fiction, New Women authors often tried to achieve this transformation by creating male characters who were designed to justify and to mitigate the New
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McFarland, Michele. "The intellectual life of Catherine Helen Spence." Thesis, University of Ballarat, 2004. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/60437.

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This thesis will argue that Catherine Helen Spence, a writer, preacher and reformer who migrated from Scotland to Australia in 1839, performed the role of a public intellectual in Australia similar to that played by a number of women of letters in Victorian England. While her ideas were strongly influenced by important British and European nineteenth-century intellectual figures and movements, as well as by Enlightenment thought, her work also reflects the different socio-political, historical and cultural environment of Australia. These connections and influences can be seen in her engagement
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Kure, Kathryn Susan. "From the daughter's seduction to the production of desire: why do women read the romance?" Thesis, 1993. https://hdl.handle.net/10539/26222.

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A Dissertation Submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg in fulfilment of the requirements for the Degree of Master of Arts.<br>"Why do women read the romance?" cannot be answered by Anglo-American feminist literary criticism; a critique is brought against feminist definitions of gender and genre, and the question, "Why did women begin to write (novels)?" Gender definition and genre formation are integrally interrelated in the modern period; this can be traced through textual analyses of textual practices in early nineteenth century texts. Analyses
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McLaren, Annette. "'....you too have power over me' : oppression in the life and work of Charlotte Bronte." Thesis, 2011. http://handle.uws.edu.au:8081/1959.7/524832.

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The writings of Charlotte Brontë are informed by the oppression that underpinned her society. Within the hierarchically structured society of Victorian England Brontë occupied a space of ‘otherness’ by virtue of her social position and her gender. Her desire to enter into the arena of creative writing, not usually the precinct of women, resulted in Brontë experiencing further backgrounding through her exclusion to this world. This thesis interrogates Brontë as a victim of oppression through its analysis of her life, particularly the early formative period of childhood and adolescence, and how
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Books on the topic "Women novelists, english – 19th century – biography"

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Harold, Bloom, ed. British women fiction writers of the 19th century. Chelsea House Publishers, 1998.

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Wood, Marilyn. Rhoda Broughton (1840-1920): Profile of a novelist. P. Watkins, 1993.

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Cleghorn, Gaskell Elizabeth. The life of Charlotte Brontë. Oxford University Press, 1996.

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Cleghorn, Gaskell Elizabeth. The life of Charlotte Brontë. Penguin Books, 1997.

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Cleghorn, Gaskell Elizabeth. The life of Charlotte Brontë. Oxford University Press, 2009.

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Cleghorn, Gaskell Elizabeth. The life of Charlotte Brontë. J.M. Dent, 1992.

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Oliphant, Margaret. The autobiography of Mrs. Oliphant. University of Chicago Press, 1988.

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Nahmias-Radovici, Nadia. A youthful love: Jane Austen and Tom Lefroy? Merlin Books, 1995.

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1951-, Warner Simon, ed. The Brontës at Haworth. Frances Lincoln, 2013.

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Paul, Douglass. Lady Caroline Lamb. Palgrave Macmillan, 2004.

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