Relevant bibliographies by topics / Women novelists, English

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Women novelists, English'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2024

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Journal articles on the topic "Women novelists, English"

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Rai, Swati. "Focus on Women Education in Early Indian English Novels." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 029–31. http://dx.doi.org/10.22161/ijels.74.5.

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The paper focuses on the works written by early Indian writers throwing light on the condition, need and concern for women’s education. Keeping the patriarchy as root, the Indian women novelists made a debut after independence and started producing novels dealing with themes of family, dowry, child marriage, superstitious practices, education, purdah system and widow remarriage. With their personal experiences and suffrage women novelists have paved down the path for modern writers of the time. They represented their vision of a ‘New Women’, a woman who is courageous, educated, independent and
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Ghosal, Pallabi. "Feminist Voices: Indian Women Novelists in English." International Journal of English Literature and Social Sciences 3, no. 4 (2018): 531–35. http://dx.doi.org/10.22161/ijels.3.4.9.

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Sankar, G., and L. Kamaraj. "SOCIAL REALISM AND PSYCHOLOGICAL TRANSFORMATION OF WOMEN PROTAGONIST IN NAYANTARA SAHGAL’S STORM IN CHANDIGARH AND A SITUATION IN NEW DELHI-A STUDY." Scholedge International Journal of Multidisciplinary & Allied Studies ISSN 2394-336X 5, no. 2 (2018): 17. http://dx.doi.org/10.19085/journal.sijmas050201.

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The Research paper aims to focus on Nayantara Sahgal’s position in it as a novelist. It also discusses in detail a critical study of the social realism and Psychological Transformation with survival strategies of the woman protagonist in Nayantara Sahgal’s Storm in Chandigarh and A Situation in New Delhi. How Nayanara Sahgal’s writing was different from other Indian writers. During almost six decades of post-colonial history of Indian English fiction, a wide variety of novelists have emerged focusing attention on a multitude of social, economic, political, religious and spiritual issues faced
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Nida Ansari. "Predicament of a Woman in Manju Kapur’s Home." Creative Launcher 4, no. 6 (2020): 12–17. http://dx.doi.org/10.53032/tcl.2020.4.6.02.

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Manju Kapur is an Indian novelist. She was born on 25th October 1948. She is an archetypal representative of the postcolonial women novelists. She was a professor of English Literature at her alma mater at Miranda House College, Delhi. But she is retired from there. She joined the growing number of Indian women novelists, who have contributed to the progression of Indian fiction i.e. Shashi Deshpande, Arundhati Roy, Kamla Das, Geetha Hariharan, Anita Nair, Shobha De. Her novels reflect the position of women in the patriarchal society and the problems of women for their longing struggle in esta
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Walia, Gurdeep Singh. "Identification of Gender Based Discriminations in the Post-Colonial Novels of the Representative Indian English Novelists." International Journal of English and Comparative Literary Studies 4, no. 1 (2023): 1–9. http://dx.doi.org/10.47631/ijecls.v4i1.554.

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The idea of gender based inequalities implies that in India, a gap in health, education, economy and political participation occurs between men and women. In India, gender based discrimination is a part and parcel of people’s life. Perhaps, due to this reason, The Global Gender Gap Report of 2013 ranks India high, on the inequality indices. Women have equal rights under the law to own property and receive equal inheritance rights, but in practice, women are at a disadvantage. However, this research paper aims to explore the issue with reference to the chronology of the Indian English Novels, a
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Booth, Alison, and Isabel Bielat. "A Mid-Range Team of Rivals: Women Novelists in the Collective Biographies of Women Database." Victorian Studies 65, no. 1 (2022): 17–23. http://dx.doi.org/10.2979/victorianstudies.65.1.03.

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Abstract: A collaborative, interdisciplinary study (English, history) of the authors, subjects, contents, and substance of a key early collection of criticism of women novelists, tied to the Queen’s 1897 Jubilee. Famous or obscure women novelists assess the work of deceased peers, censuring most those who are now canonical. Attending to the style and orientation of particular chapters and some research in publishing history, we suggest varied textual and quantitative approaches, drawing on our database of 1,272 collective biographies of women to explore what we can discover from one book caref
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Booth, Alison, and Isabel Bielat. "A Mid-Range Team of Rivals: Women Novelists in the Collective Biographies of Women Database." Victorian Studies 65, no. 1 (2022): 17–23. http://dx.doi.org/10.2979/vic.2022.a901281.

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Abstract: A collaborative, interdisciplinary study (English, history) of the authors, subjects, contents, and substance of a key early collection of criticism of women novelists, tied to the Queen’s 1897 Jubilee. Famous or obscure women novelists assess the work of deceased peers, censuring most those who are now canonical. Attending to the style and orientation of particular chapters and some research in publishing history, we suggest varied textual and quantitative approaches, drawing on our database of 1,272 collective biographies of women to explore what we can discover from one book caref
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Fryckstedt, Monica Correa. "Defining the Domestic Genre: English Women Novelists of the 1850s." Tulsa Studies in Women's Literature 6, no. 1 (1987): 9. http://dx.doi.org/10.2307/464157.

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P. Geetha Davenci. "Interrogating the Muteness in Lavanya Sankaran’s The Hope Factory." Shanlax International Journal of English 12, S1-Dec (2023): 208–11. http://dx.doi.org/10.34293/rtdh.v12is1-dec.91.

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Indian women authors who write in English represent the realities of India in the current Indian literary scene. They have a lot of duties in the literary community. As researchers in anthropology sociologists, novelists, essayists, and travel writers, they carry out their duties with remarkable skill and then assume worldwide responsibility for promoting peace in their capacity as ambassadors. Additionally, they have created the odd contradiction of reading and appreciating how skillfully they address the problems of sexual harassment of women in post-colonial and postmodern contexts, includi
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Kadam, Dipali M. "Diasporic consciousness in contemporary Indian women’s fiction in English: at a glance." RUDN Journal of Studies in Literature and Journalism 27, no. 3 (2022): 532–40. http://dx.doi.org/10.22363/2312-9220-2022-27-3-532-540.

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Diasporic literature is a pivotal term in literature that includes the literary works of the authors who are the outsiders for their native country but their work is deeply rooted in homeland by reflecting native culture, background, displacement and so on. Indian women’s literary work is at the forefront of diasporic literature. The advent of Indian women novelists on the literary horizon is an important development in the Indian English literature. These women writers have also contributed to other genres, such as drama, poetry and short stories, not only in English but also in regional lang
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Dissertations / Theses on the topic "Women novelists, English"

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Spriggs, Bianca L. "Women of the Apocalypse: Afrospeculative Feminist Novelists." UKnowledge, 2017. http://uknowledge.uky.edu/english_etds/56.

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“Women of the Apocalypse: Feminist Afrospeculative Writers,” seeks to address the problematic ‘Exodus narrative,’ a convention that has helped shape Black American liberation politics dating back to the writings of Phyllis Wheatley. Novels by Zora Neale Hurston, Octavia Butler, and Alice Walker undermine and complicate this narrative by challenging the trope of a single charismatic male leader who leads an entire race to a utopic promised land. For these writers, the Exodus narrative is unsustainable for a number of reasons, not the least of which is because there is no room for women to opera
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Howard, James Joseph. "The English novel's cradle the theatre and the women novelists of the long eighteenth century /." Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019834031&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274465922&clientId=48051.

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Thesis (Ph. D.)--University of California, Riverside, 2010.<br>Includes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 21, 2010). Includes bibliographical references. Also issued in print.
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Alsharekh, Alanoud. "Angry words softly spoken : a comparative study of English and Arab women novelists." Thesis, SOAS, University of London, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.405657.

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Ibinga, Stephane Serge. "The representation of women in the works of three South African novelists of the transition." Thesis, Stellenbosch: University of Stellenbosch, 2007. http://hdl.handle.net/10019.1/1100.

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Thesis (DLitt (English))--University of Stellenbosch, 2007.<br>The dissertation focuses on literary representation of female characters in selected novels by three particular South African writers working within the transitional phase (from the formal ending of apartheid up to the present) of South African history. By means of textual analysis, the study investigates how the representation of numerous female characters in these texts reflects on and reflects the sector of South African society that forms the social setting of each text. This thesis explores the portrayal of female characters i
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Wood, Lisa. ""Vehicles" of "sound doctrine"? anti-revolutionary novels by women, 1793-1815 /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0007/NQ39317.pdf.

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Curlin, Jane Renee. "Writing women feminine self-figuration in the work of Elizabeth Gaskell /." Access abstract and link to full text, 1990. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/9318169.

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Dredge, Sarah. "Accommodating feminism : Victorian fiction and the nineteenth-century women's movement." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.

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The research field of this thesis is framed by the major political and legal women's movement campaigns from the 1840s to the 1870s: the debates over the Married Women's Property Act; over philanthropy and methods of addressing social ills; the campaign for professional opportunities for women, and the arguments surrounding women's suffrage. I address how these issues are considered and contextualised in major works of Victorian fiction: Anne Bronte's The Tenant of Wildfell Hall (1848), Elizabeth Gaskell's North and South (1855), Charlotte Bronte's Villette (1853), and George Eliot's Middlemar
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Francis, Diana Pharaoh. "Models to the universe : Victorian hegemony and the construction of feminine identity." Virtual Press, 1999. http://liblink.bsu.edu/uhtbin/catkey/1159142.

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Young, Katie Elizabeth. "More than "Wisteria and Sunshine": The Garden as a Space of Female Introspection and Identity in Elizabeth von Arnim's The Enchanted April and Vera." BYU ScholarsArchive, 2011. https://scholarsarchive.byu.edu/etd/3033.

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Recent scholarly interest in Elizabeth von Arnim has related Elizabeth and Her German Garden and The Solitary Summer to the New Woman and Female Aesthete movements, concluding that von Arnim does not align herself with any movement per se. Rather, in these early works, Elizabeth advocates and adamantly defends her right to time in her garden, which becomes her sanctuary for reading and thinking. Little critical attention has been paid to von Arnim's later works; however, many of the themes established in von Arnim's early works can be traced through her later novels. In The Enchanted April Lad
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Bailey, Jillian. "The Dangerous Women of the Long Eighteenth Century: Exploring the Female Characters in Love in Excess, Roxana, and A Simple Story." Digital Commons @ East Tennessee State University, 2019. https://dc.etsu.edu/etd/3583.

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The Long Eighteenth Century was a period in which change was constant and proceeding the Restoration Era; this sense of change continued throughout the era. Charles II created an era in which women were allowed on the theatre stage, and his mistresses accompanied him to court; Charles II set the stage for the proto-feminist ideas of the eighteenth century that would manifest themselves in Eliza Haywood’s Love in Excess, Daniel Defoe’s Roxana, and Elizabeth Inchbald’s A Simple Story. These novels showcase the enlightenment of women and some of their male contemporaries and the beginning struggl
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Books on the topic "Women novelists, English"

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Bheda, P. D. Indian women novelists in English. Sarup & Sons, 2005.

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Alexander, Flora. Contemporary women novelists. E. Arnold, 1989.

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Feminist visions: Indian English women novelists. Creative Books, 2000.

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Six women novelists. Macmillan, 1987.

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1943-, Dhawan R. K., ed. Indian women novelists. Prestige, 1993.

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1943-, Dhawan R. K., and Indian Society for Commonwealth Studies., eds. Indian women novelists. Prestige, 1991.

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Ivy, Chaudhury, and Saha Shukla, eds. Indian women novelists in English: A critical study. Supriya Books, 2011.

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Nath, Prasad Amar, ed. New lights on Indian women novelists in English. Sarup & Sons, 2003.

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Sarkar, Jaydip, and Girindra Narayan Ray. The postcolonial woman question: Readings in Indian women novelists in English. Books Way, 2011.

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Dexter, Angelina. Daphne the loner: [a biography of Daphne du Maurier]. Arthur H. Stockwell, 2003.

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Book chapters on the topic "Women novelists, English"

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Nussbaum, Felicity A. "Women novelists 1740s–1780s." In The Cambridge History of English Literature, 1660–1780. Cambridge University Press, 2005. http://dx.doi.org/10.1017/chol9780521781442.030.

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"WOMEN NOVELISTS AND THE TRANSFORMATION OF FICTION." In The English Novel in History 1700-1780. Routledge, 2003. http://dx.doi.org/10.4324/9780203393079-13.

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Kakaraparthi, Kameswari, Dr Ankita Sahu, and Dr Visweswara Rao Chenamallu. "INDIAN WOMAN PORTRAYED BY WOMAN NOVELISTS OF THE SECOND AND THE THIRD GENERATIONS: A COMPARATIVE STUDY." In Futuristic Trends in Social Sciences Volume 3 Book 21. Iterative International Publishers, Selfypage Developers Pvt Ltd, 2024. http://dx.doi.org/10.58532/v3baso21p2ch1.

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The second and third-generation Indian novelists writing in English have focused their attention on the search for identity and women’s emancipation. They have changed the themes of their novels into more meaningful and useful ones. They highlight that women’s equality with men is very essential for the welfare of the family as well as society. It is high time for all of us to consider protecting woman’s rights and not discriminate against women in any aspect of human life, be it family matters, financial issues, business, and commerce, politics, etc. Nayantara Sahgal, Shashi Deshpande, Manju Kapur, Jaishree Misra, and Anita Nair are a few Indian novelists who represent the second and third generations of Indian women novelists writing in English. They take women’s issues seriously. This paper focuses on how traditional conflicts and the element of patriarchy subjugate women to second-class citizen status, resulting in an identity crisis for women. The paper also studies women’s search for identity and struggle for emancipation
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Keyser, Catherine. "Shattering the Feminine Mystique." In The Oxford History of the Novel in English. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192844729.003.0015.

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Abstract This chapter explores the ways in which women novelists diagnosed and challenged the constraints placed on women in US culture, particularly the pressures of private life and the obstacles to public life. The female body plays a central role in post-1940 US fiction by women. On the one hand, the female body seems constantly exposed, objectified, and marketed, as women strive to shape themselves to reflect cultural norms and ideals. On the other hand, the body serves as a vehicle for eroticism, autonomy, and pleasure described and celebrated more frankly than ever before in novels of the 1960s and beyond. The chapter concludes by noting the dizzying range of formal techniques, generic conventions, and thematic priorities represented in work by women, noting that the term “woman writer” retains political urgency and affiliative potential even as the field shifts to recognize the contributions of transgender, non-binary, and genderqueer writers.
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Mizruchi, Susan L. "Prologue." In Henry James: A Very Short Introduction. Oxford University Press, 2021. http://dx.doi.org/10.1093/actrade/9780190944384.003.0001.

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‘Prologue’ provides a background on Henry James’s writing, the hallmarks of which are aesthetic self-consciousness and a focus on the conventions and etiquette of the social elite. James is considered to be among the greatest English-language novelists. He specialized in profound portraits of human character, the relations between genders, and moral conflicts. He wrote with extraordinary insight about women and girls, and about the power conferred by money and the vulnerability conferred by lacking it.
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Humma, John B. "Lawrence in Another Light Women in Love and Existentialism." In D. H. L Awrence’s Women in Love. Oxford University PressNew York, NY, 2005. http://dx.doi.org/10.1093/oso/9780195170269.003.0005.

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Abstract Especially when vie wed a s the response or reaction to or development away from the seemingly dead end of naturalism, existentialism, though currently out of fashion, is nonetheless among the more important literary-philosophical developments of the twentieth century. And yet, though the whole tenor of Lawrence’s thought is anti-deterministic and though he almost certainly is one of the three or four most important English-language novelists of the century, D. H. Lawrence only infrequently is considered in the context of existentialism. To be sure, for Norman Mailer, Lawrence’s greatest interest lies precisely in his existentialism. Mailer represents Lawrence’s thinking in this way: “People can win at love only when they are ready to lose everything they bring to it of ego, position, or identity—love is more stern than war—and men and women survive only if they reach the depths of their own sex down within themselves.
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Crawford, Robert. "Rabelais, Cervantes, and Libraries in Fiction." In Libraries in Literature. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192855732.003.0002.

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Abstract The most influential depictions of libraries in fiction are those of Rabelais in Gargantua and Pantagruel and of Cervantes in Don Quixote. These works and their reception in English-language literature are discussed. Stretching from the Middle Ages to the present, this chapter ranges across English and some American literature. Particular attention is paid to the notion of the library as a site of tension between order and subversive disorder, and to the library as a place associated with madness, especially the madness of scholars. Among the authors discussed are John Donne, Sir Thomas Browne, writers about women and eighteenth-century circulating libraries, Gothic novelists, and James Joyce. Though many novels are considered, more detailed consideration is given to Walter Scott’s Waverley, George Eliot’s Middlemarch, and G. K. Chesterton’s The Return of Don Quixote.
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Rowson, Martin. "What is Hetty waiting for?" In The Literary Detective. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780192100368.003.0016.

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Abstract In their forthrightly entitled article, ‘Victorian Women and Menstruation’, Elaine and English Showalter note that: Few taboos evoke as forceful and as universal a response as that surrounding menstruation. Even the redoubtable Marquis de Sade, who took a prurient delight in moldy feces and decapitated dogs, appears to have regarded menstruation with faint distaste . . . Small wonder that even Victorians as open-minded as Florence Nightingale and John Stuart Mill maintain an almost complete silence on the subject. (p. 83) ‘Unlike sexual activities’, the authors continue, ‘menstruation has no literary reflection, true or false.’ In the quarter of a century since the Showalters wrote their article critics have become very ingenious at uncovering the repressed consciousness of nineteenth-century fiction –– most aggressively in Eve Kosofsky Sedgwick’s polemic, ‘Jane Austen and the Masturbating Girl’. None the less, the menstruating woman has not been located and the Showalters’ claim about ‘no literary reflection’ would seem to hold up. There is, however, one exception. Not surprisingly, it is to be found in the toughest-minded of the mid-Victorian novelists, George Eliot.
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Laurence, Patricia. "Women,s Silence as a Ritual of Truth: A Study of Literary Expressions in Austen, Bronte, and Woolf." In Listening To Silences. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195073065.003.0010.

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Abstract Beginning with Tillie Olsen and continuing in the work of American and French feminist critics, silence in women has been viewed as the place of oppression, the mark of women’s exclusion from the public spheres of life and from respresentation as speakers in a text. But it is time to recognize that there is a female tradition of writing beginning in the nineteenth century that invites us to reread certain paradigms of silence and expression. Knowing that women in certain times and places are unable to speak openly, the novelists Jane Austen, Charlotte Bronte, and Virginia Woolf narrate the inwardness of female listeners and observers in conventional frameworks in life and texts, inviting us to interpret their silences not as passivity, submission and oppression, but as an enlightened presence. The silences represent women’s different ways of feeling and knowing-perhaps silences hiding fears, angers, taboo thoughts-as well as representing the available means of expression in particular historical and cultural circumstances. This female tradition, which is connected with the development of the novel and its ability to record inner life, replaces the speaking subject in the English novel with the observing, listening, thinking, dreaming female subject.
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Lederer, Susan E. "Living on the Island of Dr. Moreau: Grafting Tissues in the Early Twentieth Century." In Flesh and Blood. Oxford University PressNew York, NY, 2008. http://dx.doi.org/10.1093/oso/9780195161502.003.0001.

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Abstract In his 1896 novel, The Island of Doctor Moreau, English novelist H. G. Wells created a memorable and influential portrait of a surgeon, forced to leave London after the press reported the escape of dogs mutilated in his experiments. Far away in the South Seas, Doctor Moreau performs surgery in what the island inhabitants call the “House of Pain.” These surgeries produce “humanized animals”—wolf-hyena-man, ox-hog-man, and puma-woman—which Moreau regards as “triumphs of vivisection.” The surgical manipulation of the flesh and blood, as he informs a hapless, shipwrecked visitor to the island where he conducts his dark science, could accomplish many things:
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Conference papers on the topic "Women novelists, English"

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Sinha Roy, Swagata, and Kavitha Subaramaniam. "READING TOURS INTO MALAYSIAN NARRATIVES: LOCALES IN THE GARDEN OF EVENING MISTS AND THE NIGHT TIGER." In GLOBAL TOURISM CONFERENCE 2021. PENERBIT UMT, 2021. http://dx.doi.org/10.46754/gtc.2021.11.051.

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If one has not read local English novels like The Garden of Evening Mists and The Night Tiger, one would never be able to imagine the wonders of locales depicted in these two books. One of the reasons the authors here want to visit a said destination is because of the way a certain place is pictured in narratives. Tan Twan Eng brings to life the beauty of Japanese gardens in Cameron Highlands, in the backdrop of postWorld War II while Yangsze Choo takes us into several small towns of Kinta Valley in the state of Perak in her beautifully woven tale of the superstitions and beliefs of the local
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