Academic literature on the topic 'Women photographers'

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Journal articles on the topic "Women photographers"

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Coleman, A. D., Naomi Rosenblum, and Elizabeth Partridge. "Women Photographers." Art Journal 55, no. 1 (1996): 99. http://dx.doi.org/10.2307/777816.

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Darian-Smith, Kate. "The ‘girls’: women press photographers and the representation of women in Australian newspapers." Media International Australia 161, no. 1 (2016): 48–58. http://dx.doi.org/10.1177/1329878x16665002.

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In 1975, Fairfax News commemorated International Women’s Year by appointing Lorrie Graham as its first female cadet photographer. Women only joined the photographic staff of newspapers in significant numbers from the 1980s and were more likely to be employed on regional newspapers than the metropolitan dailies. This article draws on interviews with male and female press photographers collected for the National Library of Australia’s oral history programme. It provides an overview of the history of women press photographers in Australia, situating their working lives within an overtly masculine
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Voina, Delia. "Femeile-fotograf ale Sibiului din a doua jumătate a secolului al XIX-lea: fotografiile Kamillei Ásbóth și ale Juliei Herter din colecția Muzeului Național Brukenthal." Anuarul Institutului de Cercetări Socio-Umane Sibiu 31 (December 31, 2024): 77–95. https://doi.org/10.59277/aicsus.31.06.

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The role of women photographers has been downplayed in the history of photography, although they have been among the earliest practitioners since the 19th century. A small number of women contributed to the early history of photography, although in the late 18th and early 19th centuries some women in high society were knowledgeable about the science. The complicated processes used to take photographs were deciphered and used by women photographers, and their portfolios included a wide variety of subjects. The first women photographers’ owners of permanent studios in Sibiu, in the second half o
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Loughery, John, and Jeanne Moutoussamy-Ashe. "Viewfinders: Black Women Photographers." Woman's Art Journal 10, no. 2 (1989): 49. http://dx.doi.org/10.2307/1358219.

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Noble, Mary L. "Iowa's Women Professional Photographers." Books at Iowa 65 (November 1996): 2–16. http://dx.doi.org/10.17077/0006-7474.1275.

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Rosenblum, Naomi. "A History of Women Photographers." Woman's Art Journal 20, no. 1 (1999): 67. http://dx.doi.org/10.2307/1358858.

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Rosenblum, Naomi. "A History of Women Photographers." Art Book 2, no. 1 (1994): 23d. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00368.x.

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Rosenblum, Naomi. "A History of Women Photographers." Art Book 2, no. 1 (1995): 23d. http://dx.doi.org/10.1111/j.1467-8357.1995.tb00368.x.

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Rule, Amy. "Archives of American women photographers." History of Photography 18, no. 3 (1994): 244–47. http://dx.doi.org/10.1080/03087298.1994.10442358.

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Somerstein, Rachel. "‘Stay back for your own safety’: News photographers, interference, and the photographs they are prevented from taking." Journalism 21, no. 6 (2018): 746–65. http://dx.doi.org/10.1177/1464884918789227.

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This exploratory, mixed-methods study uses semi-structured interviews to identify the sources of interference that news photographers encounter and then, using survey research, assesses these interferences’ prevalence. It also uses interview and survey data to identify photographs that photographers are prevented from taking and ones taken despite interference. In so doing, the study illuminates how the constraints photojournalists encounter shape their work and, ultimately, the types of images missing from the mass media. Men and women, and freelancers and staff photographers, encounter diffe
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Dissertations / Theses on the topic "Women photographers"

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Wilson, Denise Alexandra. "Beyond the domestic : women photographers in Ireland 1853-1913." Thesis, Ulster University, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.755095.

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Richardson, Cynthia Watkins. "Picturing Nature: Education, Ornithology and Photography in the Life of Cordelia Stanwood: 1865-1958." Fogler Library, University of Maine, 2002. http://www.library.umaine.edu/theses/pdf/RichardsonCW2002.pdf.

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Kowalski, Shelley. "Fading light : the case of Doris Ulmann /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 232-242). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9977907.
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Henninger, Katherine. "Ordering the façade : photography and the politics of representation in contemporary Southern women's fiction /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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Mac, Dougall Lola. ""Not lost to human sight": indian glimpses of privacy in Zenana photographers, Dayanita Singh, Gauri Gill and Ketaki Sheth." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/396367.

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This research looks at the contributions made by some Indian women photographers to the representation of privacy. Indian women photographers have enjoyed a privileged access in their bid to depict privacy, or the quality or state of being apart from observation, and that access can often be attributed to their gender. I propose to analyse the parallelisms and divergences in the representation of privacy by pioneer women photographers -with special attention to the phenomenon of zenana photography- as well as three contemporary practitioners: Dayanita Singh, Gauri Gill and Ketaki Sheth. I w
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Hudson, Giles. "The feminization of photography and the conquest of colour : Sarah Angelina Acland, photographer." Thesis, University of Oxford, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.711651.

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Ihle, Astrid. "Women under socialism : both sides of the camera : women photographers and the construction of femal identity in the photographic representations of the GDR, c. 1949-1961." Thesis, Courtauld Institute of Art (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417772.

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Soukhakian, Fazilat. "The Private Revealed: A Search for a New Modernity Through the Lens of the Shah and Contemporary Photographers in Iran." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1522057558134736.

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Amanat, Shayda. "Iran and the Arab World Through A Female Lens: Deconstructing Western Phantasms and Terrors." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/428.

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This thesis explores how today’s Sheherazades, in this case women photographers from the Middle East, create alternative representations that constitute new meanings and understandings of life, gender, and politics in Iran and the Arab world.
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Gellerstedt, Kristina. "Okänd Fotograf : En arkivstudie om den gotländska fotografen Laura Stenmans liv och fotografiska arbete under sekelskiftet 1900." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-409695.

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In this essay we follow a professional female photographer on the island of Gotland in Sweden around the turn of the twentieth century. The story of Laura Stenman’s life has for a long time been hidden, but through literature- and archival studies, her biographical story was pieced together and revealed during the winter of 2019. Through this essay her family life and photographic work has emerged. In parallel, a piece of the history of photography and the first photographers on Gotland are revealed.  The essay highlights the educational opportunities and advice available to those interested i
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Books on the topic "Women photographers"

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Constance, Sullivan, and Janis Eugenia Parry, eds. Women photographers. Virago, 1990.

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Ash, Susan. Five women photographers. Channel 4 Television, 1986.

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Grigas, Vaidotas. Moterys =: Women. R. Paknio leidykla, 2007.

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Palmquist, Peter E. Shadowcatchers: A directory of women in California photography. P.E. Palmquist, 1990.

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Palmquist, Peter E. Shadowcatchers: A directory of women in California photography before 1901. P.E. Palmquist, 1990.

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1930-, Robertson Grace, ed. Signals: Festival of women photographers. Interchange Studios, 1994.

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Signals, ed. Signals: Festival of women photographers. Signals Interchange Studios, 1994.

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Woman's Building (Los Angeles, Calif.) and Women in Photography (U.S.), eds. Women photographers in America, 1985. Woman's Building, 1985.

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Brown, Julia R., Radmila Stefkova, and Tamara R. Williams. Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352.

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1946-, Mather Jenni, ed. Australian women photographers: 1840-1960. Greenhouse, 1986.

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Book chapters on the topic "Women photographers"

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Druker, Elina. "Chapter 8. In and out of focus." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.08dru.

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Anna Riwkin was a Russian-Swedish photographer who contributed significantly to the growing use of photographs in children’s picturebooks during the second half of the twentieth century. This chapter investigates the photographic techniques and genres in Riwkin’s works for children. Using a selection of reportage portraits and photo books by her as a starting point, the chapter discusses the relationship between words and images in photo narratives for children. During the early part of her career, Riwkin specialized in portraits and dance photography and during the 1930s, she added journalist
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Scerbo, Rosita. "The Untold Story of Black Mexico." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-14.

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Karam, Tanius, and Julia R. Brown. "Gaze as Mirror/Encountering the Other." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-8.

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Long, Ryan. "The Margins and Potential Horizons of Mexico's Postrevolutionary Modernity in Four Photographs by Tina Modotti, Kati Horna, Mariana Yampolsky, and Elsa Medina." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-4.

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Williams, Tamara R. "A Record of Things Seen." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-12.

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Brown, Julia R. "Seeing and Feeling the 1990s." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-13.

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Mahieux, Viviane. "Solidarity and Witnessing in the Photographs of Marta Zarak." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-11.

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Foster, David William. "Unsettling Hyper-Heteronormative Masculinity." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-9.

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Brown, Julia R., Radmila Stefkova, and Tamara R. Williams. "Introduction." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-1.

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Rashkin, Elissa J. "Earth Images." In Women Photographers and Mexican Modernity. Routledge, 2024. http://dx.doi.org/10.4324/9781003309352-6.

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Conference papers on the topic "Women photographers"

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Rule, Heather A. "Expanding Women’s Agency in the Built Environment: Understanding How Employment Has Impacted Women’s Access to Space in Rural Andean Ecuador." In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.132.

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For centuries women’s agency in the built environment of their homes, communities and workplace was limited by an absence of ownership and control of these spaces. Even as women gained equal rights to land ownership, their capacity to develop that land was limited by social and cultural structures. Access to employment changed for women living in rural areas when the rose industry developed, especially around Cayambe and Cotopaxi, creating jobs near their home communities. Over fifty-one percent of current industry jobs are held by women, with higher number in the early years. Using participat
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de Vincenz, Anna. "Identifying Ceramic Vessels with the Help of Historical Photographs – A Different Approach in Late Ottoman Ceramic Research." In XIII Congreso Internacional sobre Cerámica Medieval y Moderna en el Mediterráneo (AIECM3). La Ergástula, 2024. https://doi.org/10.63114/p6dapa69.

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While studying Late Ottoman ceramics, especially smoking pipes and coffee cups, I found many historical photographs showing such items together with the people using them. From here, the idea was born to try to use historical photographs to identify vessels found on excavations. The presentation attempted to do this and show that it is possible to find correlations between excavated material and vessels represented in historical photographs. Several categories are shown with matching vessels found on excavations: Women carrying water from and to the well; men fashioning and carrying large vess
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Sadique, S., YD Lin, SA Walker, et al. "Face mask acceptability and usage after mass distribution in a refugee camp during the Covid-19 pandemic: mixed-methods study." In MSF Scientific Days International 2022. MSF-USA, 2022. http://dx.doi.org/10.57740/s2se-8951.

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INTRODUCTION The crowded conditions within camps for refugees and internally displaced people create risk environments for unmitigated transmission of SARS-CoV-2. Within one such setting, Cox’s Bazar, Bangladesh, MSF distributed face masks in July-August 2020 for use by people living in eight camps to reduce transmission risks. However, uptake of face masks within camp populations and the factors influencing use are not well understood. METHODS We conducted a multi-level triangulation mixed-methods study in March 2021 in Cox’s Bazar. Field observations were undertaken in public spaces in four
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De Sola, Ignacio Sifre, Nieves Pérez-Mata, and Margarita Diges. "THE EFFECT OF THE INSTRUCTIONS ON FACE RECOGNITION: ACCURACY AND EYE MOVEMENTS." In International Psychological Applications Conference and Trends. inScience Press, 2021. http://dx.doi.org/10.36315/2021inpact104.

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"The present experiment examines how instructions (absolute judgement vs. relative judgement) affect the performance in simultaneous lineups (present perpetrator and absent perpetrator). To find out whether the participants really followed the instructions, their eye movements were recorded when they faced the photo lineup. Sixty participants (44 women and 16 men) took part in the experiment. Overall, the results showed that participants with absolute judgement instructions made significantly less inter-photograph comparisons than those with relative judgement instructions. In the present perp
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Zuniga, Rubén David dos Reis, Izadora Fonseca Zaiden Soares, Roseli Corazzin, and Alzira Alves de Siqueira Carvalho. "Study of the prevalence of Frank’s sign in a general population." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.194.

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Background: Frank’s sign is a diagonal crease in the earlobe that extends from the tragus to the inferior-posterior auricle’s edge. Described as a predictor of cardiovascular diseases (CVDs), it was considered an independent cardiovascular risk factor (CRF) and associated with cerebrovascular events and cognitive impairment (CI). Objectives: To assess the prevalence of Frank’s sign in a general population aged 60 years or older regardless of the presence of CRFs and to relate the presence of this sign with epidemiological and clinical aspects. Design and setting: This is an analytical, observa
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Zuniga, Rubén David dos Reis, Izadora Fonseca Zaiden Soares, Roseli Corazzini, and Alzira Alves de Siqueira Carvalho. "Study of the prevalence of Frank’s sign in a general population." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.409.

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Background: Frank’s sign is a diagonal crease in the earlobe that extends from the tragus to the inferior-posterior auricle’s edge. Described as a predictor of cardiovascular diseases (CVDs), it was considered an independent cardiovascular risk factor (CRF) and associated with cerebrovascular events and cognitive impairment (CI). Objectives: To assess the prevalence of Frank’s sign in a general population aged 60 years or older regardless of the presence of CRFs and to relate the presence of this sign with epidemiological and clinical aspects. Design and setting: This is an analytical, observa
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Andrade, Thainá Sobral de, Yasmin Alves da Cruz Figueiredo, Victor Araújo Felzemburgh, and Pedro Paulo Oliveira Carneiro. "TRAM BREAST RETAIL RECONSTRUCTION: AN ANALYSIS IN THE LATE POSTOPERATIVE." In Abstracts from the Brazilian Breast Cancer Symposium - BBCS 2021. Mastology, 2021. http://dx.doi.org/10.29289/259453942021v31s2048.

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In Brazil, breast cancer represents the second most incident cancer among women and is the major cause of death from malignant neoplasms in females. Therefore, the treatment of this pathology needs to be studied in its various aspects, one of which is aesthetic care in breast reconstruction. Objectives: To evaluate the late result of breast reconstruction by TRAM (transverse rectus abdominis muscle flap), in addition to comparing the assessment instruments in the postoperative period. Postoperative photographs of 13 patients who underwent breast reconstruction by TRAM at Hospital Santo Antônio
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Cavalcante, Emmanuel Filizola, Nathaniel dos Santos Sousa, Paulo Victor Almeida Miguel, Luiz Gonzaga Porto Pinheiro, and Karla Sorandra Rodrigues Oliveira. "THE USE OF BREAST MOLDS IN PREOPERATIVE MARKINGS FOR ONCOPLASTIC SURGERIES." In Scientifc papers of XXIII Brazilian Breast Congress - 2021. Mastology, 2021. http://dx.doi.org/10.29289/259453942021v31s1069.

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Introduction: Breast cancer (BC) is a major public health problem worldwilde, with a high incidence in young women in Brazil. In this context, treatment with oncoplastic surgery represents a major advance, through the combination of plastic and oncological surgery techniques, maintaining the breast contour and reducing the psychological impact of radical surgeries. Preoperative marking plays an important role in the aesthetic result and reference points are marked freehand in order to guide the incisions. Objectives: To present an efficient and low-cost option, through a mold, to perform preop
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Šostar, Marko, Berislav Andrlić, and Hareesh N. Ramanathan. "THE INFLUENCE OF ONLINE REVIEWS ON HOTEL ATTRACTIVENESS PERCEPTIONS: A GENDER-BASED COMPARATIVE STUDY." In Tourism and Hospitality Industry: Trends and Challenges. University of Rijeka, Faculty of Tourism and Hospitality Management, 2024. http://dx.doi.org/10.20867/thi.27.17.

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Purpose - The primary aim of this research is to explore the differential impact of online hotel reviews on the perceived attractiveness of hotel, with a focus on identifying any variances between genders. It seeks to contribute to the understanding of consumer behavior in the digital age, especially how men and women differently interpret and react to online reviews. Design - Employing a quantitative research design, this study systematically investigates the change in hotel attractiveness perceptions before and after the exposure to online reviews among a sample of male and female participan
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Panić, Aleksandra. "MULTI-LAYERED DIALOGUE IN LANA BASTAŠIĆ'S THE RED SUITCASE AS A PRACTICE FOR SOCIAL TRANSFORMATION." In Proceeding of the Thirteenth International Conference at the Faculty of Foreign Languages. Alfa BK University Belgrade, 2024. https://doi.org/10.46793/lld24.091p.

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This paper analyzes the multi-layered dialogue in Lana Bastašić's The Red Suitcase (Crveni kofer) as a practice for social transformation. The Red Suitcase is a hybrid narrative composed of autobiographical, epistolary-diary entries and black-and- white photographs, documenting the author’s residency in Switzerland from March 10 to July 13, 2021. The hybrid nature of the book is reflected not only in the merging of text and photography but also in the blending of different genre elements. This analysis explores the characteristics and functions of dialogue within the text, focusing on the them
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Reports on the topic "Women photographers"

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Kupfer, Monica E. Perceptive Strokes: Women Artists of Panama. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006215.

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The IDB Cultural Center is proud to host this exhibit honoring the Republic of Panama, host country of the IDB Annual Meeting, which will take place from March 14¿20, 2013. The exhibition highlights the history of modern and contemporary art by Panamanian women and will include paintings, photographs, sculptures, and video art from the 1920s to the present. The 22 artworks, selected by Panamanian curator Dr. Monica E. Kupfer, reveal the ways in which a varied group of female artists have experienced and represented significant geopolitical events in the nation¿s history. Their interpretations
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