Relevant bibliographies by topics / Women poets, Greek (Modern)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Women poets, Greek (Modern)'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Women poets, Greek (Modern)"

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Holst-Warhaft, Gail. "The Poetics of Pain." Journal of World Literature 8, no. 1 (2023): 104–22. http://dx.doi.org/10.1163/24056480-00801009.

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Abstract Modern Greek poetry has been influenced by a tradition of lament that is still practiced in rural Greece, and by the tragic events of modern Greek history. In contrast to the elegiac tradition, laments and their women practitioners ascribe a positive value to pain. Male poets of the generation of 1930 made use of the imagery of folk lament in their poetry, and women poets of the second half of the 20th century addressed the dead directly as their village counterparts still do. The Asia Minor catastrophe of 1922 dominated 20th-century modern Greek literature and drew on another traditi
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Levy, David. "Utility-Enhancing Consumption Constraints." Economics and Philosophy 4, no. 1 (1988): 69–88. http://dx.doi.org/10.1017/s0266267100000341.

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The Greek poets and philosophers, united in a belief that men and women perceive the world around them very poorly, for this reason describe much of human behavior as fumbling for happiness in the dark. By contrast, perception failure is anathema to the modern tradition, as even the most innocent sort plays havoc with modern preference axioms.
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Jawad, Areej Muhammad, and Rana Jabir Obed. "The New Penelopean Poetics: A Feminist Reassessment of the Victimization of Women in Edna St. Vincent Millay’s ‘‘The Ballad of the Harp-Weaver’’ and ‘‘An Ancient Gesture’’." Kufa Journal of Arts 1, no. 25 (2016): 47–60. http://dx.doi.org/10.36317/kaj/2015/v1.i25.6293.

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The Greeks have a certain authority, for they are the source of the Western traditions of poetry, philosophy, and science. The figure of Penelope in the Homeric epic can be seen as a symbol not only for woman’s trials in general but also for the trials of the woman artist in a man’s world. This study explores the penelopean myth as ideological tool of patriarchal system and it argues that gender stereotypes set in Greek myths have been recreated later by the modern American poet, Edna St. Vincent Millay. Encouraged by the feminist movement, Millay revised and rewrote the penelopean myth highli
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Dickie, Margaret, and Jean Gould. "Modern American Women Poets." American Literature 58, no. 1 (1986): 119. http://dx.doi.org/10.2307/2925951.

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Keefe, J. T., and Jean Gould. "Modern American Women Poets." World Literature Today 60, no. 1 (1986): 116. http://dx.doi.org/10.2307/40141258.

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Wilcox, John C., and Janet Perez. "Modern and Contemporary Spanish Women Poets." South Central Review 15, no. 3/4 (1998): 86. http://dx.doi.org/10.2307/3189852.

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Debicki, Andrew P., and Janet Perez. "Modern and Contemporary Spanish Women Poets." Hispania 80, no. 1 (1997): 58. http://dx.doi.org/10.2307/345954.

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Ahern, Susan W., Jane Stevenson, and Peter Davidson. "Early Modern Women Poets: An Anthology." Sixteenth Century Journal 33, no. 4 (2002): 1171. http://dx.doi.org/10.2307/4144185.

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Daugirdaitė, Solveiga. "Žemaitė XX a. II pusės lietuvių poezijoje ir prozoje." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums 27 (March 10, 2022): 105–19. http://dx.doi.org/10.37384/aplkp.2022.27.105.

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The article dedicated to the works of the Lithuanian literature written in the second half of the 20th century depicting the writer Žemaitė (pen name of Julija Beniuševičiūtė-Žymantienė, 1845–1921). This writer was not rejected by the Soviet authorities because of her realistic outline and her democratic political views, the social criticism expressed in her work towards greed, selfishness and clericalism. Lithuanian writers dedicated to her their poetry, fiction, and drama works. However, Soviet writers were also impressed by Žemaitė’s personality traits, which mentioned less frequently in pu
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Connor, W. Robert. "Women Poets and the Origin of the Greek Hexameter." Arion: A Journal of the Humanities and the Classics 27, no. 2 (2019): 85–102. http://dx.doi.org/10.1353/arn.2019.0015.

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Dissertations / Theses on the topic "Women poets, Greek (Modern)"

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McMullen, Maram George. "Irish Women Poets of the Twentieth Century and Beyond| Voices from the Margin." Thesis, King Saud University (Saudi Arabia), 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3576677.

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<p> This dissertation study explores the rise of Irish women poets of the twentieth century, in particular Eavan Boland from the southern Republic of Ireland and Medbh McGuckian from Northern Ireland. It investigates the birth of Irish Feminist Literary Theory and Irish Postcolonial Literary Theory and uses these two theories to analyze the poetry found therein. This project shows that, unlike Irish women novelists and playwrights, Irish women poets were excluded from the Irish canon until poets such as Boland and McGuckian destabilized their once rigid national literary tradition and challeng
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Kay, Janet Catherine Mary. "Aspects of the Demeter/Persephone myth in modern fiction." Thesis, Link to online version, 2006. http://hdl.handle.net/10019.1/2409.

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Tzoumakas, Dēmētrēs (Dimitris). "Ho hermaphroditos tou kēpou tōn grammatōn : hē synklisē poiētikou kai kritikou logou sto ergo tou Nikola Kalas." Thesis, The University of Sydney, 1999. https://hdl.handle.net/2123/27932.

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Achieving fame and notoriety in the 1930s as an avant-garde Greek poet and Marxist critic, Nikolaos Kalamaris (1907-1988) — better known by his pseudonyms of Nicolas Calas, Nikitas Randos and M. Spieros — went on to write poetry and criticism in French and finally to pursue a successful academic career in the United States as an art critic and historian. The aim of this thesis is to investigate what common threads run through his multifaceted and multilingual writings, and in particular to what extent his poetry corresponds to the artistic program set out in his critical works. Part I (c
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Angelou, Klairi. "Reappraising the work of modern Greek women sculptors : the cases of Ioanna Spiteri-Veropoulou (1920-2000), Bella Raftopoulou (1906-1992) and Natalia (Nata) Mela (1923-)." Thesis, University of Bristol, 2017. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.742990.

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Argyropoulou, Christina. "The Language of the poetry of Hector Kaknavatos: the grammar, the functions of the poetic language and text-linguistic analysis of some poems." Doctoral thesis, Universite Libre de Bruxelles, 1997. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212193.

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Delgado, Duatis Diego. "The Hellenic World of Henry Miller and Lawrence Durrell." Doctoral thesis, Universitat Rovira i Virgili, 2016. http://hdl.handle.net/10803/385980.

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Aquesta tesi doctoral estudia les produccions literàries de dos escriptors interconnectats, Henry Miller i Lawrence Durrell, tot posant especial atenció a les seves obres sobre el món grec, i la influència de la cultura hel•lènica sobre ambdós autors a través d’alguns escriptors grecs moderns. La meva tesi demostra que el contacte dels esmentats autors amb el món hel•lènic i amb determinats escriptors grecs de la primera meitat del segle vint va influenciar als primers considerablement, impregnant moltes de les seves obres. El terme “hel•lènic”, en la tesi, s’utilitza en el sentit que li dóna
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"Greek poets in South Africa, 1960-2004." Thesis, 2014. http://hdl.handle.net/10210/8919.

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M.A. (Greek)<br>The main purpose of this study has been to investigate the work of Greek poets in South Africa's Hellenic Diaspora from 1960 up to date, a period of a more voiummous artistic production due to the noticeable increase in the number of new Hellene immigrants and the innovative cultural atmosphere they brought along. Under this perspective, we examined the forces which led individuals to artistic creation with special focus on the relation between national identity and poetic production. Research has initially been based on poem collections, personal interviews as well as on newsp
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Andrew, Michael Guy. "After ... life in creative translation : a critical study of modern English poetic translations from selected Greek, Latin, and Italian poets." Thesis, 2012. http://hdl.handle.net/10539/11716.

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Ph.D. University of the Witwatersrand, Faculty of Humanities, 2012<br>The scope of the research is indicated by the sub-title, “A Critical Study of Modern English Poetic Translations from Selected Greek, Latin, and Italian Poets”: the poets selected are Homer, Catullus, Horace, Ovid, and Dante, and the translations are by a range of modern English poet-translators. After an opening chapter that is mainly theoretical, the study offers detailed critical analyses of the original poems or extracts and also of the translations into modern English poetry, to investigate whether the modern Engl
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Tsai, Hsiao-Wen, and 蔡曉文. "Edward Hopper’s Depiction of Modern Femininity in the Light of Archetypal Women in Greek Mythology." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/25u8xc.

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碩士<br>國立臺北科技大學<br>應用英文系碩士班<br>101<br>This paper seeks to explore Edward Hopper’s depiction of modern women can be viewed as a remolding of the archetypal women in Greek mythology. To further discuss the recasting of female archetypes in modern American settings, I have collected fifteen poems which were inspired by Edward Hopper’s paintings. Also, I have translated these poems into Chinese, which has helped me in acquiring a deeper understanding of the texts. To make a comparison with six mythical females, the fifteen poems are divided into three categories in terms of the roles women have lon
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Monteiro, Ana Catarina de Brito. "Melancholy and the poetic self in early modern women’s poetry." Master's thesis, 2017. http://hdl.handle.net/1822/45904.

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Dissertação de mestrado em Língua, Literatura e Cultura Inglesas<br>The habit of melancholy in the early modern period engendered medical inquiry, selfexamination, and artistic reverberations. The theory of the humours, combined with Aristotle’s dovetailing of melancholy and genius, exerted enormous influence on attitudes towards melancholy. Melancholy became, then, a desirable attribute, and the figure of the atrabilious man something to emulate. Women, however, because of their disorderly bodies and unruly emotions, were largely excluded from the tradition of melancholy. Their presumed
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Books on the topic "Women poets, Greek (Modern)"

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Katrakazou, Kōnstantina. Apousia. Nēsos, 2013.

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1961-, Byrne Michel, and McMillan Dorothy 1943-, eds. Modern Scottish women poets. Canongate, 2003.

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1943-, McMillan Dorothy, and Byrne Michel 1961-, eds. Modern Scottish women poets. Canongate, 2005.

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Josephine, Balmer, ed. Classical women poets. Bloodaxe, 1996.

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Pérez, Janet. Modern and contemporary Spanish women poets. Twayne Publishers, 1996.

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Kremmydas, Kōstas, and X. Skartsē. Anthologia ēleiakēs poiēsēs 1950-2010. Taxideutēs, 2010.

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Rizakēs, Kōstas, and Dēmētriadou Diōnē. Thessalonikēs poiētries treis: Alexandra Bakonika, Chloē Koutsoumpelē, Katerina Kousoula : synagōgē anekdotōn keimenōn gia to ergo tous. Ekdoseis Koukkida, 2018.

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Trivizas, Sōtērēs. Elassones poiētes tou mesopolemou. Ekdoseis Kastaniōtē, 2015.

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editor, Iōannou Kyriakos, Papaleontiou Leuterēs editor, Chourmouzios Aimilios 1904-, Michaelides Vassilis 1849-1917, and Michaelides Vassilis 1849-1917, eds. Adēmosieutes epistoles kai agnōsta poiēmata tou Vasilē Michaēlidē: (apo to archeio tou Aimiliou Chourmouziou). Mikrophilologika, 2012.

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Karapetsas, Athanasios. Spyros Matsoukas: Ho agnōstos ethnapostolos. Ekdoseis Batsioulas, 2009.

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Book chapters on the topic "Women poets, Greek (Modern)"

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Pavlidou, Theodossia-Soula. "Greek. Women, gender and Modern Greek." In Gender Across Languages. John Benjamins Publishing Company, 2003. http://dx.doi.org/10.1075/impact.11.11pav.

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Stevenson, Jane, and Peter Davidson. "Mary Mollineux (née Southworth) (1651-95)." In Early Modern Women Poets (1520-1700). Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0142.

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Abstract Her cousin Frances Owen, who provides a brief biography in her book Fruits of Retirement, notes that Mary was an only child, and her weak eyesight decided her faTher to educate her in Latin, Greek, arithmetic, ‘Physick and Chyrurgy’ raTher than conventional feminine skills.
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"Lady Jane Dudley (náe Grey)(1537-1554)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0020.

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Abstract The unfortunate Lady Jane Grey, The ‘nine day’s queen’, was a victim of Tudor politics: her faTher-in-law, John Dudley, Duke of Northumberland, attempted to put her on The throne of England (she was The granddaughter of Henry VIII’s sister Mary), and in consequence, she was beheaded at The age of 16. Like oTher Tudor royal ladies, she received an extensive humanist education. Her tutor, Dr Harding, began teaching her Latin, Greek, and modem languages at 7. As she grew up, she became a convinced Protestant, and also an enthusiastic scholar. A frank conversation with The educationalist
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"Bathsua Makin (NéE Rainolds) (1600-after 1673)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0079.

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Abstract Bathsua was The granddaughter of Henry Rainold, who lived in Ipswich until The 1680s or 16gos, and is known to have translated two books of Latin sermons by The German humanist Christopher Hegendorff (STC 13021-2). His son, her faTher (also Henry), moved to Stepney by 1600, The year of her birth, and became a schoolmaster. He also wrote a broadside of Latin poems praising James I, Charles I, and Henrietta Maria, printed in 1625 (STC 20840): she is thus The product of a highly educated family, and her own Musa Virginea can reasonably be seen as having been written under her faTher’s di
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"Mildred Cecil, Née Cooke, Lady Burleigh( I 526-1589)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0011.

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Abstract Mildred was The oldest daughter of Sir Anthony Cooke of Gidea Hall in Essex. His family consisted of five daughters and four sons, of whom four daughters became famous as scholars. The details of Their curriculum are unknown, but They were certainly taught The Classical languages, Italian, probably French, and Latin and Greek verse composition. The youngest daughter (Margaret) appears to have died in her late teens, but The surviving four impressed Their contemporaries as outstandingly learned. Mildred, Lady Burleigh, second wife of William Cecil, was almost certainly The eldest. She
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"Lucy Hastings, Née Davies, Countess of Huntingdon (b. 1613)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0087.

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Abstract She was The daughter of Eleanor Audley (The prophetess) and her first husband, Sir John Davies of Englefield, Berks, and spent her early years in Ireland, where her faTher was Attorney General. She married Ferdin ando, son and heir of Henry Hastings, fifth Earl of Huntingdon, in 1623, at Englefield. Bathsua Makin, in her Essay, p. ro, indicates that she acted as The Countess’s private tutor: ‘I am forbidden to mention The Countess Dowager of Huntington (instructed sometimes by Mrs Makin) how well she understands Latin, Greek, Hebrew, French, and Spanish; or what a proficient she is in
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"Fionnghuala, Ìnghean UÍ Domhnaill Bhriaij’." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0067.

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Abstract save up all The mice you catch for Mistress and bring downe unto her house, it shalbe for your gayne for shee will content you for your cost and payne. but yf this will not serve alack what shall I saye, some oTher physick lett her take her greef for to allay, yf phisick will not helpe Then lett her goe with speede and take some heare and sue her geare and bite away The threade.
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"Elizabeth, Viscountess Mordaunt (N ée Cary) (d. 1678)." In Early Modern Women Poets (1520-1700), edited by Jane Stevenson Peter Davidson, Meg Bateman, Kate Chedgzoy, and Julie Saunders. Oxford University PressOxford, 2001. http://dx.doi.org/10.1093/oso/9780198184263.003.0121.

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Abstract Elizabeth was The daughter of Thomas Cary, second son of Robert Earl of Monmouth, and she married Henry Mordaunt, later The second Earl of Peterborough. He was a central figure in The futile Royalist intrigues and uprisings of 1658-9, and Clarendon describes his wife as ‘a young, beautiful lady of a very loyal spirit and notable vivacity of wit and humour, who concurred with him in all honourable dedication of himself’. Lady Mordaunt kept her diary, which contains occasional verses, from 1656 to 1678, The year ofher death. A poem giving thanks for The birth of her son Louis in staunch
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Morgan, Llewelyn. "Epodes." In Horace: A Very Short Introduction. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/actrade/9780192849649.003.0003.

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Abstract This chapter explains the nature of the ‘iambic’ poetry in the Epodes, a poetry of abuse with models in the Greek poets Hipponax and especially Archilochus (the latter in the 7th century bce). The association of iambic poetry with the symposium, a Greek male social gathering, is considered, and its aggressive representation of women: the point is made how selective a reading of Horace is required to produce the model of middle-aged poise and wisdom that is his modern reputation. But the high capacity of this poetry to convey the tense and febrile conditions of Rome at the time of its
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Hurst, Isobel. "‘We’ll all be Penelopes then’: Art and Domesticity in American Women’s Poetry, 1958–1996." In Living Classics. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199233731.003.0017.

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Abstract Mythical characters or plots offer writers a distinctive perspective on the language and ideas of their own day, enabling them to explore contemporary life with some critical distance. Poets may produce a literal translation of an ancient text, create a poem which refers to a classical text but is also a new and influential work, rework familiar stories (often in a different genre), or challenge the interpretation and value attached to a particular classical text, suggesting questions which have not previously been asked or have been forgotten. These strategies have proved particularl
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Conference papers on the topic "Women poets, Greek (Modern)"

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Kalousi, Louiza. "Contribution to the Digital Archive of Greek Women Architects 1923-1981." In ICAG 2023 - VI INTERNATIONAL CONFERENCE ON ARCHITECTURE AND GENDER. Universitat Politècnica de València, 2023. http://dx.doi.org/10.4995/icag2023.2023.16843.

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The current article presents an example of participation in the creation of the "Digital Archive of Greek Women Architects 1923-1981" [Femarch]. Through the brief description of Femarch, the paper seeks to join the dialogue of the research on the life and work of women architects who compose and deliver a different, more complete history of architecture.This contribution consists of the biography of Anastasia-Soula Tzakou (Fig. 1), one of the pioneering women Architects of the 1960s in Greece, who through her important work in modern architecture of the Greek territory brings to the surface of
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Sajter, Laura. "Caracterul stilistic al mesajelor de pace feminine în piesa Lysistrata, dragostea mea de Matei Vișniec." In Universitas Europaea: Towards a Knowledge Based Society Through Europeanisation and Globalisation. Free International University of Moldova, 2025. https://doi.org/10.54481/uekbs2024.v2.25.

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The identification of peace messages formulated by women is achieved through the analysis of linguistic elements at the text level: the dramatic framework (title, genre, dramatis personae) and the main text. In conclusion, Matei Vișniec’s play draws upon both the formal elements of Aristophanic political comedy and the issues it raises (Can women save the world from war?) as well as the unspoken question (What would the world look like if war were forbidden?) posed 2,400 years ago. By revitalizing components of ancient Greek comedy and intertwining them with modern stylistic devices (character
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MEHMETALI, Bekir. "The Woman in Diwan (The Brunette Said to Me) by Nizar Qabbani." In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-1.

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The woman, since God created her, was equal to the man, and a foundation on which life, the family, and society rest. Girlfriend, lover, dancer, singer, wife. Arab poetry immortalized many women, such as Abla Bint Malik Al-Absi, Habiba Antarah Bin Shaddad, Laila Habiba Majnoon Bani Amer, Buthaina Habiba Jamil, Afra Habiba Urwa, and the birth of Habiba Ibn Zaydun. In the modern era, poets emerged who had the upper hand in dealing with the issue of women, and talking about them in their poems. He describes her, flirts with her, praises her charms, or attacks and criticizes her. In this research,
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Gogiashvili, Nino. "Feminism, Post-feminism and Postmodern Feminism Reflections in Contemporary Georgian Poetry." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9038.

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The purpose of this study is to consider the manifestations and signs of feminism, post-feminism and postmodernist feminism in current Georgian poetry. In addition, according to the analysis of the viewpoints of Georgian classicists, feminism is confirmed as an ideology of the women’s rights and equality with the men, generally regarded as an issue for most of the Georgian scholars. Therefore, feminism declared in the current poetic texts, with its changes, is a kind of reflection, as referring to the same item and self-determination. Literature is the best space for reflecting and provoking a
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