Log in

Relevant bibliographies by topics / Women poets, Greek (Modern) / Journal articles

To see the other types of publications on this topic, follow the link: Women poets, Greek (Modern).

Journal articles on the topic 'Women poets, Greek (Modern)'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Women poets, Greek (Modern).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Holst-Warhaft, Gail. "The Poetics of Pain." Journal of World Literature 8, no. 1 (2023): 104–22. http://dx.doi.org/10.1163/24056480-00801009.

Full text

Abstract:

Abstract Modern Greek poetry has been influenced by a tradition of lament that is still practiced in rural Greece, and by the tragic events of modern Greek history. In contrast to the elegiac tradition, laments and their women practitioners ascribe a positive value to pain. Male poets of the generation of 1930 made use of the imagery of folk lament in their poetry, and women poets of the second half of the 20th century addressed the dead directly as their village counterparts still do. The Asia Minor catastrophe of 1922 dominated 20th-century modern Greek literature and drew on another traditi

APA, Harvard, Vancouver, ISO, and other styles

2

Levy, David. "Utility-Enhancing Consumption Constraints." Economics and Philosophy 4, no. 1 (1988): 69–88. http://dx.doi.org/10.1017/s0266267100000341.

Full text

Abstract:

The Greek poets and philosophers, united in a belief that men and women perceive the world around them very poorly, for this reason describe much of human behavior as fumbling for happiness in the dark. By contrast, perception failure is anathema to the modern tradition, as even the most innocent sort plays havoc with modern preference axioms.

APA, Harvard, Vancouver, ISO, and other styles

3

Jawad, Areej Muhammad, and Rana Jabir Obed. "The New Penelopean Poetics: A Feminist Reassessment of the Victimization of Women in Edna St. Vincent Millay’s ‘‘The Ballad of the Harp-Weaver’’ and ‘‘An Ancient Gesture’’." Kufa Journal of Arts 1, no. 25 (2016): 47–60. http://dx.doi.org/10.36317/kaj/2015/v1.i25.6293.

Full text

Abstract:

The Greeks have a certain authority, for they are the source of the Western traditions of poetry, philosophy, and science. The figure of Penelope in the Homeric epic can be seen as a symbol not only for woman’s trials in general but also for the trials of the woman artist in a man’s world. This study explores the penelopean myth as ideological tool of patriarchal system and it argues that gender stereotypes set in Greek myths have been recreated later by the modern American poet, Edna St. Vincent Millay. Encouraged by the feminist movement, Millay revised and rewrote the penelopean myth highli

APA, Harvard, Vancouver, ISO, and other styles

4

Dickie, Margaret, and Jean Gould. "Modern American Women Poets." American Literature 58, no. 1 (1986): 119. http://dx.doi.org/10.2307/2925951.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Keefe, J. T., and Jean Gould. "Modern American Women Poets." World Literature Today 60, no. 1 (1986): 116. http://dx.doi.org/10.2307/40141258.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Wilcox, John C., and Janet Perez. "Modern and Contemporary Spanish Women Poets." South Central Review 15, no. 3/4 (1998): 86. http://dx.doi.org/10.2307/3189852.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Debicki, Andrew P., and Janet Perez. "Modern and Contemporary Spanish Women Poets." Hispania 80, no. 1 (1997): 58. http://dx.doi.org/10.2307/345954.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ahern, Susan W., Jane Stevenson, and Peter Davidson. "Early Modern Women Poets: An Anthology." Sixteenth Century Journal 33, no. 4 (2002): 1171. http://dx.doi.org/10.2307/4144185.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Daugirdaitė, Solveiga. "Žemaitė XX a. II pusės lietuvių poezijoje ir prozoje." Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums 27 (March 10, 2022): 105–19. http://dx.doi.org/10.37384/aplkp.2022.27.105.

Full text

Abstract:

The article dedicated to the works of the Lithuanian literature written in the second half of the 20th century depicting the writer Žemaitė (pen name of Julija Beniuševičiūtė-Žymantienė, 1845–1921). This writer was not rejected by the Soviet authorities because of her realistic outline and her democratic political views, the social criticism expressed in her work towards greed, selfishness and clericalism. Lithuanian writers dedicated to her their poetry, fiction, and drama works. However, Soviet writers were also impressed by Žemaitė’s personality traits, which mentioned less frequently in pu

APA, Harvard, Vancouver, ISO, and other styles

10

Connor, W. Robert. "Women Poets and the Origin of the Greek Hexameter." Arion: A Journal of the Humanities and the Classics 27, no. 2 (2019): 85–102. http://dx.doi.org/10.1353/arn.2019.0015.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Connor. "Women Poets and the Origin of the Greek Hexameter." Arion: A Journal of Humanities and the Classics 27, no. 2 (2019): 85. http://dx.doi.org/10.2307/arion.27.2.0085.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Bzinkowski, Michał, and Rita Winiarska. "Images of Sculptures in the Poetry of Giorgis Manousakis." Classica Cracoviensia 19 (December 31, 2016): 5–14. http://dx.doi.org/10.12797/cc.19.2016.01.

Full text

Abstract:

The imagery of fragmentary sculptures, statues and stones appears often in Modern Greek Poetry in connection with the question of Modern Greeks’ relation to ancient Greek past and legacy. Many famous poets such as the first Nobel Prize winner in literature, George Seferis (1900-1971), as well as Yannis Ritsos (1909-1990) frequently use sculptural imagery in order to allude to, among other things, though in different approaches, the classical past and its existence in modern conscience as a part of cultural identity. In the present paper we focus on some selected poems by a well-known Cretan po

APA, Harvard, Vancouver, ISO, and other styles

13

Chongstitvatana, Suchitra. "Modern Thai Buddhist Poetry by Women Poets: A Transformation of Wisdom." MANUSYA 8, no. 1 (2005): 38–50. http://dx.doi.org/10.1163/26659077-00801003.

Full text

Abstract:

The study is an attempt to explore and explain the transformation of Thai didactic poetry, especially Buddhist poetry by women poets. The texts selected are Dawn in the Night by Chomchand, Under the Rain and Thunder by Khunying Chamnongsri Rutnin. In Thai Theravadin tradition women poets rarely hold a high position nor have authority in teaching Dharma. In the realm of didactic poetry, monk-poets or male poets are the norm. These two women poets convey the teaching of Dharma through expressing artistically their personal experience of practicing Dharma. This aspect transforms the tradition of

APA, Harvard, Vancouver, ISO, and other styles

14

Hallett, Judith P. "Catullus and Horace on Roman Women Poets." Antichthon 40 (2006): 65–88. http://dx.doi.org/10.1017/s0066477400001660.

Full text

Abstract:

We treasure both Gaius Valerius Catullus and Quintus Horatius Flaccus for their literary gifts and for their lyrics on the power of love and the pleasures of sophisticated urban living. We also, and often, treasure Catullus and Horace together; after all, both poets share a number of distinctive interests: metrically, stylistically, thematically, and what one might call professionally.Among these common professional interests is their shared literary debt to a female predecessor, the early sixth century BCE Greek poet Sappho. For this reason alone, one might expect Catullus and Horace to ackno

APA, Harvard, Vancouver, ISO, and other styles

15

S, Selvakumaran. "Feminist thought in the poems of modern women poets." International Research Journal of Tamil 3, no. 4 (2021): 122–29. http://dx.doi.org/10.34256/irjt21415.

Full text

Abstract:

The poems of women poets have recently gone beyond the status of talking about women's life through feminist ideas and speaking of women's liberation. Some people's writings arise based on feminist theoretical definitions. There are differences between theoretical ideas naturally within a work and the creation of a work standing within the theory. If a work is created based solely on theory, it can distort creativity itself. But there are two different conditions, including this tendency, in the poems of modern women poets. They vary depending on the understanding of the poets. This article de

APA, Harvard, Vancouver, ISO, and other styles

16

Μέντη, Θ. "Refugee flows in modern Greek poetry (1922–2022)." Kathedra, no. 15(2) (July 21, 2023): 135–46. http://dx.doi.org/10.52607/26587157_2023_15_135.

Full text

Abstract:

Οι κοσμοπολιτικές αλλαγές που κλείνει μέσα του ο 20ός αιώνας, σε σύγκριση με τον βιωμένο χρόνο του 21ου αιώνα, απασχολούν αρκετά τη σύγχρονη ελληνική ποίηση. Οι προσφυγικές μετακινήσεις ωστόσο, το θέμα που μας ενδιαφέρει στην παρούσα ανακοίνωση, ελάχιστα έχουν καταγραφεί. Με εξαίρεση το μείζον γεγονός του μικρασιατικού ξεριζωμού, οι προσφυγικές ροές και οι μετακινήσεις, που ανέκαθεν απασχολούν την ανθρωπότητα, περνούν σχεδόν απαρατήρητες στη διάρκεια του 20ού αιώνα. Ειδικότερα, εστιάζοντας την έρευνά μας σε μη μικρασιάτες ποιητές, παρατηρούμε ότι το θέμα δεν πήρε εθνικές διαστάσεις στην Ελλάδα

APA, Harvard, Vancouver, ISO, and other styles

17

Nogueras Valdivieso, Enrique J., and Lourdes Sánchez Rodrigo. "Els poetes com a traductors: Kavafis en català, Kavafis en castellà." Zeitschrift für Katalanistik 7 (July 1, 1994): 117–29. http://dx.doi.org/10.46586/zfk.1994.117-129.

Full text

Abstract:

This essay examines the translations made by poets of the poetry of the modern Greek writer Konstantinos Kavafis. The authors decide between technical and lyrical translations; Greek culture played a crucial role in the development of the latter. The differences between the two types of translation are methodological and aesthetic. The "poet-translator" always remains a poet and must therefore be careful not to change the original text too far. The most important Kavafis translations by the poets J. M. Álvarez (into Spanish) and Carles Riba (into Catalan) are compared; they are based on variou

APA, Harvard, Vancouver, ISO, and other styles

18

Darwish, Hisham A. "The Alcaic Odes of Horace and Greek Poems of the Early 20th Century." Acta Antiqua Academiae Scientiarum Hungaricae 60, no. 1-2 (2021): 149–70. http://dx.doi.org/10.1556/068.2020.00010.

Full text

Abstract:

SummaryThis article is concerned with shedding light on two examples of influence between Horace and the Greek poets, both ancient and modern. The aim of this paper is to shed light on several parallel aspects between two of the Alcaic odes of Horace and two modern Greek lyric poems by Constantine Cavafy and Angelos Sikelianos, respectively. Subsequently, I show, within the wider framework of inter-textuality, a subtle example of the utilization and re-utilization of lyric elements that are originally ancient Greek in nature by the Latin and modern Greek poets. In my argumentation, I will rely

APA, Harvard, Vancouver, ISO, and other styles

19

Canevaro, Lilah Grace. "Greek literature." Greece and Rome 71, no. 2 (2024): 287–95. http://dx.doi.org/10.1017/s0017383524000068.

Full text

Abstract:

In the books reviewed there is a cumulative resistance to the normative discourse, shifting our attention away from the centre and to the margins. This might mean listening to marginalized women, from the poets themselves to characters in poetry, or people today who relate to those female characters’ experiences. It might mean pushing beyond spatial boundaries and encountering dislocation and disjunction in the hazy hinterland of the non-elite. It might mean moving the human to one side, so that nature and the nonhuman can come to the fore (and teach us about what it means to be human, along t

APA, Harvard, Vancouver, ISO, and other styles

20

Πασχάλης, Μιχαήλ. "Η τεθλασμένη πρόσληψη της αρχαιοελληνικής ποίησης και το ποίημα «Πάνω σ’ ένα ξένο στίχο» του Γ. Σεφέρη". Σύγκριση 30 (30 жовтня 2021): 24–34. http://dx.doi.org/10.12681/comparison.25293.

Full text

Abstract:

Refracted Modern Greek reception of Ancient Greek poetry and George Seferis’ poem ‘Upon a Line of Foreign Verse’The term ‘refracted’ describes instances where Modern Greek reception of Ancient Greek poetry is mediated through one or more intertexts, like Italian-Latin or French-Latin. After treating briefly Dionysios Solomos’ poem ‘The Shade of Homer’ (1821-1822) the paper focuses on George Seferis’ ‘Reflections on a Foreign Line of Verse’ (1931). Each of the two poets claims the Homeric heritage for himself as a Greek poet through a poem that constitutes a refracted reception of Homer. The fo

APA, Harvard, Vancouver, ISO, and other styles

21

Androniki, Mastoraki. "Ποιήματα ποιητικής: Καβάφης-Καρυωτάκης". Archive 4 (9 жовтня 2008): 31–36. https://doi.org/10.5281/zenodo.4567425.

Full text

Abstract:

K.P. Cavafy and K.G. Karyotakis are two poets who have been active in the early 20th century. Their work, although unrecognized by their contemporaries, was a milestone in the course of Modern Greek literature and marked both the aesthetic and the social point of view of modern poets. The so-called poetic's poems are a frequent phenomenon in the work of both Cavafy and Karyotakis. These are the poems that reveal the artistic reflection of their creators, the source of their inspiration, and the agony for the present and the future in their poems.

APA, Harvard, Vancouver, ISO, and other styles

22

de Jonge, Casper C. "The Ancient Sublime(s). A Review of The Sublime in Antiquity." Mnemosyne 73, no. 1 (2020): 149–63. http://dx.doi.org/10.1163/1568525x-12342785.

Full text

Abstract:

Abstract The sublime plays an important role in recent publications on Greek and Latin literature. On the one hand, scholars try to make sense of ancient Greek theories of the sublime, both in Longinus’ On the Sublime and in other rhetorical texts. On the other hand, the sublime, in its ancient and modern manifestations presented by thinkers from Longinus to Burke, Kant and Lyotard, has proved to be a productive tool for interpreting the works of Latin poets like Lucretius, Lucan and Seneca. But what is the sublime? And how does the Greek rhetorical sublime in Longinus relate to the Roman lite

APA, Harvard, Vancouver, ISO, and other styles

23

Burke, V. "Early Modern Women Poets (1520-1700): An Anthology." Notes and Queries 50, no. 1 (2003): 117–18. http://dx.doi.org/10.1093/nq/50.1.117.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Burke, Victoria. "Early Modern Women Poets (1520–1700): An Anthology." Notes and Queries 50, no. 1 (2003): 117–18. http://dx.doi.org/10.1093/nq/500117.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Kruczkowska, Joanna. "Cavafy in Poland." Byzantine and Modern Greek Studies 39, no. 2 (2015): 266–85. http://dx.doi.org/10.1017/s030701310001538x.

Full text

Abstract:

Despite the diversity of Modern Greek poetry available in Polish translation, Cavafy's work has eclipsed the achievements of other poets, just as the shadow of his lifelong translator, Zygmunt Kubiak, has inhibited other attempts only starting to surface in the twenty-first century. While external factors have determined Modern Greek anthologies in Poland, Cavafy translation has been mostly driven by personal passion. Apart from translation, this article reflects on various reasons why the Alexandrian's work should be so attractive to the Polish literary scene. Cavafy's seminal place within Po

APA, Harvard, Vancouver, ISO, and other styles

26

Firdous, Shaista, Rizwana Kosar, and Muhammad Saeed Iqbal. "Women’s voices in contemporary Arabic poetry: A stylistic and thematic study." Social Sciences Spectrum 4, no. 1 (2025): 171–85. https://doi.org/10.71085/sss.04.01.211.

Full text

Abstract:

Contemporary Arabic poetry has undergone significant changes, with women’s voices emerging as powerful agents of transformation in the literary landscape. This study explores the stylistic and thematic dimensions of modern Arabic poetry written by women, emphasizing how their poetic expressions challenge traditional literary norms and gendered narratives. Through a qualitative analysis of selected poets, including Nazik Al-Malaika, Fadwa Tuqan, Joumana Haddad, and Salma Khadra Jayyusi, the research examines how diction, syntax, and figurative language shape their works. The study also explores

APA, Harvard, Vancouver, ISO, and other styles

27

Egorova, L. V. "Contemporary Greek prose: An anthology; Contemporary Greek poetry: An anthology." Voprosy literatury, no. 1 (August 15, 2023): 209–14. http://dx.doi.org/10.31425/0042-8795-2023-1-209-214.

Full text

Abstract:

The review discusses two anthologies of contemporary Greek literature (prose and poetry), comprising works of the authors distinguished with the country’s State Prize for Literature in the years from 2010 to 2018. The two books succeed in capturing the multidimensional character of Greece’s modern life and literature in small forms (short stories, novellas and poems). The first anthology features short stories and novellas by fourteen authors. The second contains works by twenty poets, each represented by five poems. While some authors were rewarded for their literary debut, others received th

APA, Harvard, Vancouver, ISO, and other styles

28

E Hani, Bazla Um, and Ali Zeeshan. "The Politics of Canonisation Among Women Poets of the Romantic Era." Salud, Ciencia y Tecnología - Serie de Conferencias 4 (March 20, 2025): 1786. https://doi.org/10.56294/sctconf20251786.

Full text

Abstract:

The Romantic period (late 18th to mid-19th century) is traditionally defined by the works of male poets such as William Wordsworth, Samuel Taylor Coleridge, and Lord Byron, while the contributions of women poets were marginalized or erased through the canonization process. This paper examines the socio-political and cultural factors that influenced the exclusion of women poets from the Romantic canon, focusing on the roles played by male-dominated literary societies, critics, and editors. By scrutinizing the works prominent women poets like Anna Laetitia Barbauld, Charlotte Smith, and Mary Rob

APA, Harvard, Vancouver, ISO, and other styles

29

Varshika, Srivastava. "ECO FEMINISM AND ROBERT FROST'S POETRY: A CRITICAL ANALYSIS." International Journal of Multidisciplinary Research and Modern Education 3, no. 1 (2017): 526–29. https://doi.org/10.5281/zenodo.825273.

Full text

Abstract:

We cannot ignore the fact that since the inception of civilization, both women as well as Nature are the integral parts of any society or culture. The reason is that it is a woman whois the pillar of a home because of being the creator of the hand that rocks the cradle, rules the human beings on earth, the same woman makes a family and these families lay the base of a nation. Like woman, Nature too gives her offerings to the ‘man-made society and never demand anything for that. In this way, we can say that though the maker of a nation is undoubtedly women yet the role of Nature cannot be under

APA, Harvard, Vancouver, ISO, and other styles

30

Saha, Dr Santanu. "“The Rule of Father”: A Study of Father-Daughter Relationship in Select Poems of Indian Poetry in English." International Journal of English Literature and Social Sciences 7, no. 4 (2022): 244–49. http://dx.doi.org/10.22161/ijels.74.36.

Full text

Abstract:

Indian Poetry in English by women writers has been giving birth to several issues related to feminism. These poets are trying to express their long-suppressed voice through these issues. However, in most cases they are posting their fight against patriarchy. Patriarchy, as a male dominated social system, always seems hostile to the liberation of women by suppressing their identity. Modern women poets are successful in disturbing this traditional mindset. My paper will try to focus on another perspective of this issue where ‘father’ is supposed to be the agent of patriarchal domination. I’ve tr

APA, Harvard, Vancouver, ISO, and other styles

31

S V, Narasimha Murthy, and Gautam C. "Intersectionality in Contemporary Indian Women’s Poetry: Exploring the Complexity of Identity and Experience." Shanlax International Journal of Arts, Science and Humanities 12, S4.May (2025): 63–68. https://doi.org/10.34293/sijash.v12is4.may.9153.

Full text

Abstract:

Recent poetry written by Indian women has begun to focus on the ways in which categories like race, class, caste, gender and sexual orientation come together to affect the individual realities of women. The paper explores how Indian women poets employ poetry to examine the intricacies of identity and redefine the conventional discourse of feminism. The paper explores how race, gender, class, sexuality and caste intersect in the work of modern Indian women poets, thus transforming notions of feminism in the country. It is argued that the use of methods like free verse, spoken word and performan

APA, Harvard, Vancouver, ISO, and other styles

32

Mehrpouyan, Azadeh. "Model Revision of Female Identity and Mythical Images in Modern Woman Poets’ Fairy Tales: Anne Sexton and Carol Ann Duffy." Journal of Critical Studies in Language and Literature 5, no. 2 (2024): 1–9. http://dx.doi.org/10.46809/jcsll.v5i2.253.

Full text

Abstract:

This article explores the approaches that modern women poets use in their revised mythical notions to expose and implicate the inappropriate effects of patriarchal norms and conventions on women and gender inequality. This study addresses Anne Sexton and Carol Ann Duffy as modern woman poets who redefine archetypal myths and revise fairy tales to narrate the stories of those who have been left out of historical and cultural narratives within female characters. Sexton and Duffy shake up gender stereotypes with determined humorous plot complexities, allowing women to shed the secondary classic r

APA, Harvard, Vancouver, ISO, and other styles

33

Papadogiannis, Nikolaos. "Gender in modern Greek historiography." Historein 16, no. 1-2 (2017): 74. http://dx.doi.org/10.12681/historein.8876.

Full text

Abstract:

This article analyses the emergence and development of the study of gender in modern Greek historiography in the broader sense, exploring works that incorporate, even to a minor extent, the gender factor. It shows that despite the manifold barriers that gender historians have faced, there has been a slow but steady process of diffusion of gender in modern Greek historiography in general. The article also shows that historical research on gender relations in Greece initially focused on the study of women, historicising, however, their relations with men. Thus, in line with what Kantsa and Papat

APA, Harvard, Vancouver, ISO, and other styles

34

Hellerstein, Kathryn. "Canon and Gender: Women Poets in Two Modern Yiddish Anthologies." Shofar: An Interdisciplinary Journal of Jewish Studies 9, no. 4 (1991): 9–23. http://dx.doi.org/10.1353/sho.1991.0030.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Darwin, Gregory R. "On Greek and Latin names in Early Modern Irish syllabic verse." Celtica 33 (December 1, 2021): 195–247. https://doi.org/10.58480/scs-2mnnz-9qp98.

Full text

Abstract:

The present article offers an overview of Classical personal and place-names found in Early Modern Irish syllabic verse. The relative frequency of these names is discussed, and names are subjected to metrical analysis. Two categories of names are distinguished: those borrowed in Middle Irish or earlier, characterized by the loss of final syllables and other types of assimilation, and later borrowings, in which the Latin spelling is largely preserved. The evidence suggests that poets pronounced Latin words in a manner consistent with the evidence of later medieval Latin writing from Ireland, an

APA, Harvard, Vancouver, ISO, and other styles

36

Prins, Yopie. "“LADY'S GREEK” (WITH THE ACCENTS): A METRICAL TRANSLATION OF EURIPIDES BY A. MARY F. ROBINSON." Victorian Literature and Culture 34, no. 2 (2006): 591–618. http://dx.doi.org/10.1017/s1060150306051333.

Full text

Abstract:

How to map women's poetry at the end of the nineteenth century was a question already posed by Vita Sackville-West in 1929, in her essay, “The Women Poets of the 'Seventies.” She speculated that the 1870s “perhaps might prove the genesis of the literary woman's emancipation,” as a time of transition when “women with a taste for literature” could follow the lead of Victorian poetesses like Elizabeth Barrett Browning, while also leading women's poetry forward into the future (111). According to Sackville-West, “Mrs. Browning” seemed an exemplary woman of letters to this generation, because “she

APA, Harvard, Vancouver, ISO, and other styles

37

Ergasheva, Oydinoy Marat Qizi. "THE IMPORTANCE OF GENDER EQUALITY IN MAINTAINING SOCIAL JUSTICE AND WOMEN’S CONTRIBUTION TO THE DEVELOPMENT OF SOCIETIES." CURRENT RESEARCH JOURNAL OF HISTORY 02, no. 06 (2021): 49–52. http://dx.doi.org/10.37547/history-crjh-02-06-11.

Full text

Abstract:

Although we have information about the unique participation of women in politics in every period of human history, it is the truth that the right and opportunity to do so in public administration does not apply to every woman in society and is not guaranteed by legal norms. Ancient Greek poets, such as Socrates, Aristotle, and Plato, referred to the city as the best state in which equality and justice reigned in society. as the best laws, they also put forward laws that guaranteed everyone equality. Applying the idea of equality between men and women in his writings, the Greek scholar Antifont

APA, Harvard, Vancouver, ISO, and other styles

38

முனைவர், பா. சங்கீதா /. Dr. B. Sangeetha. "தமிழ்ப் புதுக்கவிதையில் பெண்களின் நிலை / Status of Women in Tamil New Poetry". IJTLLS 7, SPL 2 (2025): 223–42. https://doi.org/10.5281/zenodo.15555659.

Full text

Abstract:

<em>Tamil New Poetry is often defined as the unsurpassable imprint of its time. It reflects the socio-political and emotional settings in which it is created. Through this modern genre, the modern poets chronicle their personal experiences and societal events and cultural shifts that define their environment. Tamil New Poetry functions as a dynamic socio-literary work of art that portrays the collective conscience of the times. In the context of contemporary literature, Tamil New Poetry serves as a powerful medium of portraying the aspirations, struggles and transformative ideals of the Tamil

APA, Harvard, Vancouver, ISO, and other styles

39

வெ., வளர்மதி /. V. Valarmathi. "கவிஞர் சக்திஜோதி படைப்புகளில் கலாச்சாரம் மற்றும் பெண்ணியம் / Culture and Feminism in the Works of the Poet Sakthi Jothi". IJTLLS 7, SPL 1 (2024): 429–46. https://doi.org/10.5281/zenodo.15129794.

Full text

Abstract:

<em>In the twentieth century, many types of literature flourished in Tamil. Many poets emerged in the field of literature and wrote numerous poems. Literature originally began with poetry and is considered the mother of all literature. Poetry is a unique art form that arises when imagination and emotion are expressed in a particular form.</em><em> During this period, poetry flourished, starting with Bharathi and dominating the modern Tamil literary scenario. Then, modern poetry gradually shifted into the hands of women poets. Today, more than a hundred female poets are recognized in the realm

APA, Harvard, Vancouver, ISO, and other styles

40

Тресорукова, И. В. "IN MEMORIAM. LEADING HELLENIST AND UNIQUE CONNOISSEUR OF GREEK LITERATURE, MARIO VITTI, PASSED AWAY (1926-2023)." Kathedra, no. 14(1) (March 23, 2023): 126–28. http://dx.doi.org/10.52607/26587157_2023_14_126.

Full text

Abstract:

14 февраля 2023 года в Риме скончался выдающийся исследователь греческой литературы, эллинист Марио Витти. Свою долгую жизнь он посвятил греческой литературе, был близким другом Одиссеаса Элитиса, Микиса Теодоракиса, Йоргоса Сефериса, Маноса Хадзидакиса и многих других выдающихся греческих литераторов, актеров, музыкантов и поэтов. Благодаря ему греческая литература пережила второе рождение: он обнаружил и опубликовал самый древний текст современного греческого театра («Диалог» Николаоса Софианоса), религиозную драму Теодоро Мончелезе с Закинфа «Эвгена» (Венеция, 1646 год) и два тома текстов А

APA, Harvard, Vancouver, ISO, and other styles

41

Wang, Erya. "A Comparative Study of Female Imagery in the Poetry of Emily Dickinson and Zhai Yongming." Communications in Humanities Research 3, no. 1 (2023): 1093–98. http://dx.doi.org/10.54254/2753-7064/3/2022866.

Full text

Abstract:

Zhai Yongming and Emily Dickinson are two modern poets who are particularly concerned with women's issues. Both poets use a female perspective to look at themselves and the human world as a whole, even if in distinct ways. Previous academics have concentrated on the feminine imagery employed by Zhai Yongming and the feminine issues generated from Dickinson's natural imagery separately. This dissertation will investigate how Zhai Yongmings, and Emily Dickinson's poetry reject or criticize patriarchal-centered culture through female imagery that associates with sexuality and animality, and explo

APA, Harvard, Vancouver, ISO, and other styles

42

Prodan, Sarah Rolfe. "Between Repentance and Desire: Women Poets and the Word in Early Modern Italy." Religions 14, no. 5 (2023): 608. http://dx.doi.org/10.3390/rel14050608.

Full text

Abstract:

In early modern Italy, lyric poets of spiritual verse experimented with engaging and depicting the divine Word in novel ways. They aestheticized bodies, including that of Christ, and they imagined eroticized encounters between themselves and the Word made flesh. This article examines the sensual spiritual poetry of three early modern Italian women who, between 1530 and 1630, dedicated themselves to crafting and reinvigorating the poetic word and to expressing and (re)presenting the divine Word. Exploring the introspective and subjective spiritual lyrics of Vittoria Colonna (1492–1547), Laura B

APA, Harvard, Vancouver, ISO, and other styles

43

Zakai, Orian. "Paths of Honey: Jonathan Son of Saul in Hebrew Women’s Queer Poetics." Tulsa Studies in Women's Literature 43, no. 1 (2024): 69–90. http://dx.doi.org/10.1353/tsw.2024.a931678.

Full text

Abstract:

ABSTRACT: This article charts a poetic conversation between three Hebrew women poets, Rachel Bluwstein, Yona Wallach and Sivan Beskin, surrounding the biblical figure of Jonathan, son of Saul. It traces the way in which the women poets reclaim and revise the figure of Jonathan against the grain of an androcentric intertextual tradition, in which the male-bond appears as a metonym of male superiority. The three poets’ shared fascination with Jonathan transposes the biblical intertext from the realm of male-exclusivity into a much more open field of meaning featuring gender-fluidity, pleasure, t

APA, Harvard, Vancouver, ISO, and other styles

44

Gough, Melinda J., Barbara Smith, and Ursula Appelt. "Write or Be Written: Early Modern Women Poets and Cultural Constraints." Sixteenth Century Journal 34, no. 3 (2003): 790. http://dx.doi.org/10.2307/20061538.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Becker, Lucinda, Barbara Smith, Ursula Appelt, and Karen Raber. "Write or Be Written: Early Modern Women Poets and Cultural Constraints." Modern Language Review 99, no. 1 (2004): 157. http://dx.doi.org/10.2307/3738878.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Abdullah, Shwana Noori. "(The concept of nihilism and its reflection in Kurdish poetry of Sorani dialect)( Hashim Saraj )for example." JOURNAL OF LANGUAGE STUDIES 8, no. 3 (2024): 197–218. http://dx.doi.org/10.25130/lang.8.3.10.

Full text

Abstract:

The current research is an attempt to interpret the concept of nihilism from the ancient Greek era to the postmodern era from different perspectives. The study sheds light on nihilism from the perspectives of ancient Greek philosophy and the western world in general and the reflections of modern philosopher Schopenhauer on this topic. The research describes and explains the reflection of nihilism in kurdish classic, modern, and postmodern poetry. The purpose of the study is also to show the differences and similarities of nihilism from Western perspective to the Middle Eastern perspective by r

APA, Harvard, Vancouver, ISO, and other styles

47

Lee-Lenfield, Spencer. "Literary Translation as Cultural Affiliation: The Case of Victorian Poetry and Classical Verse Composition." PMLA/Publications of the Modern Language Association of America 138, no. 3 (2023): 490–505. http://dx.doi.org/10.1632/s0030812923000378.

Full text

Abstract:

AbstractThe ability to translate English poetry into ancient Greek and Latin sat at the pinnacle of a Victorian classical education, but we rarely read the resulting Greek and Latin poetry as serious literature. Yet this corpus documents an important, culturally prestigious poetic practice that entrenched a narrative of cultural descent from Greece and Rome, affiliating modern British poetry with classical antecedents. Moreover, it taught generations of schoolboys (and some noteworthy schoolgirls) interpretive methods for understanding English poetry, thereby providing an arena in which the ca

APA, Harvard, Vancouver, ISO, and other styles

48

Lowe, Dunstan. "WOMEN SCORNED: A NEW STICHOMETRIC ALLUSION IN THE AENEID." Classical Quarterly 63, no. 1 (2013): 442–45. http://dx.doi.org/10.1017/s0009838812000742.

Full text

Abstract:

Intense scrutiny can raise chimaeras, and Virgil is the most scrutinized of Roman poets, but he may have engineered coincidences in line number (‘stichometric allusions’) between certain of his verses and their Greek models. A handful of potential examples have now accumulated. Scholars have detected Virgilian citations of Homer, Callimachus and Aratus in this manner, as well as intratextual allusions by both Virgil and Ovid, and references to Virgil's works by later Roman poets using the same technique. (For present purposes I disregard the separate, though related, phenomenon of correspondin

APA, Harvard, Vancouver, ISO, and other styles

49

Georganta, Athina. "The Romantic and British Sublime in Kalvos' Odes." Classica Cracoviensia 22 (October 29, 2020): 197–234. http://dx.doi.org/10.12797/cc.20.2019.22.08.

Full text

Abstract:

The Romantic and British Sublime in Kalvos' Odes In terms of the sublimity of his verses, the Modern Greek poet Andreas Kalvos (1792–1869) can be compared to the greatest poets of Modern European Literature. He rose to the peak of the Modern Greek Parnassus thanks to two short poetry collections. The first series of his Odes was published in Geneva in 1824 and the second one in Paris in 1826. Earlier, from 1816 to 1820, he had lived in London, during the full development of British Romantic lyricism. The poet’s fame, his enduring influence, and the constantly renewed interest in his poet

APA, Harvard, Vancouver, ISO, and other styles

50

Menelaou, Iakovos. "‘My Verses Are the Children of My Blood’: Autobiography in the Poetry of Kostas Karyotakis." International Journal of Comparative Literature and Translation Studies 5, no. 3 (2017): 5. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.3p.5.

Full text

Abstract:

Kostas Karyotakis (1896-1928) is one of the most important Modern Greek poets. His poetry not only influenced several other poets, but it also attracted critics’ interest. Former critics dealt with Karyotakis’ poetry and spoke about the relation between life and work in his poems. Nevertheless, they did not analyse extensively certain poems, which reflect clearly the poet’s personal experience. In addition, other critics attempted to analyse and see Karyotakis’ poems as independent entities, isolated from the poet’s life. While the results of such an approach were interesting, indeed, in fact

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!