Relevant bibliographies by topics / Women poets, Hindi

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Academic literature on the topic 'Women poets, Hindi'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Women poets, Hindi"

1

Rosenstein, Lucy. "Not a Home: Hindi Women Poets Narrating “Home”." Journal of Commonwealth Literature 40, no. 2 (2005): 105–21. http://dx.doi.org/10.1177/0021989405054310.

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Singh, Anjali. "The Poetics and Politics of Migration: A Study of Selected Works of Hindi Dalit and Tribal Women Poets." Contemporary Voice of Dalit 10, no. 2 (2018): 151–59. http://dx.doi.org/10.1177/2455328x18787283.

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According to the social activist and renowned author Arundhati Roy, almost 30 million people have been displaced since 1990 due to dam and development projects undertaken by the Indian government. The new economic reform policies have triggered a massive movement of landless workers towards nearby towns and suburbs resulting in the mushrooming of slums on the outskirts of metropolitan cities with an intimidating promptness. The present dismal scenario proves the fact that the global India is heading towards a clean cleavage. There is an ongoing parallel life on the outskirts of the thriving ci
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3

Lothspeich, Pamela. "The Mahābhārata as national history and allegory in modern tales of Abhimanyu." Bulletin of the School of Oriental and African Studies 71, no. 2 (2008): 279–96. http://dx.doi.org/10.1017/s0041977x08000542.

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AbstractDuring a renaissance of Hindu mythology in the late colonial period, the Mahābhārata in particular was embraced as the essential account of the nation's ancient past. In the many literary retellings of the period, epic history is often recast as national history, even as the epic narratives themselves are inscribed with allegorical significance. Such is the case in the many poems and plays on the subject of Abhimanyu and his nemesis Jayadrath, including the most famous example in Hindi, Maithilisharan Gupta's narrative poem, Jayadrath-vadh (The slaying of Jayadrath, 1910). In this essa
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GUPTA, CHARU. "‘Innocent’ Victims/‘Guilty’ Migrants: Hindi public sphere, caste and indentured women in colonial North India." Modern Asian Studies 49, no. 5 (2015): 1674. http://dx.doi.org/10.1017/s0026749x15000153.

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In this article footnote 70 on page 20 should include the following: ‘Quoted in Ashutosh Kumar, “Anti-Indenture Bhojpuri Folk Songs and Poems from North India”, Man in India, 93 (4), 2013, p. 512 [509–19].’On the same page, after the line ‘The victimized woman was glorified and acquired subjecthood only when she emulated the virtues and ideals of upper-caste Indian womanhood and wifely devotion, thereby overcoming the perceived stereotypes of Dalit woman’ the following footnote should have appeared: ‘Kumar, “Anti-Indenture Bhojpuri Folk Songs”, p. 513’.The author regrets the error.
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M, Ambili. "The Queerness in Shikhandi: Concerning Devdutt Pattanaik’s Shikhandi and Other Queer Tales They Don’t Tell You." SMART MOVES JOURNAL IJELLH 9, no. 1 (2021): 166–71. http://dx.doi.org/10.24113/ijellh.v9i1.10889.

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Queer theory is a realm of critical theory that developed within/in the early 1990s, out of the fields of queer studies and women's studies. Shikhandi is an important character in the Mahabharata. Hindu tales have many references to queerness; one among them is the story of Shikhandi, a woman who became a man. The gender of Shikhandi is a controversial subject, in epics especially in Mahabharata, men are considered as great warriors, full of masculinity and resilience. But while approaching the text from a postmodernist perspective, we can analyze the gender of Shikhandi as the ‘other gender’,
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6

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 67, no. 3-4 (1993): 293–371. http://dx.doi.org/10.1163/13822373-90002670.

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-Gesa Mackenthun, Stephen Greenblatt, Marvelous Possessions: The wonder of the New World. Chicago: University of Chicago Press, 1991. ix + 202 pp.-Peter Redfield, Peter Hulme ,Wild majesty: Encounters with Caribs from Columbus to the present day. An Anthology. Oxford: Oxford University Press, 1992. x + 369 pp., Neil L. Whitehead (eds)-Michel R. Doortmont, Philip D. Curtin, The rise and fall of the plantation complex: Essays in Atlantic history. New York: Cambridge University Press, 1990. xi + 222 pp.-Roderick A. McDonald, Hilary McD.Beckles, A history of Barbados: From Amerindian settlement to
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7

Moreno Álvarez, Alejandra. "Otros modos de ser/amar: Rosario Castellanos." Cuestiones de género: de la igualdad y la diferencia, no. 12 (June 24, 2017): 221. http://dx.doi.org/10.18002/cg.v0i12.4857.

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<p><strong>Resumen</strong></p><p>La escritora mejicana Rosario Castellanos (1925-1974) ansiaba otro modo de ser mujer y libre en la sociedad en la que le tocó vivir, convirtiéndose este deseo en el <em>leitmotiv</em> de su obra. En cuanto al amor, se dice que Castellanos estaba convencida de que no podría vivir sin que su marido la amara tanto como ella a él, tal y como ella misma parece indicar en <em>Cartas a Ricardo</em> (1994). La autora concluye uno de sus poemas más conocidos, “Meditación en el umbral”, con versos que incitan a la bú
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8

G, Niranjana. "Review Article on A Fragmented Feminism: The Life and Letters of Anandibai Joshee By Meera Kosambi, Ram Ramaswamy, Madhavi Kolhatkar & Aban Mukherji." Rupkatha Journal on Interdisciplinary Studies in Humanities 12, no. 6 (2020). http://dx.doi.org/10.21659/rupkatha.v12n6.26r.

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A Fragmented Feminism: The Life and Letters of Anandibai Joshee is the seminal work on social history about the first woman doctor of India, Anandibai Gopal Joshee written by the sociologist Meera Kosambi and Edited by Ram Ramaswamy, Madhavi Kolhatkar and Aban Mukherji. It provides insight into the psychosocial impacts of culture on Indian women through the life of Dr. Anandibai Gopal Joshee, India’s first women doctor. The author collected the letters written by Anandibai, newspaper reports on her, her poems in Marathi and rare photographs of her to craft the biography of her life. This book
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Verma, Rabindra Kumar. "Book Review." East European Journal of Psycholinguistics 7, no. 1 (2020). http://dx.doi.org/10.29038/eejpl.2020.7.1.kum.

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Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems. Cuttack: Vishvanatha Kaviraj Institute, 2020, ISBN: 978-81-943450-3-9, Paperback, pp. viii + 152.
 Like his earlier collection, The Door is Half Open, Susheel Kumar Sharma’s Unwinding Self: A Collection of Poems has three sections consisting of forty-two poems of varied length and style, a detailed Glossary mainly on the proper nouns from Indian culture and tradition and seven Afterwords from the pens of the trained readers from different countries of four continents. The structure of the book is circular. The first poem “Snaps
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Kabir, Nahid. "Why I Call Australia ‘Home’?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2700.

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 Introduction I am a transmigrant who has moved back and forth between the West and the Rest. I was born and raised in a Muslim family in a predominantly Muslim country, Bangladesh, but I spent several years of my childhood in Pakistan. After my marriage, I lived in the United States for a year and a half, the Middle East for 5 years, Australia for three years, back to the Middle East for another 5 years, then, finally, in Australia for the last 12 years. I speak Bengali (my mother tongue), Urdu (which I learnt in Pakistan), a bit of Arabic (learnt in the Middle East); but
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Books on the topic "Women poets, Hindi"

1

Riz̤vī, Shīmah. Anjuman-i nāz: Hind o Pāk kī shāʻirāt kī shak̲h̲ṣīyat aur shāʻirī se mutaʻalliq taḥqīqī va tanqīdī maz̤āmīn kā majmūʻah. Ḍākṭar ʻĀʼishah Iʻzāz ʻurf Shīmah Riz̤vī, 1994.

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2

editor, Nandā Vartikā, and Tihar Central Jail (New Delhi, India), eds. Tinka tinka Tihar: A collection of poems from the incarcerated women of Tihar. Rajkamal Prakashan, 2013.

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Āqāzādah, Mīnā, 1978 or 1979- writer of introduction, editor, Ibrāhīmʹūghlī Khiyāvī, Zahrā, writer of introduction, editor, Bābāpūr Yūsuf Bayg та Saḥar Kākorvī, Aḥmad Ḥusain, -1872 or 1873, ред. Taz̲kirah-ʼi zanān-i shāʻirah dar Īrān va Hind: Javāhir al-ʻajāyib (Tadhkirat al-nisāʼ). Intishārāt-i Safīr Ardahāl, 2013.

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4

Āṇṭāḷ and her path of love: Poems of a woman saint from South India. State University of New York Press, 1990.

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5

Bose, Mandakranta. Afterword. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0016.

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The idea of the goddess in Hinduism is as ancient as it is abstruse and complex. Imagined as manifest forms of the Creatrix, the essential creative principle within all existence who is at once one and many, feminine divinities have continued to invite ceaseless interrogation and exposition by philosophers, poets, and sociologists. Both benevolent and fierce, Hindu goddesses defy definition and yet command the certitude of devotion, often ecstatic. Never solely the subject of abstract thought, they are viewed as occupying locations in the human world as they hold intimate and personal connecti
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K, Singh Avadhesh, ed. The voice of women: Gārgī to Gaṅgāsatī. D.K. Printworld, 2008.

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Sengupta, Saswati. Domestication of the Disorderly Devī. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198767022.003.0013.

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The Hindu goddess Caṇḍī is generally understood as a manifestation of Śakti, a phenomenon of the deification of the female principle within Hinduism. But Caṇḍī is a rush of images and epithets which are quite contradictory: virgin, wife, warrior, mother, goddess of plenty, wife of a hemp-soaked mendicant. The prolific composition of the Caṇḍī Maṅgalakāvya by male poets, overwhelmingly upper-caste, helped propagate the sanctioned caste-patriarchal framing of this polysemic goddess in Bengal from the sixteenth to the eighteenth centuries. It is a measure of the march of brahminical patriarchy th
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