Relevant bibliographies by topics / Women poets, Icelandic

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Academic literature on the topic 'Women poets, Icelandic'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Women poets, Icelandic"

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Karlsson, Gunnar. "Drög að réttarsögu orðlistar á Íslandi." Lög og bókmenntir 18, no. 1 (2018): 11–37. http://dx.doi.org/10.33112/ritid.18.1.2.

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Medieval Icelandic law contains no provisions about copyright. Authors used without hesitation narrative texts by others, but poets were paid for composing laudatory poems about kings and narrators for telling stories at their courts. The art of storytelling became a speciality of Icelanders, who were also hired to write biographies of Norwegian kings. It was considered reprehensible to use the poetry of others as one's own work. Two Norwegian poets may have got the cognomens skáldaspillir (Destroyer of poets?) and illskælda (Bad or Evil poet?) for plagiarism. An Icelandic poet composed a laud
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2

Katarskytė, Auksė Beatričė. "The Feminist Potential of Beatrice Helen Barmby’s Gísli Súrsson: A Drama." Scandinavistica Vilnensis 17, no. 1 (2023): 155–75. http://dx.doi.org/10.15388/scandinavisticavilnensis.2023.9.

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The late Victorian Britain was fascinated with the ancient North. British literary authors of the second half of the nineteenth century sought inspiration for their novels, poems, and plays in medieval Icelandic imagery. One of these authors was Beatrice Helen Barmby, author of Gísli Súrsson: A Drama. Since her authorship has largely been forgotten, this paper is an attempt to reintroduce her as one of the Victorian enthusiasts of Old Norse literature. Gísli Súrsson: A Drama (1900) is a play based on the medieval Gísla saga Súrssonar. Notably, the adaptation centres around the relationships be
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3

Sayers, William. "Existential Verse-Capping between a Female Troll and the Poet Bragi." Mediaevistik 36, no. 1 (2023): 51–70. http://dx.doi.org/10.3726/med.2023.01.03.

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Abstract Two formally similar stanzas of verbal contention between a troll woman and the poet Bragi Boddason display auto-definitions, one of a paranormal being antagonistic toward, and destructive of, human life, another of a creator of order and its pre-eminent expression, skaldic verse. In the irony so often deployed in Old Norse-Icelandic literature, the troll, the initiator of the contest, uses what is, for her, the antithetical medium of verbal art to proclaim her attack on it. Bragi replies in more straightforward manner and seems to be the immediate winner of the contest, since he is a
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Breeze, Andrew. "Crossing Borders in the Insular Middle Ages, ed. Aisling Byrne and Victoria Flood. Turnhout: Brepols, 2019, viii., 323 pp." Mediaevistik 35, no. 1 (2022): 551–52. http://dx.doi.org/10.3726/med.2022.01.146.

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Abstract: In a collection of essays, thirteen writers discuss texts from medieval Britain and beyond, the common theme being translation or events abroad. Helen Fulton describes manuscripts and libraries in Wales; Elena Parina, Welsh medical texts; Victoria Flood, English Tudor versions of Welsh political prophecies. Joanna Bellis sets out Latin propaganda poems of the Hundred Years’ War; Rory McTurk, possible links between Langland and skaldic verse. Then come four studies relating to Ireland. Erich Poppe takes on the Charlemagne legend in Irish; Aisling Byrne, Irish texts on the Crusades; Ma
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Books on the topic "Women poets, Icelandic"

1

Haraldsdóttir, Ingibjörg. Veruleiki draumanna: Endurminningar. Mál og menning, 2007.

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Helgadóttir, Guðrún P. Skáldkonur fyrri alda. Hörpuútgáfan, 1995.

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Skáld-Rósa: Ljósmóðirin Rósa Guðmundsdóttir. Salka, 2007.

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Úr þagnarhyl: Ævisaga Vilborgar Dagbjartsdóttur. Mál og menning, 2011.

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Book chapters on the topic "Women poets, Icelandic"

1

Cassel, Susanna Heldt. "Identity construction in relation to niche events: images of Landsmót in social media." In Humans, horses and events management. CABI, 2021. http://dx.doi.org/10.1079/9781789242751.0121.

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Abstract In this chapter the concept of identity is discussed in relation to niche events as expressed through images produced and circulated in social media. Since niche events focus on special interests and activities for a limited number of people and attract participants from afar who share this interest, these types of events also influence the identities of the places that are represented in relation to them. By circulating images online - the people, attractions, landscapes and cultural practices of places connected to specific hashtags on social media - places are co-constructed and ma
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2

Isbell, John Claiborne. "8. Writers from Scandinavia." In Women Writers in the Romantic Age. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0458.08.

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This chapter reviews 48 women writers, 1776-1848, from Denmark, Finland, Iceland, Norway, and Sweden. They speak four different languages (the Finns here wrote in German or in Swedish), and write verse, drama, and prose of various descriptions. They range from aristocrats living at court to oral poets living in rural Iceland, and their aesthetics and politics vary equally widely.
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