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Dissertations / Theses on the topic 'Women – Portraits'

Author: Grafiati

Published: 4 June 2021

Last updated: 30 July 2024

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1

James, Courtni Elizabeth. "Grand tour portraits of women." Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1142015848.

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2

Watkins, Portia L. "Black Women Faculty: Portraits of Othermothering." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535634706111088.

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3

Butcher-Winfree, Joy A. "Portraits of resiliency a qualitative study of appalachian christian women /." [Huntington, WV : Marshall University Libraries], 2009. http://www.marshall.edu/etd/descript.asp?ref=1015.

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4

Byrne, Debra J. "Feminine identities and the structuring of postmodern portraiture /." free to MU campus, to others for purchase, 2004. http://wwwlib.umi.com/cr/mo/fullcit?p3164493.

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5

Emeny, Shirley Kathleen. "Plurality and agency, portraits of women by Prudence Heward." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ40006.pdf.

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6

Skidmore, Colleen Marie. "Women in photography at the Notman Studio, Montreal, 1856-1881." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq46921.pdf.

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7

Nolan, Mary Anne. "The liberating Word of God portraits of four biblical women /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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8

Ngunjiri, Faith Wambura. "TEMPERED RADICALS AND SERVANT LEADERS: PORTRAITS OF SPIRITED LEADERSHIP AMONGST AFRICAN WOMEN LEADERS." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1143220309.

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9

O'Connor, Elsa. "Emerging portraits of chronic depression in life narratives of women and men /." Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/7637.

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10

Hansen, Inge Lyse. "Roman women portrayed in divine guises : reality and construct in female imaging." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/17577.

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The thesis concerns representations of Roman women of the imperial period depicted in the guise of a divinity. Portraits of women of all social levels have been included as have representations in any media excluding numismatic evidence. The latter, with its specific contextual characteristics, is only included and discussed as comparanda for the main body of material. The juxtaposition of a recognisable reality and a heightened reality in these representations raises a variety of interpretative questions: whether it is possible to establish a correlation between the mythological interpretatio

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11

Bate, Holmberg Elizabet. "In Search of Eros and Freedom : Four Portraits of Women by Kate Chopin." Thesis, Linköping University, Department of Culture and Communication, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-19111.

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<p>In this essay, Kate Chopin's portraits of women in three short stories, 'The Story of an Hour', 'A Respectable Woman', Athénaïse and the novel <em>The Awakening</em> are studied. It is argued that the outcomes depicted can be seen as increasingly provocative and extreme and that the main conflict and ending of <em>The Awakening </em>is a development and combination of the conflicts and resolutions in the three short stories.</p><br><p>I uppsatsen studeras Kate Chopins kvinnoporträtt i tre noveller, 'The Story of an Hour', 'A Respectable Woman', Athénaïse och i romanen <em>The Awakening.</em

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12

Celdran, Lynn Y. "LETTERS AS SELF-PORTRAITS: EPISTOLARY FICTIONS BY WOMEN WRITERS IN SPAIN (1986-2002)." UKnowledge, 2013. http://uknowledge.uky.edu/hisp_etds/17.

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My study seeks to explore the interest that Spanish women authors such as Josefina Aldecoa, Carme Riera, Nuria Amat, Esther Tusquets, Marina Mayoral, Carmen Martín Gaite, and Olga Guirao have taken in the revival of epistolary fiction in recent decades. Eighteenth- and nineteenth-century epistolary fiction in Spain was conditioned by social practices and by literary conventions that typically confined its heroines to an amorous plot and women authors to anonymity. I contend that if modern tradition of epistolary practices and other male-discriminatory practices kept women writers silenced or i

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13

Marianacci, Caitlyn D. "Old Masterpieces, New Mistress-pieces: Cindy Sherman's Reinterpretations of Renaissance Portraits of Women." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/840.

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This thesis examines a selection of eight photographs in the History Portraits series by American photographer, Cindy Sherman, produced from 1989 to 1990. The photographs are based on Renaissance paintings of biblical and secular women painted by old master artists such as Leonardo da Vinci, Sandro Botticelli, and Raphael. Sherman focused on the female types of Biblical mother and femme fatale, as well as wives and models. These types are defined in their relation to men and are depicted by men. In Sherman’s reinterpretations of their portraits, she retells the stories of these women in ways t

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14

Hutchinson, Debra S. "Destiny and Purpose Driving School Turnaround: The Portraits of Three African American Women Principals." University of Cincinnati / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1581333329211659.

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15

Delahunty, Susan. "Portraits of Middle Eastern Gulf female students in Australian universities." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2013. https://ro.ecu.edu.au/theses/585.

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This research explores the experiences and insights of ten Middle Eastern Gulf women as they cross international borders to study in Australian universities. The literature indicates that international students in Australia establish their identity within the context of their overseas existence. This is particularly important as Muslims may feel they are being placed in a precarious situation due to, more often than not, terrorism being linked to Islam. Also, when Muslim women wear Islamic or traditional attire, the general public tends to look upon them with curiosity. With this in mind, the

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16

Higley, Morgan Yonan Michael Elia. "The developing child in three portraits by Anne-Louis Girodet." Diss., Columbia, Mo. : University of Missouri-Columbia, 2009. http://hdl.handle.net/10355/6728.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on March 19, 2010). Thesis advisor: Dr. Michael Yonan. Art work removed from thesis by author. Includes bibliographical references.

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17

Hanson, Helen. "Painted women : framing portraits in film noir and the gothic woman's film of the 1940s." Thesis, University of Southampton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364751.

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18

Scherf, Birke-Siri. "Portraying the unknown, picturing the unseen? : portraits of women in late fifteenth- and sixteenth-century Venice." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.613684.

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19

Albekord, Nargges S. "Naked women the unity in dialectic forces." Master's thesis, University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4830.

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This study investigates my art works, their context, content, and the process by which they were produced. The first part of the study addresses my background ideas and philosophies, their impact on my works, and the environmental and psychological context which made those ideas relevant to my paintings. I am not concerned with answering the usual questions, What is art? and Who is an artist? My intention is to find out who I choose to be and what I choose to do. The second part investigates the form and design of the art works--from the materials used to make them to the various formal elemen

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20

Kalkat, Saloni Kaur. "Daughter, Wife, Mother: Women as Emblems of Indian Authenticity Throughout the Diaspora." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/925.

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It has been over a century since the maternal side of my family has resided in the natal land of our cultural heritage and religious proclivities – Punjab, India, where Sikhism was established. As an American I continue this extension of our roots from their source. Through the process of shifting location, cultural confluence, and passing time the experiences of the women in each successive generation of my family have altered significantly through our diasporic existence. However, even in the aftermath of colonization and immigration, the enduring responsibility of women is reliant upon thei

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21

Reid, David. "'Just looking' : gazing at the male gaze; the representation of women in the films of Michelangelo Antonioni and Rainer Werner Fassbinder, and in the photography of Jeff Wall and Thomas Struth." Thesis, University of Derby, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.322598.

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22

Rosshandler, Michelle. "A historiography of idealized portraits of women in Renaissance Italy : the idea of beauty in Titian's La Bella." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83147.

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Renaissance art historians concur that women were characteristically depicted as ideal types in Renaissance portraiture. Nonetheless, the historiography of portraits of women in Renaissance Italy reveals generational shifts between scholars. Male scholars writing in the nineteenth-century to the mid twentieth-century applied formalist and cultural historical methodologies. Recent scholars raise issues that were previously neglected, such as social historical and feminist concerns. Following this rationale, I argue that the changing interests of scholars have altered the interpretations

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23

Jessen, Kelyn Elizabeth. "Portraits of Livia in context: an analysis of distribution through the application of geographic information systems." Thesis, University of Iowa, 2013. https://ir.uiowa.edu/etd/2532.

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24

Prasertwaitaya, Leila. "The Construction of Female Identity in Mughal Painting: Portraits of Women from the Shah Jahan Period (ca. 1628-1658)." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/607.

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Paintings of women as individual subjects were a popular theme in the Mughal court during the mid-seventeenth century, or the Shah Jahan period (ca. 1628-1658). These portraits depict idealized archetypes with subtle differences in facial and bodily features. The same portrait conventions were used for both historical and imaginary women. This thesis has three aims: (1) identify and explain the significance of three elements that visually represent an ideal Mughal woman using a case study from the Virginia Museum of Fine Arts called Page from the Nasir al-Din Shah Album: Portrait of a Mughal W

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25

Calvert, Catherine. "Portraits of Women’s Leadership after Participation in a Culturally Based University Tribal College Partnership." Antioch University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=antioch1387487824.

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26

Motto, Andrea Marie. "It's Different People Who Are Down Here: Portraits of Three Young Women of Color Who Work in a Science Museum." Diss., Virginia Tech, 2016. http://hdl.handle.net/10919/81883.

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Eldora, Neethi and Seraphina are three young women who work as science interpreters at a large metropolitan museum. Each woman began her tenure at the age of 15, as part of an employment program for low-income and minority youth, and have since grown to become leaders within the program. Using autoethnography (Ellis, 2004) and portraiture (Lawrence-Lightfoot and Hoffman Davis, 1997), I explore the rich cultures and histories that each woman brings to her work, present stories that counter the dominant deficit narratives around diversity in informal science education, and reflect on connections

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27

Vigroux, Perrine. "Les femmes à l'Académie royale de peinture et de sculpture (1663-1793) : sociabilité, pratique artistique et réception." Thesis, Montpellier 3, 2016. http://www.theses.fr/2016MON30030.

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Quinze femmes artistes seront admises à l’Académie royale de peinture et de sculpture entre 1663 et 1793. Depuis laRenaissance, en Europe et en France, un petit nombre de femmes bénéficie d’une certaine renommée aussi biennationale qu’internationale, dans les arts, la littérature et les sciences, ouvrant ainsi la voie à de nouveaux talents. Cesfemmes sont notamment encouragées par les thèses philosophiques de François Poulain de la Barre (1647-1723) quivont leur permettre d’occuper une place de plus en plus privilégiée au sein d’une société qui se cristallise autour dessalons. Ce sont de petit

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28

Knight, Petrine. "“All the men admired her, and many of the women envied her” : The Role of Dress in Portraits of Eighteenth-Century British Courtesans, 1751-1790." Thesis, Stockholms universitet, Centrum för modevetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-62781.

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29

Rocco, Patricia. "Performing female artistic identity : Lavinia Fontana, Elisabetta Sirani and the allegorical self-portrait in sixteenth and seventeenth-century Bologna." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99389.

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Artemisia Gentileschi's self-portrait, Allegory of Painting, painted in 1630, has activated a complex discussion of female artistic identity in which performance is tied to concerns with status. This thesis addresses an earlier history of development in allegorical self-portraiture in the work of the sixteenth-century Bolognese artist, Lavinia Fontana, and her seventeenth-century successor, Elisabetta Sirani. I argue that the female artist's negotiation for status was played out in the transformation from a more official mode of self presentation, such as Fontana's Self-Portrait at the Keyboar

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30

McKay, Christina A. S. "And that one takes a big bite of one of those nice red apples, portraits of native women in Thomas King's Green grass, running water and Medicine river." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0012/MQ36501.pdf.

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31

Campo, Cyrielle. "Portraits de groupes avec dames : la construction médiatique de la figure de l'Étrangère sous les mandats de N. Sarkozy et de F. Hollande : L'exemple de la presse écrite de 2007 à 2013." Thesis, Nice, 2015. http://www.theses.fr/2015NICE2027/document.

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Cette thèse de doctorat en Sciences de l’Information et de la Communication analyse la construction médiatique de l’Etrangère en France contemporaine. Elle permet une approche communicationnelle, politique et sociologique de ce sujet à la lumière des études culturelles, subalternes, coloniales, postcoloniales et des études de Genre. Cette recherche s’appuie sur l’analyse de discours et de contenu d’un corpus de presse écrite de 2007 à 2013 et sur une enquête de terrain en observation participante au sein de plusieurs associations. Il s’agit de saisir l’importance des représentations de la figu

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32

Lazo-González, Denisse. "The politics of literature in Chilean post-transition to democracy novels : portraits of society and the political status of women in the narrative of Diamela Eltit and Alberto Fuguet." Thesis, University of Oxford, 2018. http://ora.ox.ac.uk/objects/uuid:56eb3768-cca8-4e5a-a7bc-62a857a9c3d8.

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This thesis explores the relationship between literature and politics through a study of novels published by Diamela Eltit (1949-) and Alberto Fuguet (1964-) in the Chilean post-transition to democracy period (i.e.: after the year 2000). It attempts to demonstrate that Chilean post-transition to democracy literature foregrounds the socio-cultural legacies inherited from the dictatorship (1973-1990), which have been to a great extent endorsed by the Chilean neoliberal transition to democracy. This thesis considers the more recent narrative fiction published by these authors as representative of

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33

Ilmudeen, Jafeen S. "Portraits." Cleveland, Ohio : Case Western Reserve University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=case1239824184.

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34

Walker, William D. "Woven Portraits of Four Youngstown Businessmen." Kent State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=kent1239913345.

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35

Beck, Amy C. G. "WHY WOMEN GIVE TO WOMEN: A PORTRAIT OF GENDER-BASED PHILANTHROPY." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/6098.

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Abstract WHY WOMEN GIVE TO WOMEN: A PORTRAIT OF GENDER-BASED PHILANTHROPY AT A PUBLIC COLLEGE IN VIRGINIA By Amy Gray Beck, Ph.D. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. Virginia Commonwealth University, 2019 Chair: Katherine Cumings Mansfield, Ph.D., Associate Professor, Educational Leadership and Cultural Foundations, School of Education, UNC Greensboro The cost of public higher education is steadily increasing, with state and federal government cutting its support year after year. Student

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36

Spenny, Anne M. "Portrait of a young woman /." Online version of thesis, 1989. http://hdl.handle.net/1850/11529.

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37

Taggart, Emma. "Corporeal identification in selected works by Berni Searle." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1004576.

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Through a detailed analysis of a selection of works produced between 1999 and 2003 by the South African artist Berni Searle, this thesis explores the need to theorise a corporeal viewer in the process of interpreting art works. Such an approach is particularly necessary when dealing with an artist such as Searle because her work, which deals predominantly with the theme of identity, appeals not only to conceptual but also to experiential and corporeal understandings of identity. Searle incorporates the viewer into an experience of her own identity through a physical identification that the vie

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38

Bril, Damien. "Anne d’Autriche en ses images : légitimation du pouvoir féminin et culture visuelle de la majesté dans la France du XVIIe siècle." Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCH038.

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Anne d’Autriche occupe une place importante, longtemps négligée, dans le développement de l’iconographie royale en France au XVIIe siècle. Ecartée du pouvoir sous le règne de son mari Louis XIII, elle est pourtant le sujet de très nombreuses représentations. Sa présence dans le champ des images connaît un net développement lorsqu’elle accède aux responsabilités du gouvernement à la mort du roi, en 1643, en devenant régente au nom de son fils mineur, Louis XIV. Au-delà de sa majorité en 1651, elle conserve un rôle éminent, jusqu’à la mort de Mazarin en 1661. Ces deux décennies sont marquées par

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39

Perry, Lara Ann. "Facing femininities : women in the National Portrait Gallery, 1856-1899." Thesis, University of York, 1999. http://etheses.whiterose.ac.uk/2479/.

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40

Ackers, Helen Inge. "Portrait busts of Roman women in the third century AD." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:68647af9-5bd3-4f93-ab36-123c2e2f09dc.

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The purpose of this dissertation is to conduct a comprehensive study of Roman women's portrait busts of the third century AD. The free-standing portrait bust forms a discrete historical category through which to trace developments in third-century women's portraiture. The high-status, commemorative tradition of the bust and the durability of this format, which could be displayed and utilised in a large range of different contexts, made this an important portrait genre for women in the third century. These busts consequently offer powerful insight into the ideological function and status of Rom

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41

Fisher, Vicky Mitchell. "Help-Seeking for Depression in Rural Women: A Community Portrait." VCU Scholars Compass, 2005. http://scholarscompass.vcu.edu/etd/681.

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This study was conducted with fourteen participants who lived in a rural Virginia community. The focus of the study was exploration of the nature of the experience of depression and of help-seeking for depression in one rural woman and in her community social network. The need for exploration of the community social network was influenced by the DeFacto Services Model of Rural Mental Health, which emphasized the influence of community factors in making decisions to seek mental health care. Findings of the study included the following themes, which related to the nature of depression: 1) linkag

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42

Johnson, Katherine A. "Portrait of a lady : attitudes toward women in men's lifestyle magazines." Virtual Press, 2006. http://liblink.bsu.edu/uhtbin/catkey/1345343.

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This study measures the attitudes men and women form toward women from a sample of feature articles and interviews in four men's lifestyle magazines (Maxim, Stuff Esquire and GQ) from the years 2002-2004. Attitudes were measured with a 15-item semantic differential analysis. Across all four magazines, attitudes toward the women were positive, active, and impotent. A MANCOVA tested the hypotheses that attitudes would vary by magazine title, gender, and sexism scores as measured by the Ambivalent Sexism Inventory (ASI). Magazine title was the only significant main effect, showing that women feat

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43

Ibrahim, Carla Jacques. "As retratistas de uma epoca : fotografas de São Paulo na primeira metade do seculo XX." [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284778.

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Orientador: Roberto Berton de Angelo<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-05T07:50:47Z (GMT). No. of bitstreams: 1 Ibrahim_CarlaJacques_M.pdf: 30265765 bytes, checksum: 5605685ac14d4e0551309ea6bd729dd1 (MD5) Previous issue date: 2005<br>Resumo: Esta dissertação tem como objetivo analisar o panorama da fotografia na primeira metade do século XX, na cidade de São Paulo, no tocante à produção fotográfica desenvolvida pelas mulheres, proprietárias e gerentes dos próprios estabelecimentos. A abertura do trabalho c

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44

Shellard, Debby. "Minnie Maddern Fiske: a portrait: a one woman show." The Ohio State University, 1988. http://rave.ohiolink.edu/etdc/view?acc_num=osu1392908250.

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45

Hatem, Kristin Rene Watson. "Portrait of women in selected public relations literature: a qualitative content analysis." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1345044771.

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46

Carotenuto, Gianna Michele. "Domesticating the harem reconsidering the zenana and representations of elite Indian women in Colonial painting and photography of India /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=2024771361&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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47

Miles, Sandra Y. "A three case study : how the media portrays women senate candidates." Honors in the Major Thesis, University of Central Florida, 2003. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/329.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.<br>Bachelors<br>Arts and Sciences<br>Political Science

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48

Murray, Delaney. "DAUGHTERS OF THE DIGITAL: A PORTRAIT OF FANDOM WOMEN IN THE CONTEMPORARY INTERNET AGE." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1587738612384951.

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49

Pettersen, Hanne Hagen. "Gustav Klimt and Modern Portraiture." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1190.

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Gunderson, Maryann S. "Dismissed yet Disarming: The Portrait Miniature Revival, 1890-1930." Ohio University / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1080666457.

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