Journal articles: 'Women Psychoanalysis and feminism'

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Marecek, Jeanne, and Rachel T. Hare-Mustin. "A Short History of the Future: Feminism and Clinical Psychology." Psychology of Women Quarterly 15, no. 4 (December 1991): 521–36. http://dx.doi.org/10.1111/j.1471-6402.1991.tb00427.x.

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Since the 19th century, feminists have criticized the mental health establishment and its treatment of women. Issues include the sexist use of psychoanalytic concepts and psychiatric diagnoses, the misuse of medication, and sexual misconduct in therapy. Feminists have also called attention to psychological problems arising from gender inequality in everyday life. Physical and sexual abuse of women is of special concern. Feminist innovations in therapy include consciousness-raising, sex-role resocialization, and new approaches to psychoanalysis and family therapy. We urge feminists to develop a fuller understanding of gender and power, and to use this knowledge to challenge the established theory and practice of clinical psychology.

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Bainbridge, Caroline. "Television as psychical object: Mad Men and the value of psychoanalysis for television scholarship." Critical Studies in Television: The International Journal of Television Studies 14, no. 3 (August 12, 2019): 289–306. http://dx.doi.org/10.1177/1749602019851714.

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Claims that Mad Men (2007–2015) is an obedient post-feminist text overlook the drama’s images of both women and the history of feminism and its potential to impact on contemporary understandings of gender politics. Mad Men can be seen as a psychological object, helping viewers to explore links between their own experience and that of characters on screen as the narrative unfolds. Making links between the social re-emergence of feminist awareness, the drama’s representations of second-wave feminism and a psychoanalytic understanding of mourning, I suggest that a return to psychoanalytic methodologies has the potential to enrich television scholarship.

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Lerman, Hannah. "From Freud to Feminist Personality Theory: Getting Here from There." Psychology of Women Quarterly 10, no. 1 (March 1986): 1–18. http://dx.doi.org/10.1111/j.1471-6402.1986.tb00733.x.

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After a discussion of the impact of psychoanalysis on psychological thinking about personality theory and the changes that have been taking place within psychoanalytic theory about women, eight criteria arising out of feminist therapy theory are stated. These criteria represent suggested minimum conditions that a woman-based theory of female development and personality needs to fulfill. Freudian theory, current psychoanalytic theory, and several feminist theories are then evaluated in light of the stated criteria. The author concludes that feminists have arrived at some degree of general agreement about personality theory, although they have often arrived at their specific approaches via diverse theoretical routes.

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Ibanga, Grace Itoro. "Feminism and human rights in Utoh-Ezeajugh’s Our Wives Have Gone Mad Again and Femi Osofisan’s Yungba-Yungba and the Dance Contest." EJOTMAS: Ekpoma Journal of Theatre and Media Arts 7, no. 1-2 (April 15, 2020): 169–89. http://dx.doi.org/10.4314/ejotmas.v7i1-2.11.

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This paper examines the concept of feminism and human rights as captured in Tracie Utoh-Ezeajugh’s Our Wives Have Gone Mad Again and Femi Osofisan’s Yungba-Yungba and the Dance Contest. Feminism is a reaction by the womenfolk to societal misrepresentation whereby patriarchy classifies women as docile, passive, men-haters, witches, etc. Feminism is the clamouring of women’s rights on the platform of equality of sexes. It is an intellectual or political movement with a driving force for the recognition of the legal claims of women to their rights as are available in their societies; which are predominately enjoyed by men alone. Feminism purposes to investigate the nature of gender inequality. The term “gender” is an aspect of the collective unconscious of a complex human experience. It is an archetypal element that demands rituals, sex, aggression, social status gender affects power and authority. It is unsurprising; therefore, that patriarchy employs power and authority to dominate over women. This is because men believe they are the lords umpiring over the use of woman. And that is why feminism portrays women’s and men’s social functions, challenges, experience, interest and feminist politics in different fields of study as anthropology and sociology, communication, media studies, psychoanalysis, home economics, literature and education. Keywords: Feminism, Human rights, Sexual objectification, Patriarchy, Womenfolk

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Nugroho, Bayu Aji. "Perlawanan Perempuan terhadap Dominasi Patriarki dalam Novel Geni Jora Karya Abidah El Khalieqy Kajian Feminisme Psikoanalisis Karen Horney." Jurnal Sastra Indonesia 8, no. 2 (August 28, 2019): 148–56. http://dx.doi.org/10.15294/jsi.v8i2.33719.

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Penelitian ini berjudul “Perlawanan Perempuan Terhadap Dominasi Patriarki dalam Novel Geni Jora Karya Abidah El Khalieqy Kajian Feminisme Psikoanalisis Karen Horney. Konflik perlawanan yang dilakukan oleh tokoh perempuan di analisis menggunakan teori psikoanalisis feminisme Karen Horney. Penelitian ini bertujuan untuk mencari korelasi antara karakter perempuan dalam novel dengan perlawanan terhadap dominasi patriarki yang dialami perempuan. Metode dalam penelitian ini adalah metode Deskriptif Kualitatif, di mana peneliti berupaya mendeskripsikan hasil dari bacaan terhadap sumber data primer dan sekunder kemudian mengolah dalam bentuk data kualitatif. Secara teoretis peneliti menggunakan teori feminisme psikoanalisis Karen Horney yang menyatakan bahwa perlawanan perempuan didasarkan atas pola asuh dan lingkungan sosial di mana perempuan tersebut tinggal. Perlawanan perempuan secara psikoanalisis dibagi dalam tiga bentuk perlawanan antara lain, pergerakan mendekati orang lain, melawan orang lain, dan menjauhi orang lain. Dampak dari perlawanan tersebut, mengakibatkan perempuan mengalami berbagai macam mekanisme pertahanan diri seperti, pemindahan, sublimasi, identifikasi, represi, dan proyeksi. This research is entitled "Women's Resistance to Domination of Patriarchy in Geni Jora's Novel by Abidah El Khalieqy Study of Feminism in Psychoanalysis Karen Horney. Conflicts of resistance carried out by female figures were analyzed using Karen Horney's psychoanalytic theory. This research aims to find the correlation between female characters in the novel with resistance to patriarchal domination experienced by women. The method used in this research was a Qualitative Descriptive method, where the researcher attempted to describe the results of the reading of the primary and secondary data sources then processed them in the form of qualitative data. Theoretically, the researcher used the theory of psychoanalytic feminism Karen Horney who stated that women's resistance is based on parenting and the social environment where the woman lives. Psychoanalytic resistance of women was divided into three forms of resistance, among others, the way of approaching others, against others, and away from others. The impact of this resistance has resulted in women experiencing a variety.of self-defense mechanisms such as transfer, sublimation, identification, repression and projection.

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Dutta, Minakshi. "A Reading of Bhabendra Nath Saikia's Films from Feminist Lens." CINEJ Cinema Journal 8, no. 2 (December 3, 2020): 247–74. http://dx.doi.org/10.5195/cinej.2020.261.

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Feminist movement deconstructs the constructed images of women on the screen as well. The gap between real and reel woman is a vibrant topic of discussion for the feminist scholars. As a regional genre of Indian film industry Assamese film flourished during the third decades of twentieth century. Like the films of other parts of the world, Assamese films also constructing the image of woman, particularly Assamese women, in its own way of projection. Hence, this article is an attempt to explore the questions related to women’s representation by taking the films of Assamese director Dr. Bhabendra Nath Saikia as reference. Moreover, as per the demand of the article it will cover a historical overview of the representation of women in Indian cinema and Assamese cinema. Different theories from psychoanalysis and feminism will be applied to analyze the select movies.

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Azad, Md Jahidul. "Female Depression through Symbolism: A Study on the Selected Poems of Adrienne Rich." IJOHMN (International Journal online of Humanities) 5, no. 6 (December 10, 2019): 10. http://dx.doi.org/10.24113/ijohmn.v5i6.150.

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This paper talks about Adrienne Rich’s support and standing with the women through her selected poems. The paper discusses the depression of women because of male dominance. Rich uses symbolism to display women depression. She also tries to clear the position of woman in the society. The research demonstrates the position of women through psychoanalysis, social problems and female point of view. This paper also tries to identify Rich’s view on feminism. Adrienne Rich has highlighted the hard reality in her writings. This paper also clarifies Adrienne Rich’s thinking or point view regarding feminism and sexuality. Her experiences regarding the depression of women are displayed here through symbolism. Thus the focal point of the paper is to show how Adrienne Rich shows female depression through symbolism.

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Ferguson, Ann. "A Feminist Aspect Theory of the Self." Canadian Journal of Philosophy Supplementary Volume 13 (1987): 339–56. http://dx.doi.org/10.1080/00455091.1987.10715941.

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The contemporary Women’s Movement has generated major new theories of the social construction of gender and male power. The feminist attack on the masculinist assumptions of cognitive psychology, psychoanalysis and most of the other academic disciplines has raised questions about some basic assumptions of those fields. For example, feminist economists have questioned the public/private split of much of mainstream economics, that ignores the social necessity of women’s unpaid housework and childcare. Feminist psychologists have challenged cognitive and psychoanalytic categories of human moral and gender development arguing that they are biased toward the development of male children rather than female children. Feminist anthropologists have argued that sex/gender systems, based on the male exchange of women in marriage, have socially produced gender differences in sexuality and parenting skills which have perpetuated different historical and cultural forms of male dominance. Feminist philosophers and theorists have suggested that we must reject the idea of a gender-free epistemological standpoint from which to understand the world. Finally radical feminists have argued that the liberal state permits a pornography industry that sexually objectifies women, thus legitimizing male violence against women.

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Andharu, Devito, and Wahyu Widayati. "Feminism Radical in the Novel Keindahan dan Kesedihan by Yasunari Kawabata." Jurnal Ilmiah FONEMA : Jurnal Edukasi Bahasa dan Sastra Indonesia 1, no. 1 (August 15, 2018): 16. http://dx.doi.org/10.25139/fn.v1i1.965.

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The Purpose of this research are to describe a feminism in Keindahan dan Kesedihan Novel by Yasunari Kawabata.This research is a qualitative descriptive. The object is psychoanalysis from Keindahan dan Kesedihan, novel by Yasunari Kawabata. Data collected by using close reading technic: read, scan, and quote. Data validity use triangulation technic. Data analized by semiotic mode of reading. Analysis result is shown in terms of feminism, the role of Otoko and Keiko is the main character in Keindahan dan Kesedihan novel that she is a s lesbian. Lesbian is an example of the uprising at the radical feminism. But after reviewing the whole of Keindahan dan Kesedihan novel be able to conclude that the figures of Otoko are not included in radical feminism. Otoko chose to become lesbian with Keiko after the she met with the students painted Keiko. Otoko choice of life lived as a lesbian is to keep the sacred vision in maintaining its love for Oki. In contrast to Otoko, Keiko chose to become lesbians based on hate with men. Keiko found men always give the suffering of women. Keywords :Feminism, Novel

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Hambur, Fransiska Marsela. "DEPRESSED HOUSEWIVES AS RESULTS OF WOMAN-OPPRESSION FOUND IN SHORT-STORIES: A COMPARATIVE LITERATURE STUDY." Dinamika Bahasa dan Budaya 14, no. 1 (March 15, 2019): 48–62. http://dx.doi.org/10.35315/bb.v14i1.6717.

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Literature represents and portrays variation of society and all human life’s aspects. This includes common happenings. On behalf of this matter, there is an importance to study the literature as a model of real life and society, followed by certain phenomena happened in certain time. For ages, oppression and depression are one of frequents phenomena. Oppressions are often found in women, especially in housewives. This may lead to implication that housewives may undergo psychological problem, such as depression. In literary work, both woman-oppression and depression are often found in many kinds of works, such as movie and short-story. This research focused on two short-stories written by Thomas Hardy “An Imaginative Woman” (1893) and Jhumpa Lahiri “Interpreter of Maladies” (1999). Both were analyzed using feminism and psychoanalysis approach in terms of proving the hypothesis that woman-oppression can become source of depression in housewives’ lives. The findings showed that domestic women, especially those who only work as housewives experienced depression because of their lack of social-connection. In both short-stories, the depressed housewives would lead her life into troublesome habits, such as having delusions, having affair beyond marriage, being ignorant toward her family, being in destructive behaviors, and even wishing her own death. This findings surely became an implication that women-oppression will indeed lead women into self-destructing behaviors.

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Francke, L. "Carol J. Clover, Men, Women and Chainsaws: Gender in the Modern Horror Film; Barbara Creed, The Monstrous-Feminine: Film, Feminism and Psychoanalysis." Screen 36, no. 1 (March 1, 1995): 75–78. http://dx.doi.org/10.1093/screen/36.1.75.

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Gardiner, Judith Kegan. "Psychoanalysis and Feminism: An American Humanist's ViewVirginia Woolf and the Fictions of Psychoanalysis. Elizabeth AbelMelanie Klein and Critical Social Theory: An Account of Politics, Art, and Reason Based on Her Psychoanalytic Theory. C. Fred AlfordThe Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination. Jessica BenjaminBetween Feminism and Psychoanalysis. Teresa BrennanFeminism and Psychoanalytic Theory. Nancy ChodorowPsychoanalysis and . . .Richard Feldstein , Henry SussmanThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary West. Jane FlaxReturning Words to Flesh: Feminism, Psychoanalysis, and the Resurrection of the Body. Naomi R. GoldenbergJacques Lacan: A Feminist Introduction. Elizabeth GroszThe Mother-Daughter Plot: Narrative, Psychoanalysis, Feminism. Marianne HirschLacan in Contexts. David Macey"Special Issue: Positioning Klein," Women: A Cultural Review, Vol. 1, No. 2 (Summer 1990).The Spectral Mother: Freud, Feminism, and Psychoanalysis. Madelon SprengnetherReconstructing Desire: The Role of the Unconscious in Women's Reading and Writing. Jean WyattEssential Papers on the Psychology of Women. Claudia Zanardi." Signs: Journal of Women in Culture and Society 17, no. 2 (January 1992): 437–54. http://dx.doi.org/10.1086/494737.

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Barrett, Michèle. "Psychoanalysis and Feminism: A British Sociologist's ViewVirginia Woolf and the Fictions of Psychoanalysis. Elizabeth AbelMelanie Klein and Critical Social Theory: An Account of Politics, Art, and Reason Based on Her Psychoanalytic Theory. C. Fred AlfordThe Bonds of Love: Psychoanalysis, Feminism, and the Problem of Domination. Jessica BenjaminBetween Feminism and Psychoanalysis. Teresa BrennanFeminism and Psychoanalytic Theory. Nancy ChodorowPsychoanalysis and . . .Richard Feldstein , Henry SussmanThinking Fragments: Psychoanalysis, Feminism, and Postmodernism in the Contemporary West. Jane FlaxReturning Words to Flesh: Feminism, Psychoanalysis, and the Resurrection of the Body. Naomi R. GoldenbergJacques Lacan: A Feminist Introduction. Elizabeth GroszThe Mother-Daughter Plot: Narrative, Psychoanalysis, Feminism. Marianne HirschLacan in Contexts. David Macey"Special Issue: Positioning Klein," Women: A Cultural Review, Vol. 1, No. 2 (Summer 1990).The Spectral Mother: Freud, Feminism, and Psychoanalysis. Madelon SprengnetherReconstructing Desire: The Role of the Unconscious in Women's Reading and Writing. Jean WyattEssential Papers on the Psychology of Women. Claudia Zanardi." Signs: Journal of Women in Culture and Society 17, no. 2 (January 1992): 455–66. http://dx.doi.org/10.1086/494738.

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Domínguez-Rué, Emma. "Pen-is-envy: psychoanalysis, feminism, and the woman writer in May Sinclair'sMary Olivier." Journal of Gender Studies 22, no. 2 (June 2013): 152–65. http://dx.doi.org/10.1080/09589236.2012.745684.

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Ijeoma O. Ezeala, Mercy, and Regina Rudaityte. "Commodification and Objectification of Women in Kate Chopin’s The Awakening and The Golden Notebook by Doris Lessing: New French Feminism’s Critique." Advances in Language and Literary Studies 11, no. 5 (October 31, 2020): 25. http://dx.doi.org/10.7575/aiac.alls.v.11n.5p.25.

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New French feminism asserts that the structured deprivation of women has its core in language. A society governed by the Symbolic order views women through patriarchal lenses and considers them as verbal constructs. Such representations reflect the cultural views of society. This paper uses the psychoanalytic and language theories of new French feminism to explore the depictions of women in The awakening and The golden notebook to identify the representations that subjugate, exclude, and repress them from selfhood. The analysis is more of a textual interaction than sociological, with emphasis on the use of patriarchal language in creating the woman. While The awakening and The golden notebook seem to confirm the representations of the woman as an object, a deficient binary opposite of the male and nothing more than a caregiver and sex provider, this study foregrounds the underlying voices of the texts sceptical of the representations. Both texts question these representations implying that the arbitrariness of language highlights the dichotomy of ascribing fixed and negative identities to the female; hence, patriarchal language is defective.

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Amouroux, Rémy. "Anne Berman (1889–1979), une «simple secrétaire» du mouvement psychanalytique français?" Gesnerus 73, no. 2 (November 6, 2016): 360–75. http://dx.doi.org/10.1163/22977953-07302008.

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This article is focused on the figure of personal secretary in the history of science with the example of Anne Berman (1889–1979) who was, between 1933 and 1962, the secretary for the psychoanalyst Marie Bonaparte (1882–1962). Berman was not a psychoanalyst and psychoanalytic historiography considers her as a minor figure. However, her career as a personal secretary and her role in the French psychoanalytic movement should be considered in conjunction with her involvement with the feminist movement. This pharmacist by training has indeed played a prominent role within the Soroptimist, which was a movement that championed the professional interest of women and prides female excellence. In the case of Berman, the status of personal secretary did not enable her to gain lasting recognition by psychoanalysts, but only a weak and fragile legitimacy.

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W, Eka Harisma. "GANGGUAN JIWA SEBAGAI BENTUK PERLAWANAN PEREMPUAN DALAM “THE YELLOW WALLPAPER” KARYA CHARLOTTE PERKINS GILMAN, SEBUAH PENDEKATAN FEMINIS PSIKOANALISIS *)." Alayasastra 17, no. 1 (May 31, 2021): 73–87. http://dx.doi.org/10.36567/aly.v17i1.786.

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ABSTRAK Tulisan ini mengkaji cerpen “The Yellow Wallpaper” karya Charlotte Perkins Gilman dengan menggunakan pendekatan feminis psikoanalisis Karen Horney. Pendekatan teori ini digunakan untuk menganalisis bahwa bentuk perlawanan perempuan yang tecermin dalam cerpen ini antara lain perlawanan mendekati orang lain, perlawanan melawan orang lain, dan perlawanan menjauhi orang lain. Bentuk perlawanan mendekati orang lain adalah dengan aktivitas memunculkan teman khayalan yang dianggap nyata; Perlawanan melawan orang lain ditunjukkan dengan kembalinya aktivitas menulis dan aktivas yang menunjukkan gangguan jiwa; Perlawanan menjauhi orang lain adalah dengan aktivitas mengunci pintu kamar dan tidak ingin bertemu dengan orang lain. Bentuk perlawanan yang paling kuat adalah ketika tokoh perempuan dianggap mengidap gangguan jiwa. Perlawanan-perlawanan perempuan tersebut disebabkan oleh dominasi atau belenggu patriarki dalam masyarakat. Belenggu-belenggu patriarki yang tecermin dalam cerpen ini antara lain subordinasi peran perempuan, alienasi/pengasingan perempuan dari masyarakat, dan perempuan dianggap sebagai liyan.Kata kunci: feminis psikoanalisis, perlawanan, gangguan jiwa ABSTRACTThis paper examines the short story "The Yellow Wallpaper" by Charlotte Perkins Gilman using the feminist approach of Karen Horney's psychoanalysis. This theoretical approach is used to analyze that the forms of women's resistance reflected in this short story include resistance to approaching others, resistance against other people, and resistance to staying away from others. The form of resistance to approaching others is through the activity of bringing up imaginary friends who are considered real; Resistance against others is shown by the return to writing and activities that indicate mental disorders; The resistance to staying away from others is by locking the bedroom door and not wanting to meet other people. The strongest form of resistance is when the female character is considered to have mental disorders. The women's resistance was caused by the dominance or the shackles of patriarchy in society. The patriarchal shackles that are reflected in this short story include the subordination of the role of women, alienation / alienation of women from society, and women being considered as others. Keywords: feminist psychoanalysis, resistance, neurotic insanity

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Boro, Alidou Razakou Ibourahima, and Alexis Hergie Seguedeme. "Daniel Defoe on the Issue of Prostitution: A Critical Exploration of Roxana The Fortunate Mistress." IRA International Journal of Education and Multidisciplinary Studies 16, no. 4 (October 28, 2020): 209. http://dx.doi.org/10.21013/jems.v16.n4.p1.

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Prostitution is said to be one of the world's oldest jobs. It is a social phenomenon with various root causes. Poverty, unemployment, and sometimes the necessity to do something to survive are some of the causes of prostitution. This activity is not without consequences for the practitioners. I have decided to critically explore Daniel Defoe’s Roxana the Fortunate Mistress to find out the reasons behind some women practicing such an activity. The study mainly focuses on the behaviour of the characters Roxana in the two novels. The main aim of the study is to put stress on the consequences of prostitution and draw the attention of the young generation on the dangers of prostitution and provide them with pieces of advice on the benefits of adopting decent behaviour. Based on psychoanalysis and feminism as literary theories, I conclude that prostitution is often linked to materialism and female greed.

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Dughayyim Aldhafeeri, Hilalah. "The Representation of Female Psychic Individuality in K. S. Maniam’s “Mala”." Advances in Language and Literary Studies 11, no. 2 (April 30, 2020): 1. http://dx.doi.org/10.7575/aiac.alls.v.11n.2p.1.

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This paper examines the feminist insights of the female individuality K. S. Maniam’s “Mala.” Female individuals, in psychoanalysis visions of delirium, have to cope with their needs and aspirations as their males counterparts. Women have to prove their ability stand and ask for their equality even in patriarchal dominated societies. They are a position that renders their human potential to do their affairs independently in the light of humanistic premises. Moreover, females could improve their status by asserting their given human ability to obtain equality and right position in whatever community. Yet, women may face obstacles and hindrances which might belittle their ability to assert their rights and potential thoughts. In this regard, females could be fruitful and active in society. The male conceptualization of females, on the other hand would lead women to be different and progress towards goodness. Therefore, it will apply Carl Yung’s concept of projection mechanism to explore the feminist psychic individuality in Maniam’s “Mala.” Thus, the study’s implication lies in its interpretation of feminist psychic individuality and how it this individuality controls the behavioral reaction of women.

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Nwadike, Chinedu, and Chibuzo Onunkwo. "Flipside Theory: Emerging Perspectives in Literary Criticism." International Journal of Applied Linguistics and English Literature 7, no. 6 (November 1, 2018): 195. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.6p.195.

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Literary theories have arisen to address some perceived needs in the critical appreciation of literature but flipside theory is a novelty that fills a gap in literary theory. By means of a critical look at some literary theories particularly Formalism, Marxism, structuralism, post-structuralism, psychoanalysis, and feminism but also Queer theory, New Criticism, New Historicism, postcolonialism, and reader-response, this essay establishes that a gap exists, which is the lack of a literary theory that laser-focuses on depictions of victims of social existence (people who simply for reasons of where and when they are born, where they reside and other unforeseen circumstances are pushed to the margins). Flipside criticism investigates whether such people are depicted as main characters in works of literature, and if so, how they impact society in very decisive ways such as causing the rise or fall of some important people, groups or social dynamics while still characterized as flipside society rather than developed to flipview society. While flipside literary criticism can be done on any work of literature, only works that distinctively provide this kind of plot can lay claim to being flipside works. This essay also distinguishes flipside theory from others that multitask such as Marxism, which explores the economy and class conflict between the proletariat and the bourgeoisie, and feminism, which explores depictions of women (the rich and the poor alike) and issues of sex and gender. In addition, flipside theory underscores the point that society is equally constituted by both flipview society and flipside society like two sides of a coin.

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Rabkina, N. V. "History of The Autonomous Industrial Colony "Kuzbass" in Foreign Research: Review of Julia L. Mickenberg’s "American Girls in Red Russia: Chasing the Soviet Dream" (2017)." Bulletin of Kemerovo State University, no. 3 (October 27, 2018): 49–56. http://dx.doi.org/10.21603/2078-8975-2018-3-49-56.

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The current paper features "American Girls in Red Russia: Chasing the Soviet Dream" (2017) by Julia L. Mickenberg, PhD in American Studies from the University of Texas. The author gives a thorough account of reasons that led American women in 1920–1930 to Soviet Russia. One of the chapters is dedicated to American author and journalist Ruth Epperson Kennell (1889–1977), who worked for the Autonomous Industrial Colony Kuzbass in 1922–1924, which makes her part of a unique industrial experiment in international partnership. She fulfilled duties of a secretary and librarian and continued to work at the library of Comintern in Moscow after her contract with Kuzbass expired. In 1928 she accompanied Theodore Dreiser in his Russian tour; he chose her as a prototypefor one of the novellas in his "Gallery of women". Relying on Kennell’s archive and written accounts of other Colony members, J. L. Mickenberg suggests that American women were attracted by the communal lifestyle ofsuch organizations as AIC "Kuzbass", as long as it offered them a relief from what was considered a woman’s traditional duties and a professional and artistic fulfi which led to a paradox: American women left for Soviet Russia in pursuit of the so-called American dream. Professor Mickenberg explains some of the radical feminism in her research subjects from the point of view of psychoanalysis and shows how environment and social changes influenced private life of the "Russian Americans". The monograph proves that the constant interest for the history and heritage of the Autonomous Industrial Colony "Kuzbass" is not only local but international.

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Troxell, Jenelle. "“Light Filtering through Those Shutters”: Joyless Streets, Mnemic Symbols, and the Beginnings of Feminist Film Criticism." Camera Obscura: Feminism, Culture, and Media Studies 34, no. 3 (December 1, 2019): 63–95. http://dx.doi.org/10.1215/02705346-7772387.

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This article examines the origin myth of the feminist film journal Close Up, namely, an excursion by its founders Bryher and H.D. to see G. W. Pabst’s Die freudlose Gasse (The Joyless Street, 1925) in a small cinema in Montreux, Switzerland. Throughout the essay, I use Joyless Street as a case study to analyze the ways in which theories of trauma can be effectively brought to bear on melodramas of the post–World War I era and, in the process, demonstrate the appeal Pabst’s works held for the Close Up editors, who shared his interest in trauma, psychoanalysis, and healing. By analyzing Joyless Street through the lens of Close Up, I demonstrate how Bryher and H.D. anticipate the development of trauma theory, which emerged in the early 1990s. Unlike traditional, often totalizing, applications of psychoanalysis (which emphasize notions of spectator desire and lack), the Close Up writers’ engagement of psychoanalysis focuses on issues of history, memory, and the response of spectators to historically specific situations. Their theory further suggests that in addition to surrogate fantasy fulfillment, film—in its recurring representation of trauma—might aid in mastering shared cultural symptoms, which women often experienced in isolation. Through their sustained analysis of film melodrama, the Close Up writers demonstrate that the war, beyond its devastating effects on combatants, also impacted the (female) civilian population—resulting in Close Up’s call for a critical film culture that speaks to that experience.

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Borges, Dulcina Tereza Bonati. "A sedução da Psicanálise nas páginas das Revistas Femininas Cláudia e Nova de 1970-1990." Caderno Espaço Feminino 32, no. 1 (September 19, 2019): 222–38. http://dx.doi.org/10.14393/cef-v32n1-2019-10.

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O presente trabalho visa captar os processos psicológicos subjetivos do movimento de modernização, a partir de uma pesquisa em artigos recolhidos nas Revistas Cláudia e Nova, entre as décadas de 1970-1990, tendo em vista as transformações ocorridas quanto aos valores ético-morais, nessa fase de grandes mudanças sociais. Trata-se de perceber como os discursos das Psicologias e da Psicanálise entram no campo constituído pela mídia, especificamente direcionados para orientar o comportamento feminino, erigindo-se como guia norteador na resolução dos conflitos pessoais e sexuais e da crise da identidade feminina. PALAVRAS-CHAVE: Revistas Femininas. Modernização. Subjetivação. ABSTRACT The presente work aims at capturing the subjective psychological processes of the modernization movement, based on a research on articles collected in the Cláudia and Nova Magazines between the 1970s and 1990s, in view of the transformations that have occurred regarding ethical and moral values social change. It is a question of perceiving how the discourses of Psychology and Psychoanalysis enter into the field constituted by the media, specifically directed to orient the female behavior, erecting itself as guiding guide in the resolution of the personal and sexual conflicts and the crisis of the feminine identity. KEYWORDS: Women´s Magazines. Modernization. Subjectivation.

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Stratton, Teri. "Headaches or Headless: Who Is Poet Enough?" Hypatia 7, no. 2 (1992): 109–19. http://dx.doi.org/10.1111/j.1527-2001.1992.tb00888.x.

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Psychoanalysis has long cited poetry as the expressive vehicle for unconscious production. This article addresses the sexual politics of psychoanalyses conjoining of poetry and the “feminine.” The argument of this text is that the coupling of the “feminine” and the poetic in Lacanian discourse is a metaphorical double cross which most often leaves “woman” at a loss for words.

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Bergo, Bettina. "“And God Created Woman”." Levinas Studies 12 (2018): 83–118. http://dx.doi.org/10.5840/levinas20197162.

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This article reads Levinas’s “And God Created Woman” in light of its socio-political context, Mai soixante-huit. It explores themes from his “Judaism and Revolution,” in which he reframed concepts of revolution, exegesis, the revolutionary, and human alienation. Following these themes, which run subtly through his Talmudic remarks on women and indirectly on feminism, I examine his arguments about a “signification beyond universality” and the fraught relationship between formal equity in gender relations and the practice of justice, as embodied by the Antigone-like Rizpah bath Aiah and analyzed in Levinas’s Talmudic reading “Toward the Other.” I summarize the Rabbinic debate about the meaning of an extra yod in the term often translated as “to create” in Genesis, turning to the significance of dissymmetry between the Hebrew names of “man” and “woman,” Ish and Isha. In light of this, Biblicist and psychoanalyst Daniel Sibony opens further insights into gender, naming, and identity.

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Neimneh, Shadi. "“Castration or Decapitation?” A Feminist Reading of Two Stories by Angela Carter." International Journal of Linguistics, Literature and Translation 4, no. 5 (May 30, 2021): 90–98. http://dx.doi.org/10.32996/ijllt.2021.4.5.8.

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This article examines two stories by Angela Carter, “The Bloody Chamber” (1979) and “The Executioner’s Beautiful Daughter” (1974) to account for Carter’s unique and ambivalent dismantling of patriarchal myths. Carter conflates two patriarchal tropes, castration and decapitation, to figure the oppression of women while allowing for an avenue of resistance. Using the French version of feminism, the work of Hélène Cixous in particular, the psychoanalytic theories of Freud and Lacan, and the postmodern critique of Linda Hutcheon, the article contends that Carter uses the trope of decapitation to link beheading to loss of agency and thus to serve her project of exposing violent patriarchal and sexual structures. She utilizes decapitation to interrogate female inferiority and project its castrating impact on those women who are threatened with this punishment. Decapitation, however, becomes a means of undermining patriarchal logic from within since Carter reverses its targets and logic just as she does with castration. Carter’s act of conflating castration and decapitation and unsettling their connotations revises power structures and challenges attributing castration to men and decapitation to women, offering a postmodern critique of patriarchal fixities, oppressive boundaries, and negative gender constructions imposed on women.

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Kryvoruchko, Svitlana, and Tatiana Fomenko. "The Image of Laurence in the Novel Simone de Beauvoir "Magic Pictures"." Journal of Social Sciences Research, no. 52 (January 25, 2019): 400–407. http://dx.doi.org/10.32861/jssr.52.400.407.

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Self-determination of a woman is important for her self-realization at the beginning of the XXI century. A modern woman successfully combines two careers. She presents herself as a specialist and wife / mother. French writer S de Beauvoir drew attention to this in her novel "Magic Pictures" in 1966. Her heroines make it possible to understand the psychological problems of women. The classification of archetypes of goddesses in accordance with the stereotypes of modern women was applied. This concept logically complements feminist criticism and helps to investigate the way the archetypes of the goddesses are manifested in the images, respectively, "feminine", "feminist" and "female" concepts. This will contribute to the clarification of the parable in the works of S. de Beauvoir. S. de Beauvoir uses psychoanalytic approaches to distinguish conscious and unconscious in heroines of literary works, and great attention is paid to unconscious motives and feelings. The writer distinguishes psychoanalytic symptoms, conditions of women to display their personal "psychodrama", which is reflected in literary conflicts. S. de Beauvoir interprets conflicts as external and internal. During the analyses of the writer’s works we also differentiate the conscious and unconscious in her heroines, observe conflicts between men and women, between generations, between the desires of one person, in order to understand better the "mental" state, which promotes character’s development as an existant. The writer made an extremely important artistic and aesthetic contribution into the creation of "feminine" artistic images, which reveals the archetype of Aphrodite, that through the issue of choice introduces the idea of the importance of "love", deprives of feelings and the status of the "Оther" as an inferiority complex, reaching the level of self-realization of an existant.S. de Beauvoir explores the phenomenon of literary existentialism as a problem of choice which a character has to face and contributes to its evolution. S. de Beauvoir’s creation of influential characters, according to "feminine" concept, achieves the highest resonance in the mid ХХ century and extends to the beginning of ХХ–XXI century.

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P., Ms Prathibha. "The Politics of Guilt: A Feminist Psychoanalysis of Isabella in Aphra Behn’s ‘The History of the Nun or the Fair Vow-Breaker’." SMART MOVES JOURNAL IJELLH 7, no. 12 (December 28, 2019): 11. http://dx.doi.org/10.24113/ijellh.v7i12.10213.

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The paper attempts a feminist examination of the complicated psychology of Isabella in Aphra Behn’s novel The History of the Nun or The Fair Vow Breaker. Isabella leads her life according to her own will but is grief stricken and disillusioned towards the end of the work. She repents her sinful past and conquers everyone’s heart. Negative stereotypes are rewritten in this literary production. Redefining female villainy as a form of victimization, portraying how the actions of 'wicked' women are often the end result of their confinement and suffocation within male-dominated ideologies form the crux of this paper.

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Waddell, Margot. "Psychoanalysis and Feminism." British Journal of Psychotherapy 12, no. 1 (September 1995): 81–84. http://dx.doi.org/10.1111/j.1752-0118.1995.tb00787.x.

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Raphael-Leff, Joan. "Psychoanalysis and Feminism." British Journal of Psychotherapy 12, no. 1 (September 1995): 84–89. http://dx.doi.org/10.1111/j.1752-0118.1995.tb00788.x.

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Punter, David, Richard Feldstein, and Judith Roof. "Feminism and Psychoanalysis." Modern Language Review 86, no. 3 (July 1991): 654. http://dx.doi.org/10.2307/3731015.

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Eva Farhah, Yeni Puspitasari,. "KEKERASAN TERHADAP PEREMPUAN DALAM TEKS NOVEL BANATU‘R-RIYADH KARYA RAJA‘ ASH-SHANI‘I:KAJIAN FEMINIS PSIKOANALISIS." Jurnal CMES 9, no. 1 (June 14, 2017): 4. http://dx.doi.org/10.20961/cmes.9.1.11720.

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This research discuss about the forms of violence against woman in Banatu‘r-Riyadh novel by Raja Ash-Shani‘i based on Feminist Literary Criticism of Psychoanalysis theory by Helen Cixous. Therefore, the purpose of this research are to describe forms of violence against woman based on Feminist Literary Criticism of Psychoanalysis theory by Helen Cixous. The research findings are 1) The Domestic violence: the physical violence and the emotional violence, 2) the public violence with the emotional violence. <br /><br />

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Bashkyrova, Olha. "REPRESENTATION OF FEMININITY IN MODERN UKRAINIAN NOVELS." Слово і Час, no. 6 (November 26, 2020): 72–86. http://dx.doi.org/10.33608/0236-1477.2020.06.72-86.

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The paper deals with the main tendencies of the artistic reception of women images in modern Ukrainian novels. The principles of modeling femininity in literature have been considered from the positions of the gender studies, postcolonial and psychoanalytic theory. It is proved that the peculiarities of this modeling are determined by stylistic and genre tendencies of the Ukrainian literature. The interpretation of feminine images typical for the national literary tradition (mother, family-keeper, demonic woman) has been demonstrated in numerous examples. These images correlate with the fundamental artistic principles of the turning points in history (actualization of the archetypes, attention to the irrational manifestations of human psychics). They display the ‘masculine’ literary tradition (representation of a woman as an external object), but at the same time demonstrate a new accent in the understanding of the gender roles (woman as a mentor of a man). The alternative types of the feminine identity represented by feminist and culturological women’s writing have been explored as well. Special attention has been paid to procreation as the main woman’s ability, which forms different models of feminine mentality – from the essentialist mother-type to the image of a child-free woman. The modeling of a feminine artistic worldview becomes an actual strategy in overcoming the postcolonial trauma. It is explained by the peculiarities of the postcolonial literatures, which fulfill their historical reflections in the local family stories. In this context, feminine conscience gets the status of a memory-keeper and shows the ability to trace the development of national history in its everyday dimensions. Based on the large-scale generalization of the last decades’ artistic practice, the researcher determines the main worldview intentions of modern novels, in particular the tendency to achieve gender parity, the full-fledged dialogue of men and women as the equal subjects of culture creation.

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Mutiyeva, Oksana S. "REFLECTION OF THE EVENTS OF THE CAUCASIAN WAR IN WOMEN’S LETTERS (IN TERMS OF DAGESTAN)." Vestnik of Kostroma State University, no. 1 (2020): 27–31. http://dx.doi.org/10.34216/1998-0817-2019-26-1-27-31.

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The purpose of this article is to interpret some of the events of the Caucasian War through the analysis of women’s letters. The letters refl ected some of the key events of the Caucasian War, as well as the characteristics of political fi gures. The author analyses letters from Khatun Bahu Bike, Khatun Nukh Bike, Imam Shamil’s wife Shuanet and daughter-in-law Karimat to representatives of the military and administration in the Caucasus, as well as to relatives. The research materials showed that due to various circumstances, women were forced to send letters to the Russian authorities. The author identifi es and describes the characteristic features of female letters, reveals the motives for contacting recipients. The main sources of research were materials from the pre-revolutionary periodicals «Historical Bulletin», «Caucasian Collection», «Russian Antiquity», where the texts of the above-mentioned letters were published. In the work, methods of feminist ethnology, psychoanalysis and interpretation, typical of gender anthropology, are applied. This approach makes it possible to hear the personal voice of the participants of the described events, to analyse the motives of behaviour, ways of experiencing the surrounding reality. It is concluded that letters as a means of women’s self-expression were a kind of marker of the relationship of women with the authorities and relatives. It is obvious that the source study potential of existing female letters has not yet been realised and is not in demand by researchers.

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35

O'Connor, Denise, and Teresa Brennan. "Between Feminism and Psychoanalysis." Feminist Review, no. 34 (1990): 171. http://dx.doi.org/10.2307/1395317.

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O'Connor, Denise. "Between Feminism and Psychoanalysis." Feminist Review 34, no. 1 (March 1990): 171–75. http://dx.doi.org/10.1057/fr.1990.21.

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37

Luepnitz, Deborah, and Nancy J. Chodorow. "Psychoanalysis and/or Feminism." Women's Review of Books 7, no. 8 (May 1990): 17. http://dx.doi.org/10.2307/4020723.

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Hollander, Nancy Caro. "Marxism, Psychoanalysis and Feminism." Women & Therapy 6, no. 4 (March 30, 1988): 87–108. http://dx.doi.org/10.1300/j015v06n04_11.

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Baraitser, Lisa. "Psychoanalysis and feminism and …" Psychoanalysis, Culture & Society 20, no. 2 (February 19, 2015): 151–59. http://dx.doi.org/10.1057/pcs.2015.1.

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Jones, James W. "Psychoanalysis, feminism, and religion." Pastoral Psychology 40, no. 6 (July 1992): 355–67. http://dx.doi.org/10.1007/bf01024151.

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41

Hoffman, Leon, Muriel Dimen, and Michelle Price. "Feminism and postmodern psychoanalysis." American Journal of Psychoanalysis 56, no. 3 (September 1996): 355–58. http://dx.doi.org/10.1007/bf02742423.

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Shah, Syed Zulkifil Haider, and Elijah Cory. "Reclaiming Subjectivities: A Psychoanalytic-Feminist Perspective on Item Songs in Contemporary Indian Cinema." CINEJ Cinema Journal 7, no. 2 (September 20, 2019): 82–100. http://dx.doi.org/10.5195/cinej.2019.217.

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Item Songs have recently become established as new genre of songs in the mainstream Indian Cinema, although they have remained a part of Bollywood movies since at least the 1970s. Such songs, despite their widespread appeal to masses, have often been panned by Film critics (particularly from the Radical Feminist School) for their erotic dances, and an overly glamorized and sexualized depiction of half-nude female bodies. Based upon the textual analysis of two popular item songs in recent Indian cinema, Sheila ki Jawani from Tees Maar Khan (2010) and Munni Badnam Hui from Dabangg (2010), this paper seeks to problematize such readings which focus exclusively on the issue of the objectification of women through the concept of the male gaze. Drawing upon more recent studies in Psychoanalytic Feminist Scholarship, the paper departs from this conventional understanding. It argues that such item songs can also be interpreted as a means of liberation for women, and as devices for reclaiming the narrative on female sexuality, and a woman’s right to her body. More broadly, using Judith Butler’s concept of Gender Performativity in the Feminist Phenomenological tradition, the paper argues that items songs can be construed as performative acts that subvert the male gaze and viewed as constitutive of new feminine subjectivities in the contemporary Indian society.

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Freedman, Barbara. "Frame-up: Feminism, Psychoanalysis, Theatre." Theatre Journal 40, no. 3 (October 1988): 375. http://dx.doi.org/10.2307/3208326.

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Sayers, Janet. "Melanie Klein, Psychoanalysis, and Feminism." Feminist Review, no. 25 (1987): 23. http://dx.doi.org/10.2307/1395033.

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Joeres, Ruth-Ellen B., and Barbara Laslett. "Psychoanalysis and Feminism: Current Controversies." Signs: Journal of Women in Culture and Society 17, no. 2 (January 1992): 435–36. http://dx.doi.org/10.1086/494736.

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46

Sayers, Janet. "Melanie Klein, Psychoanalysis, and Feminism." Feminist Review 25, no. 1 (March 1987): 23–37. http://dx.doi.org/10.1057/fr.1987.2.

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Bové, Carol Mastrangelo. "Kristeva's Thérèse: Mysticism and Modernism." Journal of French and Francophone Philosophy 21, no. 1 (May 31, 2013): 105–15. http://dx.doi.org/10.5195/jffp.2013.567.

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This essay focuses on Julia Kristeva’s recent volume Thérèse mon amour: Sainte Thérèse d’Avila (2008), describing and placing this blend of novel, play, psychoanalytic cultural theory, and case history in the context of her work. I argue that the volume contributes to an understanding of religion’s impact—especially Catholic mysticism--on Western categories of women. I address in particular Thérèse’s mysticism and modernist use of a feminine figure to subvert practices threatening the vitality of the psyche and of social relations. As in Kristeva’s earlier writing, her psychoanalytic approach to Catholicism’s influence continues to raise questions concerning the apparent stereotypes the approach may feed, especially that of the masochistic woman.

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Mountian, Ilana. "Borders and margins: debates on intersectionality for critical research." Qualitative Research Journal 17, no. 3 (August 14, 2017): 155–63. http://dx.doi.org/10.1108/qrj-11-2016-0071.

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Purpose The purpose of this paper is to debate intersectionality as a key methodological aspect for critical research. While intersectionality is a consensus for critical studies, it is important to highlight the challenges that a perspective that consider power relations across social categories put forward. For this, I examine how these relations are seen in research, and highlight the risks of hierarchical views on social categories, or the invisibilization of those same categories. Design/methodology/approach These reflections will be primarily based on previous research on immigration in São Paulo and on older transsexual women in Brazil, studies that required a multi-faceted analysis. The studies were based on critical feminist, post-colonial studies and psychoanalysis to examine discourses and to unravel the social imaginaries on the immigrant and on transsexual women in Brazil. For this, I bring forth the notion of the other as a discursive space often placed on these groups, and how the discursive position also reflect views on gender, race, sexuality and class as structural discursive boundaries in Brazil. Findings Taking the border as a metaphor to read everyday encounters, the body becomes a mark of difference, where subjects are placed at specific discursive (and also geographical) positions – at the center or at the margins. Taking this into account, the paper highlights two main aspects: first, a debate on the importance of intersectionality for critical methodological frameworks, and second, how critical discourse analysis allow us to defy the taken-for-granted binary constructions of other-us, that are continuously re-evoked and reified in discourse. Originality/value This debate is important as there are innumerous ways of approaching intersectionality, hence a critical analysis into current debates and methodological standpoints become central.

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Simi, Nicole L., and James R. Mahalik. "Comparison of Feminist Versus Psychoanalytic/Dynamic and Other Therapists on Self-Disclosure." Psychology of Women Quarterly 21, no. 3 (September 1997): 465–83. http://dx.doi.org/10.1111/j.1471-6402.1997.tb00125.x.

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The Feminist Self-Disclosure Inventory (FSDI) was developed to assess principles of therapist self-disclosure as described in the feminist therapy literature. This 18-item Likert-type scale was completed in a mailed survey by women psychotherapists (i.e., 41 self-identified feminist therapists, 34 psychoanalytic/dynamic, and 68 other therapists). Results indicated that the FSDI was comprised of five factors [i.e., Therapist Background (TB), Promotes Liberatory Feelings (PLF), Promotes Egalitarianism (PE), Therapist Availability (TA), and Empowering Client (EC)], and that the overall scale had excellent internal consistency and very satisfactory test-retest reliability. Also, feminist therapists endorsed FSDI factors significantly more than psychoanalytic/dynamic and other therapists with the greatest differences on items reflecting overall use of self-disclosure, disclosing sexual orientation, using disclosure to create egalitarianism, and encouraging the client's choice of a role model in the therapeutic relationship.

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McCormick, Richard W. "Politics and the Psyche: Feminism, Psychoanalysis, and Film TheoryExplorations in Film Theory: Selected Essays from "Ciné-Tracts.". Ron BurnettPsychoanalysis and Cultural Theory: Thresholds. James DonaldBreaking the Frame: Film Language and the Experience of Limits. Inez HedgesHis Other Half: Men Looking at Women through Art. Wendy LesserIndiscretions: Avant-Garde Film, Video, and Feminism. Patricia MellencampClose Encounters: Film, Feminism, and Science Fiction. Constance Penley , Elizabeth Lyon , Lynn Spigel , Janet BergstromThe Difficulty of Difference: Psychoanalysis, Sexual Difference, and Film Theory. David Norman RodowickHard Core: Power, Pleasure, and the "Frenzy of the Visible.". Linda Williams." Signs: Journal of Women in Culture and Society 18, no. 1 (October 1992): 173–87. http://dx.doi.org/10.1086/494784.

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Journal articles on the topic 'Women Psychoanalysis and feminism'

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