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1

Schäfer, Rita. Guter Rat ist wie die Glut des Feuers: Der Wandel der Anbaukenntnisse, Wissenskommunikation und Geschlechterverhältnisse der Shona in Zimbabwe. Pfaffenweiler: Centaurus, 1998.

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2

Elizabeth, Schmidt. Peasants, traders, and wives: Shona women in the history of Zimbabwe, 1870-1939. Portsmouth, NH: Heinemann, 1992.

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3

Nhongo-Simbanegavi, Josephine. For better or worse?: Women and ZANLA in Zimbabwe's liberation struggle. Avondale, Harare: Weaver Press, 2000.

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4

Peasants, traders, and wives: Shona women in the history of Zimbabwe, 1870-1939. Portsmouth, NH: Heinemann, 1992.

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5

Kudzidza nokudzidzisa nhetembo. Harare: SAPES Books, 1997.

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6

Morioka, Michiyo. Changing images of women: Taisho period paintings by Uemura Shoen (1875-1949), Ito Shoha (1877-1968), and Kajiwara Hisako (1896-1988). Ann Arbor, Mi: University Microfilms International, 1992.

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7

Wandering a Gendered Wilderness: Suffering & Healing in an African Initiated Church. Peter Lang Publishing, 2007.

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8

Mackay, Shena. Shena Mackay Memoir. Little, Brown Book Group Limited, 2019.

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9

Matsumura, Yoshihiko. Akujotachi no Showa shi. Raibu Shuppan, 1992.

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10

Onna no kutoshi: Mohitotsu no Showa. Sairyusha, 1990.

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11

Showa no josei, ichinichi isshi. Iwanami Shoten, 1996.

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12

Shinshu, onna no Showa shi. Shinano Mainichi Shinbunsha, 1987.

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13

Warner, Kristen J. ABC’s Scandal and Black Women’s Fandom. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039577.003.0003.

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This chapter analyzes the ways Black women fans have reacted to not being visible in the dominant spaces of fandom. It offers the fandom of ABC's Scandal—a program with Black women in central positions both behind and in front of the camera—as a primary example of the ways Black women fan communities work toward reinscription. Premiering on ABC in April 2012, the prime-time dramatic series produced by Grey's Anatomy showrunner Shonda Rhimes and starring African American actress Kerry Washington became a literal embodiment of the type of labor Black women practice in fan spaces. In this case, Black female fans have transformed the central Black lead, canonically drawn as normative and racially neutral, into a culturally specific Black character. This is commonplace labor for non-White fans—particularly in the early-twenty-first-century's so-called postrace moment.
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14

Kawaguchi, Yuji. Nami no oto, hito no koe: Showa o ikita onnatachi. Domesu Shuppan, 1995.

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15

Shima ni fuku kaze: Onnatachi no Showa. Domesu Shuppan, 1993.

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16

Watakushi ga ikita Showa: Ibaraki no joseitachi. Domesu Shuppan, 1992.

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17

Popular Hits Of The Showa Era. New York, USA: W. W. Norton & Company, 2011.

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18

Fisher Gallery (University of Southern California). Light in Darkness: Women in Prints of Early Showa Japan, 1925-1941. Fisher Gallery University of Southern Califor, 1996.

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19

1954-, Jacoby Jessica, Schoppmann Claudia, and Zena-Henry Wendy 1962-, eds. Nach der Shoa geboren: Jüdische Frauen in Deutschland. Berlin: Elefanten Press, 1994.

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20

Nihon josei no shakaiteki chii (Showa 60-nen kokusei chosa monogurafu shirizu). Nihon Tokei Kyokai, 1990.

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21

O'Donnell, Ian. Postscript. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198798477.003.0011.

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Ireland ceased being a killing state by degrees. The final execution took place on 20 April 1954 when Michael Manning felt Albert Pierrepoint place a noose around his neck.1 A carter from Limerick, Manning had ambushed and suffocated Catherine Cooper, a nurse forty years his senior. This was a brutal crime involving a vulnerable victim who was badly beaten and sexually assaulted. By Manning’s own account he was making his way home after a day’s drinking when he saw a woman he did not recognize walking alone. As he put it afterwards: ‘I suddenly lost my head and jumped on the woman and remember no more until the lights of a car shone on me.’...
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22

Fujin, seikatsu, jutaku ni kansuru 10-nenkan no zasshi bunken mokuroku: Showa 50-nen--Showa 59-nen (Zasshi bunken mokuroku shirizu). Hatsubaimoto Kinokuniya Shoten, 1987.

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23

Onna hitori iki koko ni heiwa o negau: Showa senso dokushin josei no shogen. Hatsubaimoto Seiunsha, 1989.

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24

GTO: The Early Years -- Shonan Junai Gumi Volume 2 (Shonan Junai Gumi (Graphic Novels)). TokyoPop, 2006.

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25

GTO: The Early Years -- Shonan Junai Gumi Volume 3 (Shonan Junai Gumi (Graphic Novels)). TokyoPop, 2007.

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26

Fujisawa, Tohru. GTO: The Early Years - Shonan Junai Gumi 1. TokyoPop, 2006.

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27

Gaskell, Elizabeth. Cousin Phillis and Other Stories. Edited by Heather Glen. Oxford University Press, 2010. http://dx.doi.org/10.1093/owc/9780199239498.001.0001.

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‘I see her now – cousin Phillis. The westering sun shone full upon her, and made a slanting stream of light into the room within.’ Elizabeth Gaskell has long been one of the most popular of Victorian novelists, yet in her lifetime her shorter fictions were equally well loved, and they are among the most accomplished examples of the genre. The novella-length Cousin Phillis is a lyrical depiction of a vanishing way of life and a girl’s disappointment in love: deceptively simple, its undercurrent of feeling leaves an indelible impression. The other five stories in this selection were all written during the 1850s for Dickens’s periodical Household Words. They range from a quietly original tale of urban poverty and a fallen woman in ‘Lizzie Leigh’ to an historical tale of a great family in ‘Morton Hall’; echoes of the French Revolution, the bleakness of winter in Westmorland, and a tragic secret are brought vividly to life. Heather Glen reflects on the stories’ original periodical publication and on the nineteenth-century development of the short story in her Introduction to these immensely readable and sophisticated tales.
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28

Kasan no Showa shi: Ima kodomotachi ni 38-hen no dengon : Machi ya mura de, Hiroshima de, Nagasaki de, Okinawa de-- senka o kugurinuketa hahatachi ga kaita. Hatsubai Nihon Kikanshi Shuppan Senta, 1989.

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29

Company, Awesome Diary Publishing. Shana's Diary of Awesomeness 2020: Unique Personalised Full Year Dated Diary Gift for a Girl Called Shana - 185 Pages - 2 Days per Page - Perfect for Girls & Women - a Great Journal for Home, School College or Work. Independently Published, 2019.

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30

Journals, Royal. I Turned 97 in Quarantine and the Sun Still Shone: Quarantine Journal / Notebook Birthday Gift for 97 Years Old Women, Men, Funny 97th Birthday Quarantine Present for Everyone, Practical Alternative to a Quarantine Birthday Shirt, 120 Lined Pages. Independently Published, 2020.

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31

Journals, Royal. I Turned 59 in Quarantine and the Sun Still Shone: Quarantine Journal / Notebook Birthday Gift for 59 Years Old Women, Men, Funny 59th Birthday Quarantine Present for Everyone, Practical Alternative to a Quarantine Birthday Shirt, 120 Lined Pages. Independently Published, 2020.

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32

Journals, Royal. I Turned 66 in Quarantine and the Sun Still Shone: Quarantine Journal / Notebook Birthday Gift for 66 Years Old Women, Men, Funny 66th Birthday Quarantine Present for Everyone, Practical Alternative to a Quarantine Birthday Shirt, 120 Lined Pages. Independently Published, 2020.

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33

Journals, Royal. I Turned 107 in Quarantine and the Sun Still Shone: Quarantine Journal / Notebook Birthday Gift for 107 Years Old Women, Men, Funny 107th Birthday Quarantine Present for Everyone, Practical Alternative to a Quarantine Birthday Shirt, 120 Lined Pages. Independently Published, 2020.

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34

Journals, Royal. I Turned 28 in Quarantine and the Sun Still Shone: Quarantine Journal / Notebook Birthday Gift for 28 Years Old Women, Men, Funny 28th Birthday Quarantine Present for Everyone, Practical Alternative to a Quarantine Birthday Shirt, 120 Lined Pages. Independently Published, 2020.

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