Relevant bibliographies by topics / Women Surrealists / Dissertations / Theses
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Dissertations / Theses on the topic 'Women Surrealists'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Consult the top 23 dissertations / theses for your research on the topic 'Women Surrealists.'

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1

Stent, Sabina Daniela. "Women Surrealists : sexuality, fetish, femininity and female Surrealism." Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3718/.

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The objective of this thesis is to challenge the patriarchal traditions of Surrealism by examining the topic from the perspective of its women practitioners. Unlike past research, which often focuses on the biographical details of women artists, this thesis provides a case study of a select group of women Surrealists – chosen for the variety of their artistic practice and creativity – based on the close textual analysis of selected works. Specifically, this study will deal with names that are familiar (Lee Miller, Meret Oppenheim, Frida Kahlo), marginal (Elsa Schiaparelli) or simply ignored or
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2

Asif, Noor A. "Women Surrealists: Muses or Seekers?" Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/826.

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Surrealism has often been labeled as a misogynistic movement that sought to provide man with an avenue into a higher reality at the expense of the humanity of women. By perceiving the opposite sex as their muses, Surrealist men rendered women as mysterious sources of the marvelous, the name given to the higher realm, which they desired to attain. I propose that Surrealist women were empowered by the fact that ‘woman’, as an abstract concept, and femininity were synonymous with the marvelous. This entailed that Surrealist women had the advantage of being “sources of revelation, as provokers of
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3

Pucci, Alicia Meredith. "Consuming Surrealism in Modern Mexican Advertising: Remedios Varo's Pharmaceutical Illustrations for Casa Bayer, S.A." Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/516897.

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Art History<br>M.A.<br>My thesis investigates an interdisciplinary narrative of the transatlantic migration of Surrealism to Mexico during the 1940s. I focus on the ways exiled European Surrealists approached notions of Mexican material culture in a hybrid society where local traditions coexisted with a global modernity. Looking to popular and print culture outlets, I concentrate on how Mexican material culture was perceived, promoted, and marketed through a Surrealist lens. Specifically, I consider the collaboration of the German pharmaceutical company Casa Bayer, S.A. and exiled Spanish-born
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4

Ferentinou, Victoria. "Women Surrealists and hermetic imagery : androgyny and the feminine principle in the work of Ithell Colquhoun, Leonora Carrington and Remedios Varo." Thesis, University of Essex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442510.

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This thesis focuses on the use of hermetic imagery in the work of three women artists associated with the Surrealist movement and whose pictorial/verbal vocabularies were influenced by the occult, namely Ithell Colquhoun, Leonora Carrington and Remedios '" V aro. In particular, two hermetic concepts, treated as case studies, are discussed: androgyny and the feminine principle. The examination concentrates on the work of these women but also brings into the discussion the meaning/s of the two ideas in the original sources as well as in Surrealism, since the three artists drew upon the occult bu
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5

Dudley, Jennifer Ann. "Traversing the boundaries? : art and film in Indonesia with particular reference to Perbatasan/Boundaries : Lucia Hatini, paintings from a life /." Murdoch University Digital Theses Program, 2006. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20090716.145044.

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6

Wilcox, Catherine Mary. "Resistance and revolt : the work of surrealist women." Thesis, Birkbeck (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406295.

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7

Ronayne, Anne. "Close encounters : surrealism, women and anti-fascism." Thesis, University of Cambridge, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.414911.

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8

Harsh, Mary Anne. "From muse to militant francophone women novelists and surrealist aesthetics /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1199254932.

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9

Sorensen, Abigail. "The Feminine Sublime in 21st Century Surrealist Cinema." Wright State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=wright1464046230.

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10

González, Madrid María José. "Surrealismo y saberes mágicos en la obra de Remedios Varo." Doctoral thesis, Universitat de Barcelona, 2014. http://hdl.handle.net/10803/131945.

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En muchos estudios sobre la obra de Remedios Varo (Anglés, 1908 – Ciudad de México, 1963) se destacan las inclinaciones de la pintora por los saberes mágicos y herméticos, por lo oculto y lo místico. Sin embargo no se ha trabajado en profundidad ni sobre estos intereses ni sobre su presencia y representación en la obra de la artista. Asimismo, tampoco se ha investigado la relación entre los intereses de Varo por lo mágico y aquellos –¿similares?– que se desarrollaron en el seno del surrealismo. Por último, los posibles vínculos entre las prácticas mágicas y la práctica de la pintura para Varo
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11

Turner, M. K., of Western Sydney Nepean University, and School of Contemporary Arts. "Representation and womens art." THESIS_XXX_CAR_Turner_M.xml, 1998. http://handle.uws.edu.au:8081/1959.7/732.

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The thesis contains a discussion of surrealism and the work of Meret Oppenheim and Leonora Carrington. In the thesis I also distinguish three groups of paintings in essays and describe my work and the way in which theory and practice have recommended one another. 'Salience and Surrealism' discusses how the features of collaboration, play and partnership involve women artists within the surrealist movement, and how their ideas of the feminine principle evolve and change. I also discuss the changing attitudes to imagination, creative inspiration and activity, and the understanding brought about
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12

Kuo, Hsiu-Li. "The solitary notations." Faculty of Creative Arts, 2004. http://ro.uow.edu.au/theses/182.

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This study investigates imagery from twentieth century art presenting the fluctuation of the human psyche, and historical western imagery revealing the mortal condition of human corporeality. The exploration of the interdisciplinary historical aspect of Surrealism (Rubin: 1968, Alexandrian: 1970, Bigsby: 1972), womens art (Orenstein: 1973, Chadwick: 1985), anatomical illustration (Roberts: 1992, Cazort: 1996), and death-related photography (Sante: 1992, Burns: 1990, 1998, OConnor: 1999) is an attempt to attain a coherent sense of being a human in the natural world. The Solitary Notations explo
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13

Carman, Hillary Anne. "Mask, Mannequin, and the Modern Woman: Surrealism and the Fashion Photographs of George Hoyningen-Huene." BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3428.

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In this thesis I consider photographs of the mannequin by Vogue's fashion photographer, George Hoyningen-Huene. Little scholarship has been written on Huene, as well as many other fashion photographers of the twentieth century. I examine four of Huene's works and his appropriation of the surrealist aesthetic, specifically the use of the mask and mannequin, which were directed at female spectators during the interwar atmosphere and development of the identity of the interwar modern woman. These images include Life-mask of Dolores Wilkinson (1933), Antoine with One of His Creations (1933), Scarf
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14

Turner, M. K. "Representation and womens art." View thesis, 1998. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20030916.113709/index.html.

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15

Vergara, Cynthia P. "Gypsie." Digital Archive @ GSU, 2010. http://digitalarchive.gsu.edu/english_theses/83.

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Many of these poems deal with childhood, love, art, and the search for meaning. Most of the poems have a female voice that is hopeful and acceptant. The format of the thesis goes from adulthood to childhood and works as a return to the familial.
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16

Davis, Peter. ""Woven Into the Deeps of Life": Death, Redemption, and Memory in Bob Kaufman's Poetry." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/pomona_theses/220.

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The scholars who have taken up the task of writing about Bob Kaufman have most often done so in response to a perceived demand: the lack of Kaufman scholarship, readership, anthology, publicity, canonization. The basis of this need is clear: Kaufman is almost never included as even a third-string Beat, a fringe Surrealist, or an underappreciated Jazz performer. To the committed readers of Kaufman – and almost all of his readers seem to be committed ones – it’s unforgivable. These various canons, major (mid-century American poets, Beat poets) and minor (Jazz poets, American Surrealists), are cl
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17

Gianoncelli, Eve. "La pensée conquise : contribution à une histoire intellectuelle transnationale des femmes et du genre au XXe siècle." Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080078/document.

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Cette thèse porte sur les processus de constitution – problématiques – de femmes comme intellectuelles au XXe siècle. Pour ce faire, trois cas, nés vers 1900, sont étudiés : l’artiste et écrivaine proche des avant-gardes en général et des surréalistes en particulier dans le Paris des années 1920-1930 Claude Cahun, la journaliste martiniquaise du Paris colonial de ces mêmes années et figure militante et intellectuelle importante de la Martinique d’après-guerre Paulette Nardal ; et enfin Viola Klein, juive tchèque exilée en Angleterre et pionnière oubliée de la sociologie féministe. Cette étude
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18

Ross, Genesis. "Black Deathing to Black Self-Determination: The Cultivating Substance of Counter-Narratives." Miami University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=miami1617984242373826.

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19

蘇雋詞. "The Mysterious Images by Women Surrealist Artists :A Study of the Works of Leonora Carrington and Remedios Varo." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/24848376385771816612.

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碩士<br>臺北市立教育大學<br>視覺藝術研究所<br>95<br>This thesis is aimed to explore the mysterious images which was created by two female Surrealist artists, Leonora Carrington and Remedios Varo. Leonora Carrington and Remedios Varo develop a school of themselves in man's leading surrealism. Their works are full of reactions against patriarchy system, and represent the aspiration of seeking the subjects of women. This thesis is trying to use iconology, Feminism and analytic psychology to analyse the images of the two female Surrealist artists. It is expected to find out the meaning and compatibility of the pic
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20

SVOBODA, Tomáš. "Teoretická východiska a jejich reprezentace v surrealistické tvorbě Vítězslava Nezvala." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-174506.

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The time period during which the Surrealist Group in Czechoslovakia and during which Vítězslav Nezval was creating surrealistic works has several theoretical bases in psychology and philosophy. The purpose of this thesis is to list these bases and interpret them in connection with Nezval's surrealistic works. Sources used comprise of fictional and theoretical literature and also period press and publications about surrealism.
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21

Özmekik, Duygu. "Les dents de sagesse du bestiaire inquiétant, suivi de Le détournement du mythe « femme-enfant » dans les contes fantastiques de Gisèle Prassinos." Thèse, 2016. http://hdl.handle.net/1866/18346.

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Ce mémoire en recherche-création débute par un récit intitulé Les dents de sagesse du bestiaire inquiétant, qui est formé de dix contes où prennent place dans un monde fantastique les aventures d’un bestiaire. Ce texte qui met en scène l’histoire d’animaux hybrides cherche également l’expérimentation textuelle par l’écriture automatique des surréalistes. Il pratique l’hybridité des genres comme la lettre, l’essai, le poème et la chanson. Ainsi, la nature hybride des créatures des contes s’appuient sur l’esthétique formelle de l’œuvre. La deuxième partie intitulée Le détournement du mythe
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22

Kearney, Beth F. "Figures de femmes chez Valentine Penrose : à la croisée du saphisme littéraire et du roman gothique." Thèse, 2019. http://hdl.handle.net/1866/23737.

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Valentine Penrose est une poète, romancière et collagiste surréaliste moins connue que certaines de ses homologues telles Frida Kahlo ou Claude Cahun. Si les quelques études qui lui ont été consacrées reconnaissent l’omniprésence du féminin et le caractère inquiétant de certaines manifestations de la femme dans son œuvre, les sources de ces représentations n’ont guère été explorées. Pour combler cette lacune, notre mémoire s’applique à analyser l’œuvre de Penrose afin d’y mettre en lumière la présence textuelle et picturale du saphisme littéraire et du roman gothique, deux influences majeures
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23

Beauchamp, Houde Sarah-Jeanne. "La collaboration au féminin : les livres surréalistes de Lise Deharme." Thèse, 2019. http://hdl.handle.net/1866/22490.

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