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Books on the topic 'Women Theater Theater'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Rothe, Friedrich. Arthur Schnitzler und Adele Sandrock: Theater über Theater. Berlin: Rowohlt, 1997.

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2

Rothe, Friedrich. Arthur Schnitzler und Adele Sandrock: Theater über Theater. Reinbek bei Hamburg: Rowohlt Taschenbuch Verlag, 1998.

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3

1966-, De Gay Jane, ed. Feminist stages: Interviews with women in contemporary British theatre. Amsterdam, Netherlands: Harwood Academic Publishers, 1996.

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4

Pewny, Katharina. Ihre Welt bedeuten: Feminismus, Theater, Repräsentation. Königstein/Taunus: U. Helmer, 2002.

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5

ill, Brown Pamela 1950, ed. Karen Strange, children's theater producer. Frederick, Md: Twenty-First Century Books, 1991.

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6

Muffled voices: Women in modern Indian theatre. New Delhi: Har-Anand Publications Pvt Ltd, 2013.

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7

Nightwood Theatre: A woman's work is always done. Edmonton, AB: AU Press, 2010.

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8

Imagining Medea: Rhodessa Jones & theater for incarcerated women. Chapel Hill: University of North Carolina Press, 2001.

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9

Sieg, Katrin. Exiles, eccentrics, activists: Women in contemporary German theater. Ann Arbor: University of Michigan Press, 1994.

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10

Women in traditional Chinese theater: The heroine's play. Lantham, MD: University Press of America, 2006.

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11

Sieg, Katrin. Exiles, eccentrics, activists: Women in contemporary German theater. Ann Arbor: University of Michigan Press, 1994.

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12

Acting women: Images of women in theatre. New York, N.Y: New York University Press, 1989.

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13

Acting women: Images of women in theatre. Houndmills, Basingstoke, Hampshire: Macmillan, 1990.

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14

Saeed, Fouzia. Women in folk theatre. Islamabad, Pakistan: Lok Virsa, 1991.

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15

Moazzam, Wasti, and National Institute of Folk and Traditional Heritage, eds. Forgotten faces: Daring women of Pakistan's folk theatre. Islamabad: National Institute of Folk and Traditional Heritage, 2011.

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16

International Würzburg colloquium on India studies (3rd : 2005 : Würzburg, Germany), ed. Between fame and shame: Performing women - women performers in India. Wiesbaden: Harrassowitz, 2011.

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17

Fogarty, Sharon. Leaving the limpid pool: An analysis of Tom Murphy's women in their social and historical context. Dublin: University College Dublin, Graduate School of Business, 1992.

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18

Cockin, Katharine. Women and theatre in the age of suffrage: The Pioneer Players 1911-1925. Edited by Campling Jo. Houndmills, Basingstoke, Hampshire: Palgrave, 2001.

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19

Rainer, Arnulf. Arnulf Rainer: Theater/Minetti. Bochum: M Bochum, 1985.

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20

Puṣpa, Ec El, and El Bi Śēkha. Raṅgabhūmi mattu mahiḷe. Beṅgaḷūru: Karnāṭaka Nāṭaka Akāḍemi, 2015.

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21

Curry, Jane Kathleen. Nineteenth-century American women theatre managers. Westport, Conn: Greenwood Press, 1994.

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22

Screenings: Wissen und Geschlecht in Musik, Theater, Film. Wien: Böhlau, 2010.

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23

Seibel, Beatriz. De ninfas a capitanas: Mujer, teatro y sociedad: desde los rituales hasta la independencia. Buenos Aires: Editorial Legasa, 1990.

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24

Seibel, Beatriz. De ninfas a capitanas: Mujer, teatro y sociedad en Argentina desde los rituales hasta la Independencia. Cádiz: Fundación Municipal de Cultura, Excmo. Ayuntamiento de Cádiz, 1990.

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25

Unmaking mimesis: Essays on feminism and theater. London: Routledge, 1997.

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26

Actresses as working women: Their social identity in Victorian culture. London: Routledge, 1991.

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27

Women on the stage in early modern France: 1540-1750. New York: Cambridge University Press, 2010.

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28

Female absence: Women, theatre, and other metaphors. Bruxelles: P.I.E.-Peter Lang, 2003.

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29

Recording women: A documentation of six theatre productions. Amsterdam: Harwood Academic, 2000.

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30

Cousin, Geraldine. Recording women: A documentation of six theatre productions. Amsterdam: Harwood Academic, 2000.

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31

Singh, Lata. Play-house of power: Theatre in colonial India. New Delhi: Oxford University Press, 2009.

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32

Ma koji život, ma koji teatar. Zagreb: Profil knjiga, 2014.

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33

Gotovac, Mani. Fališ mi: Autobiografski roman. Zagreb: Profil multimedija, 2010.

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34

Fališ mi: Autobiografski roman. Zagreb: Profil multimedija, 2010.

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35

Yamaner, Güzin. 20. yüzyıl tiyatrosunda kadın bakış açısının yansımaları. Ankara: T.C.Kültür Bakanlığı, 2001.

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36

Singh, Lata. Play-house of power: Theatre in colonial India. New Delhi: Oxford University Press, 2009.

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37

Xianggang xi ju shi ge an yan tan: Nü xing yu ju chang : Xianggang shi jian chu tan. Xianggang: Guo ji yan yi ping lun jia xie hui (Xianggang fen hui) you xian gong si, 2011.

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38

Identità in scena: Etnografia del caso AlmaTeatro, 1993-2003. Roma: Aracne, 2008.

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39

Elaine, Aston. Feminist theatre practice: A handbook. London: Routledge, 1999.

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40

Jing ju, qiao he Zhongguo di xing bie guan xi, 1902-1937. Beijing Shi: Sheng huo, du shu, xin zhi san lian shu dian, 1998.

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41

Converging realities: Feminism in Australian theatre. Sydney: Currency Press, 1994.

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42

Kraft, Helga. Ein Haus aus Sprache: Dramatikerinnen und das andere Theater. Stuttgart: Metzler, 1996.

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43

Śaphi, Āhameda, and International Theatre Institute. Bangladesh Centre., eds. International Seminar on Women in Theatre, January 30 to February 1, 1997, Dhaka, Bangladesh. Dhaka: Bangladesh Centre of ITI, 1997.

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44

International Seminar on Women in Theatre (1997 Dhaka, Bangladesh). Documentation: International Seminar on Women in Theatre, January 30-February 1, 1997, Dhaka, Bangladesh. Dhaka: Bangladesh Centre of the International Theatre Institute, 1997.

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45

Moroff, Diane Lynn. Fornes: Theater in the present tense. Ann Arbor: University of Michigan Press, 1996.

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46

Loeschke, Maravene Sheppard. Lives in art: Sixteen women who changed theatre in Baltimore. S.l: s.n., 2001.

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47

Women and Victorian theatre. Cambridge, U.K: Cambridge University Press, 1997.

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48

Korda, Natasha. Women in the Theater. Oxford University Press, 2011. http://dx.doi.org/10.1093/oxfordhb/9780199697861.013.0028.

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49

Publishing, RH Value. Women in American Theater. Random House Value Publishing, 1988.

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50

Semmes, Clovis E. The Problem of Race and Chicago’s Great Tivoli Theater. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037023.003.0003.

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Abstract:

This chapter historicizes the building of “the great palace theaters” of the early twentieth century, paying particular attention to real-life racial politics. Inspired by the architectural designs of the Chateau de Versailles, the Tivoli Theater was located in Washington Park with its 85 percent white population. The theater, originally built in 1921 for white neighborhood residents, employed a number of black men and women in service capacities. Due to gradual demographic shifts, Tivoli Theater management pursued a policy of separate seating for audiences for the live performances and film exhibitions. The chapter notes that the ornate theaters, including the Regal Theater, which was the black counterpart to the Tivoli Theater, sought to sell the feeling of being upper class while giving access to all classes.

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