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Journal articles on the topic 'Women, White – Zimbabwe – Biography'

Author: Grafiati
Published: 4 June 2021
Last updated: 14 February 2022

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1

FITZMAURICE, SUSAN. "Ideology, race and place in historical constructions of belonging: the case of Zimbabwe." English Language and Linguistics 19, no. 2 (2015): 327–54. http://dx.doi.org/10.1017/s1360674315000106.

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This article explores the ways in which constructions of identities of place are embedded in the ideology of race and social orientation in Zimbabwe. Using newspaper reports, memoirs, speeches, advertisements, fiction, interviews and ephemera produced around key discursive thresholds, it examines the production of multiple meanings of key terms within competing discourses to generate co-existing parallel lexicons. Crucially, labels like ‘settler’, ‘African’ and ‘Zimbabwean’, labels that are inextricably linked to access to and association with the land in colonial and postcolonial Zimbabwe, sh
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2

Shaw, Carolyn Martin. "Sticks and Scones: Black and White Women in the Homecraft Movement in Colonial Zimbabwe." Race / Ethnicity: Multidisciplinary Global Contexts 1, no. 2 (2008): 253–78. http://dx.doi.org/10.2979/rac.2008.1.2.253.

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3

Beauchamp, Edward R., Yoshiko Furuki, and Barbara Rose. "The White Plum: A Biography of Ume Tsuda, Pioneer in the Higher Education of Women." Monumenta Nipponica 47, no. 3 (1992): 424. http://dx.doi.org/10.2307/2385120.

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4

Gomo, Exnevia, Birgitte J. Vennervald, Patricia D. Ndhlovu, Pernille Kæstel, Norman Z. Nyazema, and Henrik Friis. "Reference values and predictors of white blood cell subset counts: a cross-sectional study among HIV seronegative pregnant women in Zimbabwe." European Journal of Obstetrics & Gynecology and Reproductive Biology 107, no. 2 (2003): 156–62. http://dx.doi.org/10.1016/s0301-2115(02)00346-9.

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5

Alenezi, Majed. "Political Reading of Dangarembga’s Nervous Conditions." Language Circle: Journal of Language and Literature 14, no. 2 (2020): 156–62. http://dx.doi.org/10.15294/lc.v14i2.24074.

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This paper explores Tsitsi Dangarembga’s debut novel, Nervous Conditions, from a political perspective. It has been read as portraying of gender relationships, social hierarchies and oppression of African women. This paper takes a different route as it analyses the role of masculinities through a political perspective. The conflict and struggle between genders in the text can be read through a political and historical perspective. This particular reading is permitted through a close analysis of the male characters in the novel. The research argues that male characters resemble or behave in awa
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Piotrowska, Agnieszka. "Who is the author of Neria (1992) – and is it a Zimbabwean masterpiece or a neo-colonial enterprise?" Journal of Screenwriting 11, no. 3 (2020): 287–302. http://dx.doi.org/10.1386/josc_00034_1.

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This article focuses on the Zimbabwean film Neria (1992), arguably one of the most important films in the history of sub-Saharan Africa. Directed by the Black Zimbabwean Godwin Mawuru, it was the first feminist film in Zimbabwe and in the region, highlighting the plight of women who become the property of their brothers-in-law after their husbands die. The article addresses the issues of the origins of the story and the authorship of the screenplay. On the final reel of the film, the story credit names the accomplished Zimbabwean female novelist, Tsitsi Dangarembga; while the screenplay credit
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Perevalova, S. V. "Review of Vinogradova, L. (2015). Defending the Motherland. Women fighter pilots of the Great Patriotic War. Moscow: Kolibri, Azbuka-Attikus. 448 pages." Voprosy literatury, no. 6 (February 7, 2019): 390–95. http://dx.doi.org/10.31425/0042-8795-2018-6-390-395.

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The review considers the opinions of L. Vinogradova, who wrote a book about Soviet women pilots during World War II, based on the recently discovered documentary evidence and witness reports, as well as taking into account the relevant experience of her predecessors. At the centre of the book is a life story of the war hero L. Litvyak, who shared a similar lot with her sisters in arms. Following the descriptions in war correspondent V. Grossman’s Stalingrad Notebooks [Stalingradskie tetradi], the author details aerial battles in the skies above Stalingrad. In her reconstruction of the ferociou
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Nkomo, Gabriel Vusanimuzi, MM Sedibe, and MA Mofokeng'. "Farmers’ production constraints, perceptions and preferences of cowpeas in Buhera district, Zimbabwe." African Journal of Food, Agriculture, Nutrition and Development 20, no. 06 (2020): 16832–57. http://dx.doi.org/10.18697/ajfand.94.19795.

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Many smallholder farmers face crop production constraints, especially under rapidly changing climatic conditions. A survey was carried out to assess farmers’ production constraints, traits, and preferred cowpea varieties. A semi-structured questionnaire was used in a survey of Buhera District, Zimbabwe, in March and April of 2018. Women farmers dominated the survey as they were 52% of the surveyed population, while men occupied 48% of the total population. Eighty-three percent of farmers cited the shortage, unavailability, and cost of fertiliser. Sixteen per cent of farmers acknowledged that t
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Chybowski, Julia J. "Becoming the “Black Swan” in Mid-Nineteenth-Century America:." Journal of the American Musicological Society 67, no. 1 (2014): 125–65. http://dx.doi.org/10.1525/jams.2014.67.1.125.

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Elizabeth Taylor Greenfield was first in a lineage of African American women vocalists to earn national and international acclaim. Born into slavery in Mississippi, she grew up in Philadelphia and launched her first North American concert tour from upstate New York in 1851. Hailed as the “Black Swan” by newspapermen involved in her debut, the soubriquet prefigured a complicated reception of her musical performances. As an African American musician with slavery in her past, she sang what many Americans understood to be “white” music (opera arias, sentimental parlor song, ballads of British Isle
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Edupuganti, Srilatha, Nyaradzo M. Mgodi, Shelly Karuna, et al. "1272. Feasibility and Successful Enrollment in Proof-of-Concept Trials to Assess Safety and Efficacy of a Broadly Neutralizing Monoclonal Antibody, VRC01, to Prevent HIV-1 Acquisitionin in Uninfected Individuals." Open Forum Infectious Diseases 6, Supplement_2 (2019): S457—S458. http://dx.doi.org/10.1093/ofid/ofz360.1135.

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Abstract Background The Antibody-mediated Prevention (AMP) trials (HVTN 704/HPTN 085 and HVTN 703/HPTN 081) are the first efficacy trials to evaluate whether VRC01, a broadly neutralizing antibody (bnAb) that targets CD4 binding site of HIV envelope, prevents HIV acquisition in uninfected individuals. In these ongoing trials, 10 intravenous (IV) infusions of VRC01 are given every 8 weeks over a period of 2 years. We report on interim operational feasibility, enrollment and safety. Methods Participant recruitment was enhanced by extensive community engagement and education. Eligible participant
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Munawaroh, Siti, and Pepi Siti Paturohmah. "THE REPRESENTATION OF BLACK WOMEN STRUGGLE IN MAYA ANGELOU’S POEMS “EQUALITY”." CALL 1, no. 2 (2019). http://dx.doi.org/10.15575/call.v1i2.6515.

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This study analyzes the representation of Black women struggle in Maya Angelou’s poem. In this study, the researcher chose a poems of Maya Angelou. The poem entitles “Equality”. In order to discover the representation of black women struggle in those poems, the study was conducted by using intrinsic elements of poetry, feminist literary critic, gynocriticism and biography of Maya Angelou. This study was conducted into two research problem; 1. How Maya Angelou represent black women struggle in her poem? 2. What kinds of struggle does Angelou describe in her poem? The result of this study shows
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Hughes, Karen Elizabeth. "Resilience, Agency and Resistance in the Storytelling Practice of Aunty Hilda Wilson (1911-2007), Ngarrindjeri Aboriginal Elder." M/C Journal 16, no. 5 (2013). http://dx.doi.org/10.5204/mcj.714.

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In this article I discuss a story told by the South Australian Ngarrindjeri Aboriginal elder, Aunty Hilda Wilson (nee Varcoe), about the time when, at not quite sixteen, she was sent from the Point Pearce Aboriginal Station to work in the Adelaide Hills, some 500 kilometres away, as a housekeeper for “one of Adelaide’s leading doctors”. Her secondment was part of a widespread practice in early and mid-twentieth century Australia of placing young Aboriginal women “of marriageable age” from missions and government reserves into domestic service. Consciously deploying Indigenous storytelling prac
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Miller, Andie. "Multiculturalism and Shades of Meaning in the New South Africa." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1963.

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I hate being misunderstood. I guess we all do, but it goes with the territory. I use the word coloured, and he seems offended: 'We Brits don't say 'coloured'. It's regarded as patronising. We say black, if we say anything. And if we do it's for reasons of simple practicality. It doesn't matter. ' Of course, what he seems to be missing, is that the word coloured in South Africa now refers less to skin colour, and more to a distinct cultural group, with it's own language (a dialect of Afrikaans), food (of Malay origin), and music. To say black in this context would be inaccurate, and cause confu
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Davis, Susan. "Wandering and Wildflowering: Walking with Women into Intimacy and Ecological Action." M/C Journal 22, no. 4 (2019). http://dx.doi.org/10.5204/mcj.1566.

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Hidden away at the ends of streets, behind suburban parks and community assets, there remain remnants of the coastal wallum heathlands that once stretched from Caloundra to Noosa, in Queensland, Australia. From late July to September, these areas explode with colour, a springtime wonderland of white wedding bush, delicate ground orchids, the pastels and brilliance of pink boronias, purple irises, and the diverse profusion of yellow bush peas. These gifts of nature are still relatively unknown and unappreciated, with most locals, and Australians at large, having little knowledge of the remarkab
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15

Burns, Belinda. "Untold Tales of the Intra-Suburban Female." M/C Journal 14, no. 4 (2011). http://dx.doi.org/10.5204/mcj.398.

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Australian suburbia, historically and culturally, has been viewed as a feminised domain, associated with the domestic and family, routine and order. Where “the city is coded as a masculine and disorderly space… suburbia, as a realm of domesticity and the family, is coded as a feminine and disciplinary space” (Wilson 46). This article argues how the treatment of suburbia in fiction as “feminine” has impacted not only on the representation and development of the character of the “suburban female”, but also on the shape and form of her narrative journeys. Suburbia’s subordination as domestic and
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16

Ettler, Justine. "When I Met Kathy Acker." M/C Journal 21, no. 5 (2018). http://dx.doi.org/10.5204/mcj.1483.

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I wake up early, questions buzzing through my mind. While I sip my morning cup of tea and read The Guardian online, the writer, restless because I’m ignoring her, walks around firing questions.“Expecting the patriarchy to want to share its enormous wealth and power with women is extremely naïve.”I nod. Outside the window pieces of sky are framed by trees, fluffy white clouds alternate with bright patches of blue. The sweet, heady first wafts of lavender and citrus drift in through the open window. Spring has come to Hvar. Time to get to work.The more I understand about narcissism, the more I u
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Johnson, Sophia Alice. "‘Getting Personal’: Contemplating Changes in Intersubjectivity, Methodology and Ethnography." M/C Journal 18, no. 5 (2015). http://dx.doi.org/10.5204/mcj.1019.

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Introduction In the following self-reflexive (examining my own experiences) piece I discuss the methodology of my PhD thesis which, completed in 2014 (Johnson On a Tightrope), focused on how women negotiate, reject and embody the expectations associated with contemporary pregnancy and mothering. In this qualitative research project I examined the types of pregnancy and parenting practices (defined as those practices undertaken to manage and maximise the success of women’s pregnancies and parenting) women engage in with reference to contemporary sources of information. Central to this, I studie
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18

Costello, Moya. "Reading the Senses: Writing about Food and Wine." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.651.

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"verbiage very thinly sliced and plated up real nice" (Barrett 1)IntroductionMany of us share in an obsessive collecting of cookbooks and recipes. Torn or cut from newspapers and magazines, recipes sit swelling scrapbooks with bloated, unfilled desire. They’re non-hybrid seeds, peas under the mattress, an endless cycle of reproduction. Desire and narrative are folded into each other in our drive, as humans, to create meaning. But what holds us to narrative is good writing. And what can also drive desire is image—literal as well as metaphorical—the visceral pleasure of the gaze, or looking and
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19

Irwin, Hannah. "Not of This Earth: Jack the Ripper and the Development of Gothic Whitechapel." M/C Journal 17, no. 4 (2014). http://dx.doi.org/10.5204/mcj.845.

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On the night of 31 August, 1888, Mary Ann ‘Polly’ Nichols was found murdered in Buck’s Row, her throat slashed and her body mutilated. She was followed by Annie Chapman on 8 September in the year of 29 Hanbury Street, Elizabeth Stride in Dutfield’s Yard and Catherine Eddowes in Mitre Square on 30 September, and finally Mary Jane Kelly in Miller’s Court, on 9 November. These five women, all prostitutes, were victims of an unknown assailant commonly referred to by the epithet ‘Jack the Ripper’, forming an official canon which excludes at least thirteen other cases around the same time. As the Ri
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20

Littaye, Alexandra. "The Boxing Ring: Embodying Knowledge through Being Hit in the Face." M/C Journal 19, no. 1 (2016). http://dx.doi.org/10.5204/mcj.1068.

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Boxing is a purely masculine activity and it inhabits a purely masculine world. […] Boxing is for men, and it is about men, and is men. (Joyce Carol Oates) IntroductionWriting about boxing is an intimate, private, and unusual activity. Although a decade has passed since I first “stepped into the ring” (sparring or fighting), I have not engaged with boxing in academic terms. I undertook a doctoral degree from 2012 to 2016, during which I competed and won amateur titles in three different countries. Boxing, in a sense, shadowed my research. My fieldwork, researching heritage foods networks, brou
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Watson, Robert. "E-Press and Oppress." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2345.

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 From elephants to ABBA fans, silicon to hormone, the following discussion uses a new research method to look at printed text, motion pictures and a teenage rebel icon. If by ‘print’ we mean a mechanically reproduced impression of a cultural symbol in a medium, then printing has been with us since before microdot security prints were painted onto cars, before voice prints, laser prints, network servers, record pressings, motion picture prints, photo prints, colour woodblock prints, before books, textile prints, and footprints. If we accept that higher mammals such as elepha
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22

Deslandes, Ann. "Three Ethics of Coalition." M/C Journal 13, no. 6 (2010). http://dx.doi.org/10.5204/mcj.311.

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To coalesce politically is to join together whilst retaining singularity. This is the aim of much contemporary social movement activism, marked most consistently under the sign of the global justice movement – the movement ‘for humanity and against neoliberalism’, as a common slogan goes. This movement regularly writes itself as one composed of diversity and a commitment to horizontal power relations. Within this, the discourse of the movement demonstrates a particular consciousness around privilege and oppression (Starr 95-97). The demands, in this regard, on a coalescence that brings togethe
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Karl, Irmi. "Domesticating the Lesbian?" M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2692.

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 Introduction There is much to be said about house and home and about our media’s role in defining, enabling, as well as undermining it. […] For we can no longer think about home, any longer than we can live at home, without our media. (Silverstone, “Why Study the Media” 88) For lesbians, inhabiting the queer slant may be a matter of everyday negotiation. This is not about the romance of being off line or the joy of radical politics (though it can be), but rather the everyday work of dealing with the perception of others, with the “straightening devices” and the violence th
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Brien, Donna Lee, Leonie Rutherford, and Rosemary Williamson. "Hearth and Hotmail." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2696.

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 Introduction It has frequently been noted that ICTs and social networking applications have blurred the once-clear boundary between work, leisure and entertainment, just as they have collapsed the distinction between public and private space. While each individual has a sense of what “home” means, both in terms of personal experience and more conceptually, the following three examples of online interaction (based on participants’ interest, or involvement, in activities traditionally associated with the home: pet care, craft and cooking) suggest that the utilisation of onli
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Kennedy, Ümit. "Exploring YouTube as a Transformative Tool in the “The Power of MAKEUP!” Movement." M/C Journal 19, no. 4 (2016). http://dx.doi.org/10.5204/mcj.1127.

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IntroductionSince its launch in 2005, YouTube has fast become one of the most popular video sharing sites, one of the largest sources of user generated content, and one of the most frequently visited sites globally (Burgess and Green). As YouTube’s popularity has increased, more and more people have taken up the site’s invitation to “Broadcast Yourself.” Vlogging (video blogging) on YouTube has increased in popularity, creating new genres and communities. Vlogging not only allows individuals to create their own mediated content for mass consumption—making it a site for participatory culture (B
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Starrs, D. Bruno. "Enabling the Auteurial Voice in Dance Me to My Song." M/C Journal 11, no. 3 (2008). http://dx.doi.org/10.5204/mcj.49.

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Despite numerous critics describing him as an auteur (i.e. a film-maker who ‘does’ everything and fulfils every production role [Bordwell and Thompson 37] and/or with a signature “world-view” detectable in his/her work [Caughie 10]), Rolf de Heer appears to have declined primary authorship of Dance Me to My Song (1997), his seventh in an oeuvre of twelve feature films. Indeed, the opening credits do not mention his name at all: it is only with the closing credits that the audience learns de Heer has directed the film. Rather, as the film commences, the viewer is informed by the titles that it
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Sully, Nicole. "Modern Architecture and Complaints about the Weather, or, ‘Dear Monsieur Le Corbusier, It is still raining in our garage….’." M/C Journal 12, no. 4 (2009). http://dx.doi.org/10.5204/mcj.172.

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Historians of Modern Architecture have cultivated the image of the architect as a temperamental genius, unconcerned by issues of politeness or pragmatics—a reading reinforced in cultural representations of Modern Architects, such as Howard Roark, the protagonist in Ayn Rand’s 1943 novel The Fountainhead (a character widely believed to be based on the architect Frank Lloyd Wright). The perception of the Modern Architect as an artistic hero or genius has also influenced the reception of their work. Despite their indisputable place within the architectural canon, many important works of Modern Ar
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Brien, Donna Lee. "Fat in Contemporary Autobiographical Writing and Publishing." M/C Journal 18, no. 3 (2015). http://dx.doi.org/10.5204/mcj.965.

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At a time when almost every human transgression, illness, profession and other personal aspect of life has been chronicled in autobiographical writing (Rak)—in 1998 Zinsser called ours “the age of memoir” (3)—writing about fat is one of the most recent subjects to be addressed in this way. This article surveys a range of contemporary autobiographical texts that are titled with, or revolve around, that powerful and most evocative word, “fat”. Following a number of cultural studies of fat in society (Critser; Gilman, Fat Boys; Fat: A Cultural History; Stearns), this discussion views fat in socio
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Hopkins, Lekkie. "Articulating Everyday Catastrophes: Reflections on the Research Literacies of Lorri Neilsen." M/C Journal 16, no. 1 (2013). http://dx.doi.org/10.5204/mcj.602.

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Lorri Neilsen, whose feature article appears in this edition of M/C Journal, is Professor of Education at Mount Saint Vincent University in Halifax, Nova Scotia, Canada. Neilsen has been teaching and researching in literacy studies for more than four decades. She is internationally recognised as a poet and as an arts-based research methodologist specialising in lyric inquiry. In the latter half of this last decade she was appointed for a five year term to be the Poet Laureate for Nova Scotia. As an academic, she has published widely under the name of Lorri Neilsen; as a poet, she uses Lorri Ne
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