Relevant bibliographies by topics / Women, White – Zimbabwe – Fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Women, White – Zimbabwe – Fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 10 February 2022

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Journal articles on the topic "Women, White – Zimbabwe – Fiction"

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Dogar, Zia Ahmed, Akbar Sajid, and Muhammad Riaz Khan. "White Womans Burden: A Critique of White Womens Portrayal in Selected Postcolonial Fiction." Global Social Sciences Review IV, no. III (September 30, 2019): 326–31. http://dx.doi.org/10.31703/gssr.2019(iv-iii).42.

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Image of white women occur frequently in postcolonial writings. This paper attempts to carry out a comprehensive analysis of the white womens portrayals in the selected Pakistani postcolonial fiction to determine the comparative discrepancy between the assumptions and reality about the role of white women in the colonies. The white women being the part of civilizing mission of the white man, are seen with a particular light by the indigenous people because in comparison to the white man, white womes role has been that of a benevolent mother. This problematizes the situation and hence calls for the investigation into the portrayals and the roles of the white women as projected by the indigenous writers. The study delimits to Forster, Sidhwa, and Hamid and analyses the selected chunks of the text under the lens of theoretical frame work proposed by Jayawardena within the postcolonial context.
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Driss, Hager Ben. "Women Writing/Women Written: The Case of Oriental Women in English Colonial Fiction." Middle East Studies Association Bulletin 35, no. 2 (2001): 159–74. http://dx.doi.org/10.1017/s0026318400043327.

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Women's contribution to the building of the british empire has become by now undeniable. Standing at different vantagepoints, English women articulated, supported, and even innovated the colonial discourse. Though highly masculine in its ideological core, the Empire is far from being exclusively male in its rhetorical voice. Feminist postcolonial critics have shown British women's important participation in colonialism. McClintock, for example, claims that “white women were not the hapless onlookers of empire but were ambiguously complicit both as colonizers, privileged and restricted, acted upon and acting” (6).
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FITZMAURICE, SUSAN. "Ideology, race and place in historical constructions of belonging: the case of Zimbabwe." English Language and Linguistics 19, no. 2 (July 2015): 327–54. http://dx.doi.org/10.1017/s1360674315000106.

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This article explores the ways in which constructions of identities of place are embedded in the ideology of race and social orientation in Zimbabwe. Using newspaper reports, memoirs, speeches, advertisements, fiction, interviews and ephemera produced around key discursive thresholds, it examines the production of multiple meanings of key terms within competing discourses to generate co-existing parallel lexicons. Crucially, labels like ‘settler’, ‘African’ and ‘Zimbabwean’, labels that are inextricably linked to access to and association with the land in colonial and postcolonial Zimbabwe, shift their reference and connotations for different speakers in different settings and periods. For example, the term ‘settler’, used to refer to white colonists of British origin who occupied vast agricultural lands in colonial Zimbabwe, is appropriated in post-independent Zimbabwe to designate blacks settled on the land in the Fast Track Land Reform Programme. The analysis of semantic pragmatic change in relation to key discursive thresholds yields a complex story of changing identities conditioned by different experiences of a raced national biography.
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Mark, Rebecca. "Why Aren’t Middle-Class White Women Laughing in Eudora Welty’s Fiction?" Eudora Welty Review 6, no. 1 (2014): 39–53. http://dx.doi.org/10.1353/ewr.2014.0011.

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Shaw, Carolyn Martin. "Sticks and Scones: Black and White Women in the Homecraft Movement in Colonial Zimbabwe." Race / Ethnicity: Multidisciplinary Global Contexts 1, no. 2 (April 2008): 253–78. http://dx.doi.org/10.2979/rac.2008.1.2.253.

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Carolin, Andy. "Apartheid's Immorality Act and the fiction of heteronormative whiteness." Tydskrif vir Letterkunde 54, no. 1 (March 24, 2017): 111–28. http://dx.doi.org/10.17159/tvl.v.54i1.7.

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This article traces both the centrality and fragility of the figure of the heterosexual white male to the moral and ideological core of the apartheid regime. Through a comparative reading of Zakes Mda's The Madonna of Excelsior (2002) and Gerald Kraak's Ice in the Lungs (2006), the article examines how apartheid's Immorality Act functioned as the legislative mechanism to produce and police heteronormative whiteness. The randomness and unpredictability of sexual desire in both historical novels expose the tenuousness of this idealised heteronormative whiteness that lay at the centre of the apartheid project. Situated within the moral panic and political turmoil of the 1970s, the novels identify sex as a powerful lens through which to read the history of apartheid. While Mda's satirical novel focuses on transgressive interracial sexual desire, Kraak's realist text explores same-sex desire and intimacy. My reading of the two novels engages with the political history of apartheid's sexual policing and insists on the inextricable entanglement of its heteronormative and racial supremacist provisions. The traditional ideological centrality of the vulnerable white woman is displaced in the novels by white men whose transgressive sexual desires for black women (in Mda's novel) and other white men (in Kraak's) refuse the certainty and naturalness of heteronormative whiteness.
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Mah, Seunghye, and Soonyoung Kim. "A study on the fidelity in translating historical fiction : Focusing on the ‘comfort women’ novel White Chrysanthemum." Interpretation and Translation 23, no. 2 (August 10, 2021): 29–54. http://dx.doi.org/10.20305/it202102029054.

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McKay, Nellie. "Black Women in the Fiction of James Baldwin. Trudier HarrisBlack and White Women of the Old South: The Peculiar Sisterhood in American Literature. Minrose C. GwinConjuring, Black Women, Fiction, and Tradition. Marjorie Pryse , Hortense Spillers." Signs: Journal of Women in Culture and Society 13, no. 2 (January 1988): 344–47. http://dx.doi.org/10.1086/494411.

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Carroll, Shawna. "ANTI-COLONIAL BOOK CLUBS." Art/Research International: A Transdisciplinary Journal 6, no. 1 (April 22, 2021): 11–31. http://dx.doi.org/10.18432/ari29548.

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What possibilities does reading anti-colonial and counternarrative fiction have? By “plugging in” Coloma’s constitutive subjectivities, Anzaldúa’s new consciousness, and Sumara’s embodied action, I share the possibilities with the explanation of an anti-colonial book club. Part of a larger research project conducted with a feminist Deleuzian methodology, this paper focuses on one of the “hot spots” that arose during the reading processes of two participants in the book club. Through their self-reflection during their reading processes, the counternarrative and anti-colonial fiction gave the women a different kind of language which allowed them to build a stronger trust in themselves, their subject positions, and their experiences of marginalization outside of a white settler colonial discursive lens. This building of trust by creating a different kind of language to explain their subject positions and experiences of marginalization created a new consciousness that allowed them to continue subverting simplified white settler colonial understandings of who they are.
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Manyarara, Barbra. "UNHU/UBUNTU ANACHRONISTIC? THE MANIFESTATION OF FEMALE AGENCY IN VIRGINIA PHIRI’S HIGHWAY QUEEN (2010)." Imbizo 5, no. 2 (June 23, 2017): 13–22. http://dx.doi.org/10.25159/2078-9785/2842.

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The contemporary relevance of female sexuality as discursive space in fiction is that it reflects current events as it criticises, exposes and illuminates lived reality, such as the HIV and AIDS epidemic, excruciating poverty, homelessness and a general economic meltdown as is the case in Zimbabwe in the first decade of the new millennium. However, the practice of female sexuality may still go against the principles of ubuntu. In Highway Queen Phiri gives agency to the female first person narrator, Sophie, and also sets out males and females who in their interaction with each other, may or may not promote ubuntu. An analysis of this novel shows that the writer challenges many unhelpful attitudes towards the HIV and AIDS pandemic by exploring the employment of travel and female sexuality as coping strategies for dealing with poverty, HIV and AIDS, and the economic downturn in the first decade of the new millennium in Zimbabwe. However, the well-intentioned female agency fails to hold up in the face of the dire circumstances of poverty and disease and Sophie’s urbanised family has to go back to the village for survival under the care of the patriarchal uncles; thus Phiri appears to give a flawed instrumentality to these women.
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Dissertations / Theses on the topic "Women, White – Zimbabwe – Fiction"

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Eppel, Ruth. "The limitations and possiblilites of identity and form in selected recent memoirs and novels by white, female Zimbabwean writers : Alexandra Fuller, Lauren Liebenberg." Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1001985.

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This study examines selected works by four white female Zimbabwean writers: Alexandra Fuller, Lauren Liebenberg, Bryony Rheam and Lauren St John, in light of the controversy over the spate of white memoirs which followed the violent confiscation of white farms in Zimbabwe from 2000 onwards. The controversy hinges on the notion that white memoir writers exploit the perceived victimhood of white Zimbabweans in the international sphere, and nostalgically recall a time of belonging – as children in Rhodesia – which fails to address the fraught colonial history which is directly related to the current political climate of the country. I argue that such critiques are too generalised, and I regard the selected texts as primarily critical of the values and lifestyles of white Rhodesians/Zimbabweans. The texts I have selected include a range of autobiographical and fictional writing, or memoirs and pseudo-memoirs, and I focus on form as a medium enabling an exploration of identity. The ways in which these authors conform to and adapt particular narratives of becoming is examined in each chapter, with a particular focus on the transition from innocence to experience, the autobiography, and the Bildungsroman. Gender is a recurring point of interest: in each case the female selves/protagonists are situated in terms of the family, which, in reflecting social values, is a key site of conflict. In regard to trends in white African writing, I explore the white African (farm) childhood memoir and the confessional mode. Ultimately I maintain that while the texts may be classified as white writing, as they are fundamentally concerned with white identity, and therefore evince certain limitations of perspective and form, including clichéd tendencies, all the writers interrogate white identity and the fictional texts more self-reflexively deconstruct tropes of white writing.
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West, Mary Eileen. "White women writing white : a study of identity and representation in (post-)apartheid literatures of South Africa." Thesis, Nelson Mandela Metropolitan University, 2006. http://hdl.handle.net/10948/442.

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This thesis examines aspects of identity and representation using contemporary theories and definitions emerging out of a growing body of work known as whiteness studies. The condition of whiteness as it continues to inform identity politics in post-apartheid South Africa is explored in an analysis of selected texts written by white women, to demonstrate the ways in which whiteness continues to suggest normativity. In reading a representative selection of literatures produced in contemporary South Africa by white women writers, this study aims to illustrate the ambivalence apparent in the interstitial manifestations of emergent reconciliatory gestures that are at odds with residual traces of superiority. A sampling of disparate texts is examined to explore the representations of race and belonging in post-apartheid South Africa in the light of contemporary theories of whiteness which posit it as a powerful and invisible identification. The analysis attempts to plot a continuum from writers who are least, through to those who are most, aware of whiteness as a cultural construct and of their own positionality in relation to the discursive dynamics that inform South African racial politics. A contextualising overview of the terrain of whiteness studies is provided in Chapter One, marking the ideological and theoretical affiliations of this project, and foregrounding the construction of whiteness as an imagined identity in contemporary cultural criticism. It also provides a justification for the selection of the textual material under scrutiny. Chapter Two explores a genre that has been identified as a growing trend in South African fiction: the production of pulp fiction written by white middle-class women. Two such texts are the focus of this chapter, namely, Pamela Jooste’s People like Ourselves (2004) and Susan Mann’s One Tongue Singing (2005), and the complicities and clichés that are characteristic of popular literature are examined. Antjie Krog’s A Change of Tongue (2003) is the focus of Chapter Three. It is examined as a book offering the writer’s personal response to the difficulties of transformation within the first decade of South African democracy. Krog confronts her own defensiveness, her sense of normalcy, and her sense of alienation in relation to multiple encounters with different people. Chapter Four focuses on the journalism of Marianne Thamm. Her role as columnist for the popular women’s magazine, Fairlady is explored, particularly in relation to the inclusion of a contending voice writing against the general tenets of Fairlady. Thamm’s critique of the mores governing bourgeois white womanhood is read in relation to her role as officially sanctioned Court Jester. Her Fairlady columns have been collected in Mental Floss (2002) but the analysis includes selected columns from 2003 to 2005. Echo Location: A Guide to Sea Point for Residents and Visitors (1998) by Karen Press is the focus of Chapter Five. Her work is read as examining a white South African crisis of belonging in relation to the implications of mapping the co-ordinates of whiteness in South Africa. Chapter Six offers a reading of four short stories, written by Nadine Gordimer and Marlene van Niekerk. These stories are juxtaposed to trace an anxious impasse in white responses to suburbia, the place of enactment of white bourgeois mores, which both writers interrogate.
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Davis, Mary McPherson. "Feminist Applepieville architecture as social reform in Charlotte Perkins Gilman's fiction /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/5071.

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Thesis (M.A.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on October 25, 2007) Includes bibliographical references.
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Spencer, Sandra L. "The Angel in the House and The Woman in White: The Unfolding and Decoding of a Victorian Stereotype." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500620/.

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Abstract: Modern readers frequently perceive female characters in Victorian novels as insipid and inane, blaming the static portrayals on the angel in the house stereotype attributed to Coventry Patmore's poem of the same name. The stereotype does not accurately reflect the actual Victorian woman's life, however. Examining how the stereotype evolved and how the middle-class Mid-Victorian woman really lived provides insight into literary devices authors employed either to reinforce the angel ideal or to reconcile the ideal with the real. Wilkie Collins's portrayal of Marian Halcombe in The Woman in White features a dynamic female who has both androgynous characteristics and angel-in-the-house qualities, exemplifying one more paradox in a society riddled with contradictions.
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LeBow, Diane. "Selfhood in free fall novels by black and white American women /." 1985. http://catalog.hathitrust.org/api/volumes/oclc/13115050.html.

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Quansah, Ekua A. "Women of African ancestry's contribution to scholarship: Voices through fiction (Edwidge Danticat, Haiti, Tsitsi Dangarembga, Zimbabwe, Dionne Brand)." 2005. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=370494&T=F.

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Panashe, Gloria Chigumadzi. "Of nation, narration and Nehanda: accounts by Samupindi and Vera." Thesis, 2017. https://hdl.handle.net/10539/25909.

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A research report submitted in fulfillment of requirements for the degree of Masters in African Literature of Faculty of Humanities, University of the Witwatersrand, April 2017
This research report uses the “Frozen Image” - a widely circulated photograph taken by the British South Africa Company of Mbuya Nehanda and Sekuru Kaguvi, the female and male Shona Mhondoros who led Zimbabwe’s first anti-colonial uprising against the settlers, as its point of departure to explore the relationship between settler-colonial, nationalist, patriarchal and feminist versions of Mbuya Nehanda’s role and agency in the First Chimurenga. This paper begins by demonstrating that it is necessary for nationalist discourses to seek to “lock in” the histories embodied in visual moments such as the widely and historically circulated “Frozen Image”, arguing that they are reliant on the “fixedness” of gendered national temporalities. I argue that Charles Samupindi’s Death Throes: The Trial Against Mbuya Nehanda demonstrates that when the challenge to settler-colonial projections of an African past go unaccompanied by an interrogation of historical gender relations and a broader challenge to Western modernities, it is necessary to remain faithful to, and narrate the Frozen Image, in a self-conscious, realist, imaginatively constrained narrative project. This is whereas Yvonne Vera’s, Nehanda demonstrates that it is possible to “move beyond the image” to create a liberatory, poetic and imaginative narrative project.
XL2018
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Bharathi, V. "Shifting boundaries of the self: Represenation of women in the fiction of Patrick White and Margaret Laurence." Thesis, 1993. http://hdl.handle.net/2009/1223.

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Alexander, Pauline Ingrid. "A story that would (O)therwise not have been told." Diss., 2004. http://hdl.handle.net/10500/1764.

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My mini-dissertation gives the autobiography of Talent Nyathi, who was born in rural Zimbabwe in 1961. Talent was unwillingly conscripted into the Zimbabwean Liberation Struggle. On her return to Zimbabwe, she has worked tirelessly for the education of her compatriots. Talent's story casts light on subject-formation in conditions of difficulty, suffering and victimization. Doubly oppressed by her race and gender, Talent has nevertheless shown a remarkable capacity for self-empowerment and the empowerment of others. Her story needs to be heard because it will inspire other women and other S/subjects and because it is a corrective to both the notions of a heroic Struggle and the `victim' stereotype of Africa. Together with Talent's autobiography, my mini-dissertation offers extensive notes that situate her life story in the context of contemporary postcolonial, literary and gender theory and further draws out the significance of her individual `history-from-below'.
English Studies
M.A.
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Gudhlanga, Enna Sukutai. "Gender and land ownership in Zimbabwean literature : a critical appraisal in selected Shona fiction." Thesis, 2016. http://hdl.handle.net/10500/24806.

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The study has been prompted by the gap that exists regarding gender and land in Zimbabwean fiction. The study therefore seeks to interrogate the gender and land ownership discourse in Shona fiction in relation to the current conflict of access to land by race, class and gender. The study therefore examines the following fictional works; Feso (1956), Dzasukwa-Mwana-Asina-Hembe (1967), Pafunge (1972), Kuridza Ngoma Nedemo (1985), Vavariro (1990) and Sekai Minda Tave Nayo (2005). Of significance is the fact that the selected fictional works traverse the different historical periods that Zimbabwe as a nation has evolved through. Apart from analysing the selected fictional works, the study also collected data through open-ended interviews and questionnaires to triangulate findings from the fictional works. The selected fictional writers present the different experiences of black Zimbabweans through land loss and the strategies taken by the indigenous people in trying to regain their lost heritage, the land. The exegesis of the selected fictional works is guided by Afro-centred perspectives of Africana Womanism and Afrocentricity. Findings from most of the selected fictional works reveals the selective exclusion of blacks, both male and female, from accessing land and other vital resources from the colonial right up to post-independence periods in Zimbabwe. The study observes that Shona traditional culture accorded both genders the requisite space in terms of land ownership in the pre-colonial period. The study also establishes that colonialism through its numerous legislations stripped black men and women of the fertile land which they formerly collectively owned. The study also establishes that disillusioned black men and women worked extremely hard to regain their lost land as reflected in the unsanctioned land grabs as well as the government sanctioned Fast Track Land Reform Programme. Recommendations for future research include the expansion of such research to include works of fiction in other languages as well as different genres. Future land policies stand to benefit from the inclusion of women in decision making since women the world over have been confirmed as workers of the land. This is likely to deal with the gender divide regarding land ownership patterns both within and outside Zimbabwe.
African Languages
D. Litt. et Phil. (African Languages)
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Books on the topic "Women, White – Zimbabwe – Fiction"

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Macquarrie-Collins, John. History of Zimbabwe: Black kings, white overlords. Durham: Pentland, 2001.

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Robin, Moore. The white tribe. Encampment, Wyo: Affiliated Writers of America, 1991.

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Slaughter, Frank G. Women in white. Thorndike, Me: Thorndike Press, 1986.

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Copyright Paperback Collection (Library of Congress), ed. White deception. New York City: Leisure Books, 2004.

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White star. London: Gollancz, 2009.

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Susan, Isaacs. Lily White. New York: HarperPaperbacks, 1997.

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White wings. New York: Signet, 1998.

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White wings. New York, N.Y., U.S.A: Dutton, 1997.

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Yolen, Jane. White Jenna. New York: T. Doherty Associates, 1989.

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White harvest. New York: D.I. Fine, 1994.

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Book chapters on the topic "Women, White – Zimbabwe – Fiction"

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"White Women and Wage Employment." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 91–105. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_006.

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"White Women and the Homecraft Movement." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 185–200. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_010.

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"White Women and the Unfolding Rhodesian Society." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 1–23. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_002.

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"Mothering the Empire: Overview of White Women’s Organisations." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 106–19. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_007.

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"White Women’s Organisations and Settler Society, 1920s–1970s." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 120–46. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_008.

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"Domesticity, Constructions of Whiteness, and White Femininity in Southern Rhodesia." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 24–45. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_003.

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"White Women and the Domestic Space: Housewifery in the Rhodesian Context." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 46–72. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_004.

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"Emerging Out of the Sheaths of Domesticity? White Women in Formal Wage Employment, c. 1914–1980." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 73–90. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_005.

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"Encounter with Africans, 1920s–1980." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 147–84. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_009.

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"Conclusion." In Elasticity in Domesticity: White Women in Rhodesian Zimbabwe, 1890-1979, 201–4. BRILL, 2018. http://dx.doi.org/10.1163/9789004381124_011.

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