Relevant bibliographies by topics / Women writer

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Women writer'

Author: Grafiati
Published: 4 June 2021
Last updated: 12 February 2022

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Journal articles on the topic "Women writer"

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Jamal Fadhil, Dhafar, and May Stephan Rezq Allah. "A Feminist Discourse Analysis of Writer's Gender Biases about Violence Against Women." Journal of the College of languages, no. 44 (June 1, 2021): 21–45. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0021.

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The present study is concerned with the writer's ideologies towards violence against women. The study focuses on analyzing violence against women in English novel to see the extent the writers are being affected and influenced by their genders. It also focuses on showing to what extent the writer's ideologies are reflected in their works. Gender influences social groups ideologies; therefore, when a writer discusses an issue that concerns the other gender, they will be either subjective or objective depending on the degree of influence, i.e., gender has influenced their thoughts as well as behaviors. A single fact may be presented differently by different writers depending on the range of affectedness by ideologies. The study aims to uncover the hidden gender-based ideologies by analyzing the discursive structure of a novel based on Van Dijk's model (2000) of ideology and racism. The selected novel is based on discussing violence against women. The study will later on reveal the real writer’s gender-based ideologies and whether the writer is a feminist or an anti-feminist? Or Is he prejudiced? Or Is he biased?
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김경애. "Life of writer, Kim Myoung-soon and Christian faith." Women and History ll, no. 17 (December 2012): 159–93. http://dx.doi.org/10.22511/women..17.201212.159.

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Qbilat, Nizar, and Awni El-Faouri. "The Other’s Image in Arabic Feminist Narrative." Journal of Arts and Social Sciences [JASS] 7, no. 2 (June 1, 2016): 337. http://dx.doi.org/10.24200/jass.vol7iss2pp337-345.

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This study aims at shedding some light on the images of women in some feminist novels known as Feminist Literature. The research depicts a number of Arabic feminist writers concentrating on the structure of Feminist Literature generally, and Arabic women writers specifically. The study examines the characters, the narrative angle and the narrative sequence and its objective sensitivity at three levels: the woman as an author, a narrator, and the artistic character dealing with issues of justice, liberty and equality with man, considering the various humanitarian models: the striver, the lover and the educated within the borders of the forbidden, the fear, and the limitations. The popularity of Feminist Literature is one of the issues of modernity in the Arab world. The role of Jordanian women writers is apparent in literature. Their creative works compete with those of dominant men in terms of imagery and artistic presence. The inner persona of the woman writer is dominant even though her work represents a realistic view. The problematic issue of writing for women writers seems to be plunged in paradox and sharp in its novelistic representation. The novelistic modules studied indicate the success the Arab woman writer achieved in terms of the use of artistic tools, and the ability to confront and reveal the untold. Although the feminists’ novels seem to dwell in an anxious environment, they represent an arena of conflict representing the artistic and living realities.
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Baaqeel, Nuha Ahmad. "Decolonising Language: Towards a New Feminist Politics of Translation in the Work of Arab Women Writers, Ahlam Mosteghanemi, Nawal al Sadawim, and Assia Djebar." International Journal of Comparative Literature and Translation Studies 7, no. 3 (July 31, 2019): 39. http://dx.doi.org/10.7575/aiac.ijclts.v.7n.3p.39.

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This paper argues that the Anglophone academy’s relative lack of appraisal of Ahlam Mosteghanemi as an Arab woman writer is not incidental. I assert that, for many Arab women writers, authorship is strategic engagement; in other words, they develop strategies that bring together formal experimentation with the social effectivity of authorship. In an attempt to present fully the aforementioned complexities at hand, this paper compares Mosteghanemi’s work with that of two other eminent women writers from the Arab world: Egyptian women’s rights activist and novelist, Nawal al Sadawi, and Algerian writer and historian, Assia Djebar. This comparative analysis is structured into three sections that take up the questions of the politics of literary form, language and decolonisation, and finally, translation. In the critical reception of their work outside their region, Arab women writers all too frequently find themselves caught up in the dynamics of a hegemonic Eurocentric feminism that already constructs them as new representatives of an Orient, one that further stubbornly refuses to dissolve under the action of rigorous critique. I argue that the underwhelming international reception to Mosteghanemi’s writing serves as a reminder that colonialism remains real, even in a world of independent nations, while decolonisation remains on the theoretical horizon in the postcolonial world. It is these two interrelated points that map the wide field of effectivity that is brought into play in the reception of Mosteghanemi as a writer.
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Smith, Rosalind. "Fictions of Production." Journal of Medieval and Early Modern Studies 50, no. 1 (January 1, 2020): 33–52. http://dx.doi.org/10.1215/10829636-7986577.

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This essay builds upon work surrounding reception and the figure of the early modern woman writer to examine textual instances in which women’s writing has been “found” or manufactured: where writing falsely or tenuously attributed to historical women was circulated under their signatures as their voice. These fictions of production circulated as prosopopoeiae within women’s lifetimes alongside writers’ own scribal and print textual productions, as well as in the centuries following their deaths in the service of editorial, antiquarian, and historical projects. The complexity of naming and attribution in the texts discussed suggests that any distinct separation of speaker and author fails to recognize the centrality of prosopopoeiae to the rhetorical formations underwriting conceptions of the early modern woman writer. The essay newly argues for prosopopoeia as a generative figure of speech that enabled rather than restricted formations of the English woman writer and her participation in literary history.
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Cho, Eunhae. "A Woman Who is A Type-writer: Women Writer and Typewriter in Bram Stoker’s Dracula." Comparative Literature 76 (October 31, 2018): 247–80. http://dx.doi.org/10.21720/complit76.09.

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Hayati, Yenni. "DUNIA PEREMPUAN DALAM KARYA SASTRA PEREMPUAN INDONESIA (Kajian Feminisme)." Humanus 11, no. 1 (December 18, 2012): 85. http://dx.doi.org/10.24036/jh.v11i1.626.

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This article describes the world of and images of women depicted in women fiction writer, particularly in short story literature. In depicting women’s world, an Indonesian writer tends to focus on their domestic than public life. This is because domestic life is considered safer for women, and women are considered best settled in the domestic life. There are six images closely associated with women; a mother, a loyal woman, a successful woman, a second woman, an ideal woman, and a bad woman. Mother image is the most found, 14 of 15 fictions examined in this research. The description of domestic life associates with mother image, because the two are closely related with the life of Indonesian women. Key words: women’s world, women’s image, women’s literature
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Sherly. H, Ms Monica, and Dr Aseda Fatima.R. "Patriarchal Oppression in Pearl S Buck’s Novel The Good Earth." SMART MOVES JOURNAL IJELLH 8, no. 2 (February 28, 2020): 5. http://dx.doi.org/10.24113/ijellh.v8i2.10406.

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The story of American literature begins in the early 1600’s, long before there were any “Americans”. American literature blossomed with the skillful and brilliant writer during 1900s. Pearl S Buck was born to the family of Presbyterian missionary in 1892 in West Virginia. Being a successful writer in nineteenth century, she published various novels and she was the first female laureate in America and fourth woman writer to receive Nobel Prize in Literature. Oppression is an element that is common in patriarchal society where the women are always subjugated by the men in the family. This paper is to depict the men’s oppression in the novel through the character Wang Lang and how the female character O-Lan is surviving from all the struggles that she faces from her own family members. Literature always anticipates life. It does not copy it, but moulds it to its purpose. Literature is the reflection of mind. It is the great creative and universal means of communicating to the humankind. This creativity shows the difference between the writers and the people who simply write their views, ideas and thoughts. American literature began with the discovery of America. American literature begins with the orally transmitted myths, legends, tales and lyrics of Indian cultures. Native American oral literature is quite diverse. The story of American literature begins in the early 1600’s, long before there were any “Americans”. The earliest writers were Englishmen describing the English exploration and colonization of the New World.
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Da Silva, Fernanda Oliveira, and Maria Teresa Salgado Guimarães Da Silva. "The awakening and the voices in Niketche: uma história de poligamia, by Paulina Chiziane." Revista Diadorim 21, Esp (December 6, 2019): 125–33. http://dx.doi.org/10.35520/diadorim.2019.v21nespa29078.

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Questioning the positions occupy in a patriarchal society is one of Niketche's main reflections: Paulina Chiziane's story of polygamy. From the dialogues with the theories of Spivak, Sandra Gilbert, Susan Gubar, one can see how there is a need for women to have their place of speech, thus demonstrating a change in their situation of subordination. Paulina Chiziane notes that there is no place for women where they can talk and be heard and, therefore, writes a narrative with performed and told by a woman. With her writing, Chizian breaks the objectification oj women made by male literature. It is observed that the struggle for a speech space happens both in the real world, undertaken by the writer, and in the literary universe, performed by Rami. The awareness of having her voice silenced is driven by the anguish the character (and we dare say the writer too) feels as she becomes aware of her subordinate place in society. It is also noted that the use of popular sayings, oral knowledge and proverbs would be a way to bring women into a prominent position and also preserve the oral tradition and make an appreciation of African culture.
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Velasco, Lovella G. "Relocating the Ilokano Women Writers of Nueva Vizcaya." Proceedings Journal of Education, Psychology and Social Science Research 2, no. 1 (May 23, 2015): 8–12. http://dx.doi.org/10.21016/icepss.2015.fe11wf48.

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The study attempts to empower ordinary women writers from the region who are considered to be in the peripheries. The bibliographic building of the foremost Ilokano women writers of Nueva Vizcaya who remain unaccounted and missing in Philippine literature will promote the woman presence in the nation and their place in Philippine literature, while the criticism of their retrieved and collected published short stories written in the vernacular, Iluko, will intensify the relevance of Iluko as regional literature and as a language. Consequently, the study will contribute to the growing body of feminist studies and literary criticism in the Philippines today. Results of the study showed that these four Ilokano women writers who are unknown and neglected in the region and in Philippine literature have a significant socio-cultural impact and contributed to the refinement, enrichment, and general development of their language and literature; literature being the grandeur of language and language the carrier of culture. The short stories of the Ilokano women writers present the unique Ilokano ways, traditions and cultures and the concepts of Ilokano woman and womanhood embedded with their traditional images and representations but also claim the idea of equality between man and woman. It might be construed that Ilokano women and the women writers were not fully contaminated at all with the patriarchal ideology and don’t adhere and have bent and even dismantled patriarchy, or even the attempt to overcome and change this ideology. The Ilokano women writers showed through their short stories, that they have sustained their unique cultural identity despite the impact of colonization. The general awareness and recognition of these regional women writers and their literary pieces would bring a ripple effect to the younger women of the region who would continue to change and overcome the tainted image of the third world regional women writer and women in general, and bringing them no longer to the peripheries but to the center.
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Dissertations / Theses on the topic "Women writer"

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Duguid, Beverley. "Plural perspectives : Women writer-travellers in nineteenth-century central America and the Caribbean." Thesis, Royal Holloway, University of London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529042.

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Gibbons, Megan E. "Speaking out from within: Ana Caro and her role as a woman writer in seventeenth-century Spain." Thesis, Boston University, 2012. https://hdl.handle.net/2144/32018.

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Thesis (Ph.D.)--Boston University
Ana Caro de Mallén (c.1600-1645) wrote primarily comedias, autos sacramentales, and relaciones. Since she received monetary compensation for her autos and relaciones, Caro is arguably one of the first female professional writers to appear in Spain as well as in Europe as a whole. After exploring Caro's personal life and contextualizing her situation as a female cultural producer within early modern Europe, this study presents new readings of her plays and an examination of her relaciones in order to reveal Caro's consistent, albeit subtle, challenge to the patriarchal structures so deeply ingrained in the Spain of her day. In the play entitled Valor, agravio y mujer, the role of the gracioso as male friend to the protagonist Leonor is explored, showing how their relationship diverges from that commonly found in the comedia. In El conde Partinuplés, the use of the "invisible-mistress" plot is examined as a parody of certain elements of the typical "wife-murder" drama. While the relaciones are studied as independent texts, they are compared to other texts written by male writers about the same events, thereby revealing some of the ways Caro diverges from dominant representational practices. Although not a feminist in the modern sense of the word, Caro is certainly partial in her stance toward women in that her plays consistently highlight the dilemmas, frustrations, hopes and aspirations of her female characters. Likewise, in her relaciones , Caro does not refrain from commenting on the qualities of good leadership, the economic crisis in Spain, and the political tensions between Spain and countries such as France and Portugal. In this way, Caro succeeds in inserting her voice into a public sphere that often cultivated women's silence. Unlike Spain's other early modern women writers--who largely wrote either lyric poetry or religious texts from within the confines of convents--Ana Caro intervened in public and male-dominated areas by writing plays for the commercial stage and selling relaciones about major events.
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Letcher, Valerie Helen. "Trespassing beyond the borders Harriet Ward as writer and commentator on the Eastern Cape frontier." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002283.

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The aim of this thesis is to provide an introduction to the work of writer and journalist Harriet Ward, resident in the Eastern Cape from 1842 to 1848. She was a prolific correspondent to various periodicals published both in South Africa and in London. It would be true to say, to judge from the evidence, that she fulfilled a need felt by the British public for information on life and events in South Africa, and that she became the trusted guide of the middle-class reader. Her range covers reports from the frontiers of war, journalistic articles, memoirs, short stories, novels, autobiography, and editions of other writers' work. After the publication of her articles on the Seventh Frontier War (1846-7), she was recognised and respected as a commentator on the situation at the Eastern Cape, an unusual role for a woman at this time. She was also amongst the foremost victorian women writers published from the early eighteen forties until the end of the eighteen-fifties. Harriet Ward has left a vivid historical and sociological account of the Cape frontier, and her observations and judgements provide a hitherto virtually unknown perspective on an important part of South African history and letters. What makes her even more interesting, as this study seeks to show, is that she was far from conventional in her response to her new environment, both as as a woman and as a representative of a colonialist power. The record she has left of her thoughts on the people, landscape and situations of the time has the capacity to surprise the post-colonial literary critic and historian. Her struggle to find a discursive mode in which to express her consciousness of the oppression, patriarchal and colonial, of the marginalised, whether woman, indigene, Afrikaner, or creole, reveals a significantly transgressive or subversive response to the issues of the day. In re-discovering Harriet Ward, we are forced to reassess our assumptions regarding the period of colonial history to which she was a witness.
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Baker, Leslie Carlene. "Breasts, butts, and blackness: a textual analysis of stereotypical images of black women in the works of black detective writer Walter Mosley." The Ohio State University, 1995. http://rave.ohiolink.edu/etdc/view?acc_num=osu1249667848.

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Bench, Sheree Maxwell. ""Woman Arise!": Political Work in the Writings of Lu Dalton." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/4518.

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In 1872, Mormon plural wife, educator, and suffragist Lucinda Lee Dalton began writing fiery political essays and insightful poetry for the Woman's Exponent from her small community in southern Utah. Through her writings Dalton endeavors to shape the opinions of Exponent readers by working within public discourse toward the goal of equality for women. At times both optimistic and troubled, she uses the rhetorical strategies of humor, irony, reason, identification, and persuasion to educate men and women on disparities and to encourage women to participate actively in their own emancipation. She often engages in a dialogical process with other writers by crafting both polemic and poetic responses to specific writings in order to work toward greater insight on critical issues. As an essayist Dalton defends her religion, calls for the expansion of women's political and economic opportunities, and asserts that the elevation of women is crucial to achieving the potential of both sexes. As a poet she is a compelling writer who reveals in her poems her apprehensions and aspirations, her faith and feminism. Much of her poetry reflects the same commitment to reform that is clear in her essays, and she uses both genres do effective political work. This thesis uses a pluralist approach to recover Lu Dalton as an important early Mormon writer. It articulates her merit as a representative voice by evaluating the historical context and rhetorical function of her published writings in which she actively calls for broad societal reform, writing on women's roles, political rights, and relationship with God and men.
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MacIntyre, Christine Anne. "Turn-of-the-century Canadian women writers and the "New Woman"." Thesis, University of Ottawa (Canada), 1996. http://hdl.handle.net/10393/10372.

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This study examines the literature written by the generation of women who come between pioneering women writers such as Catharine Parr Traill and Susanna Moodie and contemporary women writers such as Alice Munro and Margaret Laurence, literature which helps us to understand the tradition of New Woman writing present in Canada at the turn of the century. This thesis examines selected texts published between 1895 and 1910, a period of rapid urban and industrial expansion in Canada when women began seeing themselves and their roles in society in "new" ways. The first chapter of this thesis examines the concept of the "New Woman" in terms of its original connotations. The second chapter focuses on the representations of the "New Woman" in Lily Dougall's The Madonna of a Day. Sara Jeannette Duncan's A Daughter of Today is the subject of the third chapter. The final chapter examines short stories written by Canadian women journalists Kit Coleman, Ethelwyn Wetherald, and Jean Blewett. (Abstract shortened by UMI.)
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Shen, Ruihua. "New woman, new fiction : autobiographical fictions by twentieth-century Chinese women writers /." view abstract or download file of text, 2003. http://wwwlib.umi.com/cr/uoregon/fullcit?p3113028.

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Thesis (Ph. D.)--University of Oregon, 2003.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 339-366). Also available for download via the World Wide Web; free to University of Oregon users.
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Hale, Julie Elizabeth. "Creating the Appalachian Woman: An Anthology of Appalachian Women Writers, 1865-1884." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/990.

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This anthology of nineteenth-century women’s regional fiction, written in the mode of canon revision, explores how persistent stereotypes of Appalachian women originated. These stereotypes are not merely identified but are also considered in the context of women’s studies. Works by the following six authors are included: Elizabeth Appleton, Rebecca Harding Davis, Frances Hodgson Burnett, Constance Fenimore Woolson, Sherwood Bonner, and Mary Noailles Murfree. Topics addressed include nineteenth-century women as authors, the influence of northern literary magazines on regional writing, the image of the Appalachian woman in fiction, and the critical evaluation of primary texts. Original work required for the completion of a master’s thesis comes by way of a thirty-page analytical introduction, six biographical headnote entries, and an extended bibliography of primary works by Appalachian women writers.
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Ford, Anna Jane. "Endangered bodies : woman and nature in the contemporary British novel by women writers." Thesis, Brunel University, 2004. http://bura.brunel.ac.uk/handle/2438/5793.

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Criticism that involves the linkage of the terms ‘environment’ and ‘literature’, or ‘ecocriticism’, has focused largely on texts such as nature writing or on fiction that is set in rural or wilderness settings. This project attempts to widen the scope of ecocriticism by analysing the contemporary British novel, in which nature conceived in such stereotypical ways is largely absent. However, in my analysis of the fifteen texts selected here, I demonstrate that British women writers employ new discursive constructions of nature in order to contest deterministic formulations that subjugate both women and nature. My focus on female textual bodies enables me to explore representations of the fluid interfaces of nature and culture. In my analysis of novels from an environmental standpoint, `environment' is reconceived to refer to `where we live, work, and play' and may include not only the countryside and urban nature, but also the female body itself. Thus, the nature of my title is an inclusive term that includes contemporary discourses of nature employed by the sciences of biomedicine, genetics and technology. This project examines the ecofeminist premise that discourses of mastery not only affect subjugated others such as women, animals and others, but also influence the treatment of the natural environment. Analysing novels that employ forms of embodiment that foreground extreme bodily conditions such as pregnancy, monstrosity and death, I employ the theoretical constructs of Mikhail Bakhtin (the grotesque body, carnivalisation and dialogism) and Julia Kristeva's notion of abjection as tools of analysis to provide a new conception of ecological bodies. Novelists such as Jeanette Winterson, Fay Weldon, Penelope Lively, Zadie Smith, Margaret Drabble, Kathy Lette and Eva Figes provide a wide range of viewpoints from which to gather evidence of the insistence of the recurring trope of the endangered body within the troubled landscape of contemporary Britain.
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Scowcroft, Ann. "Escaping the hegemony of the written word : Canadian women writers and the dislocation of narrative." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61803.

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Books on the topic "Women writer"

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The woman writer: The history of the Society of Women Writers & Journalists. Stroud: History Press, 2009.

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Bhatt, Krishna. City women and the ghost writer. London: Olympia Publishers, 2008.

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A writer or something. London: Unwin Hyman, 1988.

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Tremayne, Penelope. A writer or something. London: Unwin Hyman, 1988.

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Company, Houghton Mifflin, ed. Amy Tan: Writer. Boston, MA: Houghton Mifflin, 2007.

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Walker, Nancy A. The disobedient writer: Women and narrative tradition. Austin: University of Texas Press, 1995.

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The wedding writer. New York: St. Martin's Griffin, 2011.

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Oates, Joyce Carol. (Woman) writer: Occasions and opportunities. New York: Dutton, 1988.

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Santrey, Laurence. Louisa May Alcott, young writer. Mahwah, N.J: Troll Associates, 1986.

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Roseman, JanetLynn. The way of the woman writer. New York: Haworth Press, 1995.

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Book chapters on the topic "Women writer"

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Hollinger, Karen. "Writer biopics." In Biopics of Women, 114–26. London ; New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781003014645-7.

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Fuller, Vernella. "The Development of My Art as a Fiction Writer." In Caribbean Women Writers, 32–40. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27071-2_5.

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Prescott, Sarah. "Marketing the Woman Writer: Commercial Strategies." In Women, Authorship and Literary Culture 1690–1740, 69–102. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230597082_4.

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Watts, Eileen H. "Edna Ferber, Jewish American Writer: Who Knew?" In Modern Jewish Women Writers in America, 41–63. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604841_4.

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Renker, Cindy K. "Madame Necker (1737–1794): Educator, Salonnière, Mother, Writer, Charity Patron." In Women from the Parsonage, edited by Cindy K. Renker and Susanne Bach, 69–86. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110590364-005.

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Saunders, Clare Broome. "The End of Chivalry?: Joan of Arc and the Nineteenth-Century Woman Writer." In Women Writers and Nineteenth-Century Medievalism, 79–102. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_5.

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Saunders, Clare Broome. "“Though Females are Forbidden to Interfere in Politics”: War, Medievalism, and the Nineteenth-Century Woman Writer." In Women Writers and Nineteenth-Century Medievalism, 29–51. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230618572_3.

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Fehlbaum, Valerie. "Stepping Out: ‘At Home’ or ‘From our Own Correspondent’? The Lady Writer or the Woman Journalist?" In Women in Transit through Literary Liminal Spaces, 61–73. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137330475_5.

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Renk, Kathleen. "Eros and the Woman Writer: Conversing with the Spirits of Elizabeth Barrett Browning, Charlotte Brontë, and E. Nesbit." In Women Writing the Neo-Victorian Novel, 53–89. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48287-9_3.

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Twycross-Martin, Henrietta. "The Drunkard, the Brute and the Paterfamilias: the Temperance Fiction of the Early Victorian Writer Sarah Stickney Ellis." In Women of Faith in Victorian Culture, 6–30. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26749-1_2.

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Conference papers on the topic "Women writer"

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Nirwan. "I Call You through Fire: A Pakkado Love Magic Parallelism." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.6-3.

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The main concern of this article is to elaborate on the magic of Pa’issangang Baine 'knowledge about women’ within ‘Pakkado’ (people who speak I) in West Sulawesi, Indonesia. More specifically, the article focuses on this spell in individual ritual contexts, not in ordinary activity. The spell is performed by certain actors, and focuses on the characteristics of the utterances. The type of knowledge is categorized as a spell and is practiced by men who want to attract beloved women. Albeit, it also used by women to gain beloved men. The techniques used are recordings and field notes. The utterances are taken from a single informant. The rationale of the research is to give a better understanding of spells within the society who speak I. Nowadays, this spell lives only within the heads of aged populatons. Some people are worried about the death of this magic language, but only some attention has been directed at its preservation. The research also contributes in two ways; practice and academic. Practically, it is one way for revitalizing the magic word into written text; academically, it shows fascinating language use from semantic and pragmatic points of view. The writer applies some linguistic tools to analyze the utterances and the activity of performers in producing words such as in the poetic function of language use (Jakobson 1960), and in the deictic field (Hank, 2005). The features of this spell show the act of using parallelism and sentences repeated many times (Fox, 1988). In addition, it also shows the variety within a deictic system. Mandar is an ethnicity located in West Sulawesi—on the island of Sulawesi.
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2

"The Evolution of Indian Women Psyche: A Chronological Study of Women and Woman Writers in India." In CABES-2017, DMCCIA-2017, FEBM-17, BDCMTE-17, LLHIS-17 and BMLE-17. Dignified Researchers Publication (DiRPUB), 2018. http://dx.doi.org/10.15242/dirpub.hdir1217027.

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Amalia, Nur, and Nawawi. "Gender Equality and Injustice Against Female Main Characters in the Collection of Indonesian Women Writers." In 1st Annual International Conference on Natural and Social Science Education (ICNSSE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210430.039.

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"A Comparative Study of Interconnectivity between the Woman's Novels and Autobiography of the Woman Writer." In Sept. 5-7, 2019 Paris (France). Excellence in Research & Innovation, 2019. http://dx.doi.org/10.17758/eirai6.f0919441.

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"A Study of the Cultural Identity of Chinese American Women Writers from a Cross-cultural Perspective." In 2020 International Conference on Social and Human Sciences. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000183.

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Sapozhnikova, Yulia. "The Problem of Self-identity in Slave Narratives Written by African American Women." In 45th International Philological Conference (IPC 2016). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/ipc-16.2017.23.

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MaZixin, Cindy. "Analysis on Women Education in the 18th and 19th Century Based on Jane Eyre and Other Famous English Literature Written by Women Authors." In 2020 4th International Seminar on Education, Management and Social Sciences (ISEMSS 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200826.114.

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Tian, Yan. "An Analysis of Female Consciousness in the Works of Women Writers of “The Seventeen-year (1949-1967) Literature”." In Proceedings of the 2nd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-18.2018.39.

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AFRINDA, Putri Dian. "Turn Taking Strategy to Maintain Women`s Self Image in Peri Kopi Novel Written by Yetti A.K.A." In Sixth International Conference on Languages and Arts (ICLA 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icla-17.2018.29.

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Bazaleva, Lyubov’, and Anastasiya Saltovskaya. "Personal features of persons with addictive behavior." In Safety psychology and psychological safety: problems of interaction between theorists and practitioners. «Publishing company «World of science», LLC, 2020. http://dx.doi.org/10.15862/53mnnpk20-06.

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The article is devoted to the study of the personality determinants of persons with addictive behavior. The aim of the study is to identify the personality determinants of persons with addictive behavior. Research hypothesis - in persons with addictive behavior, there are differences depending on gender, length of use, the period of being in rehabilitation for certain personality traits. To write the article, empirical methods were used - free observation, analysis of isolated cases, conversation, questionnaires, testing according to the methods: the five-factor personality questionnaire McCrae - Costa ("Big Five"), the Shmishek questionnaire. Methods of statistical processing of empirical data were used to process the research results: comparative analysis of mean values and nonparametric statistical tests Mann-Whitney U and Kruskal-Wallis. The study sample consisted of 20 clients of the rehabilitation center: men and women who use various psychoactive substances, with different experience of using substances and different periods of stay in rehabilitation. The article draws conclusions about the peculiarities of personal determinants in persons with additive behavior.
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Reports on the topic "Women writer"

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Day in the life of a CAMHS professional. ACAMH, March 2021. http://dx.doi.org/10.13056/acamh.14895.

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For this year's International Women's Day we wanted to celebrate the work of female CAMHS professionals. Dr. Sian Barnett has kindly written a blog to explain the work she does as a CAMHS clinician, the challenges she has faced, and the women that inspired her to enter a career in this field.
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