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Books on the topic 'Women Writers forgotten'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Consult the top 22 books for your research on the topic 'Women Writers forgotten.'

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1

name, No. Silent voices: Forgotten novels by Victorian women writers. Praeger, 2003.

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2

Milligan, Jennifer E. The forgotten generation: French women writers of the inter-war period. Berg, 1996.

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3

Cynthia, Harris, ed. Hometown appetites: The story of Clementine Paddleford, the forgotten food writer who chronicled how America ate. Gotham Books, 2008.

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4

Tsjeng, Zing. Forgotten Women: The writers. 2017.

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5

Ingram, Angela. Rediscovering Forgotten Radicals: British Women Writers, 1889-1939. University of North Carolina Press, 1993.

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6

Silent voices: Forgotten novels by Victorian women writers. Praeger, 2003.

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7

C, Ingram Angela J., and Patai Daphne 1943-, eds. Rediscovering forgotten radicals: British women writers, 1889-1939. University of North Carolina Press, 1993.

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Ingram, Angela. Rediscovering Forgotten Radicals: British Women Writers, 1889-1939. Univ of North Carolina Pr, 1993.

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9

Ayres, Brenda. Silent Voices: Forgotten Novels by Victorian Women Writers (Contributions in Women's Studies). Praeger Publishers, 2003.

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10

Ayres, Brenda. Silent Voices: Forgotten Novels by Victorian Women Writers (Contributions in Women's Studies). Praeger Publishers, 2003.

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11

In the shadow of Agatha Christie: Classic crime fiction by forgotten female writers : 1850-1917. 2018.

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12

Milligan, Jennifer E. The Forgotten Generation: French Women Writers of the Inter-war Period (Berg French Studies Series). Berg Publishers, 1997.

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13

Milligan, Jennifer E. The Forgotten Generation: French Women Writers of the Inter-war Period (Berg French Studies Series). Berg Publishers, 1997.

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14

Harris, Cynthia, and Kelly Alexander. Hometown Appetites: The Story of Clementine Paddleford, the Forgotten Food Writer Who Chronicled HowAmerica Ate. Penguin Publishing Group, 2009.

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15

Klinger, Leslie S. In the Shadow of Agatha Christie : Classic Crime Fiction by Forgotten Female Writers: 1850-1917. Norton & Company, Incorporated, W. W., 2019.

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16

Jay, Gregory S. White Writers, Race Matters. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190687229.001.0001.

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White liberal race fiction has been an enduringly popular genre in American literary history. It includes widely read and taught works such as Huckleberry Finn and To Kill a Mockingbird along with period bestsellers now sometimes forgotten. Hollywood regularly adapted them into blockbusters, reinforcing their cultural influence. These novels and films protest slavery, confront stereotypes, dramatize social and legal injustices, engage the political controversies of their time, and try to move readers emotionally toward taking action. The literary forms and arguments of these books derive from

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17

Shaw, Jo, and Ben Fletcher-Watson, eds. The Art of Being Dangerous. Leuven University Press, 2021. http://dx.doi.org/10.11116/9789461663825.

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The idea that women are dangerous – individually or collectively – runs throughout history and across cultures. Behind this label lies a significant set of questions about the dynamics, conflicts, identities and power relations with which women live today. The Art of Being Dangerous offers many different images of women, some humorous, some challenging, some well-known, some forgotten, but all unique. In a dazzling variety of creative forms, artists and writers of diverse identities explore what it means to be a dangerous woman. With almost 100 evocative images, this collection showcases an ar

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18

Harker, Jaime. The Lesbian South. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469643359.001.0001.

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In this book, Jaime Harker uncovers a largely forgotten literary renaissance in southern letters. Anchored by a constellation of southern women, the Women in Print movement grew from the queer union of women’s liberation, civil rights activism, gay liberation, and print culture. Broadly influential from the 1970s through the 1990s, the Women in Print movement created a network of writers, publishers, bookstores, and readers that fostered a remarkable array of literature. With the freedom that the Women in Print movement inspired, southern lesbian feminists remade southernness as a site of inte

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19

Bilston, Sarah. The Promise of the Suburbs. Yale University Press, 2019. http://dx.doi.org/10.12987/yale/9780300179330.001.0001.

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When did the suburbs gain their reputation as places of dullness and sterility? This book traces the origins of such suburban stereotypes back to the 1820s, the earliest decade of suburban growth, and argues that those stereotypes were forged from the first to denigrate women and the new middle classes. Disdain for the suburbs blazed especially hotly at the fin de siècle. Writers like George Gissing and H. G. Wells famously presented the suburbs as dull and tedious places, inimical to creativity, and these are the images of the Victorian suburbs scholars know best to this day. This book traces

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20

Smyth, J. E. Nobody's Girl Friday. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190840822.001.0001.

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Looking back on her career in 1977, Bette Davis remembered with pride, “Women owned Hollywood for twenty years.” She had a point. During the 1930s and 1940s, the press claimed Hollywood was a generation or two ahead of the rest of the United States in terms of gender equality and employment, with women constituting 40% of film industry employees. Mary C. McCall Jr. was elected president of the Screen Writers Guild three times, and a quarter of all screenwriters were women. Barbara McLean was known as “Hollywood’s Editor-in-Chief.” She and her colleague Margaret Booth supervised their studios’

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21

Roye, Susmita. Mothering India. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190126254.001.0001.

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Mothering India concentrates on early Indian women’s fiction, not only evaluating their contribution to the rise of Indian Writing in English (IWE), but also exploring how they reassessed and challenged stereotypes about Indian womanhood, thereby partaking in the larger debate about social reform legislations relating to women’s rights in British India. Early women’s writings are of immense archival significance by virtue of the time period they were conceived in. In wielding their pens, these trend-setting women writers (such as Krupa Satthianadhan, Shevantibai Nikambe, Cornelia Sorabji, Nali

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22

Matthews, Samantha. Album Verses and Romantic Literary Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857945.001.0001.

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‘Will you write in my album?’ Many Romantic poets were asked this question by women who collected contributions in their manuscript books. Those who obliged included Byron, Scott, Wordsworth, and Lamb, but also Felicia Hemans, Amelia Opie, and Sara Coleridge. Album Verses and Romantic Literary Culture presents the first critical and cultural history of this forgotten phenomenon. It asks a series of questions. Where did 1820s ‘albo-mania’ come from, and why was it satirized as a women’s ‘mania’? What was the relation between visitors’ books associated with great institutions and country houses,

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